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Littérature scientifique sur le sujet « Social control – fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Social control – fiction"

Lone, Mushtaq Ahmad. "Role of Literature in Shaping Social Understandings of AI." International Journal of Advanced Research & Higher Studies 3 (2024): 152–56. https://doi.org/10.70818/ijarhs.v03i02.2024.0241214.

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The way society views artificial intelligence (AI) has been significantly influenced by litera ture, especially science fiction. Examining possible AI futures stimulates public conversation and has a big impact on attitudes. AI is frequently portrayed as a danger in dystopian fiction, posing existential, control, and malevolent issues. On the other hand, utopian views portray AI as a positive force that solves world problems, improves human capacities, and provides friendship. These stories can have an impact, but there are drawbacks as well. Fictional depic tions of AI have the potential to s

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Veres Cortés, Luis. "True Detective: la reformulación del detective televisivo y el fracaso social." Tripodos, no. 38 (June 4, 2025): 181–93. https://doi.org/10.51698/tripodos.2016.38.181-193.

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La forma más antigua de control social ha sido desde siempre el miedo. Como dice Enrique Gil Calvo, “el miedo es el mensaje”, al señalar que es el miedo un método de sujeción social y de control de los ciudadanos (2003). A lo largo de la historia los miedos han suscitado diversas ficciones audiovisuales estrechamente relacionadas con la prefiguración de grandes momentos de crisis. Si, como señaló Kracauer en los años cuarenta (1985), y más recientemente Francescutti (2004), la ficción supone el afloramiento de determinados miedos y tendencias de pensamiento que subyacen en las sociedades, l

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McGuirk, Carol. "The Rediscovery of Cordwainer Smith." Science Fiction Studies 28, Part 2 (2001): 161–200. https://doi.org/10.1525/sfs.28.2.0161.

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Defining historical, biographical, and literary contexts for Smith’s writings, I analyze his oblique, elliptical style and discuss his approach to the portrayal of heroes. Smith’s consistent focus, even in such non-sf as Ria (1947), Carola (1948), and Atomsk (1949), is on isolated protagonists caught in a maelstrom of contrary impulses; Martel in “Scanners Live in Vain” is torn between body and spirit, domesticity and duty, indoctrination and independent thought. Smith’s sf also assesses the “human” cost of shifting paradigms—sudden social and scientific change—and provides a haunting critique

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Belsunces Gonçalves, Andreu, Grace Polifroni Turtle, Antonio Calleja, Raul Nieves Pardo, Bani Brusadin, and Ignasi Ayats Soler. "Data Control Wars: Collaborative Fiction, Transition Design and Technological Sovereignty." Temes de Disseny, no. 36 (October 1, 2020): 208–39. http://dx.doi.org/10.46467/tdd36.2020.208-239.

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Data Control Wars seeks to explore the development of different futures regarding the extraction, management and exploitation of data and its political, economic and cultural consequences. It has been designed as a research-action device through play, generative conflict, collaborative fiction and performance with three specific objectives: to observe social expectations regarding the relationship between industry, democracy, citizenship and data; to stimulate social imagination through the simulation of sociotechnical scenarios, thus decolonising imaginaries captured by techno-capitalis

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Petrovec, Dragan, and Mitja Muršič. "Science Fiction or Reality." Prison Journal 91, no. 4 (2011): 425–47. http://dx.doi.org/10.1177/0032885511424392.

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The article presents probably the most relevant research to date on the Slovene prison system. The study was conducted through a 2-year research project sponsored by Ministry of Justice and carried out by the Institute of Criminology in Ljubljana. Along with a “longitudinal” study of the social climate in Slovene prison institutions, it evaluates the concepts, practices, and results of so-called sociotherapy as a specific approach to treatment of offenders. “Specific” in this case means that treatment simultaneously encompasses life in prison, the offenders’ social environment, and the inclusi

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Krasmann, Susanne, and Sylvia Kuehne. "‘My fingerprint on Osama’s cup.’ On objectivity and the role of the fictive regarding the acceptance of a biometric technology." Surveillance & Society 12, no. 1 (2013): 1–14. http://dx.doi.org/10.24908/ss.v12i1.4718.

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In inquiring about the social acceptance of the digital fingerprint during our research, we discovered the crucial role the fictive plays in our interviewees’ experiencing and assessment of control and security technology. Social acceptance is thus a heterogeneous phenomenon, not only because it depends on the situational features of dealing with the technology, but also, notably, because facts and fiction intermingle, sometimes indistinctly, within the discourses on surveillance and security. Mistrust in the technology tends to feed on fictive imageries, while at the same time resting on an u

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Cronshaw, Darren. "Beyond Divisive Categorization in Young Adult Fiction: Lessons from Divergent." International Journal of Public Theology 15, no. 3 (2021): 426–45. http://dx.doi.org/10.1163/15697320-01530008.

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Abstract Veronica Roth’s Divergent is a young adult fiction and movie franchise that addresses issues of political power, social inequity, border control, politics of fear, gender, ethnicity, violence, surveillance, personal authenticity and mind control. It is possible a large part of the popularity of the series is its attention to these issues which young Western audiences are concerned about. The narrative makes heroes of protagonists who become activists for justice and struggle against oppressive social-political systems. What follows is a literary analysis of Divergent, evaluating its t

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Weitzman, Steve. "The Samson Story as Border Fiction." Biblical Interpretation 10, no. 2 (2002): 158–74. http://dx.doi.org/10.1163/156851502760162807.

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AbstractThis essay explores the role of story-telling in constructing Judah's border with the Philistines in the shephelah. Judah's struggle to control this frontier involved overcoming social pressures and incentives that naturally pulled Israelites and Philistines living in it toward integration and hybridization. The Samson story, the most famous biblical narrative associated with the shephelah, offers us an opportunity to reconstruct a possible role for story-telling in counteracting this pressure. Drawing on parallels with Greek myth, I argue that the Samson narrative does not merely refl

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Small, Elizabeth. "Religious Institutions in Spanish Science Fiction." Science Fiction Studies 28, Part 1 (2001): 33–48. https://doi.org/10.1525/sfs.28.1.0033.

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This article discusses three recent Spanish sf works in terms of their shared focus on the role of religious institutions in social control and the mediation (largely failed) of cultural/alien contact. The stories employ references to Spain’s long religious and colonial history, as well as references to present-day conflicts, in expressing fairly bleak visions of possible roles of religious institutions in future human society. In discussing these stories, the article draws connections with major works of English-language religious sf by James Blish, Arthur C. Clarke, Robert A. Heinlein, and W

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Al-zubi, Hasan. "The Genteel Realist James as a Pessimistic Naturalist in The Princess Casamassima." International Journal of Literature Studies 3, no. 1 (2023): 09–21. http://dx.doi.org/10.32996/ijts.2023.3.1.2.

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This paper highlights James as a naturalistic pessimist in his late fiction and, more specifically, in his late novel The Princess Casamassima (1986). Although James was identified as a pioneer genteel idealistic realist in his early fiction, his mode of writing shifted in his late fiction to cope with the new environmental settings in Europe and post-civil war American conditions. This dynamic change in his writing modes renders James as an experimental writer responsive to the drastic social, economic and intellectual changes in the late nineteenth century. To fictionalize the historical cha

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Thèses sur le sujet "Social control – fiction"

Harris, Clea D. "The Germ Theory of Dystopias: Fears of Human Nature in 1984 and Brave New World." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/699.

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This project is an exploration of 20th century dystopian literature through the lens of germ theory. This scientific principle, which emerged in the late 19th century, asserts that microorganisms pervade the world; these invisible and omnipresent germs cause specific diseases which are often life threatening. Additionally, germ theory states that vaccines and antiseptics can prevent some of these afflictions and that antibiotics can treat others. This concept of a pervasive, invisible, infection-causing other is not just a biological principle, though; in this paper, I argue that one can inter

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Oliveira, Margareth Laska de. "A leitura da erotização da infância e da cultura do estupro: denúncia social na obra Sapato de salto, de Lygia Bojunga." Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2571.

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Esta pesquisa visou compreender a cultura do estupro e a consequente erotização da infância construídas pela sociedade patriarcal e representadas na literatura infantil e juvenil pelo romance Sapato de salto, de Lygia Bojunga, publicado em 2006. Assim, partindo da hipótese interpretativa de que a mídia tem uma grande influência na erotização e objetificação da criança, buscou perceber como a representação da cultura do estupro e a erotização da infância são construídas socialmente pelas mídias e reafirmadas na idealização da feminilidade e da masculinidade, em que se destaca uma espécie de ama

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Blais, Mathieu. "La pauvreté représentée : sociocritique de la figure de pauvreté dans les récits de fiction de forme brève du XIXe siècle (1840-1869)." Thèse, 2012. http://www.archipel.uqam.ca/5109/1/D2342.pdf.

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Notre étude porte sur la représentation sociale et littéraire de la pauvreté telle que les récits de fiction de forme brève ayant connu une première publication dans la presse francophone du Bas-Canada entre 1840 et 1869 la véhiculent. Dans un premier temps, notre étude cherche à établir et à comprendre le rôle qu'a eu cette production littéraire dans la qualification sociale et symbolique de la pauvreté au Bas-Canada. Pour ce faire, nous avons relevé les différentes figures de pauvreté présentes dans 220 récits de fiction de forme brève, écrits par 95 auteurs et publiés dans plus de 50 périod

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Livres sur le sujet "Social control – fiction"

McNay, Mark. Under Control. Canongate Books, 2009.

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McNay, Mark. Under control. Macadam/Cage Pub, 2009.

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Fitzhugh, Bill. Pest control. Avon Books, 1997.

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Fitzhugh, Bill. Pest control. Avon Books, 1997.

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Billerbeck, Kristin. She's out of control. Christian Large Print, 2009.

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Jenkins, Victoria. Cruise control. Permanent Press, 2002.

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Blode, Ulrich, and Hans Esselborn, eds. Tod eines Unsterblichen: Science-Fiction-Roman. p.machinery, 2020.

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Jacoby, Russell. Social amnesia: A critique of contemporary psychology. Transaction Publishers, 1996.

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Hall, Oakley M. Warlock. University of Nevada Press, 1996.

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Quigley, Sarah. Tmi. Dutton Children's Books, 2009.

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Plus de sources

Chapitres de livres sur le sujet "Social control – fiction"

Day Frank, Morgan. "Really, Really Secret Societies." In Schools of Fiction. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192867506.003.0007.

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Abstract Chapter 6 examines the secret society in the black institutional imaginary after Reconstruction. Secret societies became the subject of much speculation in African American discourse for the same reason they did in the culture at large—because they promised to explain the existence of social inequality and perhaps transform the institutions responsible for reproducing it. Some black writers during this period insisted that secrecy was an unacceptable feature of modern institutions and in doing so demystified the racism embedded in the middle class’s meritocratic worldview. Other black

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Seal, Lizzie, and Maggie O’Neill. "Imagining Dystopian Futures in Young Adult Fiction." In Imaginative Criminology. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781529202687.003.0007.

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This chapter discusses how it is notable that ‘speculative fiction’ – fiction that creates alternative worlds – frequently addresses themes of deviance, transgression and ordering. It identifies themes of surveillance and spectacle; hyperreality and virtual reality; memory and the suppression of history; and hierarchy and difference in dystopian fiction aimed at young adults – The Hunger Games (Collins, 2008), The Maze Runner (Dashner, 2009), Divergent (Roth, 2011) and Red Rising (Brown, 2014). The chapter explores the role of this fiction in cultural imaginings of social control, repression a

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Hervey, Shannon. "Information Disembodiment Takeover." In Posthumanism in Young Adult Fiction. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816696.003.0002.

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Focusing on four YA novels-—#16thingsithoughtweretrue, The Future of Us, Feed, and The Unwritten—Shannon Hervey describes how adolescent anxiety results from the realization that teens are not just addicted to the Internet; they are tech-human hybrids. Social media demands self-commodification with the capitalistic return of followers and readers, feeding the fear that the virtual self seems to create or at least control the material self. Three of the novels offer unsatisfactory endings, as withdrawal from social media is the only answer. The Unwritten, though, tries to work through the proce

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McGregor, Rafe. "Criminological Cinema." In A Criminology Of Narrative Fiction. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529208054.003.0007.

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The purpose of this chapter is to explain the relationship between pedagogic and aetiological value within the criminology of narrative fiction. The chapter’ focus is on criminological cinema – Hollywood feature films that take crime or social harm or the control of crime or social harm as their subject – on the basis of the relevance of audience size to pedagogic value. Pedagogic value is a function of accessible communication and audience engagement and both of these features are enhanced by the characteristic realism of the cinematic mode of representation and the mythic storytelling charac

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Bailey, James. "The Desegregation of Spark." In Muriel Spark's Early Fiction. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475969.003.0001.

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This introductory chapter provides a comprehensive account of Spark’s critical reception, spanning the 1960s to the present day. Established critical views, it argues, have collectively developed a ‘myth’ of Spark as an author who delights in playing the role of malevolent master-puppeteer, flaunting her powers of omniscience before the reader. This tendency to liken Spark’s authorial power to that wielded punitively by the Old Testament God does a disservice to the complexity and diversity of her writing, and blunts its political anger and subversive edge. Instead, this rigid, prescriptive th

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Reitz, Caroline. "The Fin-de-Siècle Detective: ‘But My Job Don’t End There’." In The Edinburgh Companion to Fin de Siècle Literature, Culture and the Arts. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474408912.003.0023.

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This chapter re-examines late nineteenth-century detective fiction. It challenges views of the genre as a conservative phenomenon that reassures its readers by exposing and then vanquishing threats to the social order. Through analysing a range of detective fiction, involving male and female detectives, it highlights the frailties of the specialist knowledge the detective processes, and how it is more often the case that the genre testifies to the inadequacy of professional knowledge to apprehend and control the world, pointing a persisting and threatening sense of violence and social chaos th

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Silva, Kumarini. "Wielding Identity to Organize Warfare." In Brown Threat. University of Minnesota Press, 2016. http://dx.doi.org/10.5749/minnesota/9781517900021.003.0006.

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Brown Threat concludes with a revisit to its theories of brownness in order to broadly summarize its core values and apply it to recent examples of brown (mis)identification. Accelerated by the events of 9/11, identity (racial and otherwise) has shifted to identification to maintain a form of social control that benefits those in power and maintains the paradoxical fiction that America is welcoming to all but also discerning of who has the right to its exceptionalism. The practices, both popular and political, of this paradoxical fiction manifest in forms of racist governmentality that are sys

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Hanley, Will. "Bad Subjects." In Identifying with Nationality. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231177627.003.0011.

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“Bad subject” is a pooled, transnational category used to describe recidivists, forgers, vagrants, indigents, and mendicants. Authorities applied a common set of sanctions to bad subjects: deportation, banishment, and removal of protection. “Bad subjecthood” was nationality’s double: a status category that turned subjective description into an official determinant of life chances, a legal fiction that became an article of official consensus. By the First World War, explicit reference to bad subjects had largely disappeared, as its social control functions were absorbed into nationality.

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Lucey, Colleen. "Introduction." In Love for Sale. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501758867.003.0001.

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This introductory chapter explores the historical context behind prostitution in Russia as well as Russian attitudes toward it. It examines Russia's robust literary and artistic tradition founded predominantly on the image of the sold woman. Over the course of the nineteenth century, the responsibility of shaming sexually transgressive women shifted back and forth between the regulatory offices of the state and the intimate world of fiction. In order to make sense of her sexual difference, various writers contained the prostitute's plot through endings that expelled her from the social order.

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Tacer, Özgür. "Building Another World: Perdido Street Station." In Architecture in Contemporary Literature. BENTHAM SCIENCE PUBLISHERS, 2023. http://dx.doi.org/10.2174/9789815165166123010032.

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Perdido Street Station is the first book of the Bas-Lag novel series, written by British writer China Miéville. It is regarded as one of the prominent examples of new weird fiction, a literary genre that utilizes aspects of fantasy, horror, science.fiction and other speculative fictional tropes. Perdido Street Station is set in a world where magic and steampunk technology coexists. The novel is critically acclaimed for its intricately worked out and richly described setting. The city of New Crobuzon, an imaginary metropolis in the world of Bas-Lag, is the center of the narrative with an immens

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Actes de conférences sur le sujet "Social control – fiction"

Smetana, Vladimir Vasilyevich. "THE DIGITAL DOPPELGANGER AND THE DIGITAL GHOST: THE ETHICAL AND SOCIAL CONSEQUENCES OF HUMAN IMITATION IN THE DIGITAL AGE." In Themed collection of papers from Foreign international scientific conference «Joint innovation - joint development». Part 1. by HNRI «National development» in cooperation with PS of UA. May 2024. - Harbin (China). Crossref, 2024. http://dx.doi.org/10.37539/240530.2024.67.94.013.

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The 21st century has been marked by unprecedented progress in the field of information technology, artificial intelligence (AI) and big data analysis. These achievements not only transform familiar spheres of life, but also pose new, sometimes existential questions to humanity related to the very understanding of life, death and the human personality. One of the most striking illustrations of these transformations is the emergence of digital twins - dynamic, updatable digital models of real people capable of imitating their behavior, preferences, and even making decisions. Digital twins are in

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Vale, Constance. "Image Fictions: Fabricating Worlds." In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.57.

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Images play a central role in contemporary culture, and it is crucial that architects understand, control, and engineer their political forces.¹ From hyper-real simulations to machine vision, the structure and way that images are mobilized is changing. Photorealistic techniques and data-driven ones are entrusted as “objective” image types, often deployed to represent reality, truth, or facts, when in actuality, they can be used to call those into question through critical narratives. This paper investigates the potential of images to cultivate conversations about emerging technology’s implicat

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Sioli, Angeliki, and Kristen Kelsch. "Strategic Deviations: Pedagogical Surprises in the Expected Flow of Things." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.103.

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Engaging a pedagogical methodology developed to question the status-quo of the design studio, this paper discusses research on architectural pedagogy. Titled “Strategic Deviations,” this suggested methodology argues for the necessity of carefully orchestrated provocative and unexpected moments in the curriculum; moments that unsettle the students by connecting them with elements of the creative world outside architecture. By doing so the goal is two-fold: to expand their understanding of architecture’s definition and role in our contemporary society and to amplify their willing-ness to engage

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Khaled IBRAHIM, Yousry. "THE MEDIA RESPONSIBILITY OF THE COMMUNICATOR FOR EMPLOYING ARTIFICIAL INTELLIGENCE TECHNIQUES IN SATELLITE TELEVISION CHANNELS: A SURVEY STUDY OF A SAMPLE OF MEDIA PROFESSIONALS IN IRAQI SATELLITE CHANNELS." In VIII. International research Scientific Congress of Humanities and Social Sciences. Rimar Academy, 2024. https://doi.org/10.47832/istanbul.congress8-2.

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After the rapid developments of digital technologies and artificial intelligence technologies, we no longer distinguish between the real and the artificial. The cards have been mixed and the facts have been lost in the digital age. From the technologies of augmented reality, deep fake and hologram, which are branches of artificial intelligence technologies that sometimes work to fabricate events, mix truth with fiction and manufacture facts, the importance of the social and media responsibility of the communicator emerges here in the face of these obstacles that stand in the way of achieving t

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Mattana, Leticia, Carlos Eduardo Verzola Vaz, and Patrícia Turazzi Luciano. "Ciclo de oficinas GMA." In ENCONTRO NACIONAL SOBRE O ENSINO DE BIM. Antac, 2021. http://dx.doi.org/10.46421/enebim.v3i00.307.

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O GMA é o Grupo de Modelagem Avançada da Universidade Federal de Santa Catarina (UFSC), formalizado por meio de um Programa de Extensão universitária e tem como propósito promover eventos e cursos de extensão em temas variados, incluindo modelagem BIM, paramétrica, simulação e automatização na arquitetura. O grupo é formado por professores do Departamento de Arquitetura e Urbanismo e Design, estudantes de graduação e pós-graduação da Universidade Federal de Santa Catarina e profissionais. O Ciclo de Oficinas GMA é um evento semestral promovido por este grupo, ocorrendo no início do semestre le

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