Littérature scientifique sur le sujet « Sound ambiances »

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Articles de revues sur le sujet "Sound ambiances"

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Laplace, Josée, and Catherine Guastavino. "Evaluating the restorative potential of church buildings." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 265, no. 2 (2023): 5206–18. http://dx.doi.org/10.3397/in_2022_0758.

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We report the preliminary results of a study on the experience of soundscape and architectural ambiances of church buildings, with an emphasis on their restorative qualities. Through questionnaires, soundwalks and interviews with 16 diverse participants, we aim to characterize the sensory qualities of 2 contrasting church buildings in Montreal. Our data collection instruments operationalize concepts at the intersection of different research fields: soundscapes, attention restoration, quiet areas, architectural ambiances and heritage (including religious) places. As such, it encompasses a broad
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Solomos, Makis. "From Sound to Sound Space, Sound Environment, Soundscape, Sound Milieu or Ambiance …" Paragraph 41, no. 1 (2018): 95–109. http://dx.doi.org/10.3366/para.2018.0253.

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This article proposes approaching the phenomenon of sound as a fabric of relationships. Critiquing the notion of a sound object as it has become defined thanks to the fixity enabled by sound recording, it focuses on the characteristics of sound that converge towards a relational approach and suggests that there is an inextricable link between the vibrating object, the milieu in which the vibration spreads and the subject who listens. It is probably for this reason that current research — whether in music, sound art or other disciplines that centre on sound, from sound studies to environmental
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Lescop, Laurent, and Anetta Kępczyńska-Walczak. "Envisioning ambiances: Representing (past,present and future) atmospheres for architecture and the built environment." SHS Web of Conferences 64 (2019): 00002. http://dx.doi.org/10.1051/shsconf/20196400002.

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The concept of “ambiance” has been shaped over the years by questioning the interactions between three attractors: architecture and the city, climatic and sound phenomena, uses and perception. Studied in pairs, each of these attractors refers to very different disciplinary fields; architecture and phenomena concern the physics of the city, architecture and uses interest sociology and uses and phenomena are rather turned to comfort. Studies concerning ambiances are therefore highly interdisciplinary and raise many questions: living spaces, urban renewal and heritage, urban prospective and the c
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Talantikite, Soundouss I., and Meriama Bencherif. "Effect of Spatial Ambiances on the Patient Satisfaction and Well-Being in Hospitals: The Case of UHC Ibn Sina Annaba and UHC Benbadis Constantine—Algeria." HERD: Health Environments Research & Design Journal 14, no. 3 (2021): 83–107. http://dx.doi.org/10.1177/1937586720986106.

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Objectives: In this work, we aim to have a better understanding of the impact of the architectural ambiance on patient well-being, by exploring patient’s perception of physical ambiantal factors in their rooms. Background: Perception of ambiantal factors is beginning to be relatively documented in space psychology, including health. There is no research in this field in Algeria; therefore, we would like to fill this gap and draw attention to the importance of the ambiantal physical factors in our hospitals. Methods: We conducted a practical study via a 19-item questionnaire at the neurology ho
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FILIMON, ROSINA CATERINA. "Syncretism and synaesthesia in music – unification of arts and perceptions." ARTES. JOURNAL OF MUSICOLOGY 27, no. 27-28 (2023): 167–84. http://dx.doi.org/10.35218/ajm-2023-0010.

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Archaeological and ethnological research has revealed that, since antiquity, music had a syncretic nature. Music, dance, and poetry made up a single whole, aiming at expressing human feelings, sensations and perceptions through melody, rhythm, words, and gestures, and accompanying everyday activities that had various functions. Artistic syncretism is doubled by another structural principle – synaesthesia. The brain process that unifies senses and perceptions, synaesthesia is defined as the spontaneous association of several senses and sensations, in response to the action of a single stimulus.
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MARRY, Solène. "Ordinary sonic public space. Sound perception parameters in urban public spaces and sonic representations associated with urban forms." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 2, no. 1 (2012): 171–96. http://dx.doi.org/10.7146/se.v2i1.5231.

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The research referred to in the article concerns the factors influencing the perception of ordinary sonic public space and everyday sounds. Sound perception parameters, such as vegetation or sound sources, are analysed in urban public spaces. This research, which is based on my PhD project, tries to understand how urban people perceive their sonic environment and try to contribute to sonic ambiance knowledge. The research is based on a qualitative investigation conducted among 29 people. It is, on the one hand, based on questionnaires and focus groups in situ and, on the other hand, on individ
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DATCU, Raluca, Andreea MIHALACHE, Andreea MUCIBABICI, and Andreea STAN. "Călătorind printr-o harpă – amenajarea unui portic." Argument. Spațiul construit. Concept și expresie, no. 10 (2018): 261–72. http://dx.doi.org/10.54508/argument.10.15.

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As far as today’s civilization development environment is concerned, man is living in an uninterrupted sound environment. Everywhere he is accompanied by a multitude of sounds and noises of varying intensity, having more or less violent effects on his hearing and his health. We can define noise as a representation of the sound vibration, not having a systematic attribute that is transmitted through various environments (air, water etc.) and that sensitizes the human ear negatively. In the Larousse dictionary, noise is a harmless sound system. Scientists with a specialization in physics charact
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Viaud-Delmon, Isabelle, Jane Mason, Karim Haddad, Markus Noisternig, Frédéric Bevilacqua, and Olivier Warusfel. "A Sounding Body in a Sounding Space: the Building of Space in Choreography – Focus on Auditory-motor Interactions." Dance Research 29, supplement (2011): 433–49. http://dx.doi.org/10.3366/drs.2011.0027.

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In the last 4 years, we have developed a partnership between dance and neuroscience to study the relationships between body space in dance and the surrounding space, and the link between movement and audition as experienced by the dancer. The opportunity to work with a dancer/choreographer, an expert in movement, gives neuroscientists better access to the significance of the auditory-motor loop and its role in perception of the surrounding space. Given that a dancer has a very strong sense of body ownership (probably through a very accurate dynamic body schema) ( Walsh et al. 2011 ), she is an
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Catania, Pietro, and Mariangela Vallone. "Application of A Precision Apiculture System to Monitor Honey Daily Production." Sensors 20, no. 7 (2020): 2012. http://dx.doi.org/10.3390/s20072012.

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Precision beekeeping or precision apiculture is an apiary management strategy based on the monitoring of individual bee colonies to minimize resource consumption and maximize the productivity of bees. Bees play a fundamental role in ensuring pollination; they can also be considered as indicators of the state of pollution and are used as bio monitors. Beekeeping needs continuous monitoring of the animals and can benefit from advanced intelligent ambiance technologies. The aim of this study was the design of a precision apiculture system (PAS) platform for monitoring and controlling the followin
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bundtzen, lynda k. "Lucent Figs and Suave Veal Chops: Sylvia Plath and Food." Gastronomica 10, no. 1 (2010): 79–90. http://dx.doi.org/10.1525/gfc.2010.10.1.79.

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In popular mythology, poet Sylvia Plath is regarded as a tragic suicide and/or a feminist martyr. If you read her journals and letters, though, you learn that she loved to cook, loved to eat, and often devoted as much time to preparing meals for her husband Ted Hughes as she did to her writing. Cooking was, in fact, often a convenient distraction when she had writer's block, or did not want to prepare classes for teaching, or when she was pregnant and longed for no more intellectual challenge than reading recipes from her beloved Joy of Cooking or The Ladies’’ Home Journal. Plath's huge appeti
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