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Littérature scientifique sur le sujet « Sound recording industry – History »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Sound recording industry – History"

Gronow, Pekka. "Recording the History of Recording: A Retrospective of the Field." International Journal for History, Culture and Modernity 7, no. 1 (2019): 443–57. http://dx.doi.org/10.18352/hcm.565.

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The recording industry is now over 120 years old. During the first half of its existence, however, few archives documented or collected its products. Many early recordings have been lost, and discography, the documentation of historical recordings, has mainly been in the hands of private collectors. An emphasis on genre-based discographies such as jazz or opera has often left other areas of record production in the shade. Recent years have seen a growth of national sound collections with online catalogues and at least partial online access to content. While academic historians have been slow t

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Dauterive, Jessica, Matthew B. Karush, and Michael O’Malley. "Hearing the Americas: Understanding the Early Recording Industry with Digital Tools." Journal of the Gilded Age and Progressive Era 22, no. 4 (2023): 427–51. http://dx.doi.org/10.1017/s1537781423000178.

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AbstractThis article describes the methods and arguments of Hearing the Americas, a digital public history project that illuminates the history of popular music and the recording industry from 1890 to 1925. We argue that the use of digital tools allows the website to integrate sound directly into writing on music and thereby explicate a series of historical arguments. The article examines three arguments advanced by Hearing the Americas, showing in each case how digital tools generate new insights. The first case uses mapping to reveal some of the specific ways in which the economic and social

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Rykunin, Vladislav Vyacheslavovich. "The first jazz gramophone record: the music of the moment which became timeless." PHILHARMONICA. International Music Journal, no. 1 (January 2021): 14–22. http://dx.doi.org/10.7256/2453-613x.2021.1.35023.

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Jazz is the first type of music art the earliest stage of development of which had been recorded. A single play recorded in 1917 by the quintet Original Dixieland &ldquo;Jass&rdquo; Band from New Orleans is known in history as the first jazz record. There&rsquo;s a perception in the academic community that the musical material on this record can hardly be considered as a typical representative of jazz music of that period. The music was performed by the white musicians, though most first jazz bands were black, and the music was far from a real solo improvisation. However, it was no

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Hughes, Stephen Putnam. "Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema." Journal of Asian Studies 66, no. 1 (2007): 3–34. http://dx.doi.org/10.1017/s0021911807000034.

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During the first half of the twentieth century, new mass media practices radically altered traditional cultural forms and performance in a complex encounter that incited much debate, criticism, and celebration the world over. This essay examines how the new sound media of gramophone and sound cinema took up the live performance genres of Tamil drama. Professor Hughes argues that south Indian music recording companies and their products prefigured, mediated, and transcended the musical relationship between stage drama and Tamil cinema. The music recording industry not only transformed Tamil dra

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Večerníková, Lucie, Filip Šír, and Tomáš Slavický. "Eduard Jedlička: Americký sen zlatníka z Moravy." Muzeum Muzejní a vlastivedná práce 60, no. 1 (2022): 40–49. http://dx.doi.org/10.37520/mmvp.2022.005.

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In the collections of the earliest phonograph cylinders held by American memory institutions, a remarkable set of recordings with Czech content can be found under the title of Jedlička Records, derived from the name of Eduard Jedlička (1867–1944), a Czech immigrant to the US. The authors of the study present for the first time the story of the Moravian native who left his homeland in 1895 to pursue his American dream. Jedlička Records represent a valuable example of Czech (mostly traditional folk) songs popular among the Czech minority in the early 20th century. They also represent a significa

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Horning, Susan Schmidt. "Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 (review)." Technology and Culture 47, no. 3 (2006): 651–53. http://dx.doi.org/10.1353/tech.2006.0181.

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Morgan, Frances. "Pioneer Spirits: New media representations of women in electronic music history." Organised Sound 22, no. 2 (2017): 238–49. http://dx.doi.org/10.1017/s1355771817000140.

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The Alternative Histories of Electronic Music conference in 2016 reflected a rise in research that explores new and alternative directions in electronic music historiography. Accordingly, attention has been focused on practitioners previously either ignored or thought to be marginal; a significant number of these figures are women. This fact has caught the attention of print and online media and the independent recording industry and, as a result, historical narratives of female electronic musicians have become part of the modern music media discourse. While this has many positive aspects, som

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Hepokoski, James. "“Listen and Be Amazed!”: Odeon, Künneke, and the First Recordings of Complete Symphonies." Journal of the American Musicological Society 76, no. 1 (2023): 113–67. http://dx.doi.org/10.1525/jams.2023.76.1.113.

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Abstract Between 1911 and 1913, Odeon records, in Berlin, produced and made available for sale five complete, four-movement symphonies, the first complete symphonies ever recorded. They were Beethoven’s Fifth and Sixth Symphonies (August and November–December 1911), and then Haydn’s Symphony no. 94 (“Surprise”) and Mozart’s Symphonies nos. 40 and 39 (in that order, March and April 1913). Each was performed by members of the Odeon company’s orchestra, billed as the “Großes Odeon-Streich-Orchester.” While no conductor is identified on the labels, it was surely Eduard Künneke, Odeon’s house condu

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Aliyari, Mahdi. "Evaluating The Efficiency of Contractor's Guidelines in Improving the Success of Construction Projects." International journal of Modern Achievement in Science, Engineering and Technology 1, no. 3 (2024): 1–8. http://dx.doi.org/10.63053/ijset.39.

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In the construction industry, the guidelines of contractors play a crucial role in improving the success of construction projects. Contractors have significant responsibilities in a construction project, including measurement, recording, and supervision of dimensions and work quality. In general terms, a contractor is responsible for planning, leading, executing, supervising and inspecting a building construction project. The responsibility extends from the beginning to the end of the project, regardless of its scope. Overall contractors are responsible for fulfilling the contract Which makes

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Beskorsyi, V. "The spatial sound field of a screen work: a retrospective analysis." Culture of Ukraine, no. 89 (June 20, 2025): 153–63. https://doi.org/10.31516/2410-5325.089.15.

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The relevance of the research topic. The issue of the spatial dimension of an audiovisual work has not lost its relevance since the emergence of sound recording and sound engineering, that is, since the beginning of the XX century. It is the study of the historical development of sound recording of musical texts that has become the basis for the analysis of the spatial sound field of screen works. The development of modern surround sound systems opens up new opportunities for the implementation of the authorial idea for authors of audiovisual works due to the expansion of the visual and expres

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Thèses sur le sujet "Sound recording industry – History"

Curran, Terence William. "Recording classical music in Britain : the long 1950s." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2340cf56-c2be-4c0b-b5a6-2cfe06c22fe4.

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During the 1950s the experience of recording was transformed by a series of technical innovations including tape recording, editing, the LP record, and stereo sound. Within a decade recording had evolved into an art form in which multiple takes and editing were essential components in the creation of an illusory ideal performance. The British recording industry was at the forefront of development, and the rapid growth in recording activity throughout the 1950s as companies built catalogues of LP records, at first in mono but later in stereo, had a profound impact on the music profession in Bri

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Arvidsson, Kjell. "Skivbolag i Sverige." Doctoral thesis, Göteborg Handelshögskolan vid Göteborgs Univ, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=016515417&linen̲umber=0002&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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Straw, Will 1954. "Popular music as cultural commodity : the American recorded music industries 1976-1985." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39241.

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This dissertation is an analysis of historical change within those cultural industries involved in the production and dissemination of popular music. Through an analysis of the relationship between the recording and radio industries within the United States, during the period 1976-1985, the manner in which crises within these industries arise and are resolved is traced. The emergence of such musical forms as "disco" and "New Wave", and the manner in which these forms have been integrated within the functioning of the music-related industries, are central concerns of the dissertation. At the sa

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Papizzo, Brian O'Shea (Brian Thomas O'Shea). "Towards a political economy of the Canadian recording industry." Ottawa, 1993.

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Genevro, Brad. "The art of recording the American wind band." connect to online resource, 2006. http://www.unt.edu/etd/all/May2006/genevro%5Fbradley/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2006.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 10, 1997, July 17, 1997, Mar, 3, 1998, and Nov. 14, 2005. Includes bibliographical references (p. 40-41).

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Goh, Man-fat Joseph. "Music retailing in Hong Kong /." [Hong Kong : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13731105.

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Lubin, Tom. "An historical survey of technology used in the production & presentation of music in the 20th century /." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030903.112151/index.html.

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Choi, Ka-fai. "Some economics of the classical music record industry." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31938073.

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Western, Thomas James. "National phonography : field recording and sound archiving in Postwar Britain." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/33113.

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Vast numbers of historical field recordings are currently being digitised and disseminated online; but what are these field recordings-and how do they resonate today? This thesis addresses these questions by listening to the digitisation of recordings made for a number of ethnographic projects that took place in Britain in the early 1950s. Each project shared a set of logics and practices I call national phonography. Recording technologies were invested with the ability to sound and salvage the nation, but this first involved deciding what the nation was, and what it was supposed to sound like

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Choi, Ka-fai, and 蔡家輝. "Some economics of the classical music record industry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31938073.

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Livres sur le sujet "Sound recording industry – History"

Gronow, Pekka. An international history of the recording industry. Cassell, 1998.

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Mori, Yoshihisa. Onkyō gijutsushi: Oto no kiroku no rekishi. Tōkyō Geijutsu Daigaku Shuppankai, 2011.

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Simon, Géza Gábor. Magyar hanglemeztörténet: (100 éves a magyar hanglemez, 1908-2008). Jazz Oktatási és Kutatási Alapítvány, 2008.

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Thérien, Robert. L' histoire de l'enregistrement sonore au Québec et dans le monde, 1878-1950. Presses du l'Université Laval, 2003.

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Heylin, Clinton. Bootleg: The secret history of the other recording industry. St. Martin's Griffin, 1996.

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Laird, Ross. Sound beginnings: The early record industry in Australia. Currency Press, 1999.

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Gronow, Pekka. The recording industry: An ethnomusicological approach. University of Tampere, 1996.

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Anniss, Matt. The music industry. Smart Apple Media, 2015.

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Smith, Jacob. Spoken word: Postwar American phonograph cultures. University of California Press, 2011.

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Michèle, Hung, Garcia Morencos Esteban, and International Federation of the Phonographic Industry., eds. World record sales, 1969-1990: A statistical history of the world recording industry. International Federation of the Phonographic Industry, 1990.

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Chapitres de livres sur le sujet "Sound recording industry – History"

Pavan, Gianni, Gregory Budney, Holger Klinck, Hervé Glotin, Dena J. Clink, and Jeanette A. Thomas. "History of Sound Recording and Analysis Equipment." In Exploring Animal Behavior Through Sound: Volume 1. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97540-1_1.

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AbstractOver the last 100 years, there has been an explosion of research in the field of animal bioacoustics. These changes have been facilitated by technological advances, decrease in size and cost of recording equipment, increased battery life and data storage capabilities, the transition from analog-to-digital recorders, and the development of sound analysis software. Acousticians can now study the airborne and underwater sounds from vocal species across the globe at temporal and spatial scales that were not previously feasible and often in the absence of human observers. Many advances in t

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Osborne, Richard. "Masters and Slaves: Black Artists and the Ownership of Sound Recording Copyright." In The Palgrave Handbook of Critical Music Industry Studies. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-64013-1_3.

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Sun, Hyojung. "The History of Technological Developments in the Recording Industry." In Digital Revolution Tamed. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93022-0_3.

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Wajima, Yūsuke. "Early History / 3: Shifting Practice, Industry, and Ideology in the First Decade of Tv Anime Songs (1962–1972). From Torirō Miki to Michiaki Watanabe." In Palgrave Studies in Sound. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-0429-3_7.

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Leška, Rudolf. "Sync That Tune! The Role of Collective Management of Rights in Film Production and Distribution." In Springer Series in Media Industries. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44850-9_16.

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Abstract Whenever a film is produced and distributed, a license to use the music and sound recording may be needed. While the film producer usually owns the copyright in the film and underlying works or actors’ performances, responsibility for the clearance of rights in music and sound recordings remains largely on the shoulders of users (broadcasters, cinema operators, VOD platforms). They usually need to get a license through a CMO or directly from the rightsholder. In the case of musical works, the procedures are largely standardized, mainly in offline use. When it comes to licensing the ri

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Siefert, Marsha. "Entrepreneurial Tapists." In Music and Democracy. mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-002.

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This article takes a participatory approach to the reproduction of live music performance by looking at the history of »bootleg« sound recordings in two formations during the 1960s and 1970s. The first builds on the history of how opera lovers, mostly in concert and sometimes in conflict with formal opera institutions and commercial recording companies, created their own community for reproduced live opera performances through surreptitious live recording, record producing, distributing, cataloging, trading, and collecting. Marsha Siefert relates these activities to the world of magnitizdat, t

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Mizuno, Mikako. "5. Iannis Xenakis in Japan: Productive Performances and Reception of Texts." In Meta-Xenakis. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0390.07.

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The last two decades produced remarkably excellent Xenakis performers who were born in Japan and who have generated a new phase of Xenakis performances in Japan. They succeeded the first generation which had shared the same years of the avant-garde after WWII with the composer. This chapter examines Xenakis’s interactions with Japanese musicians for the Osaka World Fair (1970) and the preparatory process of Hibiki-Hana-Ma in the NHK electronic music studio and that had made important footprints on musical concepts for then- contemporary Japanese composers. The Steel and Iron Pavilion in the Os

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Ó Briain, Lonán. "Introduction." In Voices of Vietnam. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197558232.003.0001.

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This introduction delineates the three main pillars of the book. Red music is defined within the context of the Vietnamese music industry and compared with propaganda music in other communist countries. The concept of a continuous revolution is described through reference to literature from political thinkers in Vietnam and the wider communist world. Radio and the voice are assessed as key themes in recent anthropological studies. This is followed by a review of the social history of sound reproduction, which is considered in the fields of ethnomusicology, sound studies, radio studies, and rel

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"4 A short history of analogue recording." In Sound and Recording. Routledge, 2012. http://dx.doi.org/10.4324/9780080468501-14.

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Reali, Christopher M. "“Land of 1000 Dances”." In Music and Mystique in Muscle Shoals. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044519.003.0005.

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This chapter examines the real and imagined South in relationship to the Muscle Shoals music industry by addressing how cultural outsiders like Jerry Wexler perpetuated stereotypes that fed the Muscle Shoals mystique. Dissemination of the Muscle Shoals mystique occurred through news articles, 45 rpm labels, and recordings made by Jimmy Cliff, the Rolling Stones, and Traffic. The chapter provides a close reading of the cumulative events that led to Paul Simon's arrival in Muscle Shoals. Positioning the songs recorded in the Shoals during the 1960s and early 1970s within a larger cultural contex

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Actes de conférences sur le sujet "Sound recording industry – History"

Neyrinck, Jorijn, and Ellen Janssens. "Documenting ICH in sound and image." In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.1.04.

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Documentation of intangible cultural heritage (ICH) poses a series of new questions and challenges within the heritage practice. How do we document a heritage that is alive, through the heads, hands and practices of people? Heritage that is neither tangible nor fixed but intangible and dynamic. Heritage that lives within a community, which by its active practice also acts to transmit and realize a future for this living heritage. Such living heritage processes require different, explicitly participatory and dynamic approaches for documentation – for which audiovisual forms of recording seem ap

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Najafi, Bijan, Robert P. Kassawara, Francisco Joglar-Biloch, and Yehia Khalil. "History of Fire Events in the U.S. Commercial Nuclear Industry." In 10th International Conference on Nuclear Engineering. ASMEDC, 2002. http://dx.doi.org/10.1115/icone10-22587.

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Over the past decade, interest in performance-based fire protection has increased within the nuclear industry. In support of this growing interest, in 1997 the Electric Power Research Institute (EPRI) developed a long-range plan to develop/improve data and tools needed to support Risk-Informed/Performance-Based fire protection. This plan calls for continued improvement in collection and use of information obtained from fire events at nuclear plants. The data collection process has the objectives of improving the insights gained from such data and reducing the uncertainty in fire risk and fire

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Mitsuhashi, Yoshinobu. "Standardization Activities for Optical Disks in Japan." In Optical Data Storage. Optica Publishing Group, 1985. http://dx.doi.org/10.1364/ods.1985.thcc1.

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In the optoelecrronic industry, optical disks are considered one of the most promising technologies following optical communication. In recent years, technical development of the optical disk has been startling, with the marketing of the video disk (VD) and the digital audio disk (CD) followed by the document file and the code data disks, all of which illustrate its increasing variety. The international standards for VD and CD have been almost completed by the IEC / TC 60 (International Electrotechnical Commission, Technical Committee 60A: Sound Recording, 60B : Video Recording).1) Internation

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Schmid, Andreas, and Naoki Yamada. "Spray Combustion Chamber: History and Future of a Unique Test Facility." In ILASS2017 - 28th European Conference on Liquid Atomization and Spray Systems. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/ilass2017.2017.4734.

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Large marine two-stroke diesel engines still represent the major propulsion system for merchant shipping. Withsteadily increasing transport demands, rising operational costs and stricter environmental legislations, the global marine shipping industry finds itself facing the challenge to future-proof its fleet. In order to comply with international maritime organizations emission standards (TIER II and TIER III), highly sophisticated and flexible combustion systems are demanded. With the help of spray and combustion research such systems can be developed and continuously improved. A highly valu

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Sutlović, Ana, Valentina Ferenčak, Jelena Đukanović, and Sofija Đukanović. "Revitalisation of natural dyes: Red shades of textiles dyed with Rubia tinctorum under different process parameters." In 7th International Scientific Conference Contemporary Trends and Innovations in Textile Industry – CT&ITI 2024. Union of Engineers and Technicians of Serbia, Belgrade, 2024. http://dx.doi.org/10.5937/ct_iti24002s.

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The demands of modern life and industry tend toward environmentally sound and sustainable processes in all areas of human activity, including the textile industry. In response to this demand, natural dyes, which had fallen into oblivion at the end of the 19th century, gained popularity as an acceptable alternative to synthetic dyes. The natural dye obtained from the plant Rubia tinctorum belongs to the group of acid-mordant dyes. The chemical structure of the main pigment, alizarin, and the method of binding it to fiber are described in the paper. Basic botanical and agronomic data are present

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Ünalmis, Ö. Haldun. "Downhole Three-Phase Flow Measurement Using Sound Speed Measured by Local or Distributed Acoustic Sensing." In SPE Annual Technical Conference and Exhibition. SPE, 2022. http://dx.doi.org/10.2118/210072-ms.

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Abstract In-well multiphase flow measurement continues to be a challenging task in the oil and gas industry. One promising technology to achieve this goal is the distributed acoustic sensing (DAS) system deployed downhole along a fiber. A DAS system is usually capable of measuring speed of sound (SoS) and, depending on the type of application and how the system is installed/configured, it may also measure flow velocity. In its current state, the DAS technology is still not fully explored in multiphase flow measurement for reasons including but not limited to the lack of flow algorithms and met

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Besem-Cordova, Fanny M., Donavan Dieu, Kan Wang, Guillaume A. Brès, and Antoine Delacroix. "GPU-Accelerated Aeroacoustic Simulations of HVAC Duct Configurations." In Noise & Vibration Conference & Exhibition. SAE International, 2025. https://doi.org/10.4271/2025-01-0133.

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<div class="section abstract"><div class="htmlview paragraph">Large eddy simulations (LES) of two HVAC duct configurations at different vent blade angles are performed with the GPU-accelerated low-Mach (Helmholtz) solver for comparison with aeroacoustics measurements conducted at Toyota Motor Europe facilities. The sound pressure level (SPL) at four near-field experimental microphones are predicted both directly in the simulation by recording the LES pressure time history at the microphone locations, and through the use of a frequency-domain Ffowcs Williams-Hawking (FW-H) formulati

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Smith, Clayton T., Peter den Boer, and Lonnie Corley. "The Use of TOFD for Enhancement of HDPE Pipe Fusion Inspection." In 17th International Conference on Nuclear Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/icone17-75997.

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HDPE piping has been historically used in place of steels in petrochemical, power, and mining industries to mitigate corrosion and erosion issues. Additionally as HDPE pipe is resistant to Microbiologically Influenced Corrosion (MIC) and fouling, it appears to be a perfect fit for nuclear safety related cooling water applications. To this end, HDPE was first used in an ASME Class 3 emergency service water system, in 2005 at Sizewell B, operated by British Energy, in the United Kingdom. The long successful history of non-nuclear HDPE pipe operating experience along with the successful operation

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Abdelaal, Khaled, Ken Atere, Keith LeRoy, Aaron Eddy, and Russell Smith. "Holistic Real-Time Drilling Parameters Optimization Delivers Best-in-Class Drilling Performance and Preserves Bit Condition - A Case History from an Integrated Project in the Middle East." In SPE Canadian Energy Technology Conference. SPE, 2022. http://dx.doi.org/10.2118/208958-ms.

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Abstract After drilling in the Gulf area of Middle East for approximately nine months, the operation’s project team struggled to find a consistent and repeatable roadmap for significant rate of penetration (ROP) improvements. The team was relying on the driller to manually control the ROP, weight on bit (WOB), differential pressure, pump pressure, and torque. Regardless of the driller’s experience, it is difficult for a single person to successfully monitor and adjust for multiple and continuously changing variables in real time. Extreme variation and lack of control on drilling parameters (su

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Hordijk, Ad Pijnacker, Jeroen Zanting, Rien Kornalijnslijper, and Robert Kuik. "The Risk Assessment Module PSL as an Obvious Part of an Integral Pipeline (Integrity) Management System." In 2004 International Pipeline Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/ipc2004-0305.

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This paper will give an overview of the history of PiMS and the new developments within Gastransport Services regarding the implementation of an integral Pipeline (integrity) Management System and especially and also in more detail the implementation, testing and verifying of a Risk Assessment tool, as an obvious part of PiMS. The design of the pipeline network in the Netherlands was based on the ASME B31G guidelines, as a sound engineering practice. The construction started early 1960 in a very rapid tempo. The control and maintenance in those years was executed on a paper based system with s

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Rapports d'organisations sur le sujet "Sound recording industry – History"

Palmer. NR199506 Introduction to Limit-State Reliability Based Pipeline Design. Pipeline Research Council International, Inc. (PRCI), 1995. http://dx.doi.org/10.55274/r0011200.

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�The practical objective of this study is to demonstrate to the pipeline industry that the limit-state and reliability based design methods have a sound and respectable basis which has generated genuinely valuable application. This study outlines the history and background to limit-state and reliability-based design, develops a design methodology and then demonstrates it by application to some real pipeline engineering problems. The study highlights the benefits and identifies any limitations in the methodology and discusses how they might be resolved.

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made w

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