Thèses sur le sujet « Sound recording industry – History »
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Curran, Terence William. "Recording classical music in Britain : the long 1950s." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2340cf56-c2be-4c0b-b5a6-2cfe06c22fe4.
Texte intégralArvidsson, Kjell. "Skivbolag i Sverige." Doctoral thesis, Göteborg Handelshögskolan vid Göteborgs Univ, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=016515417&linen̲umber=0002&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.
Texte intégralStraw, Will 1954. "Popular music as cultural commodity : the American recorded music industries 1976-1985." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39241.
Texte intégralPapizzo, Brian O'Shea (Brian Thomas O'Shea). "Towards a political economy of the Canadian recording industry." Ottawa, 1993.
Trouver le texte intégralGenevro, Brad. "The art of recording the American wind band." connect to online resource, 2006. http://www.unt.edu/etd/all/May2006/genevro%5Fbradley/index.htm.
Texte intégralGoh, Man-fat Joseph. "Music retailing in Hong Kong /." [Hong Kong : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13731105.
Texte intégralLubin, Tom. "An historical survey of technology used in the production & presentation of music in the 20th century /." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030903.112151/index.html.
Texte intégralChoi, Ka-fai. "Some economics of the classical music record industry." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31938073.
Texte intégralWestern, Thomas James. "National phonography : field recording and sound archiving in Postwar Britain." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/33113.
Texte intégralChoi, Ka-fai, and 蔡家輝. "Some economics of the classical music record industry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31938073.
Texte intégralHowlett, Michael John Gilmour. "The record producer as nexus : creative inspiration, technology and the recording industry." Thesis, University of South Wales, 2009. https://pure.southwales.ac.uk/en/studentthesis/the-record-producer-as-nexus(b829aaf3-8ca1-4e8c-ab6e-f4f731644a47).html.
Texte intégralStephens, Alexa Renee-Marie. "Atlanta's Digital Music Industry: Implications for Workforce and Economic Development." Thesis, Available online, Georgia Institute of Technology, 2007, 2007. http://etd.gatech.edu/theses/available/etd-07092007-093611/.
Texte intégralSteyn, Martha Magdalena. "A supply chain model for the South African recording industry." Thesis, Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-09272005-100520.
Texte intégralBronskill, Jim (James Arnold) Carleton University Dissertation Journalism. "Sound barriers; the Canada-U.S. Free-Trade Agreement and the recording industry in Canada." Ottawa, 1992.
Trouver le texte intégralGenevro, Bradley James. "The Art of Recording the American Wind Band." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5276/.
Texte intégralThorley, Mark. "The unexplored impact of emergent technologies on music industry stakeholders : aspirants, producers and consumers." Thesis, Coventry University, 2016. http://curve.coventry.ac.uk/open/items/42e3ee1b-3756-494c-9f5d-adec1b485be2/1.
Texte intégralLapp-Szymanski, Jean-Paul. "Technology inna rub-a-dub style : technology and dub in the Jamaican sound system and recording studio." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98547.
Texte intégralMehnert, Alyssa. "Reconsidering McKinney's Cotton Pickers, 1927–34: Performing Contexts, Radio Broadcasts, and Sound Recordings." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535373003017244.
Texte intégralBabb, G. Kyle Boyd Jean Ann. ""Roll over Beethoven" the reaction of classical music recording divisions to the continuing emergence of a consumer culture in America between 1956 and 1982 /." Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5043.
Texte intégralGoh, Man-fat Joseph, and 吳文發. "Music retailing in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31265650.
Texte intégralHill, Christopher. "The anarchist's jukebox? a historical account of the file sharing conflict : a thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts (Communication Studies), Auckland University of Technology, 2005." Full thesis. Abstract, 2005.
Trouver le texte intégralLobley, Noel James. "The social biography of ethnomusicological field recordings : eliciting responses to Hugh Tracey's 'The Sound of Africa' series." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:42da8899-6f92-4d65-9756-5c2be9656cad.
Texte intégralKlypchak, Bradley C. "Performed Identities: Heavy Metal Musicians Between 1984 and 1991." Connect to this title online, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1167924395.
Texte intégralGonzález, Juliana Pérez. "A indústria fonográfica e a música caipira gravada: uma experiência paulista (1878-1930)." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-06092018-125317/.
Texte intégralBurchfield, Rebekah Lynn. "Pressed between the Pages of My Mind: Tangibility, Performance, and Technology in Archival Popular Music Research." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277073992.
Texte intégralArcher, Russell W. "If these walls could jump 'n' jive : a study of buildings and sites associated with jazz music in Indianapolis and Richmond, Indiana (c. 1910-1960)." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1260487.
Texte intégralBowsher, Andrew John. "Authenticity and the commodity : physical music media and the independent music marketplace." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:a421adac-1d86-4351-8778-6e16e1744513.
Texte intégralPercival, James Mark. "Making music radio : the record industry and popular music production in the UK." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/362.
Texte intégralKazadi, Kanyabu Solomon. "A sociological analysis of the production, marketing and distribution of contemporary popular music by Zambian musicians." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1018933.
Texte intégralJohnson, Alfred B. "Fascination machine : a study of pop music, mass mediation, and cultural iconography." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1185429.
Texte intégralDiniz, Sheyla Castro 1985. ""Nuvem cigana" : a trajetória do Clube de Esquina no campo da MPB." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278903.
Texte intégralLatson, Christopher Craig. "Contemporary Pirates: An Examination of the Perceptions and Attitudes Toward the Technology, Progression, and Battles that Surround Modern Day Music Piracy in Colleges and Universities." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4595/.
Texte intégralDavies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.
Texte intégralMAISONNEUVE, Sophie. "Le disque et la musique classique en Europe, 1877-1949 : l'invention d'un médium musical, entre mutations de l'écoute et formation d'un patrimoine." Doctoral thesis, 2002. http://hdl.handle.net/1814/5889.
Texte intégralFilzen, Sarah. "The history of Cuca Records, 1959-1973 a case study of an independent record company /." 1998. http://digital.library.wisc.edu/1711.dl/FilznHCuca.
Texte intégral"A Study of the variety of Cantonese popular songs in Hong Kong." Chinese University of Hong Kong, 1992. http://library.cuhk.edu.hk/record=b5886976.
Texte intégral"The soundscape of China: the role of HUGO CDs in Chinese cultural memory." 2005. http://library.cuhk.edu.hk/record=b5896411.
Texte intégralCaxeiro, Susana Cristina Belchior. "Immaterial in the Material: A study on 78rpm audio carriers in Portuguese collections." Doctoral thesis, 2021. http://hdl.handle.net/10362/133066.
Texte intégralJackson, Melveen Beth. "Indian South African popular music, the broadcast media, and the record industry, 1920-1983." Thesis, 1999. http://hdl.handle.net/10413/8883.
Texte intégralScully, Michael F. "American folk music revivalism, 1965-2005." Thesis, 2005. http://hdl.handle.net/2152/3522.
Texte intégralLubin, Tom, University of Western Sydney, and Faculty of Humanities and Social Sciences. "An historical survey of technology used in the production and presentation of music in the 20th Century." 1997. http://handle.uws.edu.au:8081/1959.7/24903.
Texte intégralKarel, Ernst Kirchner Long. "Kerala sound electricals : amplified sound and cultural meaning in South India /." 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3097125.
Texte intégral"跨國唱片公司壟斷下之香港粤語流行樂壇". 1991. http://library.cuhk.edu.hk/record=b5895402.
Texte intégralLubin, Tom. "An historical survey of technology used in the production and presentation of music in the 20th Century." Thesis, 1997. http://handle.uws.edu.au:8081/1959.7/24903.
Texte intégralPapadopoulos, Theo. "The economics of copyright, parallel imports and piracy in the music recording industry." Thesis, 2002. https://vuir.vu.edu.au/15661/.
Texte intégralMueller, Darren. "At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz." Diss., 2015. http://hdl.handle.net/10161/9969.
Texte intégralAllen, Lucy Hawthorne. "Vernacular music brokers and mediators in the South 1900-1932 /." 2001.
Trouver le texte intégral"Hong Kong classical compact disc market." Chinese University of Hong Kong, 1997. http://library.cuhk.edu.hk/record=b5888994.
Texte intégralBreen, Marcus. "The popular music industry in Australia : a study of policy reform and retreat, 1982-1996." Thesis, 1996. https://vuir.vu.edu.au/15443/.
Texte intégralKielman, Adam Joseph. "Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China." Thesis, 2016. https://doi.org/10.7916/D8TT4RGN.
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