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Bibliographies thématiques / Supernatural in history / Thèses

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Thèses sur le sujet « Supernatural in history »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 28 juillet 2025

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1

Fink, Richard William. "The Commercialization of the Afterlife: Spiritualism's Supernatural Economy, 1848-1900." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/69792.

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History<br>M.A.<br>Spiritualism was a popular cultural movement that flourished in the late-19th century across the United States and eventually Europe. While there were many facets of its philosophy, the primary conviction behind Spiritualism was that spirits of the dead could communicate with the living through human mediums. Although this basic definition of Spiritualism is virtually uncontested in contemporary scholarship, the cultural causes of the movement remain a highly debated topic. Historians have proposed a variety of theories for Spiritualism's inception, but none have yet to expl

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2

曾慶慈 and Hing-chi Tsang. "A critical study of supernatural elements in Yuan drama." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1990. http://hub.hku.hk/bib/B31210028.

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Wallace, Nathaniel R. "H.P. Lovecraft's Literary "Supernatural Horror" in Visual Culture." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417615151.

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4

Vander, Schel Kevin Michael. "Whose Kingdom Shall Have No End: Christ and History in Friedrich Schleiermacher's Glaubenslehre and Christliche Sittenlehre." Thesis, Boston College, 2012. http://hdl.handle.net/2345/3733.

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Thesis advisor: Frederick G. Lawrence<br>Whose Kingdom Shall Have No End: Christ and History in Friedrich Schleiermacher's Glaubenslehre and Christliche Sittenlehre By: Kevin M. Vander Schel Advisor: Frederick G. Lawrence The present study offers an investigation into the relationship between the influence of Christ and the development of human history in the dogmatic writings of Friedrich Schleiermacher. In contrast to the lingering caricature of Schleiermacher as pioneering a liberal theology of subjective feeling, this study portrays his work as an innovative theological proposal uniting a

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5

Herrmann, Andrew F. "Re-Discovering Kolchak: Elevating the Influence of the First Television Supernatural Drama." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/811.

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Each panelist has chosen an artifact (or type, genre, etc.) from the recent past and interrogated its role as an influence on contemporary popular culture, working to show the linkage between then and now. This type of work is underappreciated and we would like to attempt to show how informing ourselves on popular culture past can make us better critics in the present. Our hope is to inspire others to take up that cause as well. In that spirit, we would like to encourage people to come prepared to discuss ideas and share their own work in a workshop type environment.

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Lyons, Reneé C. "Knock Knock, Who's There? Spooky Stories from the White House." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/2406.

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7

Takolander, Maria, and mikewood@deakin edu au. "Apprehending butterflies and flying beauties: Bringing magical realism to ground." Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050825.154534.

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8

Pelletier, Valérie. "Etude sur l'entremêlement des concepts d'histoire et de fiction dans la littérature historique et fantastique en Chine." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79969.

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The fantastic stands as an important part of Chinese culture. It is in fact through its literature that it has been made possible for us to enjoy this heritage. With the study of fantastic tales and anomaly accounts, this thesis tackles the problem of rationalism in relation with supernatural. It attempts to understand the mechanisms of the intermingling of the concepts of fiction and history, through the comparison of Chinese historical and fictional texts, as well as parallels between China and Europe. It will also deal with the concepts of nature, in both the perspectives of China an

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9

Williams, K. E. R. "Manifestations of the house in the Victorian ghost story." Thesis, The University of Sydney, 2005. https://hdl.handle.net/2123/28032.

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The appearance of the ghostly is generally described as a manifestation, and to perceive the ghostly is predicated on the act of seeing. To be manifest is to be apparent, clear, evident and obvious and a manifestation is an act of revelation, even one of proof. The genre of the ghostly however is rarely truly seen in critical works, and the aim of this thesis is to engage with and explore the implications raised by the act of seeing within the tradition of the British ghost story. The appearance of the ghostly not only requires the acknowledgement of the existence of ‘the other’ by witnesses,

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10

Bott, Rachel. "“Pale her cheeks they ought to be, it was only yesterday that she had been a tree.” : Gender, Power, and Hybridity in the Swedish Medieval Supernatural Ballads." Thesis, Uppsala universitet, Historiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-411095.

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This thesis analyzes eight specific Swedish medieval ballads that contain supernatural transformation and hybridity for how they depict gender in late medieval and early modern contexts. Using literature as a historical resource and a micro-historical approach, this thesis applies gender theory, intersectional approaches, and monster theory to its reading of these ballads. Through this analysis, this thesis has found that transformation in these ballads highlights what it meant to be human in the late medieval and early modern periods, by contrasting and defining humanness through the tension

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11

Menno, Justin James. "Sociology and Sanctity: Paul Hanly Furfey, Franz Mueller, and Luigi Sturzo on "Supernatural Sociology," a Trans-Atlantic Debate, 1928-1946." University of Dayton / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1513120361593166.

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12

Mollmann, Bradley J. "Seeking the Supernatural: The Exorcisms of John Darrell and the Formation of an Orthodox Identity in Early Modern England." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1218575289.

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13

Bomhoff, Gary. "Toward the Red Shore." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5914.

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A fictional novel utilizing third person limited narration from the perspective of the primary character, Ilya Kollide, who narrates the story as though it were happening in his head as it occurred, with frequent embellishments. He has come to live near an old mansion on the Trans-Siberian Railroad, named Neimasaurus, to find an antiquated, dusty world of faded aristocracy. Temporarily orphaned at the age sixteen by the recent death of his parents, he has traveled four thousand miles to live with his last living relative, an uncle named Demetri, whom he has never met. The year is 1990, only th

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14

Smith, Jacqueline Nichole. "Fairy Tales en pointe: Fairy Brides, Ballerinas, and Ballets that Made the Tale." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8968.

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The relationship between ballet and fairy tale is by no means a new or unique discoveryâ€”to either dance history or literary studies. However, aside from relatively brief mentions of ballets as examples of fairy-tale adaptation, ballet's relevance to fairy-tale studies has been somewhat undervalued. While scholars often relegate ballet to a smaller part in fairy tale's influence through the performing arts, fairy-tale ballet deserves to have its own, independent academic conversation because ballet contributes uniquely to both fairy-tale history and canon. Ballet can be credited with both giv

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Moore, Ashley N. "Fisher of Men." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1408.

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Fisher of Men tells the story of an ancient and secretive group of supernatural balance keepers. When God goes missing, it is up to them to locate him before the armies of Heaven and Hell lay siege to the earth, but they have their own problems. When knowledge of a secret weapon surfaces, they are tasked to find it and destroy it before it falls into the hands of either side. The secret weapon is Charitie Newman, a young woman from rural Indiana who moved to New Orleans with her sister. Charitie has special abilities that have no limits, and after her sister is brutally murdered, she agrees to

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16

Burrow, Janice. "History's ghosts : representations of slavery and the supernatural in selected North American literary works." Thesis, University of Newcastle Upon Tyne, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289090.

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17

McArthur, Maxine Elisabeth. "In the gaps left unfilled : historical fantasy and the past." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/20297/1/Maxine_McArthur_Exegesis.pdf.

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The thesis consists of the novel The Fox and the Mirror and an accompanying exegesis. The novel is an historical fantasy set in a world based on early medieval (12-13th century) Japan. The main characters are a young female shaman, Hatsu, and a young warrior’s assistant, Sada, who is a Buddhist believer. When Hatsu’s village and shrine are destroyed by warriors and her summoning mirror is stolen, she is abandoned by her kami . To experience the kami’s presence again, she must follow the thief and retrieve the mirror before it can be used to resurrect an ancient evil. Sada must capture Hatsu an

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18

McArthur, Maxine Elisabeth. "In the gaps left unfilled : historical fantasy and the past." Queensland University of Technology, 2008. http://eprints.qut.edu.au/20297/.

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The thesis consists of the novel The Fox and the Mirror and an accompanying exegesis. The novel is an historical fantasy set in a world based on early medieval (12-13th century) Japan. The main characters are a young female shaman, Hatsu, and a young warrior’s assistant, Sada, who is a Buddhist believer. When Hatsu’s village and shrine are destroyed by warriors and her summoning mirror is stolen, she is abandoned by her kami . To experience the kami’s presence again, she must follow the thief and retrieve the mirror before it can be used to resurrect an ancient evil. Sada must capture Hatsu an

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19

Donnarieix, Anne-Sophie. "Réenchanter le monde ? : formes et enjeux poétologiques du surnaturel dans le roman français contemporain : Antoine Volodine, Sylvie Germain, Alain Fleischer, Marie Ndiaye, Christian Garcin." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100065.

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La thèse de doctorat porte sur les résurgences du surnaturel dans le roman français depuis les années 1980 – un phénomène encore relativement peu étudié et dont ce travail propose une lecture à la fois morphologique, esthétique et socio-historique. Au carrefour entre les genres traditionnels du merveilleux, du fantastique ou du réalisme magique, le surnaturel s’invite dans de nombreux textes fictionnels, revendiquant un héritage littéraire certain, mais témoignant aussi de la nécessité de repenser ces outils théoriques qui peinent à appréhender ses contours mouvants, instables et pluriels. Ana

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20

Lim, Hyeongkwon. "John Milbank and the mystery of the supernatural : his postmodern engagement with Henri de Lubac." Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAK014/document.

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Cette étude a pour objet de lire le thélogien anglicain, John Milbank à travers la thèse de surnaturel du théologien catholique français, Henri de Lubac. Dans sa thèse du surnaturel, de Lubac entend montrer qu’il n'y a aucune sphère purement naturelle indépendemment de la grâce de Dieu. Autrement dit, d’après cette thèse, la nature et le surnaturel constituent une unité organique. En fait, cette idée d’Henri de Lubac s’oppose à la notion néo-scolastique de natura pura, qui a été développée en vue de sauvegarder la gratuité de la grâce face à la crise Baianiste. La thèse du surnaturel a été app

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21

Lacôte, Fanny. "Le marché de la terreur : l’exportation, la traduction et la réception critique du roman terrifiant en France, 1789-1822." Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0308/document.

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Notre sujet de thèse consiste en l’étude de l’exportation, la traduction et la réception critique du roman gothique en France au tournant du XIXe siècle (1789-1822). Alors que sur le plan politique, la France et l’Angleterre entretiennent des relations conflictuelles, notamment au moment de la Révolution, l’échange culturel entre les deux pays, lui, ne cesse, comme en témoigne le succès des traductions françaises de romans gothiques auprès du lectorat français. Après un avant-propos consacré à l’histoire de l’adjectif « gothique » et à la terminologie relative au roman gothique et au roman noi

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22

Komandera, Aleksandra. "Le conte insolite dans la littérature française du XXème siècle." Valenciennes, 2008. http://ged.univ-valenciennes.fr/nuxeo/site/esupversions/9975400f-d93d-477c-8e61-060ca4e5676b.

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La thèse de doctorat Le conte insolite dans la littérature française du XXe siècle concerne la forme brève littéraire située aux confins du fantastique et du merveilleux et veut montrer qu’un nouveau type de récit court apparaît dans la littérature française du XXe siècle : c’est le conte insolite. L’appellation « conte insolite » n’est pas fréquente dans le discours critique littéraire mais la catégorie, elle-même, a intéressé plusieurs critiques et théoriciens, entre autres, M. Guiomar, J. -B. Renard et J. Goimard. Le but de la thèse consiste à saisir les traits définitoires des contes insol

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23

Bernard, Lucie. "Les filles qui aimaient les vampires : la construction de l'identité féminine dans Twilight de Stephenie Meyer et deux autres séries romanesques de bit lit, Vampires Diaries et House of Night." Thesis, Brest, 2016. http://www.theses.fr/2016BRES0013.

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La bit lit, un genre littéraire très contemporain qui associe le récit amoureux et le récit vampirique et s'adresse principalement à un public adolescent féminin, a acquis une visibilité mondiale avec la parution de Twilight de Stephenie Meyer en 2005. Ce mouvement littéraire reprend l'un des thèmes les plus récurrents et centraux des histoires d'amour comme des histoires de vampires occidentales : la construction du féminin, la position attribuée à ce dernier, et ses interactions avec un univers majoritairement hostile et dangereux. Or, malgré des représentations très conservatrices, voire ré

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24

Hansson-de, Laage de Meux Maria. "Le Surnaturel en question. Désir d’émancipation chez les femmes de lettres de la Percée moderne suédoise." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL179.

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Dans les années 1880, les écrivains de la Percée moderne prônent une littérature réaliste, en phase avec son époque. Les femmes de lettres y ont une place prédominante, leurs pièces de théâtre, surtout, sont souvent couronnées de succès. Aujourd'hui encore, Anne Charlotte Leffler, Victoria Benedictsson et Selma Lagerlöf jouissent d'une réelle notoriété. Pourtant, leurs œuvres et leur statut ont sans cesse été remis en question. Comment comprendre dans ces conditions la présence du folklore dans des œuvres réalistes ? Tout en restant dans la sphère de l'irrationnel, ces écrivaines ont abordé de

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25

Rushford, Thomas J. "Burnings and blessings: The cultural reality of the supernatural across early modern spaces." 2007. https://scholarworks.umass.edu/dissertations/AAI3290052.

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The searches for the cultural spaces of early modern European beliefs in the supernatural have followed many trails. While more complete descriptions of these searches will emerge below, some common features of the picture of these historical inquiries can be briefly summarized. The division between "popular" and "elite" understanding of the supernatural is one such feature of these spaces. Works in the latter category generally focus on an intellectual history of the beliefs that warranted the supernatural; Stuart Clark's distinguished Thinking with Demons is an example of this genre. The sec

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26

Burke, Nicola. "Mills and fur : feminism and femininity in the supernatural romance." Thesis, 2020. http://hdl.handle.net/1959.7/uws:58691.

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The contemporary supernatural romance genre is frequently dismissed as one dimensional and low quality; a genre for an undiscerning adolescent female audience that reproduces traditional and conservative ideologies of gender and sexuality. In this thesis I contest this dismissal of the supernatural romance, arguing that the genre contains multiple representations of femininity and female sexuality. These representations expose and rehearse the complex attitudes surrounding and held by adolescent girls regarding sexuality, femininity and romantic relationships in the early twenty-first century.

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27

Trzcionka, Silke. "Relating to the supernatural : a case study of fourth-century Syria and Palestine / by Silke Trzcionka." 2004. http://hdl.handle.net/2440/22041.

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"January 2004"<br>Includes bibliographical references (leaves 296-333)<br>viii, 333 leaves ; 30 cm.<br>Title page, contents and abstract only. The complete thesis in print form is available from the University Library.<br>An interpretative examination of one aspect of Greco-Roman social history, namely activities involving the supernatural in Palestine and Syria in the fourth century. Highlights the role that the supernatural could play in people's daily lives, and the intricate association of the preternatural with the social environment that accomodated it.<br>Thesis (Ph.D.)--University of A

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Tsai, Chun-Yi Joyce. "Imagining the Supernatural Grotesque: Paintings of Zhong Kui and Demons in the Late Southern Song (1127-1279) and Yuan (1271-1368) Dynasties." Thesis, 2015. https://doi.org/10.7916/D8RR1X2W.

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This dissertation is the first focused study of images of demons and how they were created and received at the turn of the Southern Song and Yuan periods of China. During these periods, China was in a state of dynastic crisis and transition, and the presence of foreign invaders, the rise of popular culture, the development of popular religion, as well as the advancement of commerce and transportation provided new materials and incentives for painting the supernatural grotesque. Given how widely represented they are in a variety of domains that include politics, literature, theater, and ritual,

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