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Articles de revues sur le sujet « Symbolism »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 25 juillet 2025

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1

Kielak, Olga. "Symbolika leszczyny w polskiej kulturze ludowej. Fragment definicji kognitywnej." Adeptus, no. 3 (April 4, 2014): 96–109. http://dx.doi.org/10.11649/a.2014.007.

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The symbolism of hazel in Polish folk culture. A fragment of cognitive definitionThe article discusses the symbolism of the hazel plant which constitute a segment (one facet) of the cognitive definition of a hazel bush. The symbolism of the hazel is a category which terminate and gather in together other facets constituting the entry ‘Hezel’ in the Lublin ethnolinguistics dictionary (Słownik stereotypów i symboli ludowych, red. J. Bartmiński, S. Niebrzegowska-Bartmińska): i.e. the plants’ provenance, image, time and place of flourishing; its magical, apotropaical, therapeutical, ritual and pra

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Van Rensburg, F. I. J. "Van Wyk Louw Simbolis?" Literator 11, no. 1 (1990): 35–55. http://dx.doi.org/10.4102/lit.v11i1.792.

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In this article the question is posed whether one is justified in associating N.P. van Wyk Louw’s work with Symbolism as seen in terms of its being a historical art movement. At first sight some of the main characteristics of his work seem incompatible with the overall spirit of Symbolism. A close look is taken at these characteristics. They are weighed against typical characteristics of Symbolism. A number of common traits are discovered. Following this, a study of Van Wyk Louw’s utterances in his prose works is undertaken to establish the extent of his knowledge of the works of Symbolists an

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Nasgaard, Roald, Robert L. Delevoy, Barbara Bray, and Robert Goldwater. "Symbolists and Symbolism." Art Journal 45, no. 2 (1985): 155. http://dx.doi.org/10.2307/776793.

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TOLMATCHOFF, V. M. "JOYCE’S SYMBOLISM." Lomonosov Journal of Philology, no. 2, 2024 (June 16, 2024): 134–54. http://dx.doi.org/10.55959/msu0130-0075-9-2024-47-02-9.

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The paper presents an interpretation of Joyce’s work as symbolist. After outlining the history of the codification of Joyce’s works, V.M. Tolmatchoff proposed to return to the advantages of Joyce’s vision as a symbolist, proposed in general terms by E. Wilson in 1931. This symbolism, declared by Irish authors in the twentieth century and systematically realized by Joyce, genetically goes back not only to the practice of the French Symbolist poets, W.B. Yeats, as well as to the experience of the ‘death of God’ declared by Nietzsche (who shifted the understanding of symbolism from the reform of

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Lombard, M., and H. Viljoen. "Die verdonkerende spieël: Simbolistiese trekke in Wilma Stockenstrom se eerste drie bundels." Literator 14, no. 3 (1993): 21–36. http://dx.doi.org/10.4102/lit.v14i3.709.

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This article is an attempt to relate the first three of Wilma Stockenstrom's collections of poetry to international Symbolism. First we discuss possible links between her work and Symbolism. The mam emphasis then falls on Stockenstrom’s method of Symbolism, the possible symbolist tone of her work and prominent symbolist motifs in her work. Finally we consider some manifestations of the symbolist oilier world in these collections. The conclusion arrived at is that Stockenstrom's earlier work shows many of the main characteristics of Symbolism so that her work can be regarded as a continuation o

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Jimmi and Juniato Sidauruk. "SYMBOLISM DISCUSSION OF THE ANGELS AND DEMONS MOVIE." Wiralodra English Journal 4, no. 2 (2020): 1–14. http://dx.doi.org/10.31943/wej.v4i2.92.

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This research focuses on symbolism which is appeared in Angels and Demos movie. There are various symbolisms shown through this Angels and Demons movie. Most of the symbolism has different meaning to be analyzed. The discussion covers on symbolism specifically on types and meaning on it. This research uses qualitative-description research which is accomplished by the writer by getting the data needed through this movie, having the library and internet research with the relevant sources, collects the data to be analyzed also describing meaning by explaining the result of the research. The concl

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Sulaiman, Masagus. "An Analysis of Symbolism in the Five Selected Love Poems of Nicholas Gordon." ALSUNA: JOURNAL OF ARABIC AND ENGLISH LANGUAGE 2, no. 1 (2019): 1–15. http://dx.doi.org/10.31538/alsuna.v2i1.246.

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This research is aimed at figuring out the dominant symbolisms and the meanings in the five selected love poems of Nicholas Gordon. The descriptive-qualitative method was applied in this research. To analyze the data, the researcher used qualitative data analysis. The results showed that there were twenty five conventional symbolisms and nineteen natural symbolisms in the five selected love poems of Nicholas Gordon. In other words, four conventional symbolisms and four natural symbolisms in the first selected love poem, four conventional symbolisms and eight natural symbolisms in the second se

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Al-Chalabi, Omar Fawwaz. "Aesthetic Positions of Symbolism in the Works of Iraqi Artists 1970–1990." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 28, no. 3 (2022): 166–77. http://dx.doi.org/10.15826/izv1.2022.28.3.056.

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The article is devoted to the study of the aesthetics of symbolism in the works of contemporary Iraqi artists of the 1970s–1990s. The purpose of the study is to analyze the content of symbols in the works of Iraqi symbolist artists in the context of historical and cultural events of the country. The author uses descriptive, analytical, comparative historical methods of scientific research. A brief history of Iraqi symbolism is given. The analysis of the works of Iraqi symbolist artists such as M. Ahmad, V. Sheit, R. Dabdub, D. Azzawi, Sh. H. Al Said is carried out, which allows to clarify the

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Oboladze, Tatia. "Georgian Symbolism: Context and Influence." International Journal of Applied Linguistics and English Literature 7, no. 2 (2018): 110. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.1p.110.

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In the 1910s in the Georgian literary area the first Symbolist group TsisperiQantsebi (The Blue Horns) comes into being, with a clearly defined purpose and aesthetic position, which implied renewing the Georgian literature and including it into the Western context. Desiring to expand the thought area and to modernize Georgian literature, Georgian Symbolists rested on the philosophical and worldview principles of French Symbolism. Georgian Symbolism appears as an original invariant generated from the French Symbolist aesthetics, which is unequivocally national.

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Walczak, Marika. "System wyobrażeń o świecie – specyfika myślenia pierwotnego." Szkice Akademickie 011/2022.11.01 (November 1, 2022): 1–5. https://doi.org/10.5281/zenodo.7271396.

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Streszczenie: Autor próbuje przybliżyć specyfikę myślenia ludzi pierwotnych oraz ich system wyobrażeń o świecie. Omawia wierzenia magiczno-religijne, istotę mitu w życiu przodków oraz wykorzystanie symboliki koła, które miały na celu wyjaśnienie powstania świata, praw nim rządzących i sensu ludzkiej egzystencji.  Słowa kluczowe: wierzenia magiczno-religijne, religia, magia, mity, symbolika koła. Abstract: The autor tries to present the specificity of primitive people's thinking and their system of ideas about the world. It discusses magical and religious beli

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Oboladze, Tatia. "Wine, Opium, and Hashish in Georgian and European Symbolism." Ars & Humanitas 16, no. 1 (2022): 219–30. http://dx.doi.org/10.4312/ars.16.1.219-230.

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The subject of the article “Wine, Opium, Hashish in Georgian and European Symbolism” is the identification of the cultural links between Georgian and European (primarily French and, German) symbolism. Our goal is to determine the role and place of Georgian symbolism in the world literature context and study the cultural-aesthetic ties that have influenced the art of the Georgian symbolist group, the process of forming their aesthetic taste and worldview. In this article, we focus on the genesis of the symbolist theory of the myth, its specific nature and the motivation for the creation of a ne

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Ryabchenko, V. D. "The Evolution of Symbolist Ideas in the Zolotoe Runo Magazine." Concept: philosophy, religion, culture 4, no. 3 (2020): 158–67. http://dx.doi.org/10.24833/2541-8831-2020-3-15-158-167.

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The article treats the role art magazine Zolotoe runo played in history of symbolist’s theoretical ideas. By 1906, symbolism as a philosophical and aesthetic movement enters a crisis stage (and, then, a renaissance) — the pioneering movement has become utterly formal, tendentious, and has even acquired public recognition, which contradicts the modernist spirit. Zolotoe runo turns into a platform for the adversaries of outdated, decadent or individual symbolism, changing the symbolist nature and landscape. V. F. Khodasevich suggests that not only hasn’t symbolism been yet studied, but it also d

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Riabchenko-Shats, Valeriia Dmitrievna. ""Vesy" magazine as an indicator of the maturity of Russian Symbolism." Культура и искусство, no. 4 (April 2023): 10–21. http://dx.doi.org/10.7256/2454-0625.2023.4.40395.

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“Vesy” magazine has become an extremely important milestone on the path of self–knowledge of Russian symbolism - its pages have captured the final design of the main principles and methods of this literary and cultural movement. However, the cultural discourse on the pages of the magazine, despite popular belief, was not homogeneous and static. Having marked the strengthening of symbolism as an important phenomenon in art and public life, “Vesy” magazine at the same time became a platform for discussions about the crisis of symbolism that was brewing at the beginning of the XX century, reflect

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Burlacu, Alexandru. "Luminița Bușcaneanu: o viziune postmodernă asupra poeziei simboliste românești." Limba, literatura, folclor, no. 2, 2021 (December 2021): 67–73. http://dx.doi.org/10.52505/llf.2021.2.06.

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The volume „Romanian Symbolist Poetry”, whose introductory study, selection of texts and bibliography were signed by Luminița Bușcaneanu, includes, in fact, 2 books: the monographic study on Romanian poetic symbolism and the anthology of poetic texts that subsumes a documented selection, performed competently and meant to demonstrate that the 40 authors „present a set of harmonious counterpoint ‚voices’ in general polyphony, which is the universal symbolism.”In the author’s opinion, the Romanian symbolism, in relation to the French one, is “in a different antithesis to the romanticism, arguing

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Borozan, Igor. "Simbolistički opus Mihe Marinkovića i njegova recepcija u srpskoj sredini." Ars Adriatica 9 (February 28, 2020): 133–50. http://dx.doi.org/10.15291/ars.2928.

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The paper analyses the symbolist works in the under-researched opus of painter Miho Marinković. Trained at the Munich Academy of Fine Arts, he is primarily known as a painter of intricate themes that can be categorized as late 19th-century symbolism. In 1904, he settled in Belgrade and became an active participant in the cultural scene of the Serbian capital. In 1911, Marinković’s paintings were exhibited in the Pavilion of the Kingdom of Serbia at the International Exhibition in Rome. His symbolist oeuvre covers the standard themes of symbolist painting, such as Medusa, Lucifer, or The Sinner

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Vanover, Ty. "Sex, Sign, Subversion: Symbolist Art and Male Homosexuality in 19th-Century Europe." Arts 13, no. 3 (2024): 103. http://dx.doi.org/10.3390/arts13030103.

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There is something queer about Symbolism. Art historians have long acknowledged the links between Symbolist aesthetics and contemporaneous ideas about human sexuality, and even a cursory examination of artworks by male Symbolist artists working across the continent reveals an eyebrow-raising number of muscled nudes, lithe ephebes, and intimate male couplings. The sensual male body could register the artist’s erotic desire, even as he put it forth as an idealized emblem of transcendental truth. But perhaps Symbolism’s queerness extended beyond subject matter. Scholars have argued that Symbolism

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Zou, Jiahao. "Porównanie symboliki wierzby i lilii w chińskiej i polskiej kulturze na tle teorii językowego obrazu świata." Gdańskie Studia Azji Wschodniej, no. 23 (August 31, 2023): 84–103. http://dx.doi.org/10.4467/23538724gs.23.005.18151.

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The article introduces the symbolism of the willow and the lily, which have played an important role in the lives of Chinese and Poles over many years. The research issue of this article is the question: What are the differences and similarities in terms of willow and lily symbolism in Chinese and Polish culture? The article is based on an analysis of literature. It aims to indicate the symbolism of the willow and the lily and to find the roots of their differences and similarities in Chinese and Polish cultures. The first part of the article is devoted to the theory of a linguistic worldview,

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Van der Elst, J. "Simbolisme: ’n poging tot deflniering." Literator 11, no. 1 (1990): 1–12. http://dx.doi.org/10.4102/lit.v11i1.790.

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In this article an attempt is made to establish a framework within which one can define or describe Symbolism as a literary phenomenon. As is the case with most literary movements one cannot reach a final definition or conclusion on Symbolism because it has many manifestations in different countries with different literary artists - so many men, so many minds. It is, however, possible to identify some common trends in the works of many symbolist poets and prose-writers. These trends are outlined in this article. The following also serves as an introduction to a special issue of Literator on Sy

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Shih, Stephanie S., Jordan Ackerman, Noah Hermalin, Sharon Inkelas, and Darya Kavitskaya. "Pokémonikers: A study of sound symbolism and Pokémon names." Proceedings of the Linguistic Society of America 3, no. 1 (2018): 42. http://dx.doi.org/10.3765/plsa.v3i1.4335.

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Sound symbolism flouts the core assumption of the arbitrariness of the sign in human language. The cross-linguistic prevalence of sound symbolism raises key questions about the universality versus language-specificity of sound symbolic correspondences. One challenge to studying cross-linguistic sound symbolic patterns is the difficulty of holding constant real-world referents across cultures. In this study, we address the challenge of cross-linguistic comparison by utilising a rich, cross-linguistic dataset drawn from the Pokémon game franchise. Within this controlled universe, we compare the

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Yeong, Yin Mei, Khairul Aidil Azlin Abd Rahman, Nor Atiah Ismail, and Nangkula Utaberta. "The Symbolism and Survivability of Royal Identity (RI) for the Upper Section of the Taoist Temple Built in the 19th Century in the Klang Valley, Malaysia." Journal of Design and Built Environment 23, no. 3 (2023): 83–97. http://dx.doi.org/10.22452/jdbe.vol23no3.5.

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Taoist temples are considered a nation-specific religious and exceptional cultural landmark regionally. The design principle of the lower, middle, and upper sections of the physical building profoundly symbolised royal identity (RI). Scholars discovered that despite Chinese lineage positively recognising the importance of this symbolism, they were clueless about it, notably the configuration of the upper section. The objective of this paper is primarily to identify the design symbolism of the Taoist temple and assess the survivability of the RI for the upper section: 1) roof form; 2) ornamenta

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Pack, R. "Symbolism in French literature." Literator 11, no. 1 (1990): 67–76. http://dx.doi.org/10.4102/lit.v11i1.794.

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To talk of Symbolism in French literature may be ambiguous, as two different categories of writers have been grouped under this generic term: the symbolists stricto sensu, such as Moréas or Viélé-Griffin, who were mostly minor poets, and some great figures of French literature. The aim of this article is to show that, although Symbolism as an organized movement did not produce any important contribution, the nineteenth century witnessed indeed the emergence of a new trend, common to several poets who were inclined to do away with the heritage of the classical school. These poets - of whom Baud

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UNGUREANU, Cristina. "LE SILENCE. SYMBOLISME ET POUVOIR / SILENCE. SYMBOLISM AND POWER." Studii şi cercetări filologice. Seria Limbi Străine Aplicate, no. 22 (December 15, 2023): 196–204. https://doi.org/10.5281/zenodo.10407485.

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<strong><em>Résumé</em></strong><em>:<strong> </strong></em><em>Cette étude se propose d’envisager le silence dans sa dimension pratique, comme une conduite, une prise esthétique ou politique. Nous convoquons plusieurs disciplines - linguistique, anthropologie, sociolinguistique, musicologie, art, etc. – pour pouvoir souligner les fonctions du silence à travers des modalités matérielles, symboliques et politiques faisant appel aussi à l’analyse du discours. Même s’« il n'y a pas de silence absolu &raquo

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Minnullin, Oleg R. "THE LEGACY OF SYMBOLISM: ON EVOLUTION OF ITS RECEPTION BY ACMEISTS." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 7, no. 4 (2022): 161–78. http://dx.doi.org/10.18522/2415-8852-2022-4-161-178.

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The article analyzes a number of poems by Acmeists, representative for the philosophical and aesthetic foundations and poetics of this movement in the Russian poetry of the Silver Age. The research attention is focused on reception dynamics, in particular, the legacy of symbolism, by the poets of the acmeistic direction. Acmeism in the study is interpreted, first of all, as post-symbolism: philosophical-aesthetic and purely artistic achievements of the older poetic movement of Symbolists became a foundation for their own artistic achievements. The Acmeists’ break up with the Symbolists was nev

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Rahayu, Kristina Indah Setyo. "A Comparison on Hyponymy and Cultural Symbolism of Six Color Words between Chinese Language and Bahasa Indonesia." Lingua Cultura 8, no. 2 (2014): 61. http://dx.doi.org/10.21512/lc.v8i2.444.

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Color words originate from natural world. In general different languages have similar patterns of color hypernymy. Nevertheless, when it comes to color hyponymy, it is not the case. Specific color hyponyms have emerged because different countries have different cultures. Besides, color words are also rich in cultural symbolism. In other words, same colors in different countries have different cultural symbolisms. This paper analyzed six color words (red, white, yellow, blue, green, and black) between Chinese language and bahasa Indonesia to find similarities and differences both in hyponymy an

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Loughlin, Sister Noel. "SYMBOLISM." Perspectives in Psychiatric Care 21, no. 1 (2009): 9–17. http://dx.doi.org/10.1111/j.1744-6163.1983.tb00165.x.

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Pasichnik, Oleksandr, and Eugene Piletsky. "RELIGIOUS SYMBOLISM IN CINEMA: "BARBIE"." Bulletin of Taras Shevchenko National University of Kyiv. Philosophy, no. 9 (2023): 36–39. http://dx.doi.org/10.17721/2523-4064.2023/9-6/15.

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B a c k g r o u n d . Genre-wise the article is a form of publication of analytical conclusions resulting from researching religious symbolism within the movie. The material for interpretation was derived from mass media, in particular cinematography. The article describes religious symbolism within the movie "Barbie" (2023). It is made apparent that the wide array of religious symbols in modern cinema requires a new approach. M e t h o d s . Issues with defining religious symbolism in cinema have inspired a search of appropriate methods and research methodology. The article utilizes analytica

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Im, Yeeyon. "“A SERIOUSNESS THAT FAILS”: RECONSIDERING SYMBOLISM IN OSCAR WILDE'SSALOMÉ." Victorian Literature and Culture 45, no. 1 (2017): 163–75. http://dx.doi.org/10.1017/s1060150316000486.

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Writing as recently as 2011, Michael Bennett asks ifSaloméis an anomaly in the oeuvre of Oscar Wilde (viii). Read against his witty societal comedies of manners, it certainly appears to be one.Saloméhas been regarded as a fine example of symbolist drama in the history of British theatre, and few critics would dispute its “seriousness” as such. Its growing significance in recent discourses of gender and sexuality also adds seriousness to the play. Although Feminist and gender critics show little qualms about dubbing the play as symbolist, the final tableau of a young girl kissing the mouth of t

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Bošnjak, Matija. "Elements of Dramatic Symbolism in the Poetics of Miodrag Žalica." Društvene i humanističke studije (Online) 6, no. 3(16) (2021): 43–58. http://dx.doi.org/10.51558/2490-3647.2021.6.3.43.

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In the literary and theatrical critique of his time (second half of the 20th century), Miodrag Žalica was recognized as a representative of symbolist poetics in Bosnian-Herzegovinian drama. The features of Žalica’s dramatic symbolism have, however, rarely been observed through analyzing the technique of his dramatic works in concreto. The Piece Mirišu li jorgovani u Njujorku, written in 1988, certainly represents the culmination of Žalica’s poetics, and is, in that sense, suitable for an analysis of the symbolic network as a specific trademark of his authorship with regards to the poetics of s

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Greenberg, Meg. "Synesthesia and Literary Symbolism." Forum Italicum: A Journal of Italian Studies 43, no. 2 (2009): 362–84. http://dx.doi.org/10.1177/001458580904300203.

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‘Synesthesia and Literary Symbolism’ broadens the well-established relationship between synesthesia and French Symbolist poetry to include Marinetti's experimentation with sensory blurring. Synesthesia was a recognized medical condition that came to public awareness by the end of the nineteenth-century both because of work made available to the public as well as there being a general sense associated with modernity of nervousness. The Symbolist poets beginning with Baudelaire applied the scientific concept of synesthesia as a metaphor to describe the modern condition. The feeling of the interc

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Vorova, T. P., N. V. Pidmogylna, and O. I. Romanova. "Short Excursus into the History of the Russian Symbolism Origin." International Letters of Social and Humanistic Sciences 63 (November 2015): 151–217. http://dx.doi.org/10.18052/www.scipress.com/ilshs.63.151.

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Being well-known nowadays as the Silver Age of Russian literature, Russian symbolism is an extraordinary phenomenon of spiritual life at the end of the 19th – beginning of the 20thcenturies. This essay aims to study the appearance and development of Russian symbolism as a result of revaluation of cultural wealth in philosophy / art and stimulation of the appropriate rise of the certain aesthetic systems which were embodied in the literary works of that period. The current study introduces a new approach to the origin of this trend and represents the new tendencies in Russian symbolist novels w

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Сергеев and Oleg Sergeev. "Specific Features of Symbolist Metaphor Communicative Function." Modern Communication Studies 2, no. 6 (2013): 53–56. http://dx.doi.org/10.12737/1897.

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An overview related to opuses of Feodor Sologub, a symbolist writer, who is   very popular in Russia as well as over the world, is made in this paper. The   paper’s main task is a study of Christmas story specificity. Two histories of   two personages as parallel narrative structures are considered. A close-up   view of fable features related to Sologub´s prose are shown. In this story   reflections about Christmas miracle are combined with analysis related to   sincere and spiritual orders of central personages. The metho

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Davydova, Olga Sergeevna. "Sculptural rhymes of Art Nouveau: on the visual poetics of symbolism." Философия и культура, no. 2 (February 2022): 1–12. http://dx.doi.org/10.7256/2454-0757.2022.2.37229.

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This article is first within the Russian and Western art history to examine the concept of visual poetics as a separate subject of research. Based on the analysis of iconographic and theoretical searches of the masters of symbolism, which found reflection within the boundaries of expressive means of visual art, the author comes concludes on the poetic principles of symbolist artists as the fundamental sources of the formation of the style of Art Nouveau &ndash; a new sculptural language of the XIX &ndash; early XX centuries. Detail characteristic of the philosophical-aesthetic content

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Vadillo, Ana Parejo. "Symbolism at war: Charles Ricketts and the politics of the stage." Journal of European Studies 51, no. 3-4 (2021): 318–36. http://dx.doi.org/10.1177/00472441211033397.

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This article considers the effect of World War I on Charles Ricketts’ work for the stage as an avant-garde set and costume designer. It looks at his cosmopolitan designs in the context of European symbolism. The first part of the essay focuses on Ricketts’ symbolist manifesto ‘The art of stage decoration’ (1913). The essay then examines his designs for three Shakespeare plays that toured Le Havre in 1918 to entertain the troops. I argue that, in the aftermath of the war, Rickett’s symbolism became the lens through which he assessed the complex political landscape of the 1920s, and suggest that

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Shinohara, Kazuko, and Shigeto Kawahara. "A Cross-linguistic Study of Sound Symbolism: The Images of Size." Annual Meeting of the Berkeley Linguistics Society 36, no. 1 (2010): 396. http://dx.doi.org/10.3765/bls.v36i1.3926.

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In lieu of an abstract, here is a brief excerpt:Although the sound-meaning relationship is often arbitrary (Saussure 1916), cases exist in which some sounds correspond to certain meanings. Such association between sounds and meanings is known as sound symbolism, and there has been a longstanding interest in the existence and the nature of sound symbolism. This paper reports an experiment on size-related sound symbolism, which shows that certain sound symbolisms hold robustly across languages. In particular, we investigate how the images of size (small or large) are affected by three phonetic f

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Rostinsky, Joseph N., Aage A. Hansen-Löve, and Aage A. Hansen-Love. "Der russische Symbolismus: System und Entfaltung der poetischen Motive. I. Band: Diabolischer Symbolismus [Russian Symbolism. System and Development of Poetic Motifs. Diabolic Symbolism]." Asian Folklore Studies 51, no. 1 (1992): 164. http://dx.doi.org/10.2307/1178444.

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Chowdhary, Usha. "Clothing Symbolism." International Journal of Interdisciplinary Social Sciences: Annual Review 3, no. 4 (2008): 59–68. http://dx.doi.org/10.18848/1833-1882/cgp/v03i04/52583.

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Kilduff, Martin, Louis R. Pondy, Peter J. Frost, Gareth Morgan, and Thomas C. Dandridge. "Organizational Symbolism." Administrative Science Quarterly 31, no. 1 (1986): 159. http://dx.doi.org/10.2307/2392782.

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Fiol, C. Marlene, and Barry A. Turner. "Organizational Symbolism." Administrative Science Quarterly 36, no. 3 (1991): 504. http://dx.doi.org/10.2307/2393213.

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Young, Marnin. "Symbolism Reformed." Art History 41, no. 4 (2018): 776–79. http://dx.doi.org/10.1111/1467-8365.12395.

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Spencer, D. J. "Stick Symbolism." Journal of the Royal Society of Medicine 90, no. 10 (1997): 590. http://dx.doi.org/10.1177/014107689709001035.

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Kemp, Martin. "Scientific symbolism." Nature 458, no. 7237 (2009): 412. http://dx.doi.org/10.1038/458412a.

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Branan, Nicole. "Neandertal Symbolism." Scientific American Mind 21, no. 2 (2010): 7. http://dx.doi.org/10.1038/scientificamericanmind0510-7c.

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Glick, Leonard B. "Emetic Symbolism." Science News 141, no. 9 (1992): 131. http://dx.doi.org/10.2307/3976190.

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Young, Freya. "Sound Symbolism." Groundings Undergraduate 9 (April 1, 2016): 129–43. http://dx.doi.org/10.36399/groundingsug.9.203.

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Over 100 years ago Swiss linguist Ferdinand de Saussure proposed that, aside from onomatopoeia, there is no logical relationship between words and their meanings. This article aims to gather and analyse the mounting evidence that has emerged over the last century that overrules this assertion. From the books we escape to, to the inescapable marketing language surrounding us; from the names we call our children, to how children learn language: sound symbolism pervades everyday life in more ways than is probably realised. It becomes apparent that the mind’s perception of meaning may be influence

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Cusato, Eliana Teresa. "Beyond Symbolism." Journal of International Criminal Justice 15, no. 3 (2017): 491–507. http://dx.doi.org/10.1093/jicj/mqx026.

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Boag, T. R. "Perverse symbolism." Physics Education 24, no. 4 (1989): 187–88. http://dx.doi.org/10.1088/0031-9120/24/4/102.

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Spurgin, C. B. "Perverse symbolism?" Physics Education 25, no. 3 (1990): 140. http://dx.doi.org/10.1088/0031-9120/25/3/104.

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Caspari, Elizabeth. "Color symbolism." Arts in Psychotherapy 12, no. 3 (1985): 206–8. http://dx.doi.org/10.1016/0197-4556(85)90022-x.

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Ledgard, Jimena. "Policing symbolism." Index on Censorship 52, no. 3 (2023): 37–39. http://dx.doi.org/10.1177/03064220231201284.

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Meindl, James R. "Spinning on Symbolism: The Liberating Potential of Symbolism." Journal of Management 11, no. 2 (1985): 99–100. http://dx.doi.org/10.1177/014920638501100213.

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