Littérature scientifique sur le sujet « Television broadcasting – European Union countries »

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Articles de revues sur le sujet "Television broadcasting – European Union countries"

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Ershov, Yuri M. "European TV in the 2020s: challenges and development trends." RUDN Journal of Studies in Literature and Journalism 28, no. 2 (2023): 293–305. http://dx.doi.org/10.22363/2312-9220-2023-28-2-293-305.

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The author examines the institutional originality of television in the countries of the European Union. The purpose of the study is to explain the nature of the institution of European broadcasting, which better than anything else reflects the idea of a common European home. A brief historical overview of the establishment of the European Broadcasting Union and cooperation between national broadcasters in Europe is given. The task is to identify the dynamics and trends in the development of the community of European broadcasters in the context of political, economic and technological changes i
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Meyer, Manfred. "Educational Television in Member Countries of the European Broadcasting Union (EBU)." Educational Media International 28, no. 4 (1991): 209–17. http://dx.doi.org/10.1080/0952398910280408.

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Sehl, Annika, Richard Fletcher, and Robert G. Picard. "Crowding out: Is there evidence that public service media harm markets? A cross-national comparative analysis of commercial television and online news providers." European Journal of Communication 35, no. 4 (2020): 389–409. http://dx.doi.org/10.1177/0267323120903688.

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The impact of public service media (PSM) on media competition has become a topic of debate in many European countries. Some argue that PSM could starve commercial media, or discourage them from entering markets in the first place because they shrink commercial audiences, lowering both advertising income for free commercial television and willingness to pay for commercial products. Despite its prevalence as a policy argument, there has been limited research about the crowding out concept – and almost no research that is independent, comparative, and considers broadcasting as well as online mark
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Chałubińska-Jętkiewicz, Katarzyna. "Status prawny agencji reklamowej w ustawodawstwie polskim." Themis Polska Nova 7, no. 2 (2014): 44–63. http://dx.doi.org/10.15804/tpn2014.2.04.

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The remit of public service broadcasting includes the obligation of universal programming, which covers all kinds of programmes such as culture, news, entertainment and sport. Several European Union documents stress the special role of Public Service Broadcasting (PSB) in society and acknowledge a far-reaching autonomy of Member States to define and finance their national system of public service broadcasting. All European countries have defined remits for their public service broadcasters. The definition of the mission of PSB in Poland is only related to the activity of the public radio and t
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Chałubińska-Jentkiewicz, Katarzyna. "Programy wyspecjalizowane jako zadanie w realizacji misji publicznej nadawcy publicznego." Themis Polska Nova 6, no. 1 (2014): 124–42. http://dx.doi.org/10.15804/tpn2014.1.08.

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The remit of public service broadcasting includes the obligation of universal programming, which covers all kinds of programmes such as culture, news, entertainment and sport. Several European Union documents stress the special role of Public Service Broadcasting (PSB) in society and acknowledge a far-reaching autonomy of Member States to define and finance their national system of public service broadcasting. All European countries have defined remits for their public service broadcasters. The definition of the mission of PSB in Poland is only related to the activity of the public radio and t
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Gudz, L. "Directions for improving media standards during the electoral process in Ukraine, taking into account the experience of leading European countries." Uzhhorod National University Herald. Series: Law 1, no. 79 (2023): 133–37. http://dx.doi.org/10.24144/2307-3322.2023.79.1.22.

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The article identifies the ways to improve the standards of media work during the electoral process in the context of Ukraine’s European integration and takes into account the experience of leading European countries.
 The influence of the media on the establishment of democracy in Ukraine is especially relevant during the electoral process, so the scientific community needs to develop a unified approach to understanding the standards of media work, including during elections.
 At the level of the European Union, a number of acts have been adopted that are sources of media standards
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Tereshchuk, Vitaliy. "Political and Institutional Characteristics of the Entry of the CEE Region into Regional Media Systems During the Bipolar and Post-Bipolar Periods." Politeja 15, no. 6(57) (2019): 215–29. http://dx.doi.org/10.12797/politeja.15.2018.57.12.

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In the newly shaped post‑WWI Europe the CEE region was an integral part of the pan‑European media system. The iron curtain that split Europe into two parts in the bipolar period, inevitably led to the emergence of two separate media systems, i.e. the Western European one and the one driven by the USSR (and existing predominantly in Eastern‑European states). These systems were institutionalized by the establishment of separate broadcasting alliances and corresponding TV programme exchange networks. At the same time, in the context of the Cold War, the CEE region was a key target of Western broa
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Pivnitskaya, Olga V. "A True Teacher Is the One from Whom You Want to Learn All Your Life." Musical Art and Education 8, no. 3 (2020): 149–58. http://dx.doi.org/10.31862//2309-1428-2020-8-3-149-158.

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This article is an attempt to show the beginning of Eduard Borisovich Abdullin’s creative path in the pedagogy of music education, in particular, his experience in teaching as an artistic director and conductor of the choir studio “Melodia” of the Palace of Pioneers in the city of Podolsk, Moscow Region. As a graduate student of the Lenin Moscow State Pedagogical Institute, the young teacher achieved tremendous creative success: the choir studio under his direction performed in the Great Hall of the Moscow Conservatory, the Column Hall of the House of Unions, the P. I. Tchaikovsky Concert Hall
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Makhmetov, T. M., and G. N. Kuramaeva. "Cultural activities of the European Union: a programmatic approach." BULLETIN OF THE L.N. GUMILYOV EURASIAN NATIONAL UNIVERSITY. POLITICAL SCIENCE. REGIONAL STUDIES. ORIENTAL STUDIES. TURKOLOGY SERIES 148, no. 3 (2024): 87–98. http://dx.doi.org/10.32523/2616-6887/2024-148-3-87-98.

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The European Union was created primarily on an economic basis, not on the principles of cultural cooperation. Cultural policy has been developed in the EU gradually, for quite a long time. As the emphasis in the activities of the European Union shifted from purely economic interests to political and socio-cultural spheres, the need for the formation of a European identity began to increase. In this regard, there is a need for the formation of a single cultural space, and hence a cultural policy that contributes to the achievement of pan-European goals. Culture should have become one of the fac
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KRASNOSTUP, H. "Legal aspects of the formation and implementation of state policy in the field of television and radio broadcasting." INFORMATION AND LAW, no. 1(13) (May 20, 2015): 68–73. http://dx.doi.org/10.37750/2616-6798.2015.1(13).272604.

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About legal aspects of formation and realization of state policy in the field of television and broadcast, definition of measures on adaptation of legislation in this sphere to the legislation of European Union.
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Thèses sur le sujet "Television broadcasting – European Union countries"

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Sousa, Helena. "Communications policy in Portugal and its links with the European Union : an analysis of the telecommunications and television broadcasting sectors from the mid-1980's until the mid-1990's." Thesis, City University London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319649.

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Karayannis, Vassilios-Petros. "Liberté économique et défense de l'intérêt général: le problème de retransmission par câble des émissions télévisées dans l'Union européenne." Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211205.

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La thèse aborde le droit européen de la télévision sous deux aspects :les régimes administratifs d’accès des émissions télévisées aux réseaux câblés et les droits intellectuels. <p><p>En ce qui concerne l’accès des émissions aux réseaux câblés, la thèse met en avant le besoin de sauvegarder un service public de l’audiovisuel. Celui-ci est défini comme un ensemble des règles qui visent à la fois le paysage audiovisuel propre à chaque Etat membre (par exemple pluralisme) et le contenu des émissions proprement dit (émissions informatives, éducatives, épanouissement culturel etc.). Le droit commun
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KREMMYDA, Peristera. "Between competitiveness and pluralism : concentration in the broadcasting industry in the EU." Doctoral thesis, 2004. http://hdl.handle.net/1814/4681.

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Defence date: 17 May 2004<br>Examining board: Prof. Giuliano Amato (Supervisor, European University Institute) ; Prof. Enzo Cheli (Presidente dell'Autorità per le Garanzie delle Comunicazioni) ; Prof. Petros Mavroidis (Columbia Law School and University of Neuchatel) ; Prof. Hanns Ullrich (European University Institute)<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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HANRETTY, Chris. "The Political Independence of Public Service Broadcasters." Doctoral thesis, 2009. http://hdl.handle.net/1814/13213.

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Defense date: 18 December 2009<br>Examining Board: Adrienne Héritier (EUI/RSCAS), Anker Brink Lund (Copenhagen Business School), Gianpietro Mazzoleni (University of Milan) (External Co-Supervisor), Alexander H. Trechsel (EUI) (Supervisor)<br>François Mény Prize for the Best Comparative Study of Political Institutions, 2010.<br>In this thesis, I demonstrate that the degree of political independence that a public service broadcaster has depends on the degree of legal protection given to it, and on the size of the market for news in that country. The latter affects broadcaster independence b
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ARINO, Monica. "Regulation and competition in European broadcasting : a study of pluralism through access." Doctoral thesis, 2005. http://hdl.handle.net/1814/4544.

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KOENIG, Michael E. D. "The introduction of digital television in Europe : new problems and implications for competition and media concentration." Doctoral thesis, 1996. http://hdl.handle.net/1814/5518.

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ROTENBERG, Boris. "The legal regulation of communications bottlenecks in European digital television ; Boris Rotenberg." Doctoral thesis, 2005. http://hdl.handle.net/1814/4769.

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Defence date: 17 May 2005<br>Examining board: Prof. Bruno De Witte (Supervisor, European University Institute) ; Prof. Rachael Craufurd Smith, University of Edinburgh ; Prof. Roberto Mastroianni, Università Federico II di Napoli ; Prof. Hans Ullrich, European University Institute<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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IBÁÑEZ, COLOMO Pablo. "European communications law and technological convergence : deregulation, re-gulation and regulatory convergence in television and telecommunications." Doctoral thesis, 2010. http://hdl.handle.net/1814/14521.

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Awarded the Jacques Lassier Prize for the best doctoral thesis in Competition Law by the International League of Competition Law. The Prize is awarded every two years for Ph.D. dissertations written in competition law and related fields (including intellectual property and unfair competition), and was established in memory of Jacques Lassier, a former President of the League and one of the first practitioners in continental Europe to understand the importance of EU competition rules. The ceremony took place at Christ Church College in Oxford during the annual congress of the League.<br>Defence
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SALVATORE, Vincenzo. "Concorrenza televisiva e diritto comunitario." Doctoral thesis, 1991. http://hdl.handle.net/1814/4776.

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BANIA, Konstantina. "The role of media pluralism in the enforcement of EU competition law." Doctoral thesis, 2015. http://hdl.handle.net/1814/37779.

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Defence date: 5 November 2015<br>Examining Board: Professor Giorgio Monti, Supervisor-European University Institute; Doctor Rachael Craufurd-Smith, University of Edinburg; Professor Michal Gal, University of Haifa; Professor Peggy Valcke, Katholieke Universiteit Leuven.<br>Received the The Institute of Competition Law 2016 Concurrences PhD Award.<br>EU Competition Law is generally believed to play a negligible role in protecting media pluralism. Three arguments are usually put forward to support this position. First, the application of EU competition law ensures market access, thereby potentia
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Livres sur le sujet "Television broadcasting – European Union countries"

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Moragas Spa, Miquel de, 1943- and Garitaonaindía Garnacho Carmelo, eds. Decentralization in the global era: Television in the regions, nationalities and small countries of the European Union. John Libby, 1995.

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Bernat, López, Moragas Spa, Miquel de, 1943-, and Garitaonaindía Garnacho Carmelo, eds. Television on your doorstep: Decentralization experiences in the European Union. University of Luton Press, 1999.

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Commission of the European Communities., ed. Strategy options to strengthen the European programme industry in the context of the audiovisual policy of the European Union / $c European Commission. European Commission, 1994.

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Voss, Jörg Michael. Pluraler Rundfunk in Europa - ein duales System für Europa?: Rahmenbedingungen für den öffentlich-rechtlichen Rundfunk in einer europäischen dualen Rundfunkordnung ; unter Berücksichtigung der Anforderungen der europäischen Meinungs- und Medienfreiheit. P. Lang, 2008.

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Hellwig, Irene. Rundfunkübertragungsrechte an den Olympischen Spielen im europäischen Kartellrecht: Medienmärkte, gemeinsamer Erwerb durch die European Broadcasting Union und Exklusivvergabe. Schulthess, 2009.

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1938-, Price Monroe Edwin, and Verhulst Stefaan, eds. Parental control of television broadcasting. Lawrence Erlbaum Associates, 2002.

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Cere, Rinella. European and national identities in Britain and Italy: Maastricht on television. Edwin Mellen Press, 2000.

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Sänger, Jessica. Mediale Verwertung von Sportveranstaltungen: Zivilrechtliche Grundlagen der Verwertung und kartellrechtliche Analyse der Einkaufsgemeinschaft der EBU. PL Academic Research, 2015.

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Sandberg, Karin. Unzulässiger Protektionismus in der europäischen Medienpolitik?: Die Massnahmen der Europäischen Gemeinschaft zum Schutz des europäischen Films und die Vereinbarkeit mit dem durch das GATT und die WTO-Vereinbarungen gebildeten Rechtsrahmen. P. Lang, 1998.

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European Institute for the Media, ed. Europe in the media: A comparison of reporting, representation, and rhetoric in national media systems in Europe. L. Erlbaum Associates, 2003.

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Chapitres de livres sur le sujet "Television broadcasting – European Union countries"

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Michailidou, Asimina, Elisabeth Eike, and Hans-Jörg Trenz. "Journalism, Truth and the Restoration of Trust in Democracy: Tracing the EU ‘Fake News’ Strategy." In Europe in the Age of Post-Truth Politics. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13694-8_4.

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AbstractTrust in journalism in Europe and beyond has been undermined by a series of scandals, by the closeness of journalists to political parties and government, but also by more frequent attacks against freedom of speech and of the press run especially by populist leaders and new authoritarian governments. In some countries, like Hungary, Poland and Italy, the press freedom index is in steep decline, and governments have also entered a ‘war’ with journalism, putting increasing pressure on the free exercise of the profession, restricting budgets and the autonomy of public service broadcasting
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Noam, Eli. "Three Efforts at European Integration." In Television in Europe. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069426.003.0027.

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Abstract From the beginning, European broadcasters collaborated with each other. In 1925, at the BBC’s initiative, the International Broadcasting Union (IBU) was established. One of the early functions of the Geneva-based organization was to draft a frequency allocation plan. It also tried, unsuccessfully, to reduce commercial as well as propaganda broadcasting across national frontiers and initiated a program exchange, mostly of concerts (Eugster, 1983). During World War II, the IBU was largely dormant, but it was revived afterward along with a new organization, the International Broadcasting
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Çakır, Vedat, and Sibel Ozkan. "EU Media Policies in the Context of Media Pluralism and Turkey's Consistency." In Handbook of Research on Social and Economic Development in the European Union. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1188-6.ch029.

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Media pluralism is one of the basic principles of EU media policies, which enables the protection of cultural diversity and the representation of different voices in the media. One aim of media pluralism is to provide a cultural flow between all member and candidate countries that make up the Union, giving right of representation to each component, while the other is to ensure that the different voices in the countries are heard. However, this economy-centered audio-visual policy, which is based on the free circulation of television broadcasts within the Union, has been criticized for increasi
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Littoz-Monnet, Annabelle. "The Communitarisation of broadcasting regulation: the ‘Television Without Frontiers’ Directive." In The European Union and Culture. Manchester University Press, 2007. http://dx.doi.org/10.7228/manchester/9780719074356.003.0004.

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Bajomi-Lazar, Peter, Vaclav Stetka, and Miklós Sükösd. "Public Service Television in European Union Countries:." In Trends in Communication Policy Research. Intellect Books, 2012. http://dx.doi.org/10.2307/j.ctv36xvj36.21.

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Collins, Richard. "The European Union Audiovisual Policies of the U.K. and France." In Television Broadcasting in Contemporary France and Britain. Berghahn Books, 1999. http://dx.doi.org/10.2307/j.ctv287sh8j.21.

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Collins, Richard. "14. The European Union Audiovisual Policies of the U.K. and France." In Television Broadcasting in Contemporary France and Britain. Berghahn Books, 1999. http://dx.doi.org/10.1515/9781800735095-019.

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Noam, Eli. "Germany." In Television in Europe. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069426.003.0006.

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Abstract Considering Germany’s legacy of an apolitical and PTT-dominated broadcasting system during the Weimar years and a totalitarian system during the Hitler period, the modem German public broadcast system has evolved well in many respects. The public broadcasting system is structurally superior to those of most European countries, because its decentralization provides a greater diversity of approaches to broadcasting and a certain rivalry in performance and quality. The legal status of German broadcasting is more independent than that of the BBC, over which the British government has reta
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Syvertsen, Trine, and Gunn Enli. "Public Service in Europe: Five Key Points." In A Future for Public Service Television. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9781906897710.003.0010.

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This chapter contextualizes the 2016 report A Future for Public Service Television: Content and Platforms in a Digital World through a review of relevant research on public broadcasting in Europe as well as studies of public service broadcasting in the Nordic region. The observations are structured around five key points that condense research as well as challenges, debates, and prospects: (1) the crisis discourse; (2) innovation and public service media; (3) distinctiveness; (4) editorial independence; (5) national differences and politics. Studies from other European countries have observed
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Jensen, Helle Strandgaard. "Other Childhoods." In Sesame Street. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197554159.003.0006.

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Abstract This chapter covers the Children’s Television Workshop’s attempts to sell Sesame Street to the Scandinavian countries in the Nordic broadcasting union, Nordvision. It shows how these efforts unfolded but ultimately failed because, in the wake of the youth rebellion, Denmark, Sweden, and Norway had a broadcasting culture for children that emphasized a utopian progressivist approach to education and youth. This was so radically different and already ingrained in production cultures when the Workshop began talks with the Scandinavians in 1970 that the partners in Nordvision had trouble u
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Actes de conférences sur le sujet "Television broadcasting – European Union countries"

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Милкова, Анета. "MEDIA CHALLENGES IN THE DIGITAL TRANSFORMATION PROCESS." In Dynamics of the Digital Transformation in the Media Environment. Faculty of Journalism and Mass Communication, 2024. http://dx.doi.org/10.60060/igjw3826.

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The digital transformation in the media began in the 1990s with the targeted policy of the European Union institutions to introduce terrestrial digital television broadcasting in the EU Member States. In 2006, a Europe-an Terrestrial Digital Broadcasting Plan was established, the so-called Ter-restrial Digital Broadcasting Plan. “Geneva Plan 2006”. The introduction of terrestrial digital television broadcasting was supposed to ensure more efficient use of the frequency spectrum, the possibility of better quality of the programmes distributed, the offering of new services to consumers, etc. Thi
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Милкова, Анета. "MEDIA CHALLENGES IN THE DIGITAL TRANSFORMATION PROCESS." In Dynamics of the Digital Transformation in the Media Environment. Faculty of Journalism and Mass Communication, 2024. http://dx.doi.org/10.60060/am.2024.23.76-88.

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The digital transformation in the media began in the 1990s with the targeted policy of the European Union institutions to introduce terrestrial digital television broadcasting in the EU Member States. In 2006, a Europe-an Terrestrial Digital Broadcasting Plan was established, the so-called Terrestrial Digital Broadcasting Plan. “Geneva Plan 2006”. The introduction of terrestrial digital television broadcasting was supposed to ensure more efficient use of the frequency spectrum, the possibility of better quality of the programmes distributed, the offering of new services to consumers, etc. This
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