Bibliographies thématiques / Theater, pictorial works

Sommaire

Articles de revues
Thèses
Livres
Chapitres de livres

Littérature scientifique sur le sujet « Theater, pictorial works »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 28 juillet 2025

Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres

Choisissez une source :

Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Theater, pictorial works ».

À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.

Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.

Articles de revues sur le sujet "Theater, pictorial works"

Moskovkina, E. A. "“WITHERS, DISAPPEARS” BY V. M. SHUKSHIN AND “CONVERSATION” BY I. P. POPOV: INTERMEDIALITY AND INTERTEXTUALITY." Culture and Text, no. 51 (2022): 99–115. http://dx.doi.org/10.37386/2305-4077-2022-4-99-115.

Texte intégral

Résumé :

The article presents an attempt to study the phenomenon of “parallel” creativity, mutual influence and mutual citation of the writer and the artist on the example of the works of V.M. Shukshin and I. P. Popov. The artistic features of the story “Withers, disappears” (1966) are considered in the context of an intra-genre modification (story-skit), taking into account the intertextual and ekphrastic impact of Popov’s painting “Conversation” (1967). Common and overlapping autobiographical, compositional, plot, and pictorial components of the works are revealed. The tendencies of the intermedial d

Styles APA, Harvard, Vancouver, ISO, etc.

Tkachenko, T. I. "REINTERPRETATION OF PROSE TEXTS IN THE PLAYS BY MYXAJLO STARYCZKYJ." Literary Studies, no. 60 (2021): 210–19. http://dx.doi.org/10.17721/2520-6346.60.210-219.

Texte intégral

Résumé :

The article represents the study of the peculiarities of the reinterpretation of prose works by Myxajlo Staryczkyj (1840–1904) in plays to enrich the repertoire of the “Coryphées theater”. Attention focuses on the coverage of the author’s literary communication, which is characterized by the involvement of ethnographic, household, folklore findings, coverage of history in a new perspective, unexpected plot changes related to the spectacle of the play and the Ukrainian mentality, psychologism and coverage of internal conflict. The work investigates the formal and semantic components, in particu

Styles APA, Harvard, Vancouver, ISO, etc.

Krasnovа, Nataliia. "Technologies of Aesthetic Education of Personality by Means of Theatrical Art." Bulletin of Luhansk Taras Shevchenko National University 1, no. 6 (344) (2021): 78–92. http://dx.doi.org/10.12958/2227-2844-2021-6(344)-1-78-92.

Texte intégral

Résumé :

The article characterizes theatrical art as a combination of pictorial possibilities of different arts: literature, stage, painting, architecture, dance, etc. Characteristics, differences of types of theater are given: dramatic, musical (opera, operetta, ballet), pantomime, puppet theater, theater of small forms, which in a way influence the formation of the personality of the younger generation. It is shown that aesthetic education can be considered as a universal means of personal development based on the identification of individual abilities, diverse aesthetic needs and interests. The purp

Styles APA, Harvard, Vancouver, ISO, etc.

Kirsch, Sebastian. "Street Smart or Smart Street?" Performance Philosophy 7, no. 1 (2022): 66–83. http://dx.doi.org/10.21476/pp.2022.71300.

Texte intégral

Résumé :

In its first part the essay reflects on an ongoing transformation in the history of power relations by commenting on a short passage from Elfriede Jelinek's 2013 theater text Die Schutzbefohlenen (Charges: The suppliants). Reading Jelinek's words as a play on Martin Heidegger's essay "Die Zeit des Weltbildes" ("The Age of the World Picture") but also on his concept of the "Gestell", the essay discusses a current crisis of pictorial framing which corresponds today's reshaping of the logics of production by digital network technologies. The essay argues that one of the most significant symptoms

Styles APA, Harvard, Vancouver, ISO, etc.

Esherick, Joseph W., and Jeffrey N. Wasserstrom. "Acting Out Democracy: Political Theater in Modern China." Journal of Asian Studies 49, no. 4 (1990): 835–65. http://dx.doi.org/10.2307/2058238.

Texte intégral

Résumé :

For two and a half months in the spring of 1989, China's student actors dominated the world stage of modern telecommunications. Their massive demonstrations, the hunger strike during Gorbachev's visit, and the dramatic appearance of the Goddess of Democracy captured the attention of an audience that spanned the globe. As we write in mid-1990, the movement and its bloody suppression have already produced an enormous body of literature—from eyewitness accounts by journalists (Morrison 1989; Zhaoqiang, Gejing and Siyuan 1989) and special issues of scholarly journals (Australian Journal of Chinese

Styles APA, Harvard, Vancouver, ISO, etc.

Inshakov, Alexander N. "Monumental Painting by Sergei Romanovich: Former and Unfulfilled." Vestnik of Saint Petersburg University. Arts 11, no. 1 (2021): 102–26. http://dx.doi.org/10.21638/spbu15.2021.107.

Texte intégral

Résumé :

The article is devoted to an important period in the life and work of the Moscow artist Sergei Romanovich (1894–1968), one of the most interesting young artists of the Russian pictorial avant-garde of the second half of the 1910s, a student and later friend of Mikhail Larionov. From the late 1930s to the mid-1950s, Romanovich was an employee of the Workshop of Monumental Painting at the Academy of Architecture of the USSR. Together with Lev Bruni and Vladimir Favorsky, he worked on the decoration of the Red Army Theater, participated in the development of projects and interior design of theate

Styles APA, Harvard, Vancouver, ISO, etc.

Peremislov, Larisa G., and Igor I. Cherkassky. "ARTIST JULIA DOLGORUKOVA. PERFECT EXPRESSION OF LOVE." Arts education and science 3, no. 36 (2023): 160–65. http://dx.doi.org/10.36871/hon.202303160.

Texte intégral

Résumé :

The article presents an overview of the work of the famous Moscow artist Julia Dolgorukova, who works in the genres of landscape, still life and composite composition in various painting techniques. The basis of her pictorial language is Russian impressionism and the creative search of nonconformists of the 60s — 70s. Throughout her career, her paintings trace the creation of her own individual style, based on the experience of her teachers and, at the same time, transcending all existing trends. In still lifes Julia Dolgorukova creates volumes with large colored strokes both with a brush and

Styles APA, Harvard, Vancouver, ISO, etc.

Portnova, Tatyana V. "Peculiarities of E. Dega's creative method in the interpretation of the theme “Paris opera ballet”." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 45 (2022): 157–71. http://dx.doi.org/10.17223/22220836/45/15.

Texte intégral

Résumé :

The article considers methodological approaches to the interpretation of the dance subject on the example of the famous French artist E. Degas (1834-1917) in the context of understanding the school of the Paris Opera Ballet, which is the center of French cultural life and brings new forms of dialogue in the morphological sphere of interaction of related arts. The unflagging interest of researchers to the problems of the works of E. Degas throughout the history of his study, both at the level of a single country, and in the context of world artistic culture determines the undoubted relevance of

Styles APA, Harvard, Vancouver, ISO, etc.

Suntsova, Elena A. "Konstantin Korovin, an Emigrant: The Native Land in the Artist’s Memoirs." Вестник Пермского университета. Российская и зарубежная филология 15, no. 1 (2023): 139–46. http://dx.doi.org/10.17072/2073-6681-2023-1-139-146.

Texte intégral

Résumé :

Konstantin Korovin is a famous Russian artist, one of the first Russian impressionists, as well as a theater decorator. The artist was highly sensitive to the beauties of the nature of his native land, and his oeuvre consists mostly of landscapes. In 1922, being at his senior age, Korovinwas forced to move to one of the centers of Russian emigration –Paris. Life away from his motherland becomes one of the reasons for the painter’s artistic crisis. It was during these difficult years that Korovin began to engage in literary work. Korovin writes memoirs, significant part of which is memories of

Styles APA, Harvard, Vancouver, ISO, etc.

Kol'tsova, Natal'ya Zinov'evna, and Liu Miaowen. "Dialogue of arts in the novel “The Artist is Unknown” by V. Kaverin." Litera, no. 9 (September 2020): 42–50. http://dx.doi.org/10.25136/2409-8698.2020.9.33780.

Texte intégral

Résumé :

Prose about the artist is fairly popular in the world and Russian culture, but the novel &ldquo;The Artist is Unknown&rdquo; by V. Kaverin holds a special place within the Russian literature, and the title itself is precedent for the philologists &ndash; it is mentioned each time when it comes to genre of the novel about artist. Kaverin not only creates a vivid image of the artist-painter, but also restores his manner via literary style. The pictorial beginning is prevalent in the text; however, orientation towards other types of art, namely sculpture and theatre, are also noticeab

Styles APA, Harvard, Vancouver, ISO, etc.

Plus de sources

Thèses sur le sujet "Theater, pictorial works"

Laoureux, Denis. "Contribution à l'étude des interactions entre les arts plastiques et les lettres belges de langue française: analyse de cas :Maurice Maeterlinck et l'image." Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211051.

Texte intégral

Résumé :

Cette thèse de nature interdisciplinaire a pour objet d’identifier, de décrire et d’analyser la diversité des interactions entre la littérature et les arts plastiques à travers l’œuvre et la figure de l’auteur belge francophone Maurice Maeterlinck (1862-1949).<p><p>Le propos présente une structure symétrique. Celle-ci va de l’impact de l’image sur l’écriture à l’impact des textes sur la création plastique. La référence littéraire à l’image constitue la première phase de l’enquête. Celle-ci aboutit à la référence plastique à la littérature en passant préalablement par les collaborations effecti

Styles APA, Harvard, Vancouver, ISO, etc.

Livres sur le sujet "Theater, pictorial works"

Hinterholzer, Elke M. Stadt Haag Theater, Stadt Theater Haag, Theater Stadt Haag. Edited by Verein Wir Haager. Verlag Bibliothek der Provinz, 2002.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Adler, Josef. Deutschsprachige Theater der Jahrhundertwende in alten Photographien. Österreichischer Bundesverlag, 1987.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Bernard, Sobel. A pictorial history of vaudeville. Barricade Books, 2002.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

1934-, Freyer Achim, and Akademie der Künste (Berlin, Germany). Stiftung Archiv, eds. Freyer Theater. Alexander Verlag, 2007.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Leitner, Carola. Theater und Kino. Ueberreuter, 2009.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Russell, Brown John, ed. The Oxford illustrated history of theatre. Oxford University Press, 1995.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Uhlig, Bernd. Internationales freies theater: Persönlich, politisch, poetisch. Artland, 1989.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Degaine, André. Histoire du théâtre dessinée: De la préhistoire a nos jours, tous les temps et tous les pays. A.-G. Nizet, 1992.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Tyndyk, Tomek. Teatr: Theater. Instytut Teatralny im. Zbigniewa Raszewskiego, 2018.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Jacobs, Leonard. Historic photos of Broadway: New York theatre, 1850-1970. Turner Pub. Co., 2008.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Plus de sources

Chapitres de livres sur le sujet "Theater, pictorial works"

Pratt, Henry John, and Kurt F. Shaffert. "Adaptation." In The Philosophy of Comics. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190845445.003.0005.

Texte intégral

Résumé :

Abstract The prevalence of the verbal and pictorial dimensions of comics has contributed to a number of adaptations where comics, paired with works of literature or film, are either the source (the adaptation proceeds from comic to x) or adaptation (the adaptation proceeds from x to comic). Notable differences among these art forms spring from differences in their respective media. Because of the characteristic narrative devices produced by comics media, a number of theorists have suggested that adaptation into or out of comics is impossible. After giving prominent examples of such arguments,

Styles APA, Harvard, Vancouver, ISO, etc.

Bernier, Celeste-Marie, Alan Rice, Lubaina Himid, and Hannah Durkin. "Tracing ‘the living/the dead/the ancestors’ in London and Paris Guidebooks (2009)." In Inside the invisible. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620856.003.0015.

Texte intégral

Résumé :

‘What are monuments for? Possible landmarks on the urban map: Paris and London’ is the title of a performance script that Himid wrote to accompany London and Paris Guidebooks, a mixed-media work she created in 2009 and which is the subject of this chapter. ‘When I was in Paris a few months ago, I came across a delightful little guide book about London’, her imaginary narrative begins. ‘It lists nearly 300 places of interest. These, it claims, range from the National Gallery to “gruesome” Old St Thomas’s operating theatre and from ancient Charterhouse to modern Canary wharf’. Losing no time in

Styles APA, Harvard, Vancouver, ISO, etc.

Nous offrons des réductions sur tous les plans premium pour les auteurs dont les œuvres sont incluses dans des sélections littéraires thématiques. Contactez-nous pour obtenir un code promo unique!