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Articles de revues sur le sujet « Theory of tragedy »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Cho, Seung. "When Arendt Meets Tragedy: Hannah Arendt’s Apology for the Democratic Values of Tragedy." Criticism and Theory Society of Korea 26, no. 3 (2021): 321–48. http://dx.doi.org/10.19116/theory.2021.26.3.321.

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Dekel, Mikhal. "Tragedy Contra Theory." Comparative Literature 67, no. 4 (2015): 429–44. http://dx.doi.org/10.1215/00104124-3327563.

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3

Reynolds, Anthony. "Thinking the Ghost: Tragedy and the History of Theory." Derrida Today 14, no. 1 (2021): 49–66. http://dx.doi.org/10.3366/drt.2021.0252.

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In this paper I examine the role of tragedy in the ancient emergence of philosophical interiority and in the recent return of exteriority that marks the birth of theory. I argue that tragedy names a kind of epistemic threshold between systems of knowledge predicated on exteriority and interiority. I conclude by arguing that Derrida's late effort to articulate a messianic model of the tragic in Specters of Marx and elsewhere, his effort to “think the ghost,” both confirms and complicates tragedy's place in the history of theory.

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4

Hwang, Jung-Suk. "Tragedy of Confronting Che Vuoi?: Shakespeare’s Othello." Criticism and Theory Society of Korea 27, no. 1 (2022): 361–79. http://dx.doi.org/10.19116/theory.2022.27.1.361.

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5

Munk, Erika, Ellen Donkin, Susan Clements, and Lizbeth Goodman. "Tragedy Tomorrow, Theory Tonight?" Women's Review of Books 11, no. 3 (1993): 12. http://dx.doi.org/10.2307/4021773.

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6

Boyle, Nicholas. "GOETHE'S THEORY OF TRAGEDY." Modern Language Review 105, no. 4 (2010): 1072–86. http://dx.doi.org/10.1353/mlr.2010.0043.

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7

Deimling, Wiebke. "Kant’s Theory of Tragedy." Southwest Philosophy Review 35, no. 1 (2019): 17–30. http://dx.doi.org/10.5840/swphilreview20193513.

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8

Jamme, Christoph. "Hölderlin’s Theory of Tragedy." Revista Eletrônica Estudos Hegelianos 17, no. 30 (2021): 1–10. http://dx.doi.org/10.70244/reh.v17i30.415.

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This article examines some theoretical texts of Hölderlin on the function and historical task of tragedies, esp. the Grund zum Empedokles and the annotations to Sophocles. The tragedy is for Hölderlin a form of transition from antiquity to modernity. Through the individual tragical the historical occurs.

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9

Altman, Toby. "Live Intimate Nostalgia (theory of tragedy), and: Best Practices (theory of tragedy)." Cream City Review 39, no. 2 (2015): 131–32. http://dx.doi.org/10.1353/ccr.2015.0102.

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10

Victoria Vargas, Ivan Andreé. "El concepto de tragedia en Sigmund Freud." Revista Ciencias y Humanidades 11, no. 11 (2024): 405–33. https://doi.org/10.61497/6dp8j877.

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Resumen El psicoanálisis es a menudo confundido en sus pretensiones y objetivos. Con el propósito de adelantar un ejercicio de claridad respecto al proceder de la disciplina freudiana y sus conceptos “bastardos”, se propone una formalización del concepto de tragedia desde el corpus teórico psicoanalítico. Para el cumplimiento de este objetivo se revisan, a la luz de la teoría, los textos que refieren a la tragedia como su tema principal. Pronto se hace manifiesto que el concepto psicoanalítico de tragedia atraviesa transversalmente la obra freudiana y permite una revisión y utilización de su a

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11

Yang, Jiawen. "Hegel’s Aesthetic Theory of Tragedy in the Light of the Three Kingdoms." Studies in Linguistics and Literature 7, no. 3 (2023): p85. http://dx.doi.org/10.22158/sll.v7n3p85.

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Hegel’s aesthetic theory of tragedy is divided into three parts: occurrence, development and resolution, in which the root cause of tragedy is conflict, the way of tragedy development is struggle, and the result of tragedy resolution is reconciliation. The ancient Chinese novel Romance of the Three Kingdoms contains conflicting loyalties and righteousness, and is set against the backdrop of war. Its tragic causes and tragic effects are in line with Hegel’s aesthetic theory of tragedy. Therefore, by analysing the ancient Chinese novel, we can gain a deeper understanding of Hegel’s aesthetic the

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12

Stone, Alison. "Joanna Baillie's Theory of Tragedy." Journal of Aesthetic Education 58, no. 1 (2024): 25–45. http://dx.doi.org/10.5406/15437809.58.1.02.

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Abstract Joanna Baillie (1762–1851) came to fame in 1798 with the first volume of her Plays on the Passions, which included her theoretical account of drama, including tragedy. This article reconstructs Baillie's theory of tragedy and shows how the theory informs the design of the Plays on the Passions. For Baillie, all human beings have powerful and dangerous passions that we need to learn to regulate. Tragedy can help with this and can serve an educative purpose by presenting us with narratives in which the protagonists repeatedly fail to check the growth of a particular passion, such as jea

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13

Jung, Daehun. "The Inherent Hybridity of Tragedy : Rethinking Nietzsche’s Theory of Tragedy." Modern Philosophy 21 (April 30, 2023): 37–71. http://dx.doi.org/10.52677/mph.2023.04.21.37.

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14

Harrop, Stephe. "Greek Tragedy, Agonistic Space, and Contemporary Performance." New Theatre Quarterly 34, no. 2 (2018): 99–114. http://dx.doi.org/10.1017/s0266464x18000027.

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In this article Stephe Harrop combines theatre history and performance analysis with contemporary agonistic theory to re-conceptualize Greek tragedy's contested spaces as key to the political potentials of the form. She focuses on Athenian tragedy's competitive and conflictual negotiation of performance space, understood in relation to the cultural trope of the agon. Drawing on David Wiles's structuralist analysis of Greek drama, which envisages tragedy's spatial confrontations as a theatrical correlative of democratic politics, performed tragedy is here re-framed as a site of embodied contest

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15

Salkever, Stephen G. "Tragedy. Theory and Political Education." Polis: The Journal for Ancient Greek Political Thought 10, no. 1-2 (1991): 162–68. http://dx.doi.org/10.1163/20512996-90000387.

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16

Gelven, Michael. "An existential theory of tragedy." Man and World 21, no. 2 (1988): 145–69. http://dx.doi.org/10.1007/bf01248680.

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17

Justice, Steven. "Spain, Tragedy, and The Spanish Tragedy." Studies in English Literature, 1500-1900 25, no. 2 (1985): 271. http://dx.doi.org/10.2307/450723.

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18

Abdullah Mohammed Ali Khalil. "TERRY EAGLETON’S THEORY OF THE TRAGIC, REFLECTED ON CURRENT ARAB SOCIOPOLITICAL CONTEXT." Albaydha University Journal 2, no. 2 (2020): 241–47. http://dx.doi.org/10.56807/buj.v2i2.66.

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Corona virus 2019 (Covid-19) pandemic of today is a real tragedy for it has taken the lives of millions of people worldwide regardless of their social, political and material status. This will absolutely change the minds of those with classic views of tragedy. It is said that the concept of tragedy has changed greatly since early modern ages, more specifically in the sixteenth century. Modern people are supposed to view tragedy in a different way the classical people viewed it. Having grief towards an ordinary person and not a king, a queen or a prince defines modern views of tragedy. Terry Ea

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19

Schmidt, Brian C. "Realism as tragedy." Review of International Studies 30, no. 3 (2004): 427–41. http://dx.doi.org/10.1017/s0260210504006151.

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In 1948, Hans J. Morgenthau wrote his classic text, Politics Among Nations: The Struggle for Power and Peace, that was largely responsible for establishing realism as the prevailing theory in the field of International Relations (IR). In 1979, Kenneth N. Waltz wrote an immensely influential book, Theory of International Politics, that resulted in a new structural version of realism – neorealism – becoming the dominant theory in IR. John J. Mearsheimer, who is the R. Wendell Harrison Distinguished Service Professor of Political Science at the University of Chicago, has written a profoundly impo

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20

Xie, Zhixi. "The historical tragedy and the human tragedy." Frontiers of Literary Studies in China 3, no. 1 (2009): 64–96. http://dx.doi.org/10.1007/s11702-009-0003-z.

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21

Kim, Suk. "We with-in/out Us." Criticism and Theory Society of Korea 28, no. 2 (2023): 53–75. http://dx.doi.org/10.19116/theory.2023.28.2.53.

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How to make sense of what happened in Itaewon on October 29th? In hindsight, the catastrophic event which claimed the lives of 159 youths on the Halloween eve appears to have been a dire forecast of bizarre administrative debacles that were to follow under South Korea’s current regime. Yet if it seems too simplistic, or morally disingenuous, to shift the entire blame to the incompetence and misrule of the powers that be, it is because the tragedy, like so many others preceding it in Korea’s turbulent modern history, once again raises to the fore the problematic nature of communal being of whic

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22

Sukiman, Sukiman, Anang Santoso, and Febri Taufiqurrahman. "Sistem Transitivitas dalam Wacana Berita Tragedi Kanjuruhan Malang." Stilistika: Jurnal Pendidikan Bahasa dan Sastra 16, no. 2 (2023): 215. http://dx.doi.org/10.30651/st.v16i2.16184.

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Transitivity System in The Kanjuruhan Malang Tragedy News Discourse ABSTRAKMedia massa menyajikan informasi dari sudut pandang penulis, sehingga cenderung menimbulkan persepsi yang berbeda dari pembaca. Maka, penelitian ini bertujuan untuk mengkaji bentuk ketransitifan dalam wacana berita Tragedi Kanjuruhan dari tiga media massa online. Metode yang digunakan, yaitu kualitatif dengan pendekatan analisis wacana tentang ketransitifan dari Halliday. Data penelitian ini bersumber dari tiga media massa, yaitu Kompas, Detiknews, dan Tempo. Analisis data menggunakan model ketransitifan dari teori Ling

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23

Diamond, Elin. "Churchill's Tragic Materialism; or, Imagining a Posthuman Tragedy." Publications of the Modern Language Association of America 129, no. 4 (2014): 751–60. http://dx.doi.org/10.1632/pmla.2014.129.4.751.

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It would seem impossible to wrench dramatic tragedy away from humanism. In their encounters with fate, capricious gods, or a corrupt polis, tragedy's protagonists confront the injustice and futility of existence, and in their suffering and defeat they affirm the “indomitability of the human spirit,” the preeminent value of human life. Certainly this is George Steiner's view in The Death of Tragedy (1961), although his conservative hierarchies (no gods, no tragedy) have been refuted by critics who argue that there is profound tragedy in ordinary life (Williams; Eagleton; Poole) and that tragedy

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24

Diamond, Elin. "Churchill's Tragic Materialism; or, Imagining a Posthuman Tragedy." PMLA/Publications of the Modern Language Association of America 129, no. 4 (2014): 751–60. http://dx.doi.org/10.1632/s0030812900115032.

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It would seem impossible to wrench dramatic tragedy away from humanism. In their encounters with fate, capricious gods, or a corrupt polis, tragedy's protagonists confront the injustice and futility of existence, and in their suffering and defeat they affirm the “indomitability of the human spirit,” the preeminent value of human life. Certainly this is George Steiner's view in The Death of Tragedy (1961), although his conservative hierarchies (no gods, no tragedy) have been refuted by critics who argue that there is profound tragedy in ordinary life (Williams; Eagleton; Poole) and that tragedy

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25

Roche, Mark W. "Introduction to Hegel's Theory of Tragedy." PhaenEx 1, no. 2 (2007): 11. http://dx.doi.org/10.22329/p.v1i2.222.

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26

Ascher, Leona, and C. Fred Alford. "The Psychoanalytic Theory of Greek Tragedy." Classical World 87, no. 6 (1994): 518. http://dx.doi.org/10.2307/4351584.

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27

Yaari, Nurit. "Greek Tragedy in Theory and Praxis." Maske und Kothurn 35, no. 1 (1989): 7–20. http://dx.doi.org/10.7767/muk.1989.35.1.7.

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28

Burnett, Anne Pippin, and C. Fred Alford. "The Psychoanalytic Theory of Greek Tragedy." American Journal of Philology 115, no. 3 (1994): 461. http://dx.doi.org/10.2307/295372.

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29

Murray, Penelope. "Tragedy." Classical Review 49, no. 1 (1999): 4–6. http://dx.doi.org/10.1093/cr/49.1.4.

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30

FINKELBERG, MARGALIT. "ARISTOTLE AND EPISODIC TRAGEDY." Greece and Rome 53, no. 1 (2006): 60–72. http://dx.doi.org/10.1017/s0017383506000039.

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It is no exaggeration to say that Aristotle's Poetics is one of the most influential documents in the history of Western tradition. Not only, after its re-discovery in the early sixteenth century, did it dominate literary theory and practice for no less than three hundred years. Even after it had lost its privileged status – first to the alternative theories of literature brought forth by the Romantic movement and then to the literary theory and practice of twentieth-century modernism – the Poetics still retained its role of the normative text in opposition to which those new theories were bei

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31

Streete, A. "Rethinking Tragedy." English 60, no. 228 (2010): 92–94. http://dx.doi.org/10.1093/english/efp054.

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32

Lehmann, Hans-Thies. "Thinking/Tragedy/Thinking Tragedy: Remarks on the Fate of Theory on Stage." Anglia 136, no. 1 (2018): 61–74. http://dx.doi.org/10.1515/ang-2018-0009.

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AbstractThe article thematizes the uniquely complex relation between theory and theatre by focusing on the specific case of theory presented on stage. Part One exposes an aporia of classical aesthetics: the aesthetic object is conceived as different from thought but at the same time it is demanded that its nucleus is thought. Commenting on a particularly telling example of theory on stage: Karl Marx: Das Kapital, Erster Band von Rimini Protokoll (2006), it is argued that the power of the performance is able to uncover under the surface of a seemingly well-known and well-ordered theory a mostly

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33

Turley, Elliott. "Martin Revermann. Brecht and Tragedy: Radicalism, Traditionalism, Eristics." Modern Drama 66, no. 1 (2023): 135–37. http://dx.doi.org/10.3138/md-66-1-rev6.

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Brecht and Tragedy gives a genealogical account of Brecht’s engagement with tragedy and uses tragedy as a lens to analyse several Brechtian works and ideas. Exhaustively researched, it is valuable both for its detailed work on Brecht and tragedy and its analysis of Brecht’s theatre more broadly.

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34

Barnes, Daniel. "THE ART OF TRAGEDY." Think 10, no. 28 (2011): 41–51. http://dx.doi.org/10.1017/s1477175611000017.

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In this essay, I want to provide an introduction to Aristotle's theory of the Greek Tragedy, which he outlines in his book, the Poetics. Many philosophers since Aristotle, including Friedrich Nietzsche and Walter Benjamin, have analysed tragic art and developed their own theories of how it works and what it is for. What makes Aristotle's theory interesting is that it is as relevant to art today as it was in Ancient Greece because it explains the features of not just tragic art, but of the films and stories that we enjoy today. I will explain the features that Aristotle says make a good tragic

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35

Urban, David V. "Transcending Justice, Transcending Human Control: Overarching Providence in Shakespeare's Comedies and Romances." Ben Jonson Journal 31, no. 1 (2024): 72–93. http://dx.doi.org/10.3366/bjj.2024.0362.

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This essay discusses how in Much Ado About Nothing, Measure for Measure, The Winter's Tale, and The Tempest, providential events that work over and above those plays' benevolent manipulators serve to help bring about these plays' comic endings in ways that transcend human control, both its well-intended aspects as well as its problematic aspects. These providential events also offer grace and mercy toward the plays' various transgressors who, demonstrating repentance, are freed from the justice their transgressions merit and are consequently granted hopeful futures. By contrast, in the tragedi

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36

Jones, Richard, and Barbara Goff. "History, Tragedy, Theory: Dialogues on Athenian Drama." Classical World 91, no. 5 (1998): 437. http://dx.doi.org/10.2307/4352136.

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37

Goins, Scott, and George F. Held. "Aristotle's Teleological Theory of Tragedy and Epic." Classical World 92, no. 5 (1999): 476. http://dx.doi.org/10.2307/4352335.

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38

Saxonhouse, Arlene W. "Ancient Greek Tragedy Speaks to Democracy Theory." Polis: The Journal for Ancient Greek Political Thought 34, no. 2 (2017): 187–207. http://dx.doi.org/10.1163/20512996-12340123.

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Abstract This essay initially distinguishes Athenian democracy from what I call ‘hyphenated-democracies’, each of which adds a conceptual framework developed in early modern Europe to the language of democracy: representative-democracy, liberal-democracy, constitutional-democracy, republican-democracy. These hyphenated-democracies emphasize the restraints placed on the power of political authorities. In contrast, Athenian democracy with the people ruling over themselves rested on the fundamental principle of equality rather than the limitations placed on that rule. However, equality as the def

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39

Yu, Kyungah. "An Examination of Tragedy and Catharsis from the Perspective of Cognitive Developmental Theory - Focusing on Kohlberg’s Tragedy Theory -." Journal of Moral & Ethics Education 81 (November 30, 2023): 151–76. http://dx.doi.org/10.18338/kojmee.2023..81.151.

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40

Miani (book author), Valeria, Valeria Finucci (book editor), Julia Kisacky (book translator), and Laura Giannetti (review author). "Celinda: A Tragedy." Quaderni d'italianistica 32, no. 2 (2012): 225–26. http://dx.doi.org/10.33137/q.i..v32i2.16330.

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41

Hoover, Marjorie L., Vladimir Gubaryev, Michael Glenny, and Robert Peter Gale. "Sarcophagus: A Tragedy." World Literature Today 62, no. 3 (1988): 473. http://dx.doi.org/10.2307/40144396.

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42

Emerson, O. B., and Warwick Wadlington. "Reading Faulknerian Tragedy." American Literature 61, no. 1 (1989): 124. http://dx.doi.org/10.2307/2926537.

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43

Solheim, James. "Kanna Mackett's Tragedy." Chicago Review 35, no. 4 (1987): 80. http://dx.doi.org/10.2307/25305379.

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44

Paster, G. K. "English Renaissance Tragedy." Modern Language Quarterly 48, no. 2 (1987): 186–88. http://dx.doi.org/10.1215/00267929-48-2-186.

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Bassett, J. E. "Reading Faulknerian Tragedy." Modern Language Quarterly 48, no. 4 (1987): 396–401. http://dx.doi.org/10.1215/00267929-48-4-396a.

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COULTON, JOHN. "PRINCIPLES OF TRAGEDY." English Studies in Africa 31, no. 2 (1988): 79–89. http://dx.doi.org/10.1080/00138398808690850.

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Dienstag, Joshua Foa. "Tragedy, Pessimism, Nietzsche." New Literary History 35, no. 1 (2004): 83–101. http://dx.doi.org/10.1353/nlh.2004.0017.

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Rosslyn, F. "Tragedy and Emancipation." Cambridge Quarterly 30, no. 4 (2001): 307–18. http://dx.doi.org/10.1093/camqtly/30.4.307.

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Wallace, Jennifer. "Tragedy in China." Cambridge Quarterly 42, no. 2 (2013): 99–111. http://dx.doi.org/10.1093/camqtly/bft017.

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50

Mangrum, Benjamin. "Tragedy, Realism, Skepticism." Genre 51, no. 3 (2018): 209–36. http://dx.doi.org/10.1215/00166928-7190493.

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