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Thèses sur le sujet « Typographic space »

Auteur : Grafiati

Publié le 11 janvier 2025

Mis à jour le 31 juillet 2025

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1

Pieterse, George F. "Scripted : an urban museum of typography." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/29902.

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Reading allows for the construction of a new world within the mind as one centralises and processes the literature. Flipping from one page to the next the language and the typography guides and informs this spatial construction and directs us through this new world. It creates an intangible architecture of the mind. In the physical realm however, we experience the real world directly and blatantly without the aid of texts and narratives. In this life the relationship between text and space is inverted. Here text and narrative do not inform the construction and tactile experience of space but r

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Barbisan, Elisa. "Spazio grafico e stile. Un'indagine attraverso la poesia italiana del secondo Novecento." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL100.

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La thèse - centrée sur la poésie italienne de la seconde moitié du XXe siècle - étudie l'espace graphique en tant qu'outil stylistique, en proposant des paramètres d'interprétation et en fournissant un catalogue de formes. L'objectif est de favoriser la réception de la spatialité parmi les objets et les instruments d'investigation du raisonnement métrique et stylistique contemporain. La recherche suit une perspective générale tout en considérant les orientations particulières du champ historico-culturel italien. Le corpus sur lequel se base le travail est constitué d'une quarantaine d'auteurs

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OLIVEIRA, ANA MANSUR DE. "TYPOGRAPHY IN SPACE: SENSE AND SENSIBILITY IN A GRAPHIC PROJECT." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7236@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Esta dissertação busca estabelecer uma discussão entre duas maneiras de pensar a solução da tipografia no projeto gráfico: aquela em que o designer privilegia a razão e aquela cujo foco é a sensibilidade. Através de uma análise do significado dos períodos moderno e pós-moderno, buscamos, inicialmente, investigar o contexto em que surgiram estas duas formas de pensar. Em seguida, examinamos o pensamento de alguns autores acerca da concepção mais correta do arranjo da tipografia no espaço gráfico, trazendo a discussão para o âmbito do

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Vacher, Camille. "Vides, espaces typographiques dans l'art : Une approche sémiotique." Thesis, Limoges, 2018. http://www.theses.fr/2018LIMO0022/document.

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La question de la place de l’écrivain, du poète, de l’artiste, du lecteur, du spectateur s’impose à nous au cours de nos études en école d’art. Nous développons alors toute une démarche en édition où la typographie prend une place centrale. Détournement de l’objet livre, appréhension de la notion d’écriture, nos différentes recherches plastiques nous amène également à la poésie. Notre propre pratique plastique, centrée sur la typographie et ses enjeux, se lie alors à nos recherches théoriques. Elles s’enrichissent l’une l’autre. Dans cette démarche nous souhaitons faire un pont entre l’approch

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5

Lee, Dong Hyun. "Effective use of negative space in graphic design /." Online version of thesis, 2007. http://hdl.handle.net/1850/4625.

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6

Birand, Can. "Self-reference Through White Space in Graphic Design." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1577.

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In the graphic design, successful use of white space provides the designed object with a strong reference to its material quality and internal structure. Showing the paper breaks the wall between the design and the viewer, and gives the audience a better understanding of the construction of graphic design. White space is devoid representation, which leads the work to become completely honest about its materiality. This project explores different methods and processes for creating aesthetic/conceptual integrity in graphic design by using white space as a primary device.

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White, Kelley. "Space: A Discovery of Visual Language." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2487.

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Space is a visual communicator. The act of perceiving space is a neurological soiree that projects and negotiates meaning in our constructed world. The poetry that we observe within space is tied directly to our emotions and to previous experience. Within ourselves, we each have particular feelings, unconscious or not, relating to height, length, and depth, as well as light and shadow. For example, a long, narrow hallway may elicit anxiety, while an open, sunlit nave in a cathedral may bring about feelings of serenity and joy. Our observations and interactions within the perceptual confines of

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8

Simmons, Sandra. "Perceiving Matter in Notes on Space, Undated (Log 3) by André du Bouchet, Fontfroide-le-Haut, Fata Morgana, 2000." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4389/.

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This study of the graphic field in notes on space, undated (log 3) focuses on how the white emptiness of a page plays a structural role in the articulation of dissociated fragments of notes. According to the criteria of three theorists (Genette, Lapacherie, Baetens), the distinction between non-linear and tabular proves to be non-exclusive in this particular work. Ostensibly, this non-figurative writing instigates interactive contemplation and lends itself to multiple entries, like an object one contemplates from every possible visual perspective without ever constructing a representation or i

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Brenner, Gladys. "From Constructivism to Deconstructivism." VCU Scholars Compass, 1990. http://hdl.handle.net/10156/1334.

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Thesis (M.F.A.)--Virginia Commonwealth University, 1990.<br>Title on page 6. Two folded displays. Prepared for: Dept. of Communication Arts and Design. Includes bibliographical references. Also available online.

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Костанда, Марина. "Соціокультурний аспект урбаністичної графіки". Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10784.

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Надано результати дослідження соціокультурного аспекту урбаністичної графіки та каліграфії. Метою роботи стало визначення візуальних прийомів урбаністичної графіки, застосованих в соціальних вуличних проектах. В ході дослідження розвитку сучасної урбаністичної графіки визначено перелік чинників, які обумовлюють візуальне наповнення урбаністичного простору. На основі аналізу аналогів соціальних проектів встановлено перелік характерних соціокультурних напрямків ефективного впровадження графічних прийомів у візуальний простір міста. Охарактеризовано сутність візуальних прийомів урбаністичної граф

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Pires, Myriam Paula Barbosa. "Impressão, sociabilidade e poder: três faces da Tipografia do Diário na Corte do Rio de Janeiro(1821-1831)." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1627.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>Esta dissertação objetiva analisar a importância da Tipografia do Diário na Corte do Rio de Janeiro, no período compreendido entre 1821 e 1831. Fundada no bojo de crescimento da Modernidade nos trópicos, a referida tipografia foi parte integrante, enquanto objeto e sujeito da nova cultura liberal que crescia. Sua presença na Corte mostrou-se relevante não apenas como espaço privado destinado à produção de impressos, mas também como espaço público de troca e formador de novas sociabilidades. Analisar a trajetória dessa empresa t

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Park, Hyejin. "A Sense of Place: A Personal Exploration, Analysis and Re-interpretation of Diverse Places." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1929.

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Every city/place has unique, distinctive qualities. Individuals acquire a sense of place in accordance with their own experiences and perspectives, which may not be the same as the experiences and viewpoints of another person. In this project, I explore, analyze, and re-interpret three places that have creatively and emotionally influenced me and remained in my memory: Times Square, New York City; Insadong, Seoul, South Korea; and Broad Street, Richmond, Virginia. To comprehend and draw a sense of place, I observe, feel, and document the characteristics of each place through different methods

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13

Christensen, My, and Johanna Pihlgren. "Typografiska riktlinjer och textframställning för smartphones." Thesis, Högskolan Dalarna, Grafisk teknologi, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:du-10724.

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Idag använder allt fler människor sina smartphones för att surfa och använda tjänster online. Detta innebär att en stor del text läses på små skärmar. Detta arbete handlar om hur text bäst utformas och struktureras för att enklast kunna läsas och uppfattas på en mobilskärm. Faktorer som berörs är typgrad, ljusrum, textlängd, teckensnittsklass, radlängd, bild i text och kontrastverkan. Arbetet utgår från en normativ, svensk person utan funktionsnedsättningar. Arbetet är grundat på litteratur, egna analyser, intervjuer med branschfolk, enkätundersökning och test med fokusgrupp. Resultatet blev a

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Chen, Hsiu-Yu, and 陳綉雨. "Effects of screen, text/background color combination, Chinese typographic, and line space of searching and reading tasks on users'''' visual performance and visual fatigue." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/37874708071470232218.

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碩士<br>大葉大學<br>工業工程研究所<br>89<br>LCD monitors have gradually replaced the Cathode Ray Tube (CRT) monitors to be the major visual terminals (VDT). However, CRTs are still widely used in many VDT workstations. Therefore, it is needed to investigate the effect of monitor on user''''s visual performance and visual fatigue. Therefore, two experiments were designed in this study to investigate the effect of screen type, text/background color combination, Chinese typographic, and line space of VDT searching and reading tasks on subjects'''' visual performance and visual fatigue. In the first experiment

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Smith, Adam Mackenzie. "Architecture and Typography: The Space Beyond the Text." 2011. http://hdl.handle.net/10222/13369.

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This thesis considers the design of a combined industrial printing and publishing house as a semi-public institution. The site is in Halifax, Nova Scotia. The institution includes a bookstore, archive, studio, book conservation facility, and guest rooms, in addition to printing and publishing. Research included relevant literature, an applied course in typography, and a working visit to Gaspereau Press. The way program elements are brought together and overlap relates to the formal strategies of spatial organization in typography. The design as a setting for human activity relates to the relat

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Barbosa, Telmo Gonçalves. "The relevance of main amenities : analysis of three coworking spaces in Oporto." Master's thesis, 2019. http://hdl.handle.net/10400.14/28576.

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The growth of coworking spaces has been remarkable in the past years. In spite of not being clear if it is sustainable. This study aims to analyse, through three case studies, what are the factors that are most valued by the coworkers. The three main purposes of this study focus on the characterisation of coworking, not only globally but also in Oporto, on the identification of the characteristics in the coworking spaces most valued by coworkers and their relevance and finally, on the analysis of the alignment between managers, coworkers and professionals who currently are not using a c

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