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Littérature scientifique sur le sujet « Union Literary Institute »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Union Literary Institute"

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Hovde, David M., and John W. Fritch. "In Union There Is Strength: The Farmers' Institute and the Western Literary Union Library." Libraries & the Cultural Record 40, no. 3 (2005): 285–306. http://dx.doi.org/10.1353/lac.2005.0048.

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Lihua, Jin, and Li Mingze. "The role of the Institute named after I.E. Repin in the history of art exchange between China and the Soviet Union (1920–1966)." OOO "Zhurnal "Voprosy Istorii" 2023, no. 6-1 (2023): 188–99. http://dx.doi.org/10.31166/voprosyistorii202306statyi13.

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This article examines the history and the achievements of the Sino-Soviet art exchanges from 1920 to 1966. A special role plays the Institute named after I.E. Repin as a link in art education, exchanges and other literary and artistic activities.

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Saverchenko, Ivan V. "Cooperation of Two Institutes in the Study of Humanitarian Relations of the Peoples of the Union State in the 19th and 20th Centuries." Two centuries of the Russian classics 3, no. 3 (2021): 190–205. http://dx.doi.org/10.22455/2686-7494-2021-3-3-190-205.

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In an interview with the magazine “Two centuries of the Russian classics” director of the branch of the Institute of Literary Criticism of Janka Kupala of the Center for the Study of Belarusian Culture, Language and Literature of National Academy of Sciences of Belarus Ivan Vasilyevich Saverchenko talks about the ongoing cooperation of his Institute with the IWL RAS since 2015, connected with the study of literary and cultural relationships between Russians and Belarusians in the 19th and 20th centuries. Ivan Saverchenko shows the uniqueness of the project, which, on the basis of archival and

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Bakshaeva, N. Yu. "COMMUNICATIVE PRACTICES OF PARTICIPANTS IN THE PROJECT “HISTORY OF FACTORIES AND PLANTS”: M. GORKY, RAPW AND MAPW." Memoirs of NovSU, no. 1 (2024): 70–82. http://dx.doi.org/10.34680/2411-7951.2024.1(52).70-82.

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The article examines a specific episode in the history of the literary process in the 1920s-1930s – A.M. Gorky’s participation in the activities of the Russian Association of Proletarian Writers. In the autumn of 1931, work began on the “History of factories and plants” – the main common cause of the writer and the organization. Within the framework of the project “Maxim Gorky and the grassroots literary movement”, it became possible to study the sources stored in the fund of the Moscow Association of Proletarian Writers (A.M. Gorky Institute of World Literature of the Russian Academy of Scien

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Radyshevskyi, Rostyslav, and Ivan Zymomrya. "A WORD ABOUT CREATIVE PROGRESS: MYKOLA ZYMOMRYA IS 75." Polish Studies of Kyiv, no. 37 (2021): 394–424. http://dx.doi.org/10.17721/psk.2021.37.394-424.

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The article is dedicated to the 75-years-old jubilee of a well-known literary critic, translator, educationalist, Doctor hab. of Philological Sciences, Professor Mykola Zymomrya. The article reflects the main milestones of his life and career. Mykola Zymomrya was born in 1946 in Holatyn in Ukraine. Main directions of activity: German studies, Slavic studies, contrastive literary studies, theory of literature, translation studies. Professional career: finished secondary school in Holatyn and graduated from Uzhhorod State University (Departments of Ukrainian and German Philology). After graduati

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MOSKOVSKAYA, DARIA S., and NATALYA JU BAKSHAEVA. "THE UNPUBLISHED “TRANSPORT COLLECTION” OF THE MOSCOW ASSOCIATION OF PROLETARIAN WRITERS AS A FACT OF SOVIET LITERATURE (BASED ON ARCHIVAL MATERIALS OF THE DEPARTMENT OF MANUSCRIPTS OF A.M. GORKY INSTITUTE OF WORLD LITERATURE)." Lomonosov Journal of Philology, no. 4, 2024 (August 23, 2024): 185–200. http://dx.doi.org/10.55959/msu0130-0075-9-2024-47-04-15.

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In 1930, as part of a campaign to recruit udarniks to literature, the Moscow Association of Proletarian Writers (MAPW) organized literary brigades on transport. On the pages of the literary magazine On the Literary Post ( Na literaturnom postu - the magazine of Marxist criticism), information about the activities of transport brigades was regularly posted. The fruits of the work of grassroots writers was to be the socalled “Transport Collection”, which was compiled by railway construction workers and MAPW members. The collection was never published, although it was typed in the publishing hous

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Panova, Olga Yu. "“Dear TD”: Ruth Epperson Kennell-Theodore Dreiser Correspondence, 1928-1929." Literature of the Americas, no. 11 (2021): 289–423. http://dx.doi.org/10.22455/2541-7894-2021-11-289-423.

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During his travel to the Soviet Union (November 4, 1927 — January 13, 1928) and on his return to the USA Theodore Dreiser was keeping in touch and dealing with Soviet literary institutions, periodicals and his Russian acquaints — publishers, editors, critics, etc. Ruth Epperson Kennell (1889 –1977) played an important role in making and maintaining these contacts in late 1920s-early 1930s. Ruth Kennell, who spent almost ten years in the Soviet Union, was a reference librarian (1925 –1927) in the Comintern Library in Moscow. On November 4, 1927 she got acquainted with Dreiser and was hired by h

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Lovejoy, Thomas E., and Fábio Albergaria de Queiroz. "THE AMAZON AS A LOW-COST ARENA IN THE COLD WAR'S GAME OF POWER? THE CASE OF THE AMAZONIAN GREAT LAKES PROJECT (1964-1968)." Revista de Estudos e Pesquisas Avançadas do Terceiro Setor 5, no. 1 (2018): 682. http://dx.doi.org/10.31501/repats.v5i1.10019.

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The article examines an underexplored episode of the Brazilian history in the context of the Cold War: the role of the Hudson Institute in South America and the proposal to create a large lacustrine system in the Amazon domains. From the analysis of official documents and literary registers, some of them little-known from the public, we attempted to identify the existence of a relationship between the aforementioned project and the Cold War systemic agenda and, also, the role of Brazil in this paradigmatic moment of the contemporary history. Evidences did not allow us to point out a clear conn

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Prigoda, Anastasiia. "LIABILITY OF ONLINE PLATFORMS IN EUROPE FOR THE ILLEGAL UPLOADING AND HOSTING OF PROTECTED WORKS." MEST Journal 10, no. 2 (2022): 170–76. http://dx.doi.org/10.12709/mest.10.10.02.15.

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At the beginning of the 18th century, the Institute of Copyright and Intellectual Property protection was established as a state regulation system of relations in the field of competition in the market and control of the distribution of legal, literary content in the form of physical media. After the spread of the IT products, including the popularization of the Internet, various online platforms appeared platforms through which authors and owners of intellectual property results can post their works to obtain material benefits and advertise the product. Internet "piracy" causes severe damage

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Wasilewski, Krzysztof. "Grażyna Pytlak „Dla karteczki w kieszeni”. Relacja gorzowskiej dziennikarki prasy drugiego obiegu." Wrocławski Rocznik Historii Mówionej 2 (October 30, 2012): 217–50. http://dx.doi.org/10.26774/wrhm.32.

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In her relation Grażyna Pytlak recounts how she got engaged in opposition activities. Already in 1976 she started cooperation with the Workers’ Defence Committee, the result of which was, among others, the distribution of illegal books and press in Gorzów. Moreover, Grażyna Pytlak took part in the meetings of Academic Chaplaincy organized by Rev. Witold Andrzejewski. Simultaneously with the creation of the Independent Self-Governing Trade Union ‘Solidarity’ she started working in union press, including most importantly ‘Solidarność Gorzowska’, where she fulfilled a function of editor-in-chief.

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Livres sur le sujet "Union Literary Institute"

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Inc Union Literary Institute Preservation Society. History of the Union Literary Institute. Ball State University Center for Historic Preservation, 2010.

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Royster, Paula D., and Gregory M. George. African Abolitionist T. J. Alexander on the Ohio and Indiana Underground Railroads. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666982923.

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Countless stories about the Liberty Lines (the Underground Railroad) have been written. Still, few ever mention the African abolitionists who established the Liberty Lines and managed the passage of thousands of self-emancipating Africans safely to freedom in the early 1800s. Thornton J. Alexander was an African abolitionist who used the power of his freedom to liberate the physical and intellectual constraints placed on African people in colonial America. His inspirational story transcends the sufferings of bondage. His lifetime of risks guaranteed the promises of liberty for anyone who reach

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Chapitres de livres sur le sujet "Union Literary Institute"

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Royster, Paula D., and Gregory M. George. "Chapter 8: Union Literary Institute." In African Abolitionist T. J. Alexander on the Ohio and Indiana Underground Railroads. Lexington Books, 2023. http://dx.doi.org/10.5771/9781793653482-129.

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"International Bureaux and Institutes." In The United Nations System and its Predecessors, edited by Franz Knipping. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198764496.003.0008.

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Abstract Article 24 of the Covenant stipulates that all International Bureaux, which have been or shall be subsequently constituted by general treaties, shall be placed under the direction of the League of Nations, subject, however, to the consent of the Parties in the case of Bureaux created before the coming into force of the Covenant. There are more than 30 International Bureaux. Among the most important may be mentioned: the International Institute of Agriculture at Rome, the Bureau for the Protection of Literary and Industrial Rights, the Universal Telegraphic Union and the Universal Wire

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Plotnikov, Konstantin I. "Vserosskomdram and Its Predecessors: the History of Russian Playwrights’ Professional Organizations in the 19th and 20th Centuries." In Codex manuscriptus. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/cm.2949-0510-2023-3-329-359.

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This article analyses the history of stage-by-stage development of Russian professional organizations of drama writers in the 19th and 20th centuries. The focus is on the dynamic relationship of their creative pursuit, the finance and law conditions of their existence, and the ideological vector inside these organizations since the 1917-pre-revolutionary period until the establishment of the Vserosskomdram. The demand for protecting their copyright rights urged the drama writers to build a professional community, with the Moscow Society of Drama Writers and Composers and the Union of Drama in

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