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Articles de revues sur le sujet « Unpublished Poetry »

Auteur : Grafiati

Publié le 7 juin 2025

Mis à jour le 2 août 2025

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1

Figueroa, Dorothy Alexander. "Unpublished Poetry Excerpts." Caribbean Quarterly 49, no. 1-2 (2003): 29–35. http://dx.doi.org/10.1080/00086495.2003.11672176.

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Dodson, Owen, and Nathan L. Grant. "The Unpublished Poetry of Owen Dodson." Callaloo 20, no. 3 (1997): 619–26. http://dx.doi.org/10.1353/cal.1998.0100.

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Tomadaki, Maria. "An unpublished poem on Porphyry." Byzantinische Zeitschrift 111, no. 3 (2018): 777–92. http://dx.doi.org/10.1515/bz-2018-0021.

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Abstract This paper offers an editio princeps, an English translation and a commentary of an interesting epigram on Porphyry, the commentator of Aristotle. The epigram was transcribed in Vat. Reg. 166 by Ioannes Malaxos (16th c.) and is ascribed to Petros Servilos, a poet unknown from other sources. The paper discusses the poem’s manuscript context, as well as its authorship, genre, content and function. Further, it attempts to shed light on the poem’s relation to Porphyry’s philosophy and his reception in Byzantine poetry.

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Barnes, Robin B., and Robert M. Schuler. "Alchemical Poetry 1575-1700: From Previously Unpublished Manuscripts." Sixteenth Century Journal 27, no. 4 (1996): 1140. http://dx.doi.org/10.2307/2543947.

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Webster, Charles, and Robert M. Schuler. "Alchemical Poetry 1575-1700: From Previously Unpublished Manuscripts." Modern Language Review 93, no. 1 (1998): 178. http://dx.doi.org/10.2307/3733657.

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Dr. Arshad Mahmood Nashad. "SARGUZASHT." Tasdiqتصدیق۔ 4, no. 01 (2022): 83. http://dx.doi.org/10.56276/tasdiq.v4i01.82.

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Mirza Aziz Faizani Darapuri was a relatively lesser-known but prolific poet and writer of the Twentieth century. He has written admirable poetry in Persian, Urdu and Punjabi Languages. His poetry and articles were published in the leading newspapers and literary journals of his time. He lived a short but meaningful life and through his poetry and writings taught the Muslim Ummah a united and practical life. He was truly the heir and follower of poets like Maulana Hali, Akbar Allah Abadi, Allama Iqbal and Zafar Ali Khan etc. He wrote many books in poetry and prose. A few books were published in

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Egorova, L. V. "Lord Byron. Lyrical poetry translated by Georgy Shengeli." Voprosy literatury, no. 4 (August 22, 2019): 284–89. http://dx.doi.org/10.31425/0042-8795-2019-4-284-289.

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The book features Byron’s early poems Hours of Idleness, hitherto unpublished in Russian, as well as selected poems from 1809–1811 and 1816, and Hebrew Melodies. The book is relevant within the context of Byron’s legacy and Shengeli’s work. It is since the late 1980s that Shengeli’s previously unpublished poems have appeared in press, and we are on a path to better understanding the scope of his achievements. The book opens with Vladislav Rezvy’s excellent introduction to Shengeli’s life and work. Despite the article’s many merits, it still fails to discuss one important topic: Shengeli’s perc

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Abbas, Husnain. "علامہ اقبال کے غیر مطبوعہ کلام پر تحقیق کے تقاضے". Faith and Discovery 1, № 1 (2024): 85–98. https://doi.org/10.5281/zenodo.15355908.

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Allama Iqbal’s poetry has significant role in our national, national and cultural history. Allama Iqbal’s Urdu and Persian poetry has not only enriched our literary and intellectual asset but also determined its future direction. Allama Iqbal’s Urdu poetry created zeal of life in nation; he also introduced revolutionary changes to the ongoing literary trends of his time. If the tendencies of a poet’s personality and the different stages of the evolution of his art are in view, it becomes easier to understand the different stages of his poetic journey and to determine hi

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M. Shahbaz Akmal and Dr. Abdual Sattar Malik. "Waheed Tabish Poetry: Introduction and Analysis." GUMAN 6, no. 4 (2023): 532–39. https://doi.org/10.63075/guman.v6i4.739.

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Waheed Tabish was the poetic brilliance of Urdu literature and poetry. His poetry is the incarnation of social and intellectual insight of the particular epoch, but he could not come to the literary-critical limelight due to his confinement in a backward area. His poetic work is unpublished. The researcher collected and compiled his literary work. This research paper is a sort of preface to have a keen understanding of his work. In this research paper a short introduction, his poetic work has been given. Main features of his poetry have also been presented with relevant examples. Keywords: Wah

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Ryan, James. "Reflections on the Published and Unpublished Poetry of Mary Lavin." Irish University Review 49, no. 2 (2019): 207–13. http://dx.doi.org/10.3366/iur.2019.0400.

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The focus of the overwhelming majority of critical commentary on Mary Lavin's work has been on her short stories. Her poetry, however, can give us insight into Lavin's development as a writer, showing early stages of experiments with themes and ideas, prefiguring their later emergence in her stories. Themes of loss, yearning, and the emotional pathology of choice recur through her lyric work, and examining in particular her unpublished poems, we can trace the biographical tensions as well as her artistic growth.

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Bogalecki, Piotr. "Wytwarzanie energii poetyckiej. Casus Ut pictura poesis Witolda Wirpszy." Przestrzenie Teorii, no. 41 (November 28, 2024): 43–60. http://dx.doi.org/10.14746/pt.2024.41.2.

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The article proposes an interpretation of an unpublished poem by Witold Wirpsza, Ut pictura poesis, discovered in the Archives of the Academy of Fine Arts in Berlin. Analysis of the poem makes it possible to distinguish two basic thematic lines in its structure: philosophical-logical (due to references to L. Wittgenstein’s Tractatus Logico-Philosophicus) and comparative-aesthetic (due to the presence of the title topos ut pictura poesis and ironic ekphrasis of the sculptures of A. Rodin). The reflection on “the production of poetic energy” present in the poem is interpreted in light of Wirpsza

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Ustinov, Andrei. "Addenda ad volumen: From the Unpublished Issue of the Magazine Hermes." Literary Fact, no. 17 (2020): 203–26. http://dx.doi.org/10.22455/2541-8297-2020-17-203-236.

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Scholarly and literary magazine Hermes was issued in Moscow by a group of young philologists and poets in 1922‒1923. Its editors were B.V. Gornung and M.M. Kenigsberg. The magazine was well-known in literary circles of Moscow and Petrograd. It consisted of several sections dedicated to poetry, prose, scholarly essays, reviews and chronicle and was issued in twelve typewritten copies; there appeared three full issues. The magazine ceased to exist in 1924; its 4th and last issue had only one section devoted to fiction. Hermes has been studied thoroughly, many materials from the magazine have bee

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Putz, Kerstin. "Activist poetry versus lyrical action: Günther Anders on poetry and politics." Thesis Eleven 153, no. 1 (2019): 24–38. http://dx.doi.org/10.1177/0725513619863117.

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This essay focuses on Günther Anders’s engagement with (political) poetry. I draw on published material and unpublished source texts from the Anders Nachlass to track how Anders arrives at his own writing style and mode of address through his sustained engagement with poetry. Anders’s philosophical prose and exoteric use of language is shaped by multifaceted reflections on (political) poetry and by the tension between ‘political poetry’ and ‘lyrical action’. I first elaborate on Anders's reading of Brecht in the early 1930s, and then turn to the poetry and reflections on poetics that were writ

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Mastalski, Arkadiusz Sylwester. "Metr jako symulakrum." Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica 5 (May 14, 2018): 220–39. http://dx.doi.org/10.24917/23534583.5.17.

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Meter as a simulacrum This text presents an attempt to conceptualize the poetics of versification in Kamil Brewiński’s poetic book Clubbing (Kraków 2013), with the background of the critical reception of the book, by the view given by the theory of simulation by Jean Baudrillard. The article is based on two unpublished conference speeches presented at conference on “Twenty First Century in Literature”, 2014) and “Poetry – Culture – Poetry. Contemporary Perspectives”, 2015). Some excerpts were used before in my doctoral dissertation (2015).

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Collins, Lucy. "Emergent Ground: Four Poems by Vona Groarke." Irish University Review 43, no. 2 (2013): 265–69. http://dx.doi.org/10.3366/iur.2013.0078.

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Vona Groarke (b. 1964) is a contemporary Irish poet. Born in Edgeworthstown in the Irish midlands, and now resident in Manchester, Groarke is the author of five collections of poetry with Gallery Press; her sixth collection, X, will be published early in 2014. Her work appears regularly in British and Irish journals, and has received numerous awards, including the Strokestown International Poetry Award and the Forward Prize. Four previously unpublished poems by Vona Groarke appear here, introduced by Lucy Collins.

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Gifford, Terry. "Terry Gifford: A green voice." Book 2.0 14, no. 1 (2024): 65–76. https://doi.org/10.1386/btwo_00103_1.

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Poet and scholar Terry Gifford looks back on his life as a teacher – firstly in English secondary schools and then in higher education – and on his work as a critic, an ecocritic, a scholar of pastoral and post-pastoral literature, and as a poet who has written nine collections of poetry. He also reflects on his work as a leading authority on the poetry of Ted Hughes, and on his collaborations with fellow Hughes scholar Neil Roberts. This article ends with a selection of Gifford’s poetry from his eighth collection, A Feast of Fools (2018) and his ninth collection, unpublished at the time of wr

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Ruston, Sharon. "Humphry Davy’s Inventions." Romanticism 31, no. 1 (2025): 10–21. https://doi.org/10.3366/rom.2025.0668.

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This essay looks at Sir Humphry Davy’s discussion of the differences between poetry and science in his unpublished, manuscript notebooks and compares them to his lectures and published writings. Davy’s notebooks reveal that he wrote lines of poetry and records of his chemical experiments on the same page while in his laboratory. Despite this, he clearly felt the need to defend ‘Science’ against the more accepted and fashionable ‘Poetry’. In an inversion of our current contemporary situation, poetry was more highly valued and regarded than science in Davy’s society. The essay demonstrates that

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Dr. Zahira Nisar. "ترجمۂ میر درؔد در ’ تذکرۂ شعرائے اردو‘ از خیراتی لعل بے جگرؔ ‘‘". Al-Qamar 5, № 2 (2022): 337–62. https://doi.org/10.53762/32t0zx70.

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Mir Dard was a famous Sufi poet of Urdu Literature in eighteenth Century Although his poetry stands in a shorter single Urdu Dewan but enough for his reliable repute in Urdu poetic history. His valuable poetry not only Attracts so many historians, authors and a lot of readers but they also quoted it a lot- Thats why khairati Lāl Bē Jigar also amused by his poetry and gave him a special place in his “Memorandum of Urdu Poets”. The importance of this memorandum is that the compiler has represented rare and collective information about Urdu Poets which other history books did not have. Moreover,

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Noh, Jeff. "Unpublished Counterpublics: H. T. Tsiang’s Ellis Island Poems." American Literary History 36, no. 1 (2024): 113–37. http://dx.doi.org/10.1093/alh/ajad224.

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Abstract The proletarian writer H. T. Tsiang worked and lived in the US under the constant threat of deportation since arriving in the country under the Johnson-Reed Act. This article examines a cache of poetry that Tsiang wrote in the Ellis Island detention center from 1940–1941 and mailed to the painter, book illustrator, and author Rockwell Kent. These poems, which are preserved among Kent’s papers in the form of a toilet paper manuscript, a make-shift chapbook, and typescript sheafs, were roundly rejected by publishers in Tsiang’s time. Yet they speak to his precarious immigration status a

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Movrin, David. "Editing the Translation of Ovid's Metamorphoses by Dr Joža Lovrenčič: New Evidence." Keria: Studia Latina et Graeca 20, no. 1 (2018): 147–56. http://dx.doi.org/10.4312/keria.20.1.147-156.

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Editing the Slovenian translation of Ovid's Metamorphoses by Joža Lovrenčič (1890–1952), left as an unpublished manuscript, has led to the discovery of two original poetry collections by Lovrenčič, which had remained unpublished in the family archives after his death. The first collection, written in 1949, is titled No-one Nothing / in sad songs with a joyful accent / which he was singing about himself in third person / for fun and entertainment / when he went to Parnassus on foot. The other, Brother Honoratus: A Chronicle (1950), is a poetic rendering of a folk story heard by Lovrenčič in pri

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Sulzer, Peter. "Arthur Fula." Tydskrif vir Letterkunde 54, no. 1 (2017): 228–46. http://dx.doi.org/10.17159/tvl.v.54i1.15.

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This is a translation of a chapter entitled "Arthur Fula" from Peter Sulzer's unpublished manuscript Südafrik im Spiegel der Afrikaans Literatur (1965), pages 381-91. This Swiss librarian and Africanist corresponded for at least eight years with Fula and met him in the early 1960s at his place of work, the Johannesburg Magistrate's courts. Fula, a native Xhosa speaker, worked as an interpreter where he also interpreted from Zulu and Sesotho. He published the novels Jôhannie giet die beeld (1954, Johannesburg casts the graven image; The Golden Magnet, 1984) and Met erbarming, O Here (1957, With

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Wiśniewski, Mikołaj. "The Matrix of Poetry: James Schuyler’s Diary." Polish Journal for American Studies, no. 11 (Autumn 2017) (2023): 295–301. http://dx.doi.org/10.7311/pjas.11/2/2017.03.

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In his essay Mikołaj Wiśniewski presents an unpublished 1962 diary entry and two chapters from an unfinished novel found by the author when conducting research in the James Schuyler archive of the Mandeville Special Collections Library at UCSD. Wiśniewski goes on to show how Schuyler experimented with the diary form long before he started keeping a diary in the late 1960s (the published Diary of James Schuyler starts with 1967) and how the practice always served him as a starting point or “training ground” for other projects, be it a novel or the late long poems of the 1970s and 1980s. The aut

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Ribeiro, Nuno Filipe. "Os Livros Filosóficos Inacabados de Pessoa - Problemas e Criterios para a Publicação dos Escritos Filosóficos de Pessoa." Philosophica: International Journal for the History of Philosophy 19, no. 38 (2011): 165–74. http://dx.doi.org/10.5840/philosophica2011193817.

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This article debates the philosophical reach of Pessoa’s writings. As a matter of fact, Pessoa’s Archive contains several projects for philosophical books, essays, small productions and dialogues. Thus, this article tries to demonstrate, through the analysis of the unpublished documents, that the philosophical dimension of this author’s work is not circumscribed to the philosophical references present in the poetry and fictions of Fernando Pessoa.

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Sacré, Theodoricus. "De inedito atque ignoto carmine Sigismundi Chisii, 1649–1678." Nordlit, no. 33 (November 16, 2014): 329. http://dx.doi.org/10.7557/13.3165.

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This article presents an unpublished Neo-Latin poem written by Sigismondo Chigi (1649–1678), a nephew of Fabio Chigi or Pope Alexander VII (1655–1667). It was written in Rome in the early 1660s and deals with the times of Agostino Chigi il Magnifico, one of the richest persons in the Roman world of the early sixteenth century. Sigismondo’s humorous poem is considered against the background of the Latin poetry of his uncle, the later Pope, who tutored Sigismondo’s Latin studies, handed over his own poetry and other Latin writings to his nephew, and tried to make him aware of the importance of t

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Roth, Egonne. "The Men in the Life and Work of Olga Kirsch." Werkwinkel 9, no. 2 (2014): 135–54. http://dx.doi.org/10.2478/werk-2014-0016.

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Abstract Olga Kirsch’s life and work was dominated by three men: her father Schmuel M. Kirsch, her youth lover Ellis, and her husband Joseph Gillis. Their presence can be felt throughout her oeuvre, both in her published Afrikaans and in her unpublished English poetry culminating in a collection of seventy-seven poems written in the months that followed the death of her husband. Through these poems the reader is introduced to a passionate side of Kirsch’s personality that was rarely seen by those who knew her in the normal course of her life. These three relationships resulted in some of Kirsc

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Slepkov, Iakov Veniaminovich, and Vladimir Vladimirovich Turchanenko. "D. P. IAKUBOVICH’S UNPUBLISHED REVIEW OF A. A. AKHMATOVA’S COLLECTION THE ROSARY." Russkaya Literatura 3 (2024): 115–28. https://doi.org/10.31860/0131-6095-2024-3-115-128.

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The article introduces the academic community to D. P. Iakubovich’s surviving unpublished review of Anna Akhmatova’s collection of verse The Rosary (4th ed., Petrograd, 1916). The authors substantiate the dating of the review and suggest the reasons for its non-publication. Data from the personal archives of D. P. Iakubovich (Manuscript Department, Institute of Russian Literature) and A. G. Gornfeld (Manuscripts Department, National Library of Russia), as well as the testimonies of their contemporaries, help to reconstruct the changes of Iakubovich’s attitude to the poetry of Anna Akhmatova.

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Salatini, Erica. "Variazioni belliche, de Amelia Rosselli: Arquivo da História e da Cultura." Revista de Italianística, no. 49 (December 31, 2024): 54–72. https://doi.org/10.11606/issn.2238-8281.i49p54-72.

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This article aims to introduce the Brazilian reading public to the poetic work of Amelia Rosselli, a complex and thought-provoking figure in Italian women’s poetry produced in the twentieth century, thus contributing to the wider dissemination and increased circulation of Italian women poets in Brazil. According to critic Alfonso Berardinelli, Amelia Rosselli is one of the most significant representatives of lyric poetry from the second half of the twentieth century in Italy (Berardinelli, 2007, p. 189). But despite the importance, notoriety, and representativeness of Rosselli’s poetry, it rem

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Serdechnaia, Vera. "Blake's Russian literary heir: Based on unpublished poems by Boris Anrep." Literary Fact, no. 15 (2020): 352–65. http://dx.doi.org/10.22455/2541-8297-2020-15-352-365.

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The article deals with unpublished poems by Russian poet and artist Boris Anrep, which are studied in the context of developing the traditions of English romantic epical poems. The research of these poems as evidence of creative dialogue between Anrep and the prophetic poetry of William Blake is proposed. The research considers the epics “Vladimir”, “Creation of the world” and “Creation of man” written by Anrep in the 1900s, before he emigrated from Russia, and are kept in the archive of N. Nedobrovo (Personal collection of the Manuscript Department of the Institute of Russian Literature (Push

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SHOPTAW, JOHN. "Listening to Dickinson." Representations 86, no. 1 (2004): 20–52. http://dx.doi.org/10.1525/rep.2004.86.1.20.

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ABSTRACT Emily Dickinson's poetry survives in largely unpublished manuscript versions, which some take as finished poems, with all their scriptural features (lineation, variants, calligraphy) intended. This equation of poem with manuscript not only obscures some of Dickinson's most striking visual effects but also mutes her music. By listening to her rhythms, and by reading rather than just looking at her poems, Shoptaw recovers Dickinson's radically experimental metrical practice.

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Beecher, Donald. "Alchemical Poetry 1575–1700 from previously unpublished manuscripts ed. by Robert M. Schuler." ESC: English Studies in Canada 23, no. 1 (1997): 114–18. http://dx.doi.org/10.1353/esc.1997.0063.

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Mtumane, Z. "Some aspects of imagery in the poetry of S.M. Burns-Ncamashe." Literator 25, no. 2 (2004): 125–40. http://dx.doi.org/10.4102/lit.v25i2.259.

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This article investigates the use of imagery in the poetry of S.M. Burns-Ncamashe, as it is apparent that his poetry is rich in imagery. The aspects of imagery to be discussed are simile, metaphor and personification. The discussion then aims at revealing the nature of the imagery the poet uses and the domains of reality that he explores with his images. The poetry of Burns-Ncamashe that will be considered includes the already published poems in Masibaliselane (1961), Izibongo zakwa- Sesile (1979), the unpublished poem titled “Aa! Dalubuhle!” and the one in the volume compiled by Tonjeni (1959

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Jiménez, del Castillo Juan Carlos. "Influencias clásicas en los Cantos de la batalla ausonia de Pedro de Acosta Perestrello." MINERVA. Revista de Filología Clásica 32 (June 7, 2019): 137–61. https://doi.org/10.5281/zenodo.14767155.

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This article offers an initial approach to Cantos de la batalla ausonia, an unpublished epic poem composed in Castilian by Portuguese poet Pedro de Acosta Perestrello after the Bat-tle of Lepanto (1571). The paper aims to shed light on this elusive figure and his work and, most importantly, to demonstrate the classical nature of the Cantos’ epic structure.

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Barton, Anna. "Editing Mary Elizabeth Coleridge: The Lyric as Archive." Victorian Studies 66, no. 4 (2024): 609–34. https://doi.org/10.2979/vic.00195.

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Abstract: This article draws on unpublished manuscript materials relating to the poetry of Mary Elizabeth Coleridge to develop a lyric reading of the archive. Identifying resemblances between theoretical discussions of the archive and the lyric, the article proposes a model of archival lyric that might bridge the two. It then takes a detailed look at those compositional contexts that the Coleridge archives reveal in order to develop an understanding of archival lyric as collaborative, provisional, and open-ended.

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Hoogvliet, Margriet. "Metaphorical Images of the Sacred Workshop." Church History and Religious Culture 99, no. 3-4 (2019): 387–411. http://dx.doi.org/10.1163/18712428-09903005.

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Abstract The textual witnesses of religious poetry produced by the late medieval confraternity of the Puy Notre-Dame in Amiens, in northern France, give an example of a type of religious text which allows us to reconstruct the interplay between the religious field and the social field of commerce and artisanal production. After discussing the practices of producing and staging religious poetry in confraternities in late medieval and early modern France as “hybrid forums”, the article discusses several examples of texts from unpublished manuscripts. It argues that the vivid imagery of the poems

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Khaninova, Rimma. "Satirical Legacy of Mikhail Khoninov: Revisiting the Unpublished." Бюллетень Калмыцкого научного центра Российской академии наук 3, no. 19 (2021): 319–43. http://dx.doi.org/10.22162/2587-6503-2021-3-19-319-343.

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Introduction. The family archive of the Kalmyk writer Mikhail V. Khoninov (1919–1981) contains unpublished works of various genres, both in the original and in translations. The latter comprise his satirical heritage represented by fables, feuilletons, apologues, couplets, quatrains, etc. Goals. The article introduces into scientific circulation Russian translations of some unpublished satirical poems and a feuilleton of the poet which for various reasons were never included in the author’s lifetime books, nor printed in magazine and newspaper versions. Materials and methods. The study explore

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García, Adriane, and Manuel Barrós. "¿Dónde está el cordero? Cinco poemas de Adriane Garcia." Latin American Literary Review 47, no. 94 (2020): 85–89. http://dx.doi.org/10.26824/lalr.174.

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The five poems translated here are part of A bandeja de Salomé [Salome’s tray], Brazilian poet Adriane Garcia’s unpublished book. These poems let know some of its most important characteristics: irony, subtlety and intertextuality when the author rewrites different stories of the Holy Bible. For example, as the reader will notice, Garcia’s critical vision emphasizes on public roles of women in those stories. Therefore, publishing these poems in bilingual, Garcia’s work increases the scene of Brazilian poetry and literature in United States.

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Goncharova, Elena Ivanovna. "UNKNOWN REVIEWS BY V. V. ROZANOV (BASED ON THE DATA FROM P. P. PERTSOV ARCHIVES)." Russkaya literatura 3 (2023): 159–66. http://dx.doi.org/10.31860/0131-6095-2023-3-159-166.

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The article details the history of the publication, in 1899, of the «second» edition of the collection of articles Philosophical Currents of Russian Poetry prepared by P. P. Pertsov (the first edition was published in 1896), which emerged as the result of the attempts to draw the attention of the readers to the book and sell out the printed copies. The article analyzes the history of the two unpublished reviews by V. V. Rozanov, written at the request of the compiler.

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Jiménez, del Castillo Juan Carlos. "Las Geórgicas como fuente indirecta en la Austriaca siue Naumachia de Francisco de Pedrosa." Myrtia 35 (June 7, 2020): 371–94. https://doi.org/10.6018/myrtia.455321.

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In 1580, Francisco de Pedrosa, a Latin Grammar preceptor born in Madrid, finished aLepantine epic in Guatemala: the unpublished Austriaca siue Naumachia . We analize aProtheus’ prophecy scene based on Georgics book IV. We demonstrate that Pedrosa wasinspired by this Vergilian episode and that this influence was driven by one of the maincontemporary sources about Lepantine poetry: a book of poems collected by PietroGherardi, entitled In foedus et uictoriam contra Turcas iuxta sinum Corinthiacum Non.Octob. MDLXXI partam poemata uaria (Venice, 1572).

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Skała, Agata. "“Sorrow is at the Bottom of Every Poets Heart”. A Hitherto Unknown Letter by Zbigniew Herbert On Ars Poetica." Ruch Literacki 58, no. 1 (2017): 79–94. http://dx.doi.org/10.1515/ruch-2017-0016.

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Summary The unknown letter written by Zbigniew Herbert contains the review of unpublished poems by an eminent skier Barbara Grocholska-Kurkowiak. The letter has no date, it was written between February 1955 and May 1958 or between May 1960 and March 1963, most probably in the year 1961. The author of Barbarzyńca w ogrodzie (Barbarian in the Garden) explained in the letter his guidelines concerning practicing poetry. His utterance can be comprised in the categories of normative poetry. Formulating the rules of creating and analyzing the artist’s status, Herbert established the principles partia

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Mtumane, Z. "Symbolism in the poetry of S.M. Burns-Ncamashe." Literator 26, no. 2 (2005): 83–96. http://dx.doi.org/10.4102/lit.v26i2.229.

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In the introductory part of this article it is attempted to define the concept “symbolism”. This article examines the use of symbols and the symbolism embedded in the poetry of S.M. Burns- Ncamase. The symbols to be investigated include those alluding to authority, grief, witchcraft, good motherhood and strength. The aim of the discussion is to reveal the nature of the specific symbols the poet uses and the domains of reality that he explores and represents by means of certain symbols. The poetry of Burns-Ncamashe to be considered in the ensuing discussion includes poems in the following volum

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Bratton, Francesca. "Unpublishing as Form: Hart Crane, Jack Spicer, and the Thresholds of Periodical Publication." American Literary History 36, no. 1 (2024): 91–112. http://dx.doi.org/10.1093/alh/ajad225.

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Abstract Rejections are a given in any poet’s career. This essay considers how rejections and the idea of the unpublished fragment might shape poetic form, how practical decisions might turn into aesthetic ones. Both Hart Crane and Jack Spicer had careers among magazines, the experiments of their writing entwined with ephemeral publishing cultures and communities. This essay explores how, through their own distinct experiments with splintered forms of the long poem, magazine rejections also created opportunities in Crane’s and Spicer’s poetry. Both poets turned practical processes into aesthet

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Schaefer, Heike. "Un/published: Presence and Absence in Contemporary Erasure Poetry." American Literary History 36, no. 2 (2024): 463–88. http://dx.doi.org/10.1093/alh/ajae039.

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Abstract Erasure is a popular form of appropriative poetry that refashions found material by partially effacing it. Made of salvaged fragments and deletion marks, erasure poetry puts processes of obliteration on display and provides a structural analogy for both the social erasure of marginalized groups and the critical rewriting of hegemonic discourses. This essay understands erasure as a constraint-based appropriative practice and differentiates it from other forms of conceptual and documentary poetry. It argues that erasures use the oscillation between presence (of the retained words, the r

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Janicka, Anna. "Tamara Karren. Próby biograficzne." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 48, no. 3 (2020): 143–59. http://dx.doi.org/10.36770/bp.523.

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The author of the article analyses the work of Tamara Karren (1918–1997), Polish writer and publicist associated after the Second World War with London’s emigration for independence. Karren is the author of two dramas, a volume of poetry, many journalistic articles, unpublished letters and Memoirs. However, her literary creation didnot manage to reach a wider audience and is poorly known in Poland. The text is therefore an introduction to the works of the writer, whose personality is determined by her biography, Jewish origin, Polish patriotism and immigrant status.

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Turner, Frederick. "A Different Cup of Time." KronoScope 23, no. 1 (2023): 105–16. http://dx.doi.org/10.1163/15685241-bja10010.

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Abstract This essay provides a poetic picture of the author’s experience of the International Society for the Study of Time, of which he has been a member since the 1970s. It includes excerpts from the author’s poetry, including from “Turn Again,” an unpublished work of “semantic autobiography” that charts the process by which the meanings of words emerge and deepen over a lifetime. The word “Time,” especially as characterized by the founder of the Society, J. T. Fraser, is the central actor in the Society’s social and intellectual drama.

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Editorial Board. "This issue is dedicated to Luigi Balsamo." JLIS.it 14, no. 1 (2022): I—II. http://dx.doi.org/10.36253/jlis.it-520.

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Luigi Balsamo was a librarian, a bibliographical superintendent, an AIB member, a professor of Bibliography, the editor of "La Bibliofilia", and an important international personality, especially in the Anglo-Saxon and Iberian area, author of numerous writings on public libraries and the history of books, including 'La bibliografia. Storia di una tradizione' (translated both in English and in Spanish). Less well known is his interest in poetry, which he cultivated from his youth. The liryc 'Autumn' is part of an unpublished collection, entirely private and hitherto jealously guarded within the

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Moore, Amber. "Pulping as Poetic Inquiry: On Upcycling “Upset” to Reckon Anew With Rape Culture, Rejection, and (Re)Turning to Trauma Texts." Cultural Studies ↔ Critical Methodologies 20, no. 6 (2020): 588–95. http://dx.doi.org/10.1177/1532708620912802.

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This article explores an experience of “pulping,” a rejected poetry inquiry; that is, the author describes revisiting and rewriting a micro poetry cluster about rape culture and teaching trauma texts nixed by reviewers for being too “upsetting.” This project aims to (a) demonstrate the potential of poetic inquiry for “pulping” refused art, (b) resist silencing of sexual violence, and to (c) call for creative “upcycling” of upset. The author returns to her rejected poems and engages in a new poetic inquiry which she conceptualizes as a kind of feminist “pulping” process where she “upcycles” her

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Azhar, Hadeel. "Challenging Social Boundaries in the Poetry of Thuraya Al Arrayed." Athens Journal of Humanities & Arts 12, no. 1 (2024): 35–52. https://doi.org/10.30958/ajha.12-1-2.

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This study highlights Thuraya Al Arrayed’s unconventional portrayal of women in selected revolutionary poems that address the concept of women’s rights. It explores how Al Arrayed’s representation of women challenged the restrictions imposed on Saudi women before the reign of King Salman Al Saud and Crown Prince Mohammed bin Salman. Thus, this research adds to the existing body of knowledge by offering a new approach to Al Arrayed’s poetry concerning the aspects of women’s rights in contemporary Saudi Arabia. By considering Al Arrayed’s radical choice of metaphors and images, I aim to establis

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Bogalecki, Piotr. "Z ducha muzyki? Czternaście wariacji o Mieście: partyturze i innych „wierszach nadsłownych” Mariana Grześczaka." Przestrzenie Teorii, no. 29 (January 31, 2019): 87–125. http://dx.doi.org/10.14746/pt.2018.29.3.

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The article covers wiersze-nadsłowne [“supra-verbal” poems] by Marian Grześczak written in the period of 1959–1963, which was one of the first specimens of concrete poetry in Poland. The main part comprises an elaborate analysis of a work titled Miasto: partytura [City: score] (previously called: Miasto, parodia [City, parody]). The text becomes a springboard for the presentation of original literary theoretical ideas concerning the links between the literary text and musical notation, and in doing so refers to the findings of authors such as G. Agamben and J. Derrida, as well as G. Deleuze an

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Karmen, Kaitlin. "First edition and translation of an unpublished poem (1566) from Johanna Otho to Camille de Morel." Humanistica Lovaniensia 70, no. 2 (2022): 209–27. http://dx.doi.org/10.30986/2021.209.

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This paper presents the first full edition and translation of an unpublished (1566) poem written by Johanna Otho and sent to Camille de Morel. Both young women, linked by their mutual acquaintance Karel Utenhove, were internationally recognized for their learning. Otho’s poem is a significant contribution to the corpus of women’s Latin poetry. This paper also offers a brief introduction to the poem’s historical context and suggests contem- porary political resonances for Otho’s poem. Her poem contains allusions to the conflict between courtly life and religion, which reference the ongoing conf

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Chun, Sunmi. "Joys and Sorrows of Public in Senge Motomaro’s Poetry ─ Focusing on the unpublished Poetry of “I Saw(自分は見た)” ─". Journal of Japanese Studies 66 (30 квітня 2022): 73–90. http://dx.doi.org/10.18841/2022.66.04.

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