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Bibliographies thématiques / Uzbek Detective and mystery stories

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Littérature scientifique sur le sujet « Uzbek Detective and mystery stories »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Uzbek Detective and mystery stories"

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Mojalefa, M. J., and N. I. Magapa. "Mystery in Sepedi detective stories." Literator 28, no. 1 (2007): 121–40. http://dx.doi.org/10.4102/lit.v28i1.154.

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The aim of this article is to illustrate the importance of the concept “mystery” in the classification of Sepedi detective stories. Mystery is therefore first defined, and then some rules governing how mystery is created and sustained in a narrative are reviewed. Examples are given of how the writers of Sepedi detective stories mislead their readers in order to create mystery. Mystery is then examined according to five of its constituent elements, namely the real character of the detective, the name of the criminal, the identity of the victim, the evidence that reveals the mystery in the end,

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Gulyamovna, Niyazova Gulnorakhon. "The development of literary thought and the detective genre." American Journal of Philological Sciences 5, no. 3 (2025): 116–18. https://doi.org/10.37547/ajps/volume05issue03-29.

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This article examines detective fiction as a structured literary genre characterized by logical reasoning, mystery, and deduction. It explores the evolution of detective fiction from its origins in the works of Poe and Doyle to its modern developments, highlighting key narrative strategies, cognitive principles, and discourse structures. The study also considers the role of gender, power dynamics, and the cognitive mechanisms underlying detective storytelling, referencing both Western and Uzbek detective literature.

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Guarneri, Dr Cristina. "THEMATIC, FORMAL, AND IDEOLOGICAL ASPECTS OF LITERARY FICTION : THE RISE OF DETECTIVE FICTION." JOURNAL OF ENGLISH LANGUAGE AND LITERATURE 12, no. 01 (2025): 06–21. https://doi.org/10.54513/joell.2025.12102.

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From ancient Greece on, fictional narratives have entailed deciphering mystery. At almost the same period as the detective branch of the Metropolitan Police was evolving, the genre of detective fiction was also emerging, mainly in the short-story form. In these stories, a mystery or a crime occurs, and an amateur or professional detective is called in to solve it. The first modern detective story is often thought to be Edgar Allan Poe’s The Murders in the Rue Morgue, which first introduced the golden age of detective stories, and the world to private detectives, that would later culminate into

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Guarneri, Dr Cristina. "Thematic, Formal, and Ideological Aspects of Literary Fiction: The Rise of Detective Fiction." International Journal of English Literature and Social Sciences 10, no. 1 (2025): 062–71. https://doi.org/10.22161/ijels.101.7.

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From ancient Greece on, fictional narratives have entailed deciphering mystery. At almost the same period as the detective branch of the Metropolitan Police was evolving, the genre of detective fiction was also emerging, mainly in the short-story form. In these stories, a mystery or a crime occurs, and an amateur or professional detective is called in to solve it. The first modern detective story is often thought to be Edgar Allan Poe’s The Murders in the Rue Morgue, which first introduced the golden age of detective stories, and the world to private detectives, that would later Conan Doyle’s

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Yun, Hong. "The Changing Status of the Detectives in the Novels of Agatha Christie and Keigo Higashino: From Rational Authority to Human Exploration." Humanities and Social Science Research 8, no. 1 (2025): p27. https://doi.org/10.30560/hssr.v8n1p27.

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Detective fiction is a genre characterized by mystery, reasoning, and intrigue that has captivated readers for centuries. However, the mystery here does not rely on theology but is rooted in logic. Malmgren (1997), in Bloody Murder, defines detective fiction as a hybrid genre encompassing elements of detective crime, psychological analysis, suspense, and police procedural stories. It ensures that the detective's resolution of the crime presented to them does not depend on “divine revelations, feminine intuition, nonsensical ramblings, trickery, coincidence, or acts of God.”

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Curcio, Frances R., and J. Lewis McNeece. "The Case of Video Viewing, Reading, and Writing in Mathematics Class: Solving the Mystery." Mathematics Teacher 86, no. 8 (1993): 682–85. http://dx.doi.org/10.5951/mt.86.8.0682.

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The element of mystery can be a naturally intriguing component of a mathematics lesson for middle school students. Mystery stories capture students“ interest and attention and contribute to developing critical-reading skills (Crouse and Bassett 1975; Curcio 1982; Scalzitti 1982). When presenting mystery stories within the context of a mathematics lesson, students often ask, “What does this have to do with mathematics?” Significant connections can be made between solving a mystery and solving a mathematics problem that supply a rationale for incorporating mystery stories in the mathematics clas

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Wu, Biyu, Jing Hua, and Ruoyu Chen. "Translating Detective and Mystery Stories: A Skopos Perspective." Journal of Critical Studies in Language and Literature 6, no. 2 (2025): 11–19. https://doi.org/10.46809/jcsll.v6i2.323.

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The mysteries or the detective fictions are one type of popular novels which mainly describe the process of reasoning and detection of the case. With translation practice examples of two mysteries and detective fictions——A Philosophical Difference and Phoney Friend, the paper describes the translation skills on the titles, rhetorical devices and references of the mysteries from the perspective of Skopos theory and functional equivalence theory in details. It is found out that liberal translation is the best way to translate the titles with the guidance of Skopos theory, which is easy to attrac

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Ramazan, Farman J. "THE GOLDEN AGE OF DETECTIVE FICTION: GENRE CONVENTIONS OF AGATHA CHRISTIE’S COSY MYSTERIES." Scientific Journal of Polonia University 49, no. 6 (2022): 17–21. http://dx.doi.org/10.23856/4902.

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The article focuses on the investigation of detective fiction in general and detective stories in particular which in this research is understood as a narrative where the plot hinges on a crime that the characters investigate and attempt to solve. The research also deals with various genre types of detective stories, such as police-department procedurals, hardboiled, locked room mysteries, cosy mysteries. Special attention is paid to the genre development of detective stories from a historical perspective. It is worth underlining that the period between World War I and World War II (the 1920s

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Zarnowski, Myra, and Susan Turkel. "How History as Mystery Reveals Historical Thinking: A Look at Two Accounts of Finding Typhoid Mary." Language Arts 94, no. 4 (2017): 234–44. http://dx.doi.org/10.58680/la201728950.

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Historians and detectives work in similar ways, each trying to figure out what happened in the past. Both look for clues or evidence left behind, and both create a tentative explanation based on this evidence. This article begins with this important similarity in order to show how nonfiction books for children that present history as a mystery read like thrillers and reveal the process of historical thinking. We use two distinct detective stories about Typhoid Mary to show how history mysteries accomplish this: the story of the detective on the scene who, like any mystery detective, tackles a

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O.Ya., Doichyk, and Tomash Ya.Z. "METAPHORIC REPRESENTATION OF THE CONCEPTS OF CRIME AND INVESTIGATION IN DETECTIVE STORIES." South archive (philological sciences), no. 88 (December 16, 2021): 24–35. http://dx.doi.org/10.32999/ksu2663-2691/2021-88-3.

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Purpose. The article dwells upon the range of conceptual metaphors with the target domains CRIME and INVESTIGATION verbalized in Arthur Conan Doyle’s detective stories. The research aims at tracing the cognitive mechanisms of conceptual metaphoric mappings which objectify the key concepts of the detective text: CRIME and INVESTIGATION. The analysis is done on the basis of the theoretical points of cognitive linguistic schools, namely the conceptual metaphor theory. The aim is achieved by completing the following tasks: singling out the key concepts of a detective story and tracing their concep

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Thèses sur le sujet "Uzbek Detective and mystery stories"

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Lake, Darlene Margaret. "The detective as social critic : the Spanish and Mexican detective novel 1970-1995 /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/8312.

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Meyer, Deon Meyer Deon. "'n Praktiese ondersoek na die struktuur van die speur- en spanningsroman : met spesifieke verwysing na die werk van Michael Connelly, John le Carré, Ian Rankin, Lee Child en Frederick Forsyth /." Link to the online version, 2005. http://hdl.handle.net/10019/1111.

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Wallis-Martin, Julia Wallis-Martin Julia. "Crime fiction and the publishing market /." St Andrews, 2008. http://hdl.handle.net/10023/710.

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Trott, Sarah Louise. "The detective as veteran : the trauma of war in the work of Raymond Chandler." Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa42370.

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Raymond Chandler created his detective Philip Marlowe not as the idealisation of heroic individualism as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties resulting from his traumatic experiences during World War One. Marlowe's characterisation goes beyond the traditional chivalric readings and should instead be interpreted as an authentic representation of a traumatised veteran in American society. Substituting the horror of the trenches for the corruption of the city. Chandler's disillusioned protagonist and his representation of an

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Nuñez, Gabriela. "Investigating La Frontera : transnational space in contemporary Chicana/o and Mexican detective fiction /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3286241.

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Nelson, Colby David. "Literary investigations of modern American crime narratives /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9349.

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Cleveland, William. ""Why is Everyone So Interested in Texts?": The Shifting Role of the Reader in the Genre of Hard-boiled Fiction." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/ClevelandW2007.pdf.

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Pendrill, Michael Laurie. "A guilty satisfaction : detective fiction and the reader." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/40838/.

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The purpose of this thesis is to explore the reasons why readers choose to read detective fiction. Taking Thomas De Quincey's satirical identification of the aesthetic quality of murder, I look at Edgar Allan Poe's detective fiction to find a non-satiric version of the same argument that emphasises the balancing quality of the ethical to the aesthetic. W.H. Auden's essay “The Guilty Vicarage” offers an argument concerning the reader's position in relation to these opposite components. I explore the ways in which Auden's arguments build into Freud's understanding of guilt, daydreams, the moral

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Yuan, Honggeng. "From conventional to experimental : the making of Chinese metaphysical detective fiction /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21556398.

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Kareno, Emma. "Sherlock's pharmacy : drugs in detective stories, 1860s to 1890s." Thesis, University of Stirling, 1996. http://hdl.handle.net/1893/21824.

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This work examines the significance of drugs in Victorian stories of detection through a selection of detective fiction published between the years 1860 and 1890. The main purpose of the work is to show how these texts make a specific link between drugs and detection, and use this link to engage themselves in questions concerning reading and the consumption of fiction. I wish to argue, first, that drugs play a significant role in Victorian detective stories as a device to produce a sense of mystery and excitement in these texts. Secondly, I shall hope to show how this is achieved especially by

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Livres sur le sujet "Uzbek Detective and mystery stories"

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ill, Mitra Mrinal, and Association of Writers and Illustrators for Children (India), eds. Mystery stories. Association of Writers and Illustrators for Children, 1989.

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Hammett, Dashiell. Detective stories. Coyote Canyon Press, 2009.

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Helen, Cresswell, and Reynolds Adrian ill, eds. Mystery Stories. Kingfisher, 1996.

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Reynolds, Adrian. Mystery Stories. Kingfisher, 1998.

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Ganeri, Anita. Mystery stories. Raintree, 2014.

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G, Greene Douglas, ed. Classic Mystery Stories. Dover Publications, 1999.

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Davies, David Stuart. Vintage Mystery and Detective Stories. Edited by David Stuart Davies. Wordsworth Editions, 2006.

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ill, Mitra Mrinal, and Association of Writers and Illustrators for Children (India), eds. More mystery stories. Association of Writers and Illustrators for Children, 1989.

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1945-, Adrian Jack, ed. 12 Mystery Stories. Oxford University Press, 1998.

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Laura, Marcus, and Willis Chris 1960-, eds. 12 women detective stories. Oxford University Press, 1997.

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Chapitres de livres sur le sujet "Uzbek Detective and mystery stories"

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Trensky, Paul I. "Detective and Mystery Stories." In The Fiction of Josef Škvorecký. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21531-7_11.

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Borgmeier, Raimund. "A Further Case of the 'Detective Novel Unbound'. Thornton Wilder's the Eighth Day and the Mystery Novel." In Telling Stories. B.R. Grüner Publishing Company, 1992. http://dx.doi.org/10.1075/zg.141.20thr.

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Tresnasari, Ningrum, and Susiyanti Rusyan. "Dramatizing Mystery Crime Stories Through Wordplay: Exploring the Japanese Puzzle Game ‘Nazonazo’ Features in the Animated Film Detective Conan." In Advances in Social Science, Education and Humanities Research. Atlantis Press International BV, 2024. https://doi.org/10.2991/978-94-6463-608-6_10.

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Frye, Katie Berry. "Reading Eudora Welty’s “Petrified Man” and “Old Mr. Marblehall” as Southern Pulp." In Eudora Welty and Mystery. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496842701.003.0003.

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This chapter examines the work of Eudora Welty in relation to the conventions of pulp and genre fiction, specifically that of mystery and detective stories. When read through this lens, Welty’s short fiction reveals “clues,” often in the form of the pulp publications strewn throughout her stories, that direct the reader on interpreting her characters. In “Petrified Man,” the women act as detectives, perusing pulp magazines that ultimately point them towards catching the criminal, and in “Old Mr. Marblehall,” the titular character is a bigamist who reads lowbrow publications in horror and scien

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Herbert, Rosemary. "Edward D. Hoch (1930–)." In Murder on Deck! Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195086034.003.0016.

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Abstract Edward Dentinger Hoch has said, 1always have my ears and eyes open for story possibilities, especially looking for odd and unusual facts.” Hoch’s ability to see life in terms of story ideas has made him a rare bird indeed: a writer who makes his living largely from writing short fiction. His publication of nearly 800 short stories is especially remarkable considering that this was accomplished during four decades when magazine markets were folding. At a time when most other writers of crime, mystery, adventure, westerns, fantasy, and science fiction-all genres that Hoch has explored-t

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Grimstad, Paul. "The Detective Novel and Film." In The Oxford History of the Novel in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192844729.003.0043.

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Abstract Noting the affinity between modernist aesthetics and the vernacular “entertainment” of genre fiction—in particular, the detective story—this chapter charts the ways in which the style and tone of US detective fiction was intimately bound up with the growth of a Hollywood studio system organized around genres like westerns, adventure stories, musicals, screwball comedy, gangster dramas, and crime stories. The chapter charts the influence of the idea of film noir—conceived as a fusion of US hard-boiled crime fiction and German expressionist cinematography—on detective fiction in both te

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Mills, Rebecca, and Andrew McInnes. "“An Elaborate Cover”." In Containing Childhood. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496841179.003.0009.

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The chapter examines Robin Stevens’s Murder Most Unladylike Mystery series, arguing that subtextual concerns of the English interwar detective fiction and boarding school stories, namely those of national, racial, and sexual Others intruding into traditional English places, are foregrounded, offering a lens on the exclusionary and containing structures and spaces of English society. The novels inscribe the reassuring geographies and interior spaces of the boarding school novel with the anxieties of detective fiction, allowing the protagonists an escape from identities of class, ethnicity and c

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Herbert, Rosemary. "Sir Arthur Conan Doyle (1859–1930)." In Murder on Deck! Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195086034.003.0001.

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Abstract It seems appropriate to launch a volume of shipboard and shoreline mystery stories with a tale of murder, mayhem, and mutiny on deck. This also happens to be the account of the first case undertaken by the world’s great consulting detective, Sherlock Holmes. Although Holmes was introduced in Sir Arthur Conan Doyle’s “A Study in Scarlet” in 1887, “The ‘Gloria Scott,’” published six years later, holds a special place in the canon of Holmes stories. Here Holmes recounts the case that revealed to him that his extraordinary skills at observation might serve him-and others in need-as more t

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