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Livres sur le sujet « Venetian Prints »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 1 février 2022

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1

Metropolitan Museum of Art (New York, N.Y.), dir. Venetian prints and books in the age of Tiepolo. New York : Metropolitan Museum of Art, 1997.

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2

Meijer, Bert W. Rondom Rembrandt en Titiaan : Artistieke relaties tussen Amsterdam en Venetië in prent en tekening. s'-Gravenhage : SDU, 1991.

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3

Tani, Irene. Le Rime di Bernardo Cappello. Venice : Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-257-4.

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Bernardo Cappello (Venezia 1498 ca.-Roma 1560), member of one of the oldest patrician families of Venice, played an active role in the politics of the Venetian Republic, until his exile in 1540. After that, he became a collaborator and a protégé of cardinal Alessandro Farnese, who is one of the most significant figures of the century. Then he took refuge in Rome, where over the years he held varied appointments. Since his youth and in parallel with his political career, Cappello constantly devoted himself to humanistic studies and to rhymes production: pupil of Pietro Bembo, interlocutor of Giovanni Della Casa and close friend to Bernardo Tasso, the author is among the greatest exponents of the sixteenth-century Petrarchism. For the first time the critical edition of Rime by Bernardo Cappello is here given, namely the book of 353 compositions that the author elaborated on the pattern of Bembo’s directives, over a large period of time. In his book of poetry (canzoniere), through lyrical pieces, the author creates his own existential and biographical path. Regarding the evolution of the architecture of Cappello’s collection, four witnesses survived, in which we distinguish different phases: the first one is genetic and manuscript (Roma, Biblioteca Casanatense, 277), with addition of corrections that generally are close to the textual variants of the princeps; the second is the print of 1560 for the press of the Guerra brothers; finally, a further evolutionary stage is represented by two postillated prints. To these witnesses a rich miscellaneous tradition is added, which, for a large number of rhymes, restores the elaborative complexity through multiple genetic forms. Poems ousted from the ancient print, but part of the canzoniere in other phases of composition, are included in this critical edition.

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4

Venetia : Le immagini della Repubblica. Piazzola s/Brenta (PD) [Italy] : Papergraf, 2001.

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5

Maltezou, Chrysa A. Charaktika tou Hellenikou Institoutou Venetias = : Incisioni dell'Istituto Ellenico di Venezia. Venetia : [Hellēniko Institouto Vyzantinōn kai Metavyzantinōn Spoudon Venetias], 2000.

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6

Bravetti, Patrizia, et Orfea Granzotto, dir. False date. Florence : Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-8453-895-6.

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A considerable number of the books published in the course of the eighteenth century were printed with false details of the place of publication, authorised by the censorship offices themselves. This phenomenon, which was common throughout Europe, was particularly marked in Venice where over 800 titles, among the most sought-after of the time, were licensed exploiting this expedient to get around the bottleneck of the official publishing rules. The volume publishes the registers of the related Venetian documentation, complete with notes and indices that sketch a fairly complete picture of this aspect of the censorship system of the Ancien Régime.

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7

Veloudēs, Giōrgos. To Hellēniko typographeio tōn Glykēdōn stē Venetia, 1670-1854 : Symvolē stē meletē tou Hellēnikou vivliou kata tēn epochē tēs Tourkokratias. [Athens] : Ch. Bouras, 1987.

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8

Lombardo, Luca. Albertino Mussato, Epistole metriche Edizione critica, traduzione e commento. Venice : Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-436-3.

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The Metric Epistles of Albertino Mussato (1261-1329) are a collection of 20 compositions in Latin verse (of which, 12 in elegiac couplets, 8 in hexameters, for a total of 1,570 verses) composed between 1309 and 1326 and addressed to different recipients. The list of recipients includes friends of the author and representatives of the Paduan political and intellectual élite of the early 14th century such as the judges Rolando da Piazzola, Giovanni da Vigonza and Paolo da Teolo, the notary Zambono d’Andrea and Marsilio Mainardini; masters of grammar and rhetoric such as the Venetian Giovanni Cassio, Bonincontro from Mantua and Guizzardo from Bologna; religious personalities such as the Dominican friars Benedetto and Giovannino da Mantova, respectively lecturer and professor of theology at the Studium Generale of the convent of S. Agostino in Padua; collective recipients, such as the College of Artists and fellow citizens of Padua. After an editio princeps was printed in Venice in 1636 on the basis of a now lost manuscript, a critical edition of the Epistles is published here for the first time, including the complete corpus of the texts in the light of their entire manuscript tradition. The texts are accompanied by an Italian translation and a detailed commentary, which mainly aims to bring to light and analyse the dense intertextuality of Mussato’s poem (in particular classical Latin sources), reconsidering the cultural background of the author and his contemporaries in the context of the so-called ‘Paduan prehumanism’ and an ideal dialogue with Dante’s coeval biographical and literary experiences.

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9

1809-1878, Albèri Eugenio, dir. Venedik elçilerinin raporlarına göre Kanunî ve Şehzâde Mustafa Bernardo Navagero, 1553 tarihli anonim rapor ve Domenico Trevisano'nun raporları orijinal adı : Eugenio Albèri, Le Relazioni Degli Ambasciatori Veneti Al Senato, Firenze 1840, Serie III, cilt I. Kapak resmi : Şehzâde Mustafa'nın öldürülmesi. İstanbul : Yeditepe, 2012.

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10

Boorsch, Suzanne. Venetian Prints and Books in the Age of Tiepolo. Yale University Press, 2013.

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11

Howells, William Dean. Venetian Life (Large Print Edition). BiblioBazaar, 2006.

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12

Isaac, Disraeli. Venetia (Large Print Edition). BiblioBazaar, 2007.

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13

Horodowich, Elizabeth. The Venetian Discovery of America : Geographic Imagination and Print Culture in the Age of Encounters. Cambridge University Press, 2018.

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14

Berry, Steve. The Venetian Betrayal : A Novel (Random House Large Print (Cloth/Paper)). Random House Large Print, 2007.

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15

Glixon, Jonathan E. Mirrors of Heaven or Worldly Theaters ? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190259129.001.0001.

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This book explores the musical world of the nuns of Venice and its lagoon, concentrating on the period from the sixteenth century to the fall of Venice around 1800. It looks at sacred music performed both by the nuns themselves and by professional musicians they employed. Following a historical introduction, the book considers the nuns as collective patrons, both of musical performances by professionals in their external churches, primarily for the annual feast of the patron saint, a notable attraction for both Venetians and foreign visitors, and of musical instruments, namely organs and bells. Next, the study examines the rituals and accompanying music for the transitions in a nun’s life, most importantly the ceremonies through which she moved from the outside world to the cloister. Then the book turns to liturgical music within the cloister, performed by the nuns themselves, from chant to simple polyphony, and to the rare occasions where more elaborate music can be documented. Two more chapters look at, respectively, the teaching of music to both nuns and girls resident in convents as boarding students, and at entertainment, musical and theatrical, by and for the nuns. Appendices include a calendar of musical events at Venetian nunneries, details on nunnery organs, lists of teachers, and inventories of musical and ceremonial books, both manuscript and printed. A companion website features editions of complete musical works, excerpts from which are included in the text as examples, along with sound files.

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16

Circolo Artistico Palazzo delle Prigioni Vecchie., dir. 1952-1992 nel quarantennio dalla fondazio : Omaggio al soci fondatori del'Associazione degli incisori veneti. Venezia : Corbo e Fiore editori, 1992.

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17

Leon, Donna. A Venetian Reckoning : An Evocative Peep into the Dark Underworld of the Beauteous City (Ulverscroft Large Print Series). Ulverscroft Large Print, 1997.

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