Bibliographies thématiques / Venezia Venezia Venedig

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Littérature scientifique sur le sujet « Venezia Venezia Venedig »

Auteur : Grafiati
Publié le 4 juin 2021
Mis à jour le 14 février 2022

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Articles de revues sur le sujet "Venezia Venezia Venedig"

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Arvidsson, Kristoffer. « Manet. Ritorno a Venezia, Dogepalatset, Venedig ». Konsthistorisk tidskrift/Journal of Art History 83, no 1 (2 janvier 2014) : 53–58. http://dx.doi.org/10.1080/00233609.2013.856340.

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Lohrmann, Dietrich. « Der Ingenieur Konrad Gruter von Werden in Ferrara, Venedig, Lucca und Pietrasanta (ca. 1402–1424) ». Quellen und Forschungen aus italienischen Archiven und Bibliotheken 97, no 1 (20 décembre 2017) : 135–58. http://dx.doi.org/10.1515/qfiab-2017-0009.

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Riassunto Il nome del chierico e ingegnere Konrad Gruter di Werden/Ruhr e emerso solo nel 2006 con la pubblicazione del suo trattato De machinis et rebus mechanicis compilato nel 1424 a Venezia e dedicato al re Erik VII di Danimarca, Norvegia e Svezia. Al contempo e stato possibile ricostruire le tappe della sua attivita, lunga piu di trent’anni, come sperimentatore e ingegnere consigliere presso una serie di corti principesche italiane. Una fonte d’informazione, pero, e rimasta finora in gran parte inesplorata, vale a dire il materiale assai istruttivo, benche molto sparso, conservato nell’Archivio di Stato di Lucca. Alla raccolta di queste notizie ha collaborato Dr. Geoffrey Nuttall, Courtauld Institute London.
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Lohrmann, Dietrich. « Der Ingenieur Konrad Gruter von Werden in Ferrara, Venedig, Lucca und Pietrasanta (ca. 1402–1424) ». Quellen und Forschungen aus italienischen Archiven und Bibliotheken 97, no 1 (5 mars 2018) : 135–58. http://dx.doi.org/10.1515/qufiab-2017-0009.

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Riassunto Il nome del chierico e ingegnere Konrad Gruter di Werden/Ruhr è emerso solo nel 2006 con la pubblicazione del suo trattato De machinis et rebus mechanicis compilato nel 1424 a Venezia e dedicato al re Erik VII di Danimarca, Norvegia e Svezia. Al contempo è stato possibile ricostruire le tappe della sua attività, lunga più di trent’anni, come sperimentatore e ingegnere consigliere presso una serie di corti principesche italiane. Una fonte d’informazione, però, è rimasta finora in gran parte inesplorata, vale a dire il materiale assai istruttivo, benché molto sparso, conservato nell’Archivio di Stato di Lucca. Alla raccolta di queste notizie ha collaborato Dr. Geoffrey Nuttall, Courtauld Institute London.
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Pertot, Gianfranco. « Memoria e memorie risorgimentali a Venezia dopo l'annessione all'Italia ». STORIA URBANA, no 132 (février 2012) : 111–63. http://dx.doi.org/10.3280/su2011-132005.

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Il Risorgimento a Venezia ebbe il suo piů fulgido episodio nell'esperienza della Repubblica di San Marco del 1848-49, che ebbe come protagonisti Daniele Manin, Niccolň Tommaseo e altri personaggi di spicco della cultura veneziana. Dopo l'annessione all'Italia (1866) i veneziani vollero innanzitutto ricordare gli eroi e le vicende di quel periodo. Anche a Venezia si costruirono monumenti al Re e a Garibaldi, ma mancň quell'opera capillare, estesa e continua di celebrazione dei protagonisti del Risorgimento, con manifesto intento di alfabetizzazione politica, quale si manifestň in molte altre cittŕ italiane nei primi decenni dopo l'Unitŕ. Pochi furono i monumenti eretti (con molte polemiche, ritardi, contrasti fra istituzioni, comitati, rappresentanti delle élite della cittŕ) e pochi anche i cambiamenti nella toponomastica. Venezia dopo il 1866 era una cittŕ in profonda crisi economica, sociale e di identitŕ. I modi contradditori con cui affrontň la celebrazione risorgimentali sono sintomo della difficile contingenza e della problematica convivenza fra il nuovo ordine moderato imposto con l'Unitŕ (peraltro in sintonia con il patriziato, ancora saldamente rappresentato ai vertici del governo cittadino), il ricordo dell'eroica ma sfortunata esperienza rivoluzionaria del 1848-49 e quello, latente, dell'autonomia goduta fino al 1797.
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Calaon, Diego. « Ecologia della Venetia prima di Venezia : uomini, acqua e archeologia ». Hortus Artium Medievalium 20, no 2 (mai 2014) : 804–16. http://dx.doi.org/10.1484/j.ham.5.102695.

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Wolny, Ryszard W. « Travel and Disease in Thomas Mann’s Death in Venice ». European Journal of Language and Literature 5, no 2 (31 mai 2019) : 13. http://dx.doi.org/10.26417/ejls-2019.v5i2-196.

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Thomas Mann’s novella, Death in Venice (Der Tod in Venedig, 1912), presents a story of an artist, Gustav von Aschenbach, suffering from the writer’s block who travels to Venice to look for inspiration and where he eventually finds his death. In the meantime, he suffers from depression strengthened by feats of febrile listlessness, pressure in the temples, heaviness of the eyelids that make discontent befall him. The putrid smell of the lagoon hastens his departure, but a strange coincidence makes him change his mind. He returns to the hotel drawn by the enthrallment for the young lad, Tadzio, he had spotted there. Wandering through the streets of Venice, he ignores the health notices in the city, only later learning that there is a serious cholera epidemic in Venice. But he does not escape, nor does he warn the boy’s family of the fatal danger. He dies in his beach chair, looking at the boy on the beach. The aim of this paper is, therefore, to explore the relationship between travel and disease as juxtaposed with a growing passion for a youth, unmistakably, a sign of life affirmation in a sickly body and burnt-out mind.Thomas Mann’s novella has been a subject of extensive commentaries and criticisms for over a century since it was published in Germany, first, in serial form in 1912 and 1913 and, then when it was translated into the French and English in the 1920s, thus introducing it to the rest of the world. The peak of critical interest in Mann’s oeuvre may be pinpointed to the 1970s when Luchino Visconti’s film, Morte a Venezia (1971), was released and Benjamin Britten’s opera composed and first staged (1973).
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TAŞKIRAN, Hasan. « VENEDİK BAYLOSU'NUN DEFTERLERİ (1589-1684), EDİZİONİ CA'FOSCARI-DIGITAL PUBLISHING, VENEZIA 2014 ». Journal of Academic Social Sciences 31, no 31 (1 janvier 2016) : 458. http://dx.doi.org/10.16992/asos.1375.

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Galery, Maria Clara Versiani. « Na cidade historiada : justiça e outros conflitos em O Mercador de Veneza, de William Shakespeare ». Diálogos 23, no 2 (7 juin 2019) : 19. http://dx.doi.org/10.4025/dialogos.v23i2.46170.

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RESUMO: Na época em que Shakespeare escolheu Veneza para cenário de Otelo e O Mercador de Veneza, a cidade-república correspondia aos ideais renascentistas de liberdade e estabilidade. Descobertas no âmbito da geografia e da astronomia exigiam uma reavaliação do lugar ocupado por mulheres e homens na nova concepção do universo. Este ensaio pretende refletir sobre a Veneza mítica do imaginário shakespeariano, uma paisagem simbólica, menos física e concreta que ideológica. Nesse sentido, o trabalho recorre ao conceito foucauldiano de heterotopia para ilustrar como, na representação da cidade, se projetavam os anseios de uma época. Aqui, a jurisprudência é de importância central. PALAVRAS-CHAVE: Shakespeare, Mercador de Veneza, Renascimento, Veneza, heterotopia, jurisprudência In the storied city: justice and other conflicts of The Merchant of Venice ABSTRACT: When Shakespeare chose Venice as the location for Othello and The Merchant of Venice, the republic corresponded to Renaissance ideals of freedom and stability. Discoveries in the realm of geography and astronomy required a re-evaluation of the place occupied by women and men in the new conception of the universe. This essay intends to discuss the mythical Venice of Shakespeare’s imagination, a symbolic landscape, less physical and concrete than ideological. In this sense, this paper turns to Foucault’s concept of heterotopia to illustrate how the anxieties of an epoch were projected in the representation of the city. Here, jurisprudence is of central importance. KEYWORDS: Shakespeare, The Merchant of Venice, Renaissance, Venice, heterotopia, jurisprudence En la ciudad historiada: justicia y otros conflictos del Mercader de Venecia RESUMEN: En la época en que Shakespeare escogió Venecia como escenario de Otelo y El Mercader de Venecia, la ciudad-república correspondía a los ideales renacentistas de libertad y estabilidad. Los descubrimientos en el ámbito de la geografía y de la astronomía exigían una reevaluación del lugar ocupado por mujeres y hombres en la nueva concepción del universo. Este ensayo pretende reflexionar sobre la Venecia mítica del imaginario shakespeariano, un paisaje simbólico, menos físico y concreto que ideológico. En este sentido, el trabajo recurre al concepto foucauldiano de heterotopía para ilustrar cómo, en la representación de la ciudad, se proyectaban los anhelos de una época. Aquí, la jurisprudencia es de central importancia. PALABRAS CLAVE: Shakespeare, Mercader de Venecia, Renacimiento, Venecia, heterotopía, jurisprudencia
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Morse, Victoria. « Venezia e la nuova oikoumene : Cartografia del Quattrocento / Venedig und die neue Oikoumene : Kartographie im 15. Jahrhundert. Ingrid Baumgärtner and Piero Falchetta, eds. Venetiani 17. Rome : Viella, 2016. 290 pp. €29. » Renaissance Quarterly 70, no 3 (2017) : 1086–87. http://dx.doi.org/10.1086/695182.

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Giani, Marco. « Polemiche a distanza fra Firenze e Venezia. Sulla perduta «Risposta» di Paolo Paruta alla «Lettera XXX» dello pseudo-Dante a Guido da Polenta (secondo XVI sec.) ». e-Scripta Romanica 7 (3 décembre 2019) : 60–78. http://dx.doi.org/10.18778/2392-0718.07.06.

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Il saggio presenta tutti i dati disponibili utili al ritrovamento di un testo per ora fantasma, quale la Risposta di Paolo Paruta (Venezia, 1540 - 1598) alla Lettera XXX dello pseudo-Dante, falso d’autore editando il quale nel 1547 il fiorentino Anton Francesco Doni scatenò una violenta polemica politica anti-veneziana. Nuove ricerche dimostrano come nella celebre biblioteca padovana di Gian Vincenzo Pinelli fosse conservata una copia della Risposta. Paruta e Pinelli, infatti, condividevano molti interessi e conoscenze negli ambienti della Padova e della Venezia del Secondo Cinquecento.
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Thèses sur le sujet "Venezia Venezia Venedig"

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May, Jan Andreas. « La Biennale di Venezia : Kontinuität und Wandel in der venezianischen Ausstellungspolitik 1895-1948 / ». Berlin : Akademie-Verl, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017123813&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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May, Jan Andreas. « La Biennale di Venezia Kontinuität und Wandel in der venezianischen Ausstellungspolitik 1895 - 1948 ». Berlin Akad.-Verl, 2006. http://d-nb.info/991757661/04.

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Moretti, Laura. « Dagli Incurabili alla Pietà : le chiese degli ospedali grandi di Venezia tra architettura e musica, 1522-1790 / ». Firenze : Olschki, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017044031&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Schweitz, Johan. « La funzione e la percezione della łéngoa vèneta dalle origini ad oggi ». Thesis, Umeå universitet, Institutionen för språkstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-122521.

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This thesis discusses the function and perception of the Venetian (or Venetan) tongue from a sociolinguistic diachronic perspective.   Venetian, spoken by over 6 million people in 7 countries, in an Italian context is referred to as an Italian dialect. Though defined as language in Brazil, by the Veneto region in Italy and by several international organizations (amongst them UN and UNESCO), the Italian State does not confirm its status.   Venetian appeared as a written language in the XII century, anticipating the earliest texts in Italian itself in the Florentine form. From the ninth century it was spread by Venetian merchants and by the Venetian Republic itself to the eastern coast of the Adriatic Sea, from Istria down to modern day Albania, and later on even further, to the Greek archipelagos and the ports of the Holy land. The expansion of the "Serenissima" in the Italian hinterland led to the homogenisation of the language in the area that forms the base of the modern "Veneto" spoken today.   Venetian was the spoken language in all contexts in the Republic, and was used in official acts, such as the Statuti Veneti, the Mariegole and within the diplomacy. Though the official use of written Venetian was gradually out conquered by Italian from the sixteenth century, it remained the sole spoken language in all state organs until the fall of the Republic in 1797 and was used by the diplomacy of the Ottoman Empire in its contacts with European countries.    After the annexation of Veneto to Italy in 1866, the Italian State has actively combated the use of Venetian (and even forbidden it during the fascist regime), but nevertheless, today Venetian is one the most vigorous of the Italian "dialects": at least 72% of the inhabitants in the Veneto region use the language actively and a recent study demonstrates that as many as 65% of the foreigners living in the region learn the language because of professional or social necessity.   In a diachronic perspective the Venetian tongue can hardly be considered an Italian dialect, not only because of its autonomous development from Vulgar Latin or its different grammar and morphosyntax, but also because of its function and perception: used as an official language not only by the Serenissima, but also by other states, and because of its literacy that for centuries has invented and followed autonomous traditions and created notable works in poetry, theatre, prose and science.
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Proto, Matteo <1980&gt. « La lunga storia dell'idrovia Padova - Venezia ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/1800/.

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The present dissertation focuses on an unfinished project for the construction of an inland waterway between Padua and Venice, in northern Italy. The history of this channel is analysed in the context of the general debate for the development of a waterway network in the Padanian plain. The project of reconstructing and enlarging the existing ancient channels for the development of a modern river transport system was born at the beginning of the 20th century as an attempt to withstand the railway’s concurrency. The main project aimed at transforming the Po river and other small rivers and channels in a big waterway for the connection of the most important northern industrial cities with Venice’s harbour and the Adriatic sea. Even if the idea of restoring the historical channel between Padua and Venice arose at the end of the First World War, it was only during the years 50s that a new project was conceived and the waterway was included in a global project for the construction of a whole new channel from Venice to Milan. The new project, strongly supported by the local Christian Democratic Party, was managed for more than twenty years causing a huge expenditure of money. After a great investment by both the central State and the local bodies (more than 100 millions euro) the project was finally abandoned. This research reconstructs the historical process and the economical motivations that sustained that project until its failure. Moreover, with the aim of understanding the reasons and the differences of such a failure, the history of inland waterway transport in Italy is compared with contemporary developments in Germany.
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Sangalli, Maurizio. « Cultura, politica e religione nella repubblica di Venezia tra Cinque e Seicento : gesuiti e somaschi a Venezia / ». Venezia : Istituto veneto di scienze, lettere ed arti, 1999. http://catalogue.bnf.fr/ark:/12148/cb37589159z.

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Texte remanié de: Dottorato di ricerca--società, politica e religione nella formazione dell'Europa moderna--Milano--Università cattolica del Sacro Cuore, 1998.
"Memoria presentata dal s.c. Gino Benzoni nell'adunanza ordinaria del 28 febbraio 1998" Bibliogr. p. 447-473. Index.
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Köster, Gabriele. « Künstler und ihre Brüder : Maler, Bildhauer und Architekten in den venezianischen Scuole Grandi (bis ca. 1600) / ». Berlin : Mann, 2008. http://www.gbv.de/dms/weimar/toc/523255446_toc.pdf.

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LUCIANI, PATRIZIA. « ALBINO LUCIANI PATRIARCA DI VENEZIA (1970-1978) ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/11130.

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L’obiettivo della tesi è di indagare gli anni trascorsi a Venezia da Albino Luciani, anni non esaurientemente approfonditi dalla storiografia e sui quali la memoria storica è ancora divisa. L’evidenza principale che ne scaturisce è la difficoltà non solo di Luciani, ma di tutte le personalità che avevano ruoli di guida e di responsabilità all’interno della Chiesa, nel misurarsi con l’attuazione del Concilio Vaticano II. L’ipotesi interpretativa proposta è che il filo conduttore di tutta l’opera pastorale del presule bellunese sia stato uno sforzo di fedeltà alla tradizione romana e all’autorità papale seppur attraverso l’ammodernamento dei metodi pastorali utilizzati. Il patriarca di Venezia è risultato particolarmente rappresentativo di tutto un episcopato nazionale montiniano che ha attuato in Italia le ricezione conciliare secondo l’ermeneutica di Paolo VI. L’indagine, avendo cura di confrontare sempre il piano dell’omiletica e il piano delle reali scelte pastorali attuate, analizza a tutto campo l’operato di Luciani, dalle attività diocesane al suo apporto alla vita ecclesiale a livello regionale, nazionale e internazionale; ha inoltre il pregio di aver utilizzato come fonte importante materiale inedito reperito nei nove archivi storici utilizzati e in vari archivi personali. Infine, è corredato di un’ampia e interessante appendice che racchiude le testimonianze orali di venti testimoni scelti.
The aim of the thesis is to investigate the years passed in Venice by Albino Luciani, years not exhaustively studied by historiography and on which historical memory is still divided. The main evidence is the difficulty not only of Luciani, but also of all personalities who had leadership roles and responsibilities within the Church, in measuring itself with the realization of the Second Vatican Council. The interpretative hypothesis is that the main theme of all the pastoral work of the patriarch of Venice was an effort of fidelity to the Roman tradition and papal authority even through the modernization of the pastoral methods. The patriarch of Venice was particularly representative of a whole national Montinian episcopate which carried out in Italy the Council reception according to the hermeneutic proposed by Paul VI. The survey, comparing the plan of homiletics and the plan of the real pastoral options implemented, examines entirely Luciani’s work, from the diocesan activities to his contribution to regional, national and international Catholic Church. The thesis uses as sources important unpublished material retrieved in nine historical archives and in various personal archives. Finally, the thesis is accompanied with a wide and interesting appendix that contains the interviews with twenty chosen witnesses.
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Wolff, Silvia. « Heinrich Meyring, Bildhauer in Venedig ». [S.l. : s.n.], 2006. http://nbn-resolving.de/urn:nbn:de:bsz:25-opus-57035.

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Rosemann, Andrea. « Die Kirche San Zaccaria in Venedig ». [S.l.] : [s.n.], 2001. http://deposit.ddb.de/cgi-bin/dokserv?idn=961478098.

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Livres sur le sujet "Venezia Venezia Venedig"

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Coburg, Landesbibliothek. Venezia, gloria d'Italia : Buchdruck und Graphik aus und über Venedig 1479-1997. Coburg : Landesbibliothek, 2000.

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Delassalle, Béatrice. Luchino Viscontis "Tod in Venedig" : Übersetzung oder Neuschöpfung. Aachen : Shaker, 1994.

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Barbusse, Marianne. Danmark, Biennalen i Venedig : 1895-1995. [Copenhagen] : Kulturministeriet, 1996.

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Biennale Venedig : Die Beteiligung der Schweiz, 1920-2013. Zürich : SIK ISEA, Schweizerisches Institut für Kunstwissenschaft, 2013.

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Becker, Christoph. Biennale Venedig : Der deutsche Beitrag 1895-1995. Ostfildern : Cantz, 1995.

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Villani, Niccola. Trettanelò : Poesie sopra Venetia, Venezia 1628. Parma : Edizioni Zara, 1989.

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Cresci Marrone, Giovannella, Giovanna Gambacurta et Anna Marinetti. Il dono di Altino. Venice : Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-380-9.

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In questo volume colleghi e amici rendono omaggio a Margherita Tirelli, archeologa, curiosa e vivace interprete di un metodo archeologico che ha improntato una stagione particolarmente florida di scavi, scoperte, studi e iniziative non superficiali di valorizzazione. Ad Altino, quale progenitrice di Venezia, Margherita Tirelli ha dedicato e dedica la sua attenzione ininterrotta, dagli scavi fino alla delicata transizione verso la nuova prestigiosa sede museale. In questa prospettiva, la studiosa ha sviluppato una proficua collaborazione con il Dipartimento di Studi Umanistici dell’Università Ca’ Foscari Venezia, concretizzata in una convenzione di studi e ricerche e in sei convegni di studi altinati, volti ad approfondire svariate tematiche: dal funerario, al sociale, al sacro. Lo spettro diacronico dei suoi interessi archeologici, storici ed epigrafici trova riscontro nell’articolazione dei contributi che le sono qui dedicati: dalla cultura dei Veneti antichi alle tematiche della romanità, fino a una specifica attenzione sulla produzione vetraria. Il volume si chiude con un lavoro sul vetro di età ‘storica’, argomento che vede ancora oggi in lei una figura di riferimento nella realtà veneziana, e uno dedicato alle scelte dell’allestimento museale, un tema di comunicazione in cui ha saputo coniugare con i suoi collaboratori eleganza ed efficacia.
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Le Carte monselicensi del monastero di S. Zaccaria di Venezia : 1183-1256. Roma : Viella, 2009.

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Šavli, Jožef. Veneti : First builders of European community : tracing the history and language of early ancestors of Slovenes. Wien : Editiones Veneti, 1996.

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Šavli, Jožef. Unsere Vorfahren die Veneter. Wien : Editiones Veneti, 1988.

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Chapitres de livres sur le sujet "Venezia Venezia Venedig"

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Howe, Veronika. « Venezia Verde – Grünes Venedig ? » Dans VENEZIA VERDE Umwelthauptstadt Europa 20xx, 15–28. Wiesbaden : Springer Fachmedien Wiesbaden, 2014. http://dx.doi.org/10.1007/978-3-658-06867-7_2.

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Howe, Veronika. « Zukunftsplanung für Venedig – Aufgabe der Stadtgesellschaft ». Dans VENEZIA VERDE Umwelthauptstadt Europa 20xx, 93–123. Wiesbaden : Springer Fachmedien Wiesbaden, 2014. http://dx.doi.org/10.1007/978-3-658-06867-7_5.

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Hess-Lüttich, Ernest W. B., et Susan A. Liddell. « Medien-Variationen. Aschenbach und Tadzio in Thomas Manns “Der Tod in Venedig”, Luchino Viscontis “Morte a Venezia”, Benjamin Brittens “Death in Venice” ». Dans Code-Wechsel, 27–54. Wiesbaden : VS Verlag für Sozialwissenschaften, 1990. http://dx.doi.org/10.1007/978-3-322-89575-2_2.

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Oswald, Stefan. « Venedig ». Dans Goethe Handbuch, 1082–83. Stuttgart : J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03656-8_157.

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Bognolo, Anna. « Il Tirantea Venezia ». Dans IVITRA Research in Linguistics and Literature, 101–18. Amsterdam : John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ivitra.10.07bog.

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Lorenzini, Claudio. « Friuli Venezia Giulia ». Dans Environmental History, 263–78. Dordrecht : Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5354-9_11.

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Vogel, Sabine B. « La Biennale di Venezia ». Dans Edition Angewandte, 22–32. Vienna : Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-7091-0224-4_3.

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« Die deutschen Beiträge zur Architekturbiennale Venedig ». Dans Germania, Venezia, 15–24. Wilhelm Fink Verlag, 2016. http://dx.doi.org/10.30965/9783846760611_004.

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« Deutschland und die I. Architekturbiennale Venedig 1980 ». Dans Germania, Venezia, 25–31. Wilhelm Fink Verlag, 2016. http://dx.doi.org/10.30965/9783846760611_005.

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« Die deutschen Beiträge zur Architekturbiennale Venedig in vergabetechnischer Perspektive Von Verena Hartbaum ». Dans Germania, Venezia, 181–89. Wilhelm Fink Verlag, 2016. http://dx.doi.org/10.30965/9783846760611_031.

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Actes de conférences sur le sujet "Venezia Venezia Venedig"

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« Venezia e Dalmazia ». Dans Visions of Community. Vienna : Austrian Academy of Sciences Press, 2018. http://dx.doi.org/10.1553/0x0038be20.

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Caponnetto, Mario. « A Review on II Moro di Venezia Design ». Dans SNAME 11th Chesapeake Sailing Yacht Symposium. SNAME, 1993. http://dx.doi.org/10.5957/csys-1993-013.

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The design of a boat for the America's Cup has always been a challenging task for any naval architect. While in the past the success of the boat was mainly a question of sensibility and experience of the boat designer, lately the increasing technologies and economical means usually at the disposal of the syndicates provides great potential. Both experimental and theoretical tools require a specific technical knowledge of the matter, which leads to the involvement of many specialised people in different fields. For this reason a big managerial effort is required to organize and collect data and ideas coming from different fields. This paper summarises the first experience of the "II Moro di Venezia" syndicate in dealing with the design methodologies from the hydrodynamic point of view. While a great part of the collected data are still of confidential nature, here a brief history of the design work and some peculiar aspects regarding the use of tools like the towing tank, the wind tunnel, the CFD codes and the VPP are presented.
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Bidese, F., E. Gottardo et F. Mazzoccoli. « Sviluppo della filiera legno-energia in Friuli Venezia Giulia ». Dans Terzo Congresso Nazionale di Selvicoltura. Accademia Italiana di Scienze Forestali, 2009. http://dx.doi.org/10.4129/cns2008.190.

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Karsten, Arne. « Friedensordnungen in der Ikonographie – das Beispiel Venedig ». Dans Friedensordnungen in geschichtswissenschaftlicher und geschichtsdidaktischer Perspektive. Göttingen : V&R unipress, 2017. http://dx.doi.org/10.14220/9783737006712.117.

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Frigimelica, G. « Incidenza di Diplodia pinea nelle pinete del Friuli Venezia Giulia ». Dans Terzo Congresso Nazionale di Selvicoltura. Accademia Italiana di Scienze Forestali, 2009. http://dx.doi.org/10.4129/cns2008.089.

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D'Orlando, M. C., E. Gottardo, S. Stefanelli et G. Vanone. « Politiche della Regione Autonoma Friuli Venezia Giulia per il settore forestale ». Dans Terzo Congresso Nazionale di Selvicoltura. Accademia Italiana di Scienze Forestali, 2009. http://dx.doi.org/10.4129/cns2008.145.

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Monacchi, Andrea, Wilfried Elmenreich, Salvatore D'Alessandro et Andrea M. Tonello. « Strategies for domestic energy conservation in Carinthia and Friuli-Venezia Giulia ». Dans IECON 2013 - 39th Annual Conference of the IEEE Industrial Electronics Society. IEEE, 2013. http://dx.doi.org/10.1109/iecon.2013.6699910.

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Berselli, Silvia. « Une correspondance architecturale : Ionel Schein "enfant" de Le Corbusier ». Dans LC2015 - Le Corbusier, 50 years later. Valencia : Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1042.

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Résumé: Pour la génération d’architectes, tels Ionel Schein, qui se forment à Paris après la guerre, Le Corbusier représente le seul antidote à l’académisme “bozartien”. La filiation corbuséenne se fait d’abord en clandestinité, à travers les livres et les projets, puis avec le contact direct ou par lettre, et représente un bassin inépuisable pour l’éducation permanente des jeunes à l’architecture. Les rencontres et la correspondance, ponctuée de divertissements intellectuels, permettent à Schein d’absorber le lexique corbuséen comme une nouvelle langue maternelle, jusqu’à la formation de son propre vocabulaire d’architecture. A la mort du maître, contré pendant toute sa vie par les institutions, Schein est dégoûté par la suite grotesque d’honneurs posthumes mise en scène : sa fidélité au message de Le Corbusier survit aux apparences et dans ses obituaires sans couronnes de lauriers on trouve le sens profond d’un héritage tant discuté et imposant. Resumen: Para la generación de arquitectos que, como Ionel Schein, se forman en París después de la guerra, Le Corbusier es el único antídoto contra el academicismo de la Escuela de Bellas Artes. La filiación corbuseana se hace primero clandestinamente, a través de los libros y de los proyectos, y en seguida con el contacto directo o por carta, y representa una reserva inagotable por la educación de los jóvenes a la arquitectura. Las reuniones y la correspondencia, punteada de entretenimientos intelectuales, permiten a Schein de absorber el léxico corbuseano como una nueva lengua materna, hasta la formación de su propio vocabulario arquitectónico. A la muerte del maestro, Schein crítica duramente la serie grotesca de honores póstumos enscenada por las instituciones que lo obstaculizaron por toda su vida. Su fidelidad al mensaje de Le Corbusier sobrevive a las apariencias y en sus obituarios sin coronas de laurel se encuentra el significado más profundo de un legado tan discutido e imponente. Mots clés: Ionel Schein; Claude Parent; Atelier 35 rue de Sèvres; Scuola CIAM Venezia 1952; CIAM IX 1953; correspondance.Palabras clave: Ionel Schein; Claude Parent; Atelier 35 rue de Sèvres; Escuela CIAM Venecia 1952; CIAM IX 1953; correspondencia. DOI: http://dx.doi.org/10.4995/LC2015.2015.1042
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LO SCHIAVO, FULVIA. « BUILDING UP AN ARCHAEOLOGICAL RESTORATION & ; CONSERVATION DEPARTMENT IN FRIULI-VENEZIA GIULIA ». Dans Science for Cultural Heritage - Technological Innovation and Case Studies in Marine and Land Archaeology in the Adriatic Region and Inland - VII International Conference on Science, Arts and Culture. WORLD SCIENTIFIC, 2010. http://dx.doi.org/10.1142/9789814307079_0012.

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Batti, D., D. Peri et E. F. Campana. « Geometry and Resistance of the IACC Systematic Series "Il Moro di Venezia" ». Dans SNAME 17th Chesapeake Sailing Yacht Symposium. SNAME, 2005. http://dx.doi.org/10.5957/csys-2005-003.

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The geometry and bare hull resistance of the IACC systematic series “Il Moro di Venezia” are presented and analyzed. In the first part, the geometry of the model is described; then a number of comparisons is made, following the logic of development of the series. The parent model resistance is compared with that of models for which a single parameter has been varied. Variations concern the bow shape, the stern overhang, the prismatic coefficient, the midsection coefficient, the BWL/TC and LWL/BWL ratios, the displacement. The comparisons in some cases confirm already known trends, like the effect related to the beam and draft variation. In other cases results are somewhat new and interesting both from a qualitative and quantitative viewpoint, like those concerning the bow shape variation. The second part of the paper deals with a statistical study of the systematic series. The main point of this study is to apply a simple approach that allows the researcher to rank the influence of the geometric parameters on the resistance curve. The choice here is to adopt the simple method of correlation coefficients. Starting from a first ranking of a number of non-dimensional parameters based on the mentioned coefficients, a first approximation of the resistance is obtained. Then this function is successfully improved, by adopting some additional restrictions coming from the consideration of the mutual correlation among the variables and regarding the type of included statistical indicators.
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Rapports d'organisations sur le sujet "Venezia Venezia Venedig"

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Jensen, Richard Pearson, Michael J. Baca, Benjamin L. Schenkman et James Robert Brainard. Venetie, Alaska energy assessment. Office of Scientific and Technical Information (OSTI), juillet 2013. http://dx.doi.org/10.2172/1092996.

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Greg Koontz, ME, et PhD William A Wall. Fort Yukon, Chalkyitsik, & ; Venetie Biomass Boiler Feasibility Study. Office of Scientific and Technical Information (OSTI), mars 2009. http://dx.doi.org/10.2172/950498.

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Lance Whitwell. Final Report of Native Village of Venetie Tribal Government Solar Feasibility Study. Office of Scientific and Technical Information (OSTI), mars 2007. http://dx.doi.org/10.2172/903281.

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