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Articles de revues sur le sujet « Venezia Venezia Venedig »

Auteur : Grafiati

Publié le 4 juin 2021

Mis à jour le 14 février 2022

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1

Arvidsson, Kristoffer. "Manet. Ritorno a Venezia, Dogepalatset, Venedig." Konsthistorisk tidskrift/Journal of Art History 83, no. 1 (2014): 53–58. http://dx.doi.org/10.1080/00233609.2013.856340.

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Lohrmann, Dietrich. "Der Ingenieur Konrad Gruter von Werden in Ferrara, Venedig, Lucca und Pietrasanta (ca. 1402–1424)." Quellen und Forschungen aus italienischen Archiven und Bibliotheken 97, no. 1 (2017): 135–58. http://dx.doi.org/10.1515/qfiab-2017-0009.

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Riassunto Il nome del chierico e ingegnere Konrad Gruter di Werden/Ruhr e emerso solo nel 2006 con la pubblicazione del suo trattato De machinis et rebus mechanicis compilato nel 1424 a Venezia e dedicato al re Erik VII di Danimarca, Norvegia e Svezia. Al contempo e stato possibile ricostruire le tappe della sua attivita, lunga piu di trent’anni, come sperimentatore e ingegnere consigliere presso una serie di corti principesche italiane. Una fonte d’informazione, pero, e rimasta finora in gran parte inesplorata, vale a dire il materiale assai istruttivo, benche molto sparso, conservato nell’Ar

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Lohrmann, Dietrich. "Der Ingenieur Konrad Gruter von Werden in Ferrara, Venedig, Lucca und Pietrasanta (ca. 1402–1424)." Quellen und Forschungen aus italienischen Archiven und Bibliotheken 97, no. 1 (2018): 135–58. http://dx.doi.org/10.1515/qufiab-2017-0009.

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Riassunto Il nome del chierico e ingegnere Konrad Gruter di Werden/Ruhr è emerso solo nel 2006 con la pubblicazione del suo trattato De machinis et rebus mechanicis compilato nel 1424 a Venezia e dedicato al re Erik VII di Danimarca, Norvegia e Svezia. Al contempo è stato possibile ricostruire le tappe della sua attività, lunga più di trent’anni, come sperimentatore e ingegnere consigliere presso una serie di corti principesche italiane. Una fonte d’informazione, però, è rimasta finora in gran parte inesplorata, vale a dire il materiale assai istruttivo, benché molto sparso, conservato nell’Ar

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Pertot, Gianfranco. "Memoria e memorie risorgimentali a Venezia dopo l'annessione all'Italia." STORIA URBANA, no. 132 (February 2012): 111–63. http://dx.doi.org/10.3280/su2011-132005.

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Il Risorgimento a Venezia ebbe il suo piů fulgido episodio nell'esperienza della Repubblica di San Marco del 1848-49, che ebbe come protagonisti Daniele Manin, Niccolň Tommaseo e altri personaggi di spicco della cultura veneziana. Dopo l'annessione all'Italia (1866) i veneziani vollero innanzitutto ricordare gli eroi e le vicende di quel periodo. Anche a Venezia si costruirono monumenti al Re e a Garibaldi, ma mancň quell'opera capillare, estesa e continua di celebrazione dei protagonisti del Risorgimento, con manifesto intento di alfabetizzazione politica, quale si manifestň in molte altre ci

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Calaon, Diego. "Ecologia della Venetia prima di Venezia: uomini, acqua e archeologia." Hortus Artium Medievalium 20, no. 2 (2014): 804–16. http://dx.doi.org/10.1484/j.ham.5.102695.

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Wolny, Ryszard W. "Travel and Disease in Thomas Mann’s Death in Venice." European Journal of Language and Literature 5, no. 2 (2019): 13. http://dx.doi.org/10.26417/ejls-2019.v5i2-196.

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Thomas Mann’s novella, Death in Venice (Der Tod in Venedig, 1912), presents a story of an artist, Gustav von Aschenbach, suffering from the writer’s block who travels to Venice to look for inspiration and where he eventually finds his death. In the meantime, he suffers from depression strengthened by feats of febrile listlessness, pressure in the temples, heaviness of the eyelids that make discontent befall him. The putrid smell of the lagoon hastens his departure, but a strange coincidence makes him change his mind. He returns to the hotel drawn by the enthrallment for the young lad, Tadzio,

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TAŞKIRAN, Hasan. "VENEDİK BAYLOSU'NUN DEFTERLERİ (1589-1684), EDİZİONİ CA'FOSCARI-DIGITAL PUBLISHING, VENEZIA 2014." Journal of Academic Social Sciences 31, no. 31 (2016): 458. http://dx.doi.org/10.16992/asos.1375.

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Galery, Maria Clara Versiani. "Na cidade historiada: justiça e outros conflitos em O Mercador de Veneza, de William Shakespeare." Diálogos 23, no. 2 (2019): 19. http://dx.doi.org/10.4025/dialogos.v23i2.46170.

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RESUMO: Na época em que Shakespeare escolheu Veneza para cenário de Otelo e O Mercador de Veneza, a cidade-república correspondia aos ideais renascentistas de liberdade e estabilidade. Descobertas no âmbito da geografia e da astronomia exigiam uma reavaliação do lugar ocupado por mulheres e homens na nova concepção do universo. Este ensaio pretende refletir sobre a Veneza mítica do imaginário shakespeariano, uma paisagem simbólica, menos física e concreta que ideológica. Nesse sentido, o trabalho recorre ao conceito foucauldiano de heterotopia para ilustrar como, na representação da cidade, se

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Morse, Victoria. "Venezia e la nuova oikoumene: Cartografia del Quattrocento / Venedig und die neue Oikoumene: Kartographie im 15. Jahrhundert. Ingrid Baumgärtner and Piero Falchetta, eds. Venetiani 17. Rome: Viella, 2016. 290 pp. €29." Renaissance Quarterly 70, no. 3 (2017): 1086–87. http://dx.doi.org/10.1086/695182.

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Giani, Marco. "Polemiche a distanza fra Firenze e Venezia. Sulla perduta «Risposta» di Paolo Paruta alla «Lettera XXX» dello pseudo-Dante a Guido da Polenta (secondo XVI sec.)." e-Scripta Romanica 7 (December 3, 2019): 60–78. http://dx.doi.org/10.18778/2392-0718.07.06.

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Il saggio presenta tutti i dati disponibili utili al ritrovamento di un testo per ora fantasma, quale la Risposta di Paolo Paruta (Venezia, 1540 - 1598) alla Lettera XXX dello pseudo-Dante, falso d’autore editando il quale nel 1547 il fiorentino Anton Francesco Doni scatenò una violenta polemica politica anti-veneziana. Nuove ricerche dimostrano come nella celebre biblioteca padovana di Gian Vincenzo Pinelli fosse conservata una copia della Risposta. Paruta e Pinelli, infatti, condividevano molti interessi e conoscenze negli ambienti della Padova e della Venezia del Secondo Cinquecento.

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Hall, Crystal. "Galileo, Poetry, and Patronage: Giulio Strozzi’s Venetia edificata and the Place of Galileo in Seventeenth-Century Italian Poetry*." Renaissance Quarterly 66, no. 4 (2013): 1296–331. http://dx.doi.org/10.1086/675093.

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AbstractThe Venetian poet and librettist Giulio Strozzi (1583–1652) spent much of his career glorifying the Serenissima through a series of theatrical pieces. His only epic poem, the Venetia edificata (1621, 1624), while ostensibly a celebration of the republic, shows a level of commitment to Galileo Galilei (1564–1643) and to Galileo’s science that is unique among poets of the time, Venetian or otherwise. It is the apex of Strozzi’s artistic project to incorporate Galileo’s discoveries and texts into poetic works. The Venetia edificata also represents the culmination of a fifteen-year effort

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Baxa, Paul. "‘Il nostro Duce’:Mussolini's visit to Trieste in 1938 and the workings of the cult of the Duce1." Modern Italy 18, no. 2 (2013): 117–28. http://dx.doi.org/10.1080/13532944.2013.781836.

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On September 18, 1938, Benito Mussolini disembarked in the port city of Trieste to begin a seven-day visit of theTre Venezie. The tour was in keeping with Mussolini's policy ofandare verso il popolowhich involved periodic visits to Italy's regions. It was also an opportunity to impose the cult of the Duce on a frontier region which had, since the 1920s, been the site of harsh anti-Slav policies designed to Italianize the Venezia-Giulia region. This article examines the workings of the cult in Trieste where the regime was anxious to demonstrate that it was present in a city that had felt neglec

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Rech, Sandra Regina. "O poder narrativo da moda em cinco palavras." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, no. 32 (August 3, 2021): 304–14. http://dx.doi.org/10.26563/dobras.i32.1378.

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Entre os meses de fevereiro e setembro de 2020, a exposição Memos. A proposito della moda in questo millennio ocupou as salas do Museu Poldi Pezzoli, na cidade de Milão, na Itália, com curadoria de Maria Luisa Frisa, crítica, professora da Università Iuav di Venezia, em Veneza – onde coordena o curso de graduação em Design de Moda e Multimídia – e autora de diversos livros e artigos na área da Moda. [...]

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Dell'Antonio, Simonetta Pasqualis, Rita Auriemma, and Alessandro Giacomello. "The last Doge's groom: How the Villa Manin stable became a regional institute and library for Friuli-Venezia Giulia cultural heritage." Art Libraries Journal 43, no. 1 (2017): 37–44. http://dx.doi.org/10.1017/alj.2017.46.

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The 1976 earthquake that devastated much of the Friuli region of Italy also marked the rebirth of the Villa Manin as a centre for cataloguing and restoration. This essay charts how this Venetian villa transformed into an important centre for restoring and conserving the cultural heritage of the Friuli-Venezia Giulia region.

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Morán, José Alberto Moráis. "El estilo neomedieval veneciano en la historia de la arquitectura chilena (1906-1916)." Estudos Ibero-Americanos 44, no. 3 (2018): 563. http://dx.doi.org/10.15448/1980-864x.2018.3.29287.

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Este trabajo analiza la aplicación del término estilístico neomedieval veneciano a ciertos edificios construidos por los arquitectos Ettore Petri, Arnado Barison y Renato Schiavon, en Valparaíso y Viña del Mar (Chile), durante los años 1906 y 1916. Se valora el carácter ambiguo de este concepto asumido por la historiografía, defendiendo la imposibilidad de considerar sus construcciones como meras evocaciones positivistas de la arquitectura medieval de Venecia. Al contrario, se describe un fenómeno más complejo y rico, basado en el uso de modelos edilicios de finales del siglo XIX y principios

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Pawlik, Angela, and Henrick Stahr. "Die produktive Rezeption von Thomas Mann im Roman Ana em Veneza von João Silvério Trevisan (1994)." Pandaemonium Germanicum, no. 3 (November 5, 1999): 85. http://dx.doi.org/10.11606/1982-8837.pg.1999.63902.

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O romance Ana em Veneza (1994), de João Silvério Trevisan, é construído como um jogo literário de referências intertextuais à obra de Thomas Mann. Serviram de modelo, sobretudo, os contos Enttäuschung (Desilusão) e Tod in Venedig (Morte em Veneza) e o romance Doktor Faustus (Doutor Fausto). Trevisan utiliza personagens, motivos e temas de Thomas Mann em vários níveis de sua própria criação literária e os toma como padrão de uma noção "européia" de arte, cuja essência é discutida através das personagens, em busca de uma identidade artística especificamente brasileira. O artigo faz uma análise c

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Hernández Hernández, María. "El plan de desarrollo del aeropuerto de Venecia: propuestas para una infraestructura suprarregional." Investigaciones Geográficas, no. 18 (December 15, 1997): 149. http://dx.doi.org/10.14198/ingeo1997.18.03.

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Las infraestructuras han jugado un papel relevante desde el punto de vista de la planificación territorial al ser un elemento clave en la estructuración del espacio y al actuar como principio que fomenta el desarrollo de unas regiones y el desenclave de otras. Aspectos potenciados por las instalaciones aeroportuarias dada su función suprarregional. Tendencia evidenciados por el análisis del aeropuerto de Venecia, cuya área de influencia tradicional (regiones del Véneto, Trentino-Alto Adige y Friuli-Venezia-Giulia) es uno de los espacios más dinámicos de la península itálica. No obstante, prese

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Astorino, Claudia Maria. "Turismo na Serenissima entre ficção e realidade: de Morte em Veneza, de Luchino Visconti, à pós-pandemia." Revista Italiano UERJ 12, no. 1 (2021): 20. http://dx.doi.org/10.12957/italianouerj.2021.62064.

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RESUMO: Ao longo de sua história, Veneza vem atraindo um número considerável de turistas. Incrustrados em tão singular cenário geográfico, seus canais, gôndolas, pontes, campi, tesouros arquitetônicos e artísticos constituem um legado singular e, consequentemente, uma oferta turística inigualável, que tem seduzido o imaginário de turistas potencias das mais distintas procedências. O presente estudo objetivou analisar como a atividade turística em Veneza tem evoluído e de que modo vem sendo ilustrada nas artes, sobretudo, no cinema, na música e nas artes visuais. Nesse sentido, formou-se um cor

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Sacchetti, Clara, and Batia Stolar. "Dancing Italian Culture: Venezia et al." Congress on Research in Dance Conference Proceedings 2016 (2016): 337–43. http://dx.doi.org/10.1017/cor.2016.45.

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How does Le Stelle, an ethnic dance group in the multicultural city of Thunder Bay, Ontario, Canada, represent Italian culture? Our article broaches this question by analyzing Le Stelle's 2012 “Carnivale of Venezia” dance. While the number is meant to evoke the Italian Renaissance, it creatively uses kinetic movements from ballet, Irish step dancing, and the Italian tarantella. It is staged to a 1950s Mantovani song mixed with music from Assassin's Creed II; and it utilizes Italian peasant costuming and Venetian masks. Our paper examines Le Stelle's use of these hybridities in staging Italian

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Peixoto, Elane. "As dimensões da Escola de Veneza." Paranoá: cadernos de arquitetura e urbanismo, no. 25 (March 14, 2020): 1–13. http://dx.doi.org/10.18830/issn.1679-0944.n25.2020.01.

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Este artigo oferece um quadro histórico para a intelecção da Escola de Veneza, problematizando sua unidade, as tensões entre os grupos nela constituídos e aponta seu possível legado. As fontes pesquisadas são os anuários do “Istituto Universitario di Architettura di Venezia”, entrevistas com professores e ex-professores dessa instituição e revisão bibliográfica de autores não publicados no Brasil. Buscou-se ampliar o entendimento dessa instituição para além do que se consagrou como suas vertentes de pesquisa, os estudos tipológicos/ morfológicos e os historiográficos, incluindo as contribuiçõe

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Brandenburg, Irene. "Europäische Musiker in Venedig, Rom und Neapel (1650-1750)/Les Musiciens européens à Venise, Rome et Naples (1650-1750)/Musicisti europei a Venezia, Roma e Napoli (1650-1750). Edited by Anne-MadeleineGoulet and Gesa zurNieden. Kassel: Bärenreiter. 2015. A." Journal for Eighteenth-Century Studies 40, no. 2 (2017): 309–11. http://dx.doi.org/10.1111/1754-0208.12441.

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Russell, Anthony. "Portia goes to Washington: Shakespeare and Judge Kavanaugh." Forum Italicum: A Journal of Italian Studies 53, no. 2 (2019): 602–6. http://dx.doi.org/10.1177/0014585819831682.

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Ne Il mercante di Venezia, William Shakespeare invita il lettore/spettatore a percepire l'ipocrisia di una societá veneziana nella quale la moralitá e la legge servono a tutelare i privilegi ed a legittimare le azioni del gruppo dominante. Questa pièce- che si accentra con insistenza sulla dimensione etica dell'atto interpretativo-funge qui da lente attraverso la quale meglio intendere le clamorose e turbanti vicende che si sono concluse di recente con la conferma del giudice Brett Kavanaugh alla Corte Suprema degli Stati Uniti.

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Lettieri, Gaetano. "Maquiavelo en Venecia. Un agente secreto del papa, la alianza antiimperial y la conspiración “Morone”." De Medio Aevo 10, no. 2 (2021): 443–75. http://dx.doi.org/10.5209/dmae.75187.

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En este artículo se aportan pruebas documentales que permiten reconocer a un Maquiavelo que, en calidad de embajador secreto del papa, fue enviado a Venecia para llevar a cabo solo formalmente, siguiendo las órdenes de los Consoli dell´Arte della Lana, una misión, que no sería, por tanto, más que una mera fachada: recuperar una siempre indeterminada cantidad de ducados de oro que tres comerciantes florentinos se habían visto obligados a pagar al ser víctimas de una extorsión. La verdadera misión de Maquiavelo, en realidad, consistía en ponerse en contacto directo y personal con el dogo Gritti,

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Pace, Valentino. "Skulptura u grckom maniru na franackom Mediteranu - ikona Majke Bozije sa Detetom u manastiru Pohoda Marijinog u Trevizu." Zbornik radova Vizantoloskog instituta, no. 44 (2007): 325–31. http://dx.doi.org/10.2298/zrvi0744325p.

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(italijanski) Il Monastero della Visitazione di Treviso conserva un?icona che vi e giunta da Venezia nel XVII secolo. Non si hanno informazioni sulla sua originaria provenienza o sul suo committente. Datata, da analisi al carboonio 14, effettuate durante il restauro, a un?eta assai alta, tra il 664 e l?886 essa e stata pubblicata di recente come opera bizantina di eta macedone venendo anche identificata con la Vergine 'Ikokyra' di Costantinopoli: In questo articolo si ritiene invece che l?icona sia un tipico prodotto della cultura 'franca' di area mediterranea: All?imitazione di normativi mode

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KOCIĆ, MARIJA. "THE PROBLEM OF “ALBANIAN NATIONALISM” DURING THE REIGN OF KOCA MEHMED RAGIB PASHA (1757-1763) IN THE LIGHT OF THE VENETIAN REPORT." ИСТРАЖИВАЊА, no. 26 (January 6, 2016): 82–90. http://dx.doi.org/10.19090/i.2015.26.82-90.

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This paper examines the position and actions of the Albanian population in certain sanjaks on the basis of published material of Venetian provenance. From the perspective of his position in Constantinople, Francesco Foscari, the Venetian ambassador (1757-1762) in the Ottoman Empire, followed with great interest the developments in connection with the actions of Albanians for several years, especially because their actions threatened to disrupt the Ottoman-Venetian relations. His correspondence is one of the major neo-Ottoman sources regarding the interests of Albanians and their relationship w

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Gregotti, Vittorio. "Venezia difficile." TERRITORIO, no. 67 (January 2014): 93–96. http://dx.doi.org/10.3280/tr2013-067016.

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Hilje, Emil. "Matrikula bratovštine Gospe od Umiljenja i Sv. Ivana Krstitelja u Znanstvenoj knjižnici u Zadru." Ars Adriatica, no. 2 (January 1, 2012): 97. http://dx.doi.org/10.15291/ars.442.

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The Mariegola of Our Lady of Tenderness and St John the Baptist and St John the Baptist (Mariegola della B. V. d’Umiltà e di S. Giovanni Battista del Tempi in Venetia) was obtained at Venice in the mid-nineteenth century by Aleksandar Paravia. The Paravia Library was bequeathed to the Research Library at Zadar, where this work is kept today. It is a codex manuscript containing three painted miniatures and a large number of decorated initials. It is akin to similar mariegole of various Venetian confraternities from the second half of the fourteenth century. However, it happens that this codex h

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Legnani Annichini, Alessia. "El Tractatus de proxenetis, et proxeneticis de Benvenuto Stracca (1509-1578)." REVISTA LEX MERCATORIA Doctrina, Praxis, Jurisprudencia y Legislación 3, no. 1 (2017): 49. http://dx.doi.org/10.21134/lex.v3i1.1249.

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Dentro del rico panorama de la tratadística cinquecentesca se encuentra el De proxenetis, et proxeneticis del anconitano Benvenuto Stracca (1509-1578), publicado por primera vez en Venecia en 1558 y articulado en cuatro partes, de las cuales la última –la más extensa– reúne algunas quaestiones que, según el autor, tienen el valor de convertir el tratado «uberiorem et fertiliorem» Considerándolo casi una suerte de apéndice al famoso De mercatura, seu mercatore, la compilación, dedicada al Cardenal Rodolfo Pio da Carpi (1500-1564) legado de la Marca, tiene el indiscutible mérito de condensar en

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Favero, Giovanni. "Venezia dopo Venezia: economia e demografia urbana nel novecento." Laboratoire italien, no. 15 (December 31, 2014): 79–89. http://dx.doi.org/10.4000/laboratoireitalien.830.

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Dursteler, Eric. "Identity and Coexistence in the Eastern Mediterranean, ca. 1600." New Perspectives on Turkey 18 (1998): 113–30. http://dx.doi.org/10.1017/s0896634600002909.

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Of the many European states that interacted with the Ottoman Empire in the early modern era, few did so as extensively as the Most Serene Republic of Venice,La Serenissima. The two empires shared a lengthy border and a common historical trajectory for almost 500 years, during which time the political and economic fortunes of both were intimately intertwined. While occasionally interrupted by brief periods of open hostility, for the most part this relationship was characterized by peaceful coexistence. Venetian historiography at present, however, is unable to explain this reality. Rather, in pa

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Wolff, Larry. "The Modern Reconception of the Early Modern Venetian Adriatic." Austrian History Yearbook 42 (April 2011): 52–55. http://dx.doi.org/10.1017/s006723781100004x.

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For Fernand Braudel, the early modern adriatic appeared, as it did on Venetian maps, as the Golfo di Venezia. Venice, ruling also over the Dalmatian coast and the Ionian Islands, controlled shipping on the Adriatic and made the Adriatic into the Venetian basis for commercial activity all over the eastern Mediterranean. Braudel also credited to Venice the establishment of an Italian cultural sphere of influence around the Adriatic: “The gulf was Venetian, of course, but in the sixteenth century it was more than this; it was the sphere of a triumphant Italian culture. The civilization of the pen

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Kezich, Giovanni. ""Genti" a Venezia." La Ricerca Folklorica, no. 12 (October 1985): 137. http://dx.doi.org/10.2307/1479257.

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Sapio, Maria Del, and Sergio Perosa. "Hemingway e Venezia." Modern Language Review 87, no. 1 (1992): 186. http://dx.doi.org/10.2307/3732352.

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Gasparini, Roberto, Donatella Panatto, Bruna Dirodi, et al. "Friuli-Venezia Giulia." Farmeconomia. Health economics and therapeutic pathways 13, no. 2S (2012): 34–36. http://dx.doi.org/10.7175/fe.v13i2s.456.

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In Friuli-Venezia Giulia region 86% of women (aged 24-64) are screened regularly, meaning every 3 years. The analysis on cross-protective activity exercised by bivalent and quadrivalent vaccines shows that the bivalent vaccine could prevent more pre-cancerous lesions and cases of cervicocarcinoma than quadrivalent, and that the latter could prevent genital warts that are not prevented by bivalent. The major number of cases avoided by the bivalent make it possible to fully offset the cost savings related to warts associated with the quadrivalent vaccine. Furthermore, a cost-effectiveness analys

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Cavallo, Maria Caterina, Filippo Cipriani, Simone Gerzeli, Nadia Demarteau, Alessia Marocco, and Francesco Bamfi. "Friuli Venezia Giulia." Farmeconomia. Health economics and therapeutic pathways 9, no. 1S (2008): 35–37. http://dx.doi.org/10.7175/fe.v9i1s.1005.

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In Friuli Venezia Giulia region 75,1% of women (aged 25-64) are screened regularly, meaning every 3 years. Considering regional tariffs and vaccine acquisition cost, the vaccination of 12-year-old girls with a 90% coverage could prevent 15 cases of cervicocarcinoma and 6 related deaths and thus results to be cost-effective (27.766 €/QALY). When the vaccination programme is extended to 16-year-old girls a further 14 cancer cases and 6 deaths could be prevented, with a very similar cost-effectiveness ratio. In Friuli Venezia Giulia region, the net cost for woman vaccinated is 167 € for the singl

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Soroka, Ellen. "Restauro in Venezia." Journal of Architectural Education 47, no. 4 (1994): 224–41. http://dx.doi.org/10.1080/10464883.1994.10734611.

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Soroka, Ellen. "Restauro in Venezia." Journal of Architectural Education (1984-) 47, no. 4 (1994): 224. http://dx.doi.org/10.2307/1425340.

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Pasolini, Pier Paolo. "L'accelerato Venezia-Udine." Italianist 5, no. 1 (1985): 150–58. http://dx.doi.org/10.1179/ita.1985.5.1.150.

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Laneri, Maria Teresa. "Sull'autore del commentario In Rhetorica Ciceronis ad Herennium (Venezia 1490): Girolamo Capiduro pseudonimo di Giorgio Valla?" Rhetorica 37, no. 3 (2019): 265–85. http://dx.doi.org/10.1525/rh.2019.37.3.265.

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Nel 1490 fu pubblicato a Venezia, sotto il nome di un ignoto Girolamo Capiduro, un In Rhetorica ad Herennium commentarium che godette di un notevole successo e di numerose ristampe. Attraverso l'analisi del testo, si intende dimostrare come esso sia in realtà il recupero di un commentario di Giorgio Valla, composto al tempo in cui questi insegnava Retorica a Pavia. Girolamo Capiduro è dunque uno pseudonimo che l'umanista Giorgio Valla, allora insegnante di Retorica presso la Scuola veneziana di San Marco, usò per la stampa della sua opera giovanile; opera con la quale egli tentò di rispondere

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Coletti, Fabien. "AUX ANTIPODES DE LA LITTÉRATURE ANTIPPUTANESCA VÉNITIENNE." Revista Internacional de Culturas y Literaturas, no. 15 (2014): 200–221. http://dx.doi.org/10.12795/ricl.2014.i15.17.

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Cet article est l´édition critique des Stanze in lode delle più famose cortigiane di Venegia par Marco Bandirini, publiés à Vénice à 1540, dont l´exemplaire est part de la collection de la British Library. Comme ses oeuvres montrent, l´auteur, partisan d´Ariosto, est plus intéressant pour comprendre les modes littéraires du temps que par son valeur poétique. En suivant le genre de las Stanze in lode di nobildonne, il loue ainsi les courtisanes plus célèbres de Vénice comme modéles de vertu et honnêteté, loin des canon de la poésie pornographique par Pietro Aretino ou Lorenzo Venier.

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Laven, David. "Law and order in Habsburg Venetia 1814–1835." Historical Journal 39, no. 2 (1996): 383–403. http://dx.doi.org/10.1017/s0018246x0002029x.

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ABSTRACTMuch recent historiography has adopted a revisionist approach to Habsburg policy in restoration Italy, jettisoning the ‘black legend’ which long surrounded Austrian rule of Lombardy-Venetia. Nevertheless the Habsburg police still tend to be portrayed as essentially repressive, constantly preoccupied with the threat of revolution. This case study of the police in the Venetian provinces during the reign of Francis I challenges such a view. It looks first at the problem of establishing forces of law and order in the aftermath of Napoleonic rule, demonstrating how under-funding conservatis

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SCIANNA, NICOLANGELO. "INDAGINE SUI GRANDI GLOBI A STAMPA DI VINCENZO CORONELLI." Nuncius 15, no. 1 (2000): 235–57. http://dx.doi.org/10.1163/182539100x00498.

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Abstracttitle SUMMARY /title In the second part of this study of the 3 foot globes we analysed the celestial globes. We directly examined 31 globes, the answers to 9 questionnaires and the two editions of the Libro dei Globi. We found out that four cartouches, used as the means of comparison, present some variations according to the editions which proved to be five for the convex globe and two for the concave one. The research allowed us to discover a previously unknown type of celestial globe. We attributed it to the first Venetian edition. There are only two examples of this type: one at the

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ΚΩΝΣΤΑΝΤΙΝΙΔΟΥ, ΚΑΤΕΡΙΝΑ. "ΤΑ ΛΗΞΙΑΡΧΙΚΑ ΒΙΒΛΙΑ ΤΟΥ ΒΕΝΕΤΟΚΡΑΤΟΥΜΕΝΟΥ ΧΑΝΔΑΚΑ (1632-1642). ΣΤΕΓΑΝΑ ΚΑΙ ΔΙΚΤΥΑ ΕΠΙΚΟΙΝΩΝΙΑΣ ΜΕΤΑΞΥ ΤΩΝ ΑΝΩΤΕΡΩΝ ΚΟΙΝΩΝΙΚΩΝ ΣΤΡΩΜΑΤΩΝ". Eoa kai Esperia 7 (1 січня 2007): 173. http://dx.doi.org/10.12681/eoaesperia.87.

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Lo sviluppo di una base elettronica di dati per la registrazione di testimonianzed'archivio derivanti dai registri di matrimonio, nascita e battesimodei nobili veneti di Handaka durante il dominio veneziano, nel quadro dellostudio del funzionamento dei consigli comunali e della mobiità degli stratisociali superiori a Creta (XVI-XVII secolo), costituiscono la prima parte delpresente studio. La seconda parte si propone come obbiettivo l'indagine delleforti chiusure e delle reti di comunicazione fra i membri di questo stratosociale, tramite il materiale d'archivio schedato. Come periodo indicativ

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Simonetto, Michele. "Franco Venturi e Venezia." SOCIETÀ E STORIA, no. 153 (September 2016): 547–67. http://dx.doi.org/10.3280/ss2016-153008.

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Di Franco, Andrea. "Un progetto per Venezia." TERRITORIO, no. 67 (January 2014): 97–102. http://dx.doi.org/10.3280/tr2013-067017.

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Reinerman, Alan J., and Alvisi Zorzi. "Venezia Austriaca 1798-1866." American Historical Review 94, no. 1 (1989): 177. http://dx.doi.org/10.2307/1862183.

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Ioly Zorattini, Pier Cesare. "Domenico Gerosolimitano a Venezia." Sefarad 58, no. 1 (2018): 107. http://dx.doi.org/10.3989/sefarad.1998.v58.i1.836.

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El artículo se ocupa de la identificación hebrea de Domenico Gerosolimitano, célebre censor de libros hebreos que trabajó en Italia entre fines del siglo XVI y los primeros veinte años del XVII. Gracias a haber descubierto en Venecia el acta de bautismo, el autor ha logrado identificar a Domenico Gerosolimitano con el rabino Samuel Vivas de Jerusalén y precisar la fecha exacta de su conversión al catolicismo (6 de agosto de 1593). El estudio arroja además nueva luz sobre la estancia en Venecia de Domenico y sobre sus inicios como censor de libros hebreos.

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Logan, William. "Gli Insetti di Venezia." Antioch Review 56, no. 2 (1998): 202. http://dx.doi.org/10.2307/4613662.

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Favaretto, Pierpaolo. "Piattaforma Logistica Venezia 2020." Méditerranée, no. 111 (June 1, 2008): 31–37. http://dx.doi.org/10.4000/mediterranee.2691.

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Cossaro, E. "Filariasi Genitalica a Venezia." Urologia Journal 57, no. 3 (1990): 342–44. http://dx.doi.org/10.1177/039156039005700317.

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