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Littérature scientifique sur le sujet « Venice (Italy) – History – 15th century »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Venice (Italy) – History – 15th century"

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Berkutov, Stepan Maksimovich. "Italian communes and Russian city-states: features of political structure and patterns of republicanism evolution." Исторический журнал: научные исследования, no. 3 (March 2025): 132–48. https://doi.org/10.7256/2454-0609.2025.3.73782.

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The article is dedicated to identifying the common patterns of political system development in the city-states of medieval Italy and the urban republics of the Russian Northwest - Novgorod and Pskov. Alongside the Novgorod Republic, which existed from the 12th to the 15th centuries, trading city-states flourished in Northern Italy during nearly the same chronological period (from the late 11th century to approximately the mid-15th century). These included not only the well-known Venice or Genoa but also hundreds of larger and smaller republics, the history of which demonstrates similar process

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Manea, Lăcrămioara. "Carte străină veche și rară (sec. XV-XVI) din patrimoniul muzeului tulcean." Peuce Serie Nouă, no. 20 (2022): 289–318. https://doi.org/10.62781/peucesn.20.11.

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In this article the concept of a rare and precious book is highlighted by several copies of foreign books printed in the 15th-16th centuries, kept within the special collections of the “Gavrilă Simion” Eco-Museum Research Institute of Tulcea. Thus, 8 titles of editions are described, of which 3 incunabula (prints from the middle of the 15th century to 1500) and 5 volumes printed in the 16th century. The copies have an indisputable value both by their age, known authors, content, famous publishing houses where they appeared, by special illustration or technique, and by certain peculiarities (co

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Pashkin, Nikolai. "International Politics and the Greek-Latin Union at the European Church Councils in the First Half of the 15th Century." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (February 2021): 274–84. http://dx.doi.org/10.15688/jvolsu4.2020.6.22.

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Introduction. The article is aimed at studying the negotiations on the Greek-Latin Church Union at the Church Councils in Constance (1414–1418) and Basel (1431–1449), which were the predecessors of the Council of Ferrara-Florence (1438–1439) in this matter. Since they were generated by internal processes in the Latin West, they originally had not direct relationship to Byzantium. Methods and materials. The reason for the appeal of Councils to the problem of the Church Union should be sought in the field of Western international policy. It acted here as a tool for solving political problems by

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Gots, D. I. "THE INFLUENCE OF L. BRUNI'S HUMANISTIC IDEAS ON THE VENETIAN HISTORIAN MARCANTONIO SABELLICO (LATE 15TH CENTURY)." Vestnik Bryanskogo gosudarstvennogo universiteta 07, no. 03 (2023): 55–65. http://dx.doi.org/10.22281/2413-9912-2023-07-03-55-65.

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The article examines the genesis of the methods and practices of constructing images of the past in the works of humanists in Florence and Venice in the 15th century on the basis of current research in the field of memory studies. The topic has considerable scientific potential today, as it makes it possible to trace the genesis of new concepts of historical knowledge, understand the regional features of memory culture formation in Italy, and study the ideological functions of historical narratives in the socio-political context of the city-states. The study of the reception of new perspective

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Ryabova, Maria. "The Time Factor in the Account Books of the Soranzo Fraterna (Venice 1406—1434)." ISTORIYA 14, no. 7 (129) (2023): 0. http://dx.doi.org/10.18254/s207987840026930-2.

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The paper considers the hypothesis proposed in the literature that the emergence in the 13th — 14th centuries of a new temporal conception defined by Jacques Le Goff as “the merchant’s time” played a significant role in the evolution of accounting in Central and Northern Italy. In order to lay the ground for research on this topic, the author identifies some of the ways and means by which the impact of the time factor could manifest itself in the ledgers of late medieval firms, for instance, the dating of transactions, the recognition of revenue and expense on either accrual or cash basis, var

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Klyuev, Artem I. "Principle of globalization, or Venice and Mongols in the Middle Ages: on the book by Nicola di Cosmo and Lorenzo Pubblici." Golden Horde Review 13, no. 1 (2025): 48–60. https://doi.org/10.22378/2313-6197.2025-13-1.48-60.

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This article analyzes the monograph by Italian historians Nicola di Cosmo, Professor of East Asian Studies at the Institute for Advanced Study (Princeton, USA) and Lorenzo Pubblici, Professor at the University of Naples «Orientale» (Italy), devoted to trade and diplomatic relations between the Venetians and Mongols on the Silk Roads in the 13th–15th centuries. Research materials: The monograph by Di Cosmo N., Pubblici L. titled Venezia e i Mongoli. Commercio e diplomazia sulle vie della seta nel medioevo (secoli XIII–XV). Roma: Viella, 2022. 315 p. Novelty and results of the study: In the 13th

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Szymanowicz, Adam. "Cossacks in the service of the Third Reich." Scientific Journal of the Military University of Land Forces 195, no. 1 (2020): 87–102. http://dx.doi.org/10.5604/01.3001.0014.0263.

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The origins of Cossacs probably date back to the 15th and 16th centuries. Cossacks appeared both in the south-eastern areas under the authority of the Commonwealth and in the south-west of Moscow. They played a significant role in the history of our country, fighting together with the Crown and Lithuanian armies in the wars against the Tatars, Turks, Moscow and Sweden. However, they also caused uprisings which seriously weakened the Commonwealth. In the 16th century, Cossack troops in the service of the rulers of Moscow were formed, used for conquests made by this country. Cossacks also suppre

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Calcagno, Mauro. "Censoring Eliogabalo in Seventeenth-Century Venice." Journal of Interdisciplinary History 36, no. 3 (2006): 355–77. http://dx.doi.org/10.1162/002219506774929818.

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Analysis of the opera Eliogabalo in its various incarnations, from the perspective of Venetian society and politics at the time, reveals a veiled story of censorship and dissimulation. The first version of the opera, set by Francesco Cavalli in 1667, was hastily abandoned in favor of a new treatment by Giovanni A. Boretti on a libretto by Aurelio Aureli, which managed to retain telling traces of its predecessor. The subsequent fate of this second version, variously rewritten and performed around Italy until 1687, confirms the ideological controversy that always seemed to surround this opera an

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Lehmann, L. Th. "Underwater archaeology in 15th and 16th-century Italy." International Journal of Nautical Archaeology 20, no. 1 (1991): 9–11. http://dx.doi.org/10.1111/j.1095-9270.1991.tb00290.x.

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Rabb, Theodore K. "Opera, Musicology, and History." Journal of Interdisciplinary History 36, no. 3 (2006): 321–30. http://dx.doi.org/10.1162/002219506774929782.

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The interactions between operas and the societies in which they were composed and first heard are of interest to both historians and musicologists, especially because operas since the seventeenth century have had significant connections with political and social change. The essays in this special double issue of the journal, entitled “Opera and History”, pursue the connection in six settings: seventeenth-century Venice; Handel's London; Revolutionary Europe from 1790 to 1830; Restoration and Risorgimento Italy; Europe during the birth of Modernism from 1890 to 1930; and twentieth-century Ameri

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Thèses sur le sujet "Venice (Italy) – History – 15th century"

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Norris, R. Mae. "Beyond the battlefield : Venice's Condottieri families and artistic patronage : the Colleoni of Bergamo, Martinengo di Padernello of Brescia and the Savorgnan del Monte of Udine (1450-1600)." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708397.

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Jauch, Linda. "Women, power and political discourse in fifteenth-century northern Italy." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/252268.

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Maglaque, Erin. "Venetian humanism in the Mediterranean world : writing empire from the margins." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4d671b0d-6917-4a1f-bcfb-2045128a11e0.

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My dissertation examines the cultural history of the Renaissance Venetian maritime empire. In this project I bring into conversation two historiographical subfields, the intellectual history of Venetian Renaissance humanism and the colonial history of the early modern Mediterranean, which have previously developed separately. In doing so, I examine the relationship between power and knowledge as it unfolded in the early modern Mediterranean. The ways in which Venetian Renaissance intellectual culture was shaped by its imperial engagements - and, conversely, how Venetian approaches to governanc

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Pesuit, Margaret. "Representations of the courtesan in sixteenth-century Venice : sex, class, and power." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37227.pdf.

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Yoshioka, Masataka. "Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33220/.

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During the late sixteenth and early seventeenth centuries, Venetian society and politics could be considered as a "polychoral culture." The imagination of the republic rested upon a shared set of social attitudes and beliefs. The political structure included several social groups that functioned as identifiable entities; republican ideologies construed them together as parts of a single harmonious whole. Venice furthermore employed notions of the republic to bolster political and religious independence, in particular from Rome. As is well known, music often contributes to the production and tr

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Jones, Scott Lee. "Servants of the Republic : patrician lawyers in Quattrocento Venice." Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa42517.

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Lawyers have widely been recognized as playing a role in the transition from the medieval to the modem state. Their presence in Renaissance Venetian politics, however, remains largely unexplored. Relying primarily on a prosopographical analysis, the thesis explores the various roles played by lawyers, dividing those roles into three main categories: diplomats, territorial governors, and domestic legislators. What emerges is a clear pattern of significant involvement by legally trained patricians in the Venetian political system. Noble lawyers were most often ambassadors, serving in many of the

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Sherman, Allison M. "The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1021.

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This dissertation reconstructs the original form and sixteenth-century decoration of the lost Venetian church of Santa Maria Assunta dei Crociferi, destroyed after the suppression of the Crociferi in 1656 to make way for the present church of the Gesuiti. The destruction of the church, the scattering of its contents, and the almost total lack of documentation of the religious order for which the space was built, has obscured our understanding of the many works of art it once contained, produced by some of the most important Venetian artists of the sixteenth century. This project seeks to corre

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Rushing-Raynes, Laura. "A history of the Venetian sacred solo motet (c. 1610--1720)." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185473.

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In 17th century Italy, the trend toward small sacred concertato forms precipitated the publication of a number of volumes devoted exclusively to sacred solo vocal music. Several of these, including the Ghirlanda sacra (Gardano, 1625) and Motetti a voce sola (Gardano, 1645) contain sacred solo motets by some of the best Italian composers of the period. Venetian composers were at the forefront of the move toward the smaller concertato forms and, to fulfill various needs of church musicians, wrote in an increasingly virtuoso style intended to highlight the solo voice. This study traces the develo

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Hammond, Joseph. "Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.

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This study is an art history of Santa Maria dei Carmini, Venice, from its foundation in c. 1286 to the present day, with a special focus on the late Renaissance period (c. 1500-1560). It explores a relatively overlooked corner of Renaissance Venice and provides an opportunity to study the Carmelite Order's relationship to art. It seeks to answer outstanding questions of attribution, dating, patronage, architectural arrangements and locations of works of art in the church. Additionally it has attempted to have a diverse approach to problems of interpretation and has examined the visual imagery'

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Neveu, Marc J. "Architectural lessons of Carlo Lodoli (1690-1761) : indole of material and of self." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100663.

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Original contribution. A discussion of Carlo Lodoli's bi-fold understanding of indole (inherent nature); with respect to both meaning in architecture and the education of architects.<br>Carlo Lodoli (1690--1761) exists as a footnote in most major history books of modern architecture. He is typically noted for either his influence on the Venetian Neoclassical tradition or as an early prophet to some sort of functionalism. Though I would not argue his influence, I doubt his role in the development of a structurally determined functionalism. The issue of influence is always present as very little

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Livres sur le sujet "Venice (Italy) – History – 15th century"

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Tanner, Tony. Venice desired. Blackwell, 1992.

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Tanner, Tony. Venice desired. Harvard University Press, 1992.

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Bulgarelli, Massimo. All'ombra delle volte: Architettura del Quattrocento a Firenze e Venezia. Electa, 1996.

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Hanley, Keith, and Emma Sdegno. Ruskin, Venice and nineteenth-century cultural travel. Cafoscarina, 2010.

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Rhodes, Dennis E. Silent printers: Anonymous printing at Venice in the sixteenth century. British Library, 1995.

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Università degli studi di Venezia. Dipartimento di studi europei e postcoloniali, Scuola di San Rocco (Venice, Italy), and Venice International University, eds. Ruskin, Venice and nineteenth-century cultural travel. Cafoscarina, 2010.

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Setton, Kenneth M. Venice, Austria and the Turks in the seventtenth century. American Philosophical society, 1991.

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Cartura, Angelo de. The documents of Angelo de Cartura and Donato Fontanella: Venetian notaries in fourteenth-century Crete. Edited by Fontanella Donato and Stahl Alan M. 1947-. Dumbarton Oaks Research Library and Collection, 2000.

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Rosenthal, Margaret F. The honest courtesan: Veronica Franco, citizen and writer in sixteenth-century Venice. University of Chicago Press, 1992.

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Thomas, Frank. Bruderschaften im spätmittelalterlichen Kirchenstaat: Viterbo, Orvieto, Assisi. M. Niemeyer, 2002.

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Chapitres de livres sur le sujet "Venice (Italy) – History – 15th century"

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Tavoni, Mirko. "The 15th-Century Controversy on the Language Spoken by the Ancient Romans." In The History of Linguistics in Italy. John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.03tav.

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Rombai, Leonardo. "La cartografia italiana al tempo di Leonardo. Fra cultura umanistica e progetto territoriale." In Lo sguardo territorialista di Leonardo. Firenze University Press, 2023. http://dx.doi.org/10.36253/978-88-5518-514-1.06.

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The essay studies the maps produced in the 15th and early 16th centuries by Venice and other states with reference to water management, exploitation of agricultural resources, administrative organization, border control and war strategies. It also considers the extraordinary maps of Southern Italy produced by the Aragonese government between the fifteenth and sixteenth centuries (known only thanks to their 18th-century copies), which bring out a grandiose and organic general plan of topographic survey by compass and astronomical observations.

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Romano, Dennis. "Austrian Venice, 1815–1866." In Venice. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780190859985.003.0017.

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Abstract The construction of the railway bridge linking Venice to the mainland is symptomatic of the radical changes that Venice faced in the nineteenth century, one of the most momentous periods in the city’s history. The bridge points to the major trends of the time, including the growing heavy industrialization of the city, the increasing popularity of tourism, debates over historic conservation versus restoration, and Venice’s uncertain relationship to the emerging Italian nation-state. In a revolt against their Austrian overlords, the Venetians looked both back to their old Republic and f

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Grab, Alexander. "From the French Revolution to Napoleon." In Italy in the Nineteenth Century. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198731283.003.0002.

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Abstract ‘In the beginning was Napoleon. His influence upon the history of the German people, their lives and experiences was overwhelming’. This statement by Thomas Nipperdey on Germany applies also to Italy. The Napoleonic invasion into northern Italy in 1796 laid the foundations of the modern Italian state and society and launched the long march toward the peninsula’s unification. No other country except Germany was so affected by Napoleonic rule. Before 1796, Italy was divided into ten states: the Kingdom of Sardinia (Piedmont); the Duchy of Milan, belonging to the Habsburg Empire; the rep

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Fazioni, Nicola. "Writing history in Renaissance Italy: the Venetian chronicle of Gian Giacomo Caroldo." In Incipit 12. XV Workshop de Estudos Medievais. Faculdade de Letras da Universidade do Porto, 2024. http://dx.doi.org/10.21747/978-989-9193-14-7/inc12/a1.

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The chronicle of Venice written by the Venetian diplomat Gian Giacomo Caroldo (circa 1480-1539) has been recognised as one of the most precise sources for the history of the city in XIVth century, especially in relation to northern Italy, Dalmatia and Aegean area. It covers the years 421-1382 and its importance is due to the large use of official state documents, that seem to be the main base on which Caroldo builds his work. Although not an aristocrat, Caroldo had access to state archive owing to his role as a diplomat and secretary of the Council of Ten, one of the most important Venetian as

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Castle, Terry. "The Carnivalization of Eighteenth-Century English Narrative." In The Female Thermometer. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195080971.003.0007.

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Abstract The secret history of a carnival,” wrote Addison in his 1718 Re marks on Italy, “would make a collection of very diverting novels.” One might take such a comment simply as part of the ingenuous dis course of eighteenth-century tourism: like Mary Wortley Montagu, Horace Mann, and many other English visitors, Addison delighted in the masked balls and carnivals of Venice, Rome, and Florence and celebrated the “great diversion” (as he put it) of dressing “as a false personage.”But one might also take his remark, paradoxically, as bearing a certain proleptic relation to English literary hi

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Weiss, Piero. "Opera Moves To Venice And Goes Public." In Opera. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195116373.003.0007.

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Abstract In its earliest years opera emerged as an enhancement of festivities designed to glorify the rule of dynasties in city-states or the power of cardinals in Rome. Its arrival in Venice led to a radical transformation in its very essence and a new beginning in its history. Coming from Rome in 1637, what the first opera troupe found upon arriving in Venice was not a dynasty to glorify (unless it was Venice herself) but thriving commerce and, especially during carnival, a teeming international, pleasure-seeking public. Opera took root immediately, on an entirely new basis: in one form or a

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Carpinato, Caterina. "Lingua e letteratura (neo)greca a Ca’ Foscari: 1868-2018." In Le lingue occidentali nei 150 anni di storia di Ca’ Foscari. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-262-8/004.

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The essay aims to outline the history of the teaching of Modern Greek at Ca’ Foscari University of Venice: it started with its foundation in 1868, with Costantino Triantafillis, and was interrupted for more than a century from 1890. This paper also deals with the history of the discipline from 1868 until today, with an eye on the connection with the political and cultural life of the country and on the relationship with other disciplines (such as Ancient Greek language and literature and Byzantine civilization). After an interval of a century classes of Modern Greek started up again at Ca’ Fos

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Weigel, Sigrid. "Defamatory Images: Disfiguration in Physiognomy and Caricature’s Two Bodies." In Grammatology of Images. Fordham University Press, 2022. http://dx.doi.org/10.5422/fordham/9781531500153.003.0006.

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The chapter departs from the controversy about the ‘Muhammed Caricatures,’ interpreted as a religious war between comparable fundamentalist positions (ban of pictures vs. freedom of press), and analyses the iconographic tradition the individual cartoons refer to. Their pictorial rhetoric, typical for the genre's tension between critique and defamation, initiates a) a theoretical investigation of the genre and its relation to the joke in reference to the psychoanalytic approach (Freud, Kris, Gombrich) and b) an archaeology of the caricature/ pictorial satire beyond the mainstream narrative of t

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Galbraith, John Kenneth, and James K. Galbraith. "Banks." In Money. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691171661.003.0003.

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This chapter discusses the history of banks as one of three progenitors of money, the others being mints and treasury secretaries or finance ministers. Banking had a substantial presence in Roman times, then declined during the Middle Ages as trade became more hazardous and lending came into conflict with the religious objection to usury. The Renaissance saw the revival of money due in part to trade. It is fair to say that the decline and revival of banking took place in Italy. The banking houses of Venice and Genoa are acknowledged as the precursors of modern commercial banks. The chapter als

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Actes de conférences sur le sujet "Venice (Italy) – History – 15th century"

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Пичугина, О. К. "TAPESTRIES IN ITALY DURING THE RENAISSANCE." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.23.

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Статья посвящена истории развития шпалерного ткачества и бытования шпалер на территории Италии в XV–XVI вв. Рассматривается возникновение центров шпалерного производства в Венеции, Мантуе, Ферраре, Флоренции и Риме. Выявляется определяющая роль бургундских и нидерландских ткачей в создании шпалерных мастерских под патронажем итальянской аристократии и включение в ковровое производство выдающихся итальянских художников от Мантеньи и Козимо Тура до Рафаэля, Сальвиати, Понтормо и Бронзино. The article is devoted to the history of the development of trellis weaving and the use of trellises in Ital

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Georgieva, Teodora. "THE HISTORY OF THE DUBROVNIK AND BRASOV TRADING ON BULGARIAN LANDS, ACCORDING TO THE CYRILLIC SOURCES (13TH–14TH C.)." In THE PATH OF CYRIL AND METHODIUS – SPATIAL AND CULTURAL HISTORICAL DIMENSIONS. Cyrillo-Methodian Research Centre – Bulgarian Academy of Sciences, 2023. http://dx.doi.org/10.59076/2815-3855.2023.33.20.

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From the end of 12th c. and the first half of 13th century, the Dubrovnik merchants steadily directed their economic interests to the inland of the Balkan Peninsula and purposefully developed overland trade. With the Dubrovnik charter (1230), the agricultural relations between the Bulgarian State and Ragusa were officially granted regulation. The relationship between Bulgarian and Dubrovnik had grown even in the 352 50s of the 13th century, under the reign of Michael II Asen. Trade-Economical and political contacts found their way into the newly written official document on the 15th of June 12

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Salvalaggio, Matteo, Michele Monego, and Simone Maioli. "AN INTEGRATED APPROACH AIMED AT THE PROTECTION OF CULTURAL HERITAGE: FROM THE GEOMATIC SURVEY TO HBIM AND AR REPRESENTATION OF VILLA PISANI (STRA, ITALY)." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12075.

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The topic of Cultural Heritage preservation has gained an increasing attention during last decades. The protection of such complex and delicate manufacts require the intervention of experts from different field (e.g. archaeology, restoration, survey, 3D modeler, structural engineering, architecture), addressed towards an integrated and multidisciplinary scientific approach. Recently, technology advancements have involved many scientific disciplines, affecting both the investigation tools and the data computing. In this paper, an approach aimed at assessing the health status and preserving a he

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