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Thèses sur le sujet « Venice (Italy) – History – 15th century »

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1

Norris, R. Mae. "Beyond the battlefield : Venice's Condottieri families and artistic patronage : the Colleoni of Bergamo, Martinengo di Padernello of Brescia and the Savorgnan del Monte of Udine (1450-1600)." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708397.

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Jauch, Linda. "Women, power and political discourse in fifteenth-century northern Italy." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/252268.

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3

Maglaque, Erin. "Venetian humanism in the Mediterranean world : writing empire from the margins." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4d671b0d-6917-4a1f-bcfb-2045128a11e0.

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My dissertation examines the cultural history of the Renaissance Venetian maritime empire. In this project I bring into conversation two historiographical subfields, the intellectual history of Venetian Renaissance humanism and the colonial history of the early modern Mediterranean, which have previously developed separately. In doing so, I examine the relationship between power and knowledge as it unfolded in the early modern Mediterranean. The ways in which Venetian Renaissance intellectual culture was shaped by its imperial engagements - and, conversely, how Venetian approaches to governanc
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Pesuit, Margaret. "Representations of the courtesan in sixteenth-century Venice : sex, class, and power." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37227.pdf.

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Yoshioka, Masataka. "Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33220/.

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During the late sixteenth and early seventeenth centuries, Venetian society and politics could be considered as a "polychoral culture." The imagination of the republic rested upon a shared set of social attitudes and beliefs. The political structure included several social groups that functioned as identifiable entities; republican ideologies construed them together as parts of a single harmonious whole. Venice furthermore employed notions of the republic to bolster political and religious independence, in particular from Rome. As is well known, music often contributes to the production and tr
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Jones, Scott Lee. "Servants of the Republic : patrician lawyers in Quattrocento Venice." Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa42517.

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Lawyers have widely been recognized as playing a role in the transition from the medieval to the modem state. Their presence in Renaissance Venetian politics, however, remains largely unexplored. Relying primarily on a prosopographical analysis, the thesis explores the various roles played by lawyers, dividing those roles into three main categories: diplomats, territorial governors, and domestic legislators. What emerges is a clear pattern of significant involvement by legally trained patricians in the Venetian political system. Noble lawyers were most often ambassadors, serving in many of the
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7

Sherman, Allison M. "The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1021.

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This dissertation reconstructs the original form and sixteenth-century decoration of the lost Venetian church of Santa Maria Assunta dei Crociferi, destroyed after the suppression of the Crociferi in 1656 to make way for the present church of the Gesuiti. The destruction of the church, the scattering of its contents, and the almost total lack of documentation of the religious order for which the space was built, has obscured our understanding of the many works of art it once contained, produced by some of the most important Venetian artists of the sixteenth century. This project seeks to corre
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Rushing-Raynes, Laura. "A history of the Venetian sacred solo motet (c. 1610--1720)." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185473.

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In 17th century Italy, the trend toward small sacred concertato forms precipitated the publication of a number of volumes devoted exclusively to sacred solo vocal music. Several of these, including the Ghirlanda sacra (Gardano, 1625) and Motetti a voce sola (Gardano, 1645) contain sacred solo motets by some of the best Italian composers of the period. Venetian composers were at the forefront of the move toward the smaller concertato forms and, to fulfill various needs of church musicians, wrote in an increasingly virtuoso style intended to highlight the solo voice. This study traces the develo
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Hammond, Joseph. "Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.

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This study is an art history of Santa Maria dei Carmini, Venice, from its foundation in c. 1286 to the present day, with a special focus on the late Renaissance period (c. 1500-1560). It explores a relatively overlooked corner of Renaissance Venice and provides an opportunity to study the Carmelite Order's relationship to art. It seeks to answer outstanding questions of attribution, dating, patronage, architectural arrangements and locations of works of art in the church. Additionally it has attempted to have a diverse approach to problems of interpretation and has examined the visual imagery'
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Neveu, Marc J. "Architectural lessons of Carlo Lodoli (1690-1761) : indole of material and of self." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100663.

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Original contribution. A discussion of Carlo Lodoli's bi-fold understanding of indole (inherent nature); with respect to both meaning in architecture and the education of architects.<br>Carlo Lodoli (1690--1761) exists as a footnote in most major history books of modern architecture. He is typically noted for either his influence on the Venetian Neoclassical tradition or as an early prophet to some sort of functionalism. Though I would not argue his influence, I doubt his role in the development of a structurally determined functionalism. The issue of influence is always present as very little
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Fonsato, Vanna Marisa. "Giudizi letterari di Isabella Teotochi Albrizzi nel carteggio inedito della Raccolta Piancastelli." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61287.

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The present work examines the literary criticism expressed by Isabella Teotochi Albrizzi in several of her unpublished letters.<br>The first part outlines the cultural and historical tradition of Venice during the Eighteenth Century. Particular attention is subsequently given to the intellectual role of women, their contribution to the literary salons of the time, and the neoclassical tradition. This first part is essential in that it supplies a valuable context to Isabella Teotochi Albrizzi's writings.<br>In the second part, I examine Isabella Teotochi Albrizzi's literary criticism of major E
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12

Gavito, Cory Michael. "Carlo Milanuzzi's Quarto scherzo and the climate of Venetian popular music in the 1620s." Thesis, view full-text document, 2001. http://www.library.unt.edu/theses/open/20012/gavito%5Fcory/index.htm.

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13

Rodrigues, Ubirajara Alencar 1966. "Polifilo e o sonho da tipografia." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252102.

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Orientador: Milton Jose de Almeida<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2019-01-04T15:17:55Z (GMT). No. of bitstreams: 1 Rodrigues_UbirajaraAlencar_M.pdf: 90714835 bytes, checksum: 3a881fbca943a7ba06c7c2e7fcb234a1 (MD5) Previous issue date: 2008<br>Resumo: Esse texto é uma introdução ao livro "Hypnerotomachia Poliphili", de autoria do dominicano Francesco Colonna, publicado em 1499 pelo editor Aldo Manuzio. É também uma introdução às técnicas da impressão xilográfica utilizadas nas ilustrações desse livro, e à his
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14

Robb, Stuart James. "To begin, continue and complete : music in the wider context of artistic patronage by Pope Alexander VI (1492-1503) and the hymn cycle of CS 15." Thesis, University of Manchester, 2011. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:122374.

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This thesis takes as its area of exploration the papal chapel choir and its repertory, alongside the papacy and its patronage of the arts at the end of the fifteenth century. It draws on previous research concerning the singers, polyphonic manuscripts and artistic culture of the Vatican, but places Pope Alexander VI as the central figure of the thesis, showing schemes of patronage that shaped his reign. The research presents a transcription and analysis of the hymn cycle contained within the manuscript Cappella Sistina 15, alongside an assessment of the polyphonic music collection and places t
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15

David, L. Kencik. "The Triumph of the Eucharist in the Paintings for the Sala dell’Albergo and the Sala Superiore in the Scuola Grande di San Rocco by Jacopo Tintoretto (ca. 1518/19-1594)." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1590600384514719.

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16

Tycz, Katherine Marie. "Material prayers : the use of text in early modern Italian domestic devotions." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276240.

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While scholarship often focuses on how early modern Italians used images in their devotions, particularly in the post-Tridentine era, little attention has been placed upon how laypeople engaged with devotional text during times of prayer and in their everyday lives. Studies of early modern devotional texts have explored their literary content, investigated their censorship by the Church, or concentrated upon an elite readership. This thesis, instead, investigates how ordinary devotees interacted with holy words in their material form, which I have termed ‘material prayers’. Since this thesis d
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17

TOFFOLO, Sandra. "Depicting the city, depicting the state : fifteenth-century representations of Venice and the Venetian terraferma." Doctoral thesis, 2013. http://hdl.handle.net/1814/29618.

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Defence date: 5 December 2013<br>Examining Board: Professor Luca Molà, EUI (Supervisor); Professor Antonella Romano, EUI; Professor Filippo de Vivo, Birkbeck, University of London; Professor Deborah Howard, University of Cambridge<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>This thesis addresses the construction of ideas concerning the identities of geographical spaces, focusing on Venice in the period 1381-1509. It concentrates on the representations of two different roles held in this period by Venice: that of a city in a circumscribed urban setting, and t
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CRISTELLON, Cecilia. "Charitas versus eros : il matrimonio, la chiesa e i suoi giudici nella Venezia del Rinascimento (1420-1545) by Cecilia Cristellon." Doctoral thesis, 2005. http://hdl.handle.net/1814/5791.

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Defence date: 2 September 2005<br>Examining board: Prof. Gérard Delille (Supervisor) ; Prof. Anthony Molho, European University Institute ; Prof. Edward Muir, Northwestern University ; Prof. Silvana Seidel Menchi, Università di Pisa<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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19

ROICK, Matthias. "Mercury in Naples : the moral and political thought of Giovanni Pontano." Doctoral thesis, 2009. http://hdl.handle.net/1814/13281.

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Defence date: 26 October 2009<br>Examining Board: Prof. Martin van Gelderen (EUI) - supervisor; Prof. Anthony Molho (EUI); Prof. Riccardo Fubini (University of Florence); Prof. Thomas Kaufmann (University of Göttingen).<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>The present study returns to Giovanni Gioviano Pontano's role as a thinker and philosopher. It is based on the treatises and tracts Pontano wrote, to which scant attention has been paid until now, but also on his ad hoc political writings and his better known dialogues and poems. It moves between
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ALLERSTON, Patricia Anne. "The market in second-hand clothes and furnishings in Venice, c1500-c1650." Doctoral thesis, 1996. http://hdl.handle.net/1814/5818.

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Defence date: 7 June 1996<br>Examining board: Prof. Franco Angiolini, Università degli Studi di Pisa (supervisor) ; Prof. Laurence Fontaine, European University Institute and CNRS, Paris ; Dr. Richard Mackenney, University of Edinburgh (external supervisor) ; Prof. Paolo Malanima, Università degli Studi di Pisa ; Prof. Daniel Roche, Institut d'Histoire Moderne et Contemporaine, CNRS, Paris<br>First made available online on 10 September 2013.<br>The object of this study is to reinstate the market in second-hand clothes and furnishings within the hi story of Venice from c.1500 to c.1650. The dis
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21

NORDERA, Marina. "La donna in ballo : danza e genere nella prima eta moderna." Doctoral thesis, 2001. http://hdl.handle.net/1814/5918.

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Defence date: 19 April 2001<br>Examining Board: Eugenia Casini Ropa (DAMS, Università di Bologna, Supervisore esterno) ; Mark Franko (University of California, Santa Cruz) ; Luisa Passerini (Istituto Universitario Europeo, Supervisore) ; Barbara Sparti (Roma)<br>First made available online on 4 May 2018
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22

GRENET, Mathieu. "La fabrique communautaire : les Grecs à Venise, Livourne et Marseille, v.1770-v.1830." Doctoral thesis, 2010. http://hdl.handle.net/1814/14698.

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Defence date: 06/09/2010<br>Examining Board: Prof. Brigitte Marin (Université Aix-Marseille I - M.M.S.H.) Prof. Anthony Molho (EUI) - supervisor Prof. Antonella Romano (EUI) Prof. Francesca Trivellato (Yale University)<br>The point of departure for this dissertation is a historical, epistemological and methodological discussion of the notion of “community”. Based on a comparative approach to the three cases of the Greeks in Venice, Livorno and Marseilles from the age of the “Greek Enlightenment” (c. 1770) up until the birth of an independent Neohellenic state (1830), this study aims to c
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LORENZETTI, Stefano. "La vita nostra simile agli stromenti musici : educazione alla musica, mentalita e immaginario nell'Italia del Rinascimento." Doctoral thesis, 2001. http://hdl.handle.net/1814/5885.

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Defence date: 23 February 2001<br>Examining board: Franco Angiolini, supervisor (Università di Pisa) ; Lorenzo Bianconi (Università di Bologna) ; Hans-Erich Bödeker (Max-Planck Institut, Göttingen e IUE ; Iain Fenlon (Università di Cambridge)<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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DALLAVALLE, Lisa. "The ties that bind : marriage, family, and fortune ; a study on English and Venetian families during the seventeenth century." Doctoral thesis, 2017. http://hdl.handle.net/1814/44976.

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Defence date: 23 January 2017<br>Examining Board: Professor Luca Mola, EUI; Professor Ann Thomson, EUI; Professor Anna Bellavitis, University of Rouen; Dr. Felicity Heal, University of Oxford<br>The Ties that Bind: Marriage, Family, and Fortune offers a fresh perspective on the European family through a parallel study on a group of English and Venetian families during the latter part of the seventeenth century. The families in this study were all connected to the legal profession, and shared a similar socio-professional status. However, their worlds were remarkably distinct, England and Venice
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Sen, Priyanka. "The architectural history of the Peggy Guggenheim Collection of Modern Art." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-08-6303.

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Marguerite “Peggy” Guggenheim is best known for her legacy of collecting modern art in both Europe and the United States, but scholars have overlooked her importance as a patron of modern architecture, specifically the exhibition spaces that showcased her art collection. This thesis fills the gap of literature by tracing the architectural history of the collection. Guggenheim represented a catalyst for bridging the role of art and architecture by promoting modern art through three different spatial approaches: creating collaborative and didactic gallery workspaces at Galerie Guggenheim Jeune i
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Brunelle, Beauchemin Odile. "La définition de l'homme dans le discours féminin : l'exemple de La Donna galante ed erudita (Venise, XVIIIe siècle)." Thèse, 2007. http://hdl.handle.net/1866/7674.

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