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Articles de revues sur le sujet « Venice (Italy) – History – 15th century »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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1

Berkutov, Stepan Maksimovich. "Italian communes and Russian city-states: features of political structure and patterns of republicanism evolution." Исторический журнал: научные исследования, no. 3 (March 2025): 132–48. https://doi.org/10.7256/2454-0609.2025.3.73782.

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The article is dedicated to identifying the common patterns of political system development in the city-states of medieval Italy and the urban republics of the Russian Northwest - Novgorod and Pskov. Alongside the Novgorod Republic, which existed from the 12th to the 15th centuries, trading city-states flourished in Northern Italy during nearly the same chronological period (from the late 11th century to approximately the mid-15th century). These included not only the well-known Venice or Genoa but also hundreds of larger and smaller republics, the history of which demonstrates similar process

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Manea, Lăcrămioara. "Carte străină veche și rară (sec. XV-XVI) din patrimoniul muzeului tulcean." Peuce Serie Nouă, no. 20 (2022): 289–318. https://doi.org/10.62781/peucesn.20.11.

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In this article the concept of a rare and precious book is highlighted by several copies of foreign books printed in the 15th-16th centuries, kept within the special collections of the “Gavrilă Simion” Eco-Museum Research Institute of Tulcea. Thus, 8 titles of editions are described, of which 3 incunabula (prints from the middle of the 15th century to 1500) and 5 volumes printed in the 16th century. The copies have an indisputable value both by their age, known authors, content, famous publishing houses where they appeared, by special illustration or technique, and by certain peculiarities (co

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Pashkin, Nikolai. "International Politics and the Greek-Latin Union at the European Church Councils in the First Half of the 15th Century." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (February 2021): 274–84. http://dx.doi.org/10.15688/jvolsu4.2020.6.22.

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Introduction. The article is aimed at studying the negotiations on the Greek-Latin Church Union at the Church Councils in Constance (1414–1418) and Basel (1431–1449), which were the predecessors of the Council of Ferrara-Florence (1438–1439) in this matter. Since they were generated by internal processes in the Latin West, they originally had not direct relationship to Byzantium. Methods and materials. The reason for the appeal of Councils to the problem of the Church Union should be sought in the field of Western international policy. It acted here as a tool for solving political problems by

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Gots, D. I. "THE INFLUENCE OF L. BRUNI'S HUMANISTIC IDEAS ON THE VENETIAN HISTORIAN MARCANTONIO SABELLICO (LATE 15TH CENTURY)." Vestnik Bryanskogo gosudarstvennogo universiteta 07, no. 03 (2023): 55–65. http://dx.doi.org/10.22281/2413-9912-2023-07-03-55-65.

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The article examines the genesis of the methods and practices of constructing images of the past in the works of humanists in Florence and Venice in the 15th century on the basis of current research in the field of memory studies. The topic has considerable scientific potential today, as it makes it possible to trace the genesis of new concepts of historical knowledge, understand the regional features of memory culture formation in Italy, and study the ideological functions of historical narratives in the socio-political context of the city-states. The study of the reception of new perspective

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Ryabova, Maria. "The Time Factor in the Account Books of the Soranzo Fraterna (Venice 1406—1434)." ISTORIYA 14, no. 7 (129) (2023): 0. http://dx.doi.org/10.18254/s207987840026930-2.

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The paper considers the hypothesis proposed in the literature that the emergence in the 13th — 14th centuries of a new temporal conception defined by Jacques Le Goff as “the merchant’s time” played a significant role in the evolution of accounting in Central and Northern Italy. In order to lay the ground for research on this topic, the author identifies some of the ways and means by which the impact of the time factor could manifest itself in the ledgers of late medieval firms, for instance, the dating of transactions, the recognition of revenue and expense on either accrual or cash basis, var

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Klyuev, Artem I. "Principle of globalization, or Venice and Mongols in the Middle Ages: on the book by Nicola di Cosmo and Lorenzo Pubblici." Golden Horde Review 13, no. 1 (2025): 48–60. https://doi.org/10.22378/2313-6197.2025-13-1.48-60.

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This article analyzes the monograph by Italian historians Nicola di Cosmo, Professor of East Asian Studies at the Institute for Advanced Study (Princeton, USA) and Lorenzo Pubblici, Professor at the University of Naples «Orientale» (Italy), devoted to trade and diplomatic relations between the Venetians and Mongols on the Silk Roads in the 13th–15th centuries. Research materials: The monograph by Di Cosmo N., Pubblici L. titled Venezia e i Mongoli. Commercio e diplomazia sulle vie della seta nel medioevo (secoli XIII–XV). Roma: Viella, 2022. 315 p. Novelty and results of the study: In the 13th

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Szymanowicz, Adam. "Cossacks in the service of the Third Reich." Scientific Journal of the Military University of Land Forces 195, no. 1 (2020): 87–102. http://dx.doi.org/10.5604/01.3001.0014.0263.

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The origins of Cossacs probably date back to the 15th and 16th centuries. Cossacks appeared both in the south-eastern areas under the authority of the Commonwealth and in the south-west of Moscow. They played a significant role in the history of our country, fighting together with the Crown and Lithuanian armies in the wars against the Tatars, Turks, Moscow and Sweden. However, they also caused uprisings which seriously weakened the Commonwealth. In the 16th century, Cossack troops in the service of the rulers of Moscow were formed, used for conquests made by this country. Cossacks also suppre

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Calcagno, Mauro. "Censoring Eliogabalo in Seventeenth-Century Venice." Journal of Interdisciplinary History 36, no. 3 (2006): 355–77. http://dx.doi.org/10.1162/002219506774929818.

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Analysis of the opera Eliogabalo in its various incarnations, from the perspective of Venetian society and politics at the time, reveals a veiled story of censorship and dissimulation. The first version of the opera, set by Francesco Cavalli in 1667, was hastily abandoned in favor of a new treatment by Giovanni A. Boretti on a libretto by Aurelio Aureli, which managed to retain telling traces of its predecessor. The subsequent fate of this second version, variously rewritten and performed around Italy until 1687, confirms the ideological controversy that always seemed to surround this opera an

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Lehmann, L. Th. "Underwater archaeology in 15th and 16th-century Italy." International Journal of Nautical Archaeology 20, no. 1 (1991): 9–11. http://dx.doi.org/10.1111/j.1095-9270.1991.tb00290.x.

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Rabb, Theodore K. "Opera, Musicology, and History." Journal of Interdisciplinary History 36, no. 3 (2006): 321–30. http://dx.doi.org/10.1162/002219506774929782.

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The interactions between operas and the societies in which they were composed and first heard are of interest to both historians and musicologists, especially because operas since the seventeenth century have had significant connections with political and social change. The essays in this special double issue of the journal, entitled “Opera and History”, pursue the connection in six settings: seventeenth-century Venice; Handel's London; Revolutionary Europe from 1790 to 1830; Restoration and Risorgimento Italy; Europe during the birth of Modernism from 1890 to 1930; and twentieth-century Ameri

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Musatova, Tatyana. "Venice. Finality of the Journey of Emperor Nicholas I to Italy (1845)." Stephanos Peer reviewed multilanguage scientific journal 69, no. 1 (2025): 45–69. https://doi.org/10.24249/2309-9917-2025-69-1-45-69.

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The article deals with the protocol and artistic program of Nicholas I in Venice, the last stop on his tour of Italy in 1845. There Nickolas I managed to resolve the problem of the marriage of Grand Duchess Olga Nikolaevna, his daughter. As a statesman, he deeply felt Venice, be informed in the history of Venetian statehood, and the common cultural code that united Russia and the former Republic of St. Mark. He knew well and highly appreciated the sights of Venice, traced the history of Russian-Italian relations from Peter I’s trip to Europe, and therefore the loss of independence by the Venet

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Chojnacki, Stanley. "Kinship Ties and Young Patricians in Fifteenth-Century Venice." Renaissance Quarterly 38, no. 2 (1985): 240–70. http://dx.doi.org/10.2307/2861664.

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Regimes and families: historians have recently enriched our understanding of the patrician regimes of late-medieval and Renaissance Italy by analyzing relations among their component social units. This essay will contribute to this literature by throwing some light on the social structure and practices of the ruling class of fifteenth-century Venice. For a long time, but with quickening rhythm in the last decade or so, historians of Venice have been charting various currents that ran through the Venetian patriciate. On the whole, though, they have preferred to concentrate on political and econ

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Layton, Evro. "The History of a Sixteenth-century Greek Type Revised." Historical Review/La Revue Historique 1 (January 20, 2005): 35. http://dx.doi.org/10.12681/hr.169.

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<p>This article attempts to study the history of a sixteenth-century Greek type in Italy. The type was produced under the auspices of Cardinal Marcello Cervini who wished to publish some of the manuscripts from the Vatican Collections. Cervini commissioned the Roman printer Antonio Blado to be in charge of the project. Since Blado did not own Greek type and had no experience with Greek he invited Stefano Nicolini da Sabbio, the noted printer of Greek in Venice, to come to Rome and take charge of the cardinal's project. The scholar-scribe Nikolaos Sophianos also joined the project along w

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Lowe, Kate. "Elections of Abbesses and Notions of Identity in Fifteenth- and Sixteenth-Century Italy, with Special Reference to Venice*." Renaissance Quarterly 54, no. 2 (2001): 389–429. http://dx.doi.org/10.2307/3176782.

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Ceremonies of election to abbess were occasions of great display. Election to this highest of offices was the defining moment of a successful nun's life, and thereafter self-identity became crucial. This article examines an anatomy of an election of 1509 by a nun from San Zaccaria in Venice; the illustrated chronicle of Santa Maria delle Vergini in Venice dated 1523, written by an anonymous nun; and the visual representation (in a range of media) of various abbesses from Florence, Pavia, and Venice. Success in election conferred the possibility of personality and consequently legitimated perso

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Gots, Dmitry I. "TRADITIONS OF HISTORICAL KNOWLEDGE OF THE EARLY MODERN PERIOD (BY THE EXAMPLE OF THE CHRONICLE OF CAROLDO)." History and Archives, no. 4 (2022): 63–82. http://dx.doi.org/10.28995/2658-6541-2022-4-63-82.

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The article considers the features of the chronicle by Gian Giacomo Caroldo and its place in the historiography of Venice. Caroldo was a Venetian politician, diplomat and historian who lived in the 16th century. His work covers the historical period from 421 to 1382. Caroldo’s chronicle reflects the diversity and complexity of the political life of Venice. In Venice, according to J. C. Hocquet, there were two directions of historical thought since the 14th century onwards. The first group expressed support for the active military policy of the Republic. The second proposed the development of t

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Romano, Dennis. "Aspects of Patronage in Fifteenth- and Sixteenth-Century Venice*." Renaissance Quarterly 46, no. 4 (1993): 712–33. http://dx.doi.org/10.2307/3039020.

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Michael Baxandall's Study Painting and Experience in Fifteenth-Century Italy opens with the useful reminder that a “painting is the deposit of a social relationship,” that is, a relationship between patron and client. When Baxandall and other historians of Renaissance art use the term patronage, they generally do so in a restricted sense to indicate the relationship that existed when an individual or an institution such as a guild, confraternity, or monastic establishment commissioned a specific work of art from an artist or artisan. Often formalized through a contract, the relationship betwee

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Machuska, I. B., S. B. Nedilchenko, I. V. Argatiuk, I. P. Leshchenko, and V. V. Burliy. "Historical and legal foundations of the development of insurance in the Republic of Italy: theoretical and legal analysis." Analytical and Comparative Jurisprudence, no. 2 (May 11, 2024): 220–25. http://dx.doi.org/10.24144/2788-6018.2024.02.38.

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The article examines the historical and legal aspects of the development of insurance and the legal regulation of insurance relations in Italy. It is noted that the foundations of insurance relations and their legal regulation were observed in many countries of modern Europe, including Italy. It has been investigated that the first forms of insurance in Italy were observed as early as the times of the Roman Empire in the form of activities of religious societies and military colleges. It has been proven that the initial forms of insurance in the Roman Empire were built on the basis of the comm

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Mazurczak, Urszula. "Panorama Konstantynopola w Liber chronicarum Hartmanna Schedla (1493). Miasto idealne – memoria chrześcijaństwa." Vox Patrum 70 (December 12, 2018): 499–525. http://dx.doi.org/10.31743/vp.3219.

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The historical research of the illustrated Nuremberg Chronicle [Schedelsche Weltchronik (English: Schedel’s World Chronicle)] of Hartmann Schedel comprises the complex historical knowledge about numerous woodcuts which present views of various cities important in the world’s history, e.g. Jerusalem, Constantinople, or the European ones such as: Rome, some Italian, German or Polish cities e.g. Wrocław and Cracow; some Hungarian and some Czech Republic cities. Researchers have made a serious study to recognize certain constructions in the woodcuts; they indicated the conservative and contractu

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Cox, Virginia. "Rhetoric and Humanism in Quattrocento Venice." Renaissance Quarterly 56, no. 3 (2003): 652–94. http://dx.doi.org/10.2307/1261610.

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AbstractThis essay examines the development of humanistic rhetoric in fifteenth-century Venice, taking as its starting point a remark of Ermolao Barbaro's on the inadequacy of academic rhetorical instruction as a preparation for the practical oratorical skills necessary to Venetian civic life. It is argued that the context of Barbaro's remark is a series of humanistic polemics on rhetoric that took place in Venice and Padua in the latter decades of the Quattrocento, culminating in the famous debate of the 1490s on the authenticity of theRhetorica ad Herennium. As the essay shows, a considerati

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Harris, Leigh Coral. "FROM MYTHOS TO LOGOS: POLITICAL AESTHETICS AND LIMINAL POETICS IN ELIZABETH BARRETT BROWNING’S CASA GUIDI WINDOWS." Victorian Literature and Culture 28, no. 1 (2000): 109–31. http://dx.doi.org/10.1017/s1060150300281072.

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@FP = CHARLES DICKENS ADAMANTLY DECLARES he will not indulge in “any grave examination into the government or misgovernment of any portion” of Italy, because “that beautiful land” requires only aesthetic reflections that “have ever a fanciful and idle air” (1); and John Ruskin relentlessly insists on turning attention away from the action in the Italian streets and inward toward the motionless stones of buildings, because Venice, “Queen of Marble and of Mud,” has no political dimension (“Stones of Venice” 9: xxix). Elizabeth Barrett Browning, by contrast, masterfully tackles the problem of the

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Bojovic, Bosko. "From a market economy to a government monopoly precious metals of Serbia and Bosnia between Venice and the Ottoman empire (15th-16th century)." Zbornik Matice srpske za drustvene nauke, no. 142 (2013): 1–31. http://dx.doi.org/10.2298/zmsdn1342007b.

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The production of precious metals in the Balkans reached its climax in the 15th century. It was exported mostly by Ragusa, basically for the Venice Mint. According to the available documents it can be estimated that the traffic of such metals carried out via Ragusa was between 11060 kg in 1425, and an optimum estimation of 25 tons annually for the first half of the century. The Ottoman occupation of Serbia and Bosnia in the middle of the century marks the end of the exportation of raw materials indispensable to the European monetary economy, which lacked precious metals for mints. The producti

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Bianco, Francesca. "Padua and Venice: The first complete translations of Shakespeare's plays." Cahiers Élisabéthains: A Journal of English Renaissance Studies 112, no. 1 (2023): 119–31. http://dx.doi.org/10.1177/01847678231200362.

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For the Italian cultural milieu, the second half of the eighteenth century is an important moment: along with the rest of Europe, Italy participates in the debate about the theory and practice of vertere. As a result, it is during this period that the discovery and reception of Shakespeare's works begins to take place. This article aims at showing how Italian translation techniques changed and improved over time, and how literati as Melchiorre Cesarotti, Francesco Gritti, and Giustina Renier Michiel contributed to a new literary taste during a complex period in which several poetic genres coex

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LÉVY, TONY. "L'ALGÈBRE ARABE DANS LES TEXTES HÉBRAÏQUES (II). DANS L'ITALIE DES XVe ET XVIe SIÈCLES, SOURCES ARABES ET SOURCES VERNACULAIRES." Arabic Sciences and Philosophy 17, no. 1 (2007): 81–107. http://dx.doi.org/10.1017/s0957423907000379.

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Until the end of the 14th century, the sources of Hebrew mathematical writings were almost exclusively in Arabic. This was particularly true of texts that contained elements of algebra or algebraic developments. The testimonies we present and analyze here are due to Jewish authors living in Italy, primarily in the 15th century, who made use of the most varied sources, in addition to Arabic: in Castilian, in Italian, and perhaps in Latin. These testimonies constitute both an indication, and a product, of the circulation of Arab algebraic traditions in Renaissance Italy. Simon Moṭoṭ’s book on Th

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Callewier, Hendrik. "Bruges, 15th-century centre of the notarial profession in the Low Countries." Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 77, no. 1-2 (2009): 73–102. http://dx.doi.org/10.1163/004075809x403406.

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AbstractOn the strength of previous research it has often been assumed that in Flanders the notarial profession had barely developed before 1531. That position can no longer be upheld, in particular with regard to fifteenth-century Bruges, since a prosopographical study into the notaries public who were active at the time in Bruges shows that nowhere else in the Low Countries was the notariate so successful. Moreover, because of their numbers, of their intensive activity in pursuing their trade and of the nature of the deeds they drafted, the Bruges notaries appear to have set the standards fo

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Proietti, Noemi, Graziella Roselli, Donatella Capitani, et al. "Characterization of Handmade Papers (13th–15th century) from Camerino and Fabriano (Marche, Italy)." Journal of Cultural Heritage 42 (March 2020): 8–18. http://dx.doi.org/10.1016/j.culher.2019.07.014.

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Chekan, Yurii. "Teatro San Cassiano in Opera History." Art Research of Ukraine, no. 23 (November 28, 2023): 162–69. http://dx.doi.org/10.31500/2309-8155.23.2023.297536.

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The study is devoted to the first publicly accessible opera house Teatro San Cassiano (Venice, 1637), the establishment of which became a cardinal factor in the transformation of opera from aristocratic court entertainment to creative industry. The author considers the issues related to the history of the theater’s construction and the actions of its owners, the Venetian nobles, the Tron brothers, aimed at turning opera into a profitable business. The article reveals possible prototypes and reasons for the constructive solutions in the theater, in particular the boxes and the U-shaped audience

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Lowe, Kate. "Visible Lives: Black Gondoliers and Other Black Africans in Renaissance Venice*." Renaissance Quarterly 66, no. 2 (2013): 412–52. http://dx.doi.org/10.1086/671583.

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This article contributes to the study of the early sub-Saharan African diaspora in Europe by analyzing both visual and documentary evidence relating to black gondoliers in Renaissance Venice. Gondolas and gondoliers were iconic features in fifteenth-century Venice, yet most gondoliers were not Venetian. Although black Africans were highly visible in a predominantly white society, naming practices and linguistic usages rendered them virtually invisible in the documentary sources. It is now possible not only to investigate representations of black gondoliers in paintings, but also to identify bl

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Germinario, Luigi, Lorena C. Giannossa, Marco Lezzerini, et al. "Petrographic and Chemical Characterization of the Frescoes by Saturnino Gatti (Central Italy, 15th Century)." Applied Sciences 13, no. 12 (2023): 7223. http://dx.doi.org/10.3390/app13127223.

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This study presents the petrographic and chemical characterization of the frescoes in the Church of San Panfilo in Tornimparte (AQ, Italy) by Saturnino Gatti, a prominent painter of the late 15th–early 16th century, known for his exquisite technique, composition, and use of color. The characterization of the frescoes is essential for understanding the materials and techniques used by Gatti, as well as for identifying the stratigraphy and painting phases. Eighteen samples were collected from the original paint layers, later additions (17th century), and restored surfaces, and analyzed by optica

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Bushkovitch, Paul. "Maksim the Greek." Canadian-American Slavic Studies 57, no. 3-4 (2023): 303–18. http://dx.doi.org/10.30965/22102396-05703003.

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Abstract Studies in both Russia and Italy over the past sixty-odd years on Maksim Grek (né Michael Trivolis) on his Greek origins and formation, his time spent in Florence, Venice, and Mirandola, his education, personal ties, and work there, and on his original writings and translations while in Muscovy have greatly enriched our knowledge of this central figure in 16th-century Russian religion and culture. Of special note here are evidence of manuscripts he copied while in Italy, precise borrowings from Savonarola’s and other Roman Catholic writings, and a polemic Maksim composed in Russia aga

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Mileto, Camilla, and Fernando Vegas. "Fragments for the History of an Architecture: A Villa between Humanism and the Renaissance." Architecture 3, no. 3 (2023): 358–92. http://dx.doi.org/10.3390/architecture3030020.

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This article presents a detailed study of the stately palace of the Villa Giusti-Puttini, a building that, over the centuries, has undergone repeated transformations since its construction in the first half of the 15th century. For the study of this palace, owned between the 15th and 17th centuries by one of the most important families in the city of Verona (Italy), the authors have followed a methodology covering indirect sources (documentary and bibliographical) as well as direct ones (the building and constructive techniques, architectural and decorative elements, murals, etc.). This study

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Raspe, Lucia. "Zwischen Ost und West: Zur Druckgeschichte von Schimon Günzburgs jiddischer Brauchsammlung." Aschkenas 30, no. 1 (2020): 1–19. http://dx.doi.org/10.1515/asch-2020-0001.

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AbstractShimʻon Günzburg’s Yiddish collection of customs, first brought to press in Venice in 1589 and reprinted dozens of times over the following centuries, is often considered a mere translation of the Hebrew Minhagim put together by Ayzik Tyrnau in the 1420s. Another claim often made about the book is that, although it was first printed in Venice, it was intended less for the Italian book market than for export. This article sets out to test these assumptions by examining Günzburg’s compilation from the perspective of minhag, or prayer rite. Drawing on Yiddish manuscripts preserved from si

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Morris, Colin. "San Ranieri of Pisa: The Power and Limitations of Sanctity in Twelfth-Century Italy." Journal of Ecclesiastical History 45, no. 4 (1994): 588–99. http://dx.doi.org/10.1017/s0022046900010770.

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Studies of medieval society in recent years have laid increasing stress on the effectiveness of the power of the saints. They enriched their churches, defended their possessions, created great centres at once of pilgrimage and commerce and provided for the healing of the sick and the care of the poor. The cults of the saints formed a model for secular government. Kings appeared before their people as walking reliccollections and exercised the power of healing, and patron saints (like St Mark at Venice and St Denis in France) helped to define the identity of the political communities over whose

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Ryabova, Maria. "The Account Books of the Soranzo Fraterna (Venice 1406–1434) and Their Place in the History of Bookkeeping." Accounting Historians Journal 45, no. 1 (2018): 1–27. http://dx.doi.org/10.2308/aahj-10580.

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ABSTRACT This paper contributes to the study of the accounting and legal practice existing in the Venetian Republic in the late Middle Ages. The author examines two account books created by the Soranzo fraterna, a trading firm organized as a family partnership and operating in the first half of the 15th century. The larger of the surviving ledgers, known as the libro real novo, is generally considered to be the earliest extant Venetian example of double-entry bookkeeping. New sources discovered by the author in the State Archives of Venice confirm that the libro real novo represents a compilat

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Fasan, Giulia. "The training ship Scilla. History of a venetian educational institution." Rivista di Storia dell’Educazione 11, no. 2 (2024): 41–53. https://doi.org/10.36253/rse-16486.

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This paper examines the history of the training ship Scilla, established in 1904 in Venice by professor and philanthropist David Levi Morenos, who also promoted the Consortium of Vocational Schools for Maritime Workers in 1917. The ship, serving as a training and boarding school, accommodated orphans from the age of 7, aiming to provide technical, practical, and cultural training for careers in naval professions and the lower ranks of the Merchant Navy, in both traffic and fishing sectors. Similar to other contemporary programs in Genoa, Naples, and Bari, this initiative combined vocational tr

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Delle Foglie, Anna, and Anna Felici. "The Iridescent Painting Palette of Michelino da Besozzo: First Results of Non-Invasive Diagnostic Analyses." Heritage 7, no. 6 (2024): 3013–33. http://dx.doi.org/10.3390/heritage7060141.

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This study concerns the characterization of the color palette of Michelino da Besozzo, one of the leading painters and illuminators of the Late Gothic period in Northern Italy. The artist’s relationship with the color blue was investigated by considering the recipe for lapis lazuli given by the artist to Giovanni Alcherio in Venice in 1410 and found in the medieval treatise of Jean Lebegue. The paper highlights this important evidence for the study of painting technique in the first half of the 15th century with an analytical and technical study of two paintings: The Mystic Marriage of Saint C

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ΜΟΥΣΑΔΑΚΟΥ, ΚΑΤΕΡΙΝΑ. "ΚΟΙΝΟΤΗΤΑ ΚΑΙ ΠΡΕΣΒΕΙΕΣ ΣΤΙΣ ΒΕΝΕΤΟΚΡΑΤΟΥΜΕΝΕΣ ΕΛΛΗΝΙΚΕΣ ΠΕΡΙΟΧΕΣ. ΟΨΕΙΣ ΤΩΝ ΘΕΣΜΩΝ ΚΟΙΝΩΝΙΚΗΣ ΜΕΡΙΜΝΑΣ". Eoa kai Esperia 7 (1 січня 2007): 191. http://dx.doi.org/10.12681/eoaesperia.89.

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<p>The embassies of communities of Greek regions under Venetian rule werean institution of the Serenissima Republic of Saint Mark, via which the localsocieties communicated with Venice. In the frame of the research programPYTHAGORAS II, titled «Greek Communities and European World (13th-19th c). Patterns of self-administration, social organization, identities'formation», were chosen the embassies that were included in the work ofConstantinos Sathas, «Monuments of Greek History», and more specifically,those from the IV and V volumes. The registration of a total of 94 embassiesof the 15th

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Jones, Ann Rosalind. "Contentious Readings: Urban Humanism and Gender Difference in La Puce de Madame Des-Roches (1582)*." Renaissance Quarterly 48, no. 1 (1995): 109–28. http://dx.doi.org/10.2307/2863323.

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Recent Research into Early modern social groups in which women gained access to literary language has focused on the coteries in which they learned to perform alongside men, improvising poems later printed in books.1 The typical coterie in Italy, through which women such as Veronica Franco made their way into print, was the humanist academy centered around a court or a group of urban noblemen, such as the Venier academy in Venice. In sixteenth-century France such groups took two forms: the provincial salon attended by professional men—humanist lawyers, diplomats, doctors, publishers—as in Lyon

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Sangster, Alan. "THE EARLIEST KNOWN TREATISE ON DOUBLE ENTRY BOOKKEEPING BY MARINO DE RAPHAELI." Accounting Historians Journal 42, no. 2 (2015): 1–33. http://dx.doi.org/10.2308/0148-4184.42.2.1.

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Historians of the origins of modern accounting have generally accepted that the earliest known instructional treatise on double entry bookkeeping was the one published by Luca Pacioli in 1494. This paper dispels that view, presenting detailed evidence of an earlier bookkeeping manual from 1475 that has hitherto remained virtually unknown. Using evidence gathered from the text, the paper on which it is written, and the handwriting, this paper speculates on its origins. It also presents an overview of the material taught in that book and compares it with other texts on double entry published up

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Tirelli, G., S. Lugli, A. Galli, et al. "Integrated Dating of the Construction and Restoration of the Modena Cathedral Vaults (Northern Italy): Preliminary Results." Radiocarbon 62, no. 3 (2020): 667–77. http://dx.doi.org/10.1017/rdc.2020.10.

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ABSTRACTAfter the last damaging earthquake in 2012, an anti-seismic reinforcement project of the cathedral of Modena was designed giving us the opportunity to investigate and date the building materials. Radiocarbon (14C), optically stimulated luminescence (OSL), and thermoluminescence (TL) dating techniques were performed on the vaults with the aim to (1) clarify the construction timing, (2) define the history of the restorations, and (3) explore the possible correlation of the main restoration works to the earthquake chronology deduced from the historic catalog. Preliminary results show that

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Eres, Ana. "The Venice biennale and art in Belgrade in the 1950s. A contribution to the study of the artistic dialogue between Italy and Serbia." Balcanica, no. 53 (2022): 227–42. http://dx.doi.org/10.2298/balc2253227e.

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Throughout the twentieth century the International Art Exhibition Venice Biennale was seen as a major event by the art world of Belgrade and, more broadly, of Serbia and Yugoslavia. After the Second World War this biggest and most important international show of contemporary art provided Belgrade?s artists and art critics with an opportunity to acquaint themselves with the latest developments on the international art scene. At the same time, it was used as a platform for the leading figures of Belgrade?s artistic and cultural-policy establishment to create, through the exhibitions mounted in t

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Mancuso, Fulvio. "Una decisio della Rota di Siena: tra leasing e riserva di proprietà all’inizio dell’Età Moderna." TIJDSCHRIFT VOOR RECHTSGESCHIEDENIS 80, no. 3-4 (2012): 415–26. http://dx.doi.org/10.1163/15718190-000a1214.

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A decision of the Rota of Siena: between leasing and reservation of ownership at the beginning of Modern Times. – Late medieval and early-modern legal developments took place in Italy within the general framework of ius commune and iura propria, original legal constructs which present similar features to leasing in English law. These developments can be traced in the doctrinal corpus of the Italian ius commune tradition, but it may be surmised that they also appeared in sources related to legal practice. Thus, a case decided by the Rota of Siena in 1541–1543 shows that contractual forms simila

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ΚΑΤΣΙΑΡΔΗ-HERING, ΟΛΓΑ. "ΑΔΕΛΦΟΤΗΤΑ, ΚΟΜΠΑΝΙΑ, ΚΟΙΝΟΤΗΤΑ. ΓΙΑ ΜΙΑ ΤΥΠΟΛΟΓΙΑ ΤΩΝ ΕΛΛΗΝΙΚΩΝ ΚΟΙΝΟΤΗΤΩΝ ΤΗΣ ΚΕΝΤΡΙΚΗΣ ΕΥΡΩΠΗΣ, ΜΕ ΑΦΟΡΜΗ ΤΟ ΑΓΝΩΣΤΟ ΚΑΤΑΣΤΑΤΙΚΟ TOY MISKOLC (1801)". Eoa kai Esperia 7 (1 січня 2007): 247. http://dx.doi.org/10.12681/eoaesperia.94.

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<p>This is one of the articles based on the research carried out in the contextof the European research programme PYTHAGORAS II titled «Greekcommunities and the European world (13th-19th centuries). Aspects of selfadministration,social organization, formation of identities», which was realized in the Department of History and Archaeology at the University ofAthens. In the text are discussed the results of the research made by the collaborators of the programme in the archives of Venice, Vienna, Hungary, Romania and referring to the organization of the Greek communities in thesecities and

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Ricciardi, Paola, Anna Mazzinghi, Stefano Legnaioli, Chiara Ruberto, and Lisa Castelli. "The Choir Books of San Giorgio Maggiore in Venice: Results of in Depth Non-Invasive Analyses." Heritage 2, no. 2 (2019): 1684–701. http://dx.doi.org/10.3390/heritage2020103.

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This paper discusses a cross-disciplinary, international collaboration aimed at researching a series of 15th century choir books at the abbey of San Giorgio Maggiore on the homonymous island in Venice. Produced for the abbey itself, the books have never left the island during their 500-year history, thereby allowing a unique opportunity to analyse historic artefacts, which have undergone little modification over time. Prompted by ongoing cataloguing work on the manuscripts, a week-long analytical campaign using a combination of non-invasive analytical methods used in portable configuration all

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Tsoumas, Johannis. "WHITE GOLD’ IN EARLY TO MID-EIGHTEENTH CENTURY VENICE AND FLORENCE: THE FIRST ITALIAN PORCELAIN FACTORIES AND THEIR HIGHLY COVETED PRODUCTION." ARTis ON, no. 1 (December 12, 2015): 6–16. http://dx.doi.org/10.37935/aion.v0i1.12.

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An inaccessible material both in terms of technology and manufacture for the aristocratic classes and the royal courts of Europe and especially for the prominent politically, socially and culturally Italy, porcelain was until the beginning of the eighteenth century an ‘impossible dream’ which only through a limited number of Chinese wares could be satisfied. However in the early highly decorative and playful Rococo period, its discovery in Germany inaugurated a new era in the European decorative arts. Hard-paste porcelain was soon introduced in Northern Italy and started being produced in the

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Karwacka-Pastor, Dorota. "Dżuma w Italii. O zapomnianym traktacie Della peste Angela Antonia Frari." Scripta Neophilologica Posnaniensia 21 (December 15, 2021): 321–34. http://dx.doi.org/10.14746/snp.2021.21.14.

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Angelo Antonio Frari, a 19th century doctor and writer, devoted his life to studying the plague. In his treaty entitled Della peste published in Venice in 1840, he presented the history of the plague pandemic, describing its symptoms and ways of curing throughout centuries. His work is not only a medical, anthropological, and ethical treaty, but also an account of events seen by a witness, who, having recovered from the plague, became involved in fighting with this disease in Italy and abroad. The author of the treaty delves into pondering on human nature, morality, and choices, and he present

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Meister, Maureen. "In Pursuit of an American Image: A History of the Italian Renaissance for Harvard Architecture Students at the Turn of the Twentieth Century." Prospects 28 (October 2004): 185–202. http://dx.doi.org/10.1017/s0361233300001472.

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After a five-month sojourn in Rome, the author Henry James departed with “an acquired passion for the place.” The year was 1873, and he wrote eloquently of his ardor, expressing appreciation for the beauty in the “solemn vistas” of the Vatican, the “gorgeous” Gesù church, and the “wondrous” Villa Madama. Such were the impressions of a Bostonian who spent much of his adult life in Europe. By contrast, in June of 1885, the young Boston architect Herbert Langford Warren wrote to his brother about how he was “glad to be out of Italy.” He had just concluded a four-month tour there. He had also visi

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Pashkin, Nikolai. "Mediterranean Vector of International Relations in the Mirror of Sigismund of Luxembourg’s Conflict with Venice (1411—1413)." ISTORIYA 12, no. 7 (105) (2021): 0. http://dx.doi.org/10.18254/s207987840015139-1.

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The article covers international and diplomatic aspects of the conflict of Sigismund of Luxembourg, the King of Hungary and the Romans, and the Republic of Venice in 1411—1413. Venetian claims to Dalmatia that nominally belonged to the Hungarian Crown were the formal reason of the conflict. The article notices that the main battleground was in Italia, not Dalmatia. The author thereupon concludes that the actual factor of the events was the competition between Italian states. But contrary to the traditional opinion the researcher assigns the part of the main power that competed with Venice to F

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Nowicka-Jeżowa, Alina. "Poeci polscy doby humanizmu wobec Rzymu / Polish Poets of the Age of Humanism and Rome." Ruch Literacki 53, no. 6 (2012): 631–51. http://dx.doi.org/10.2478/v10273-012-0039-6.

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Summary Based on earlier research, and especially Tadeusz Ulewicz’s landmark study Iter Romano- -Italicum Polonorum, or the Intellectual and Cultural Links between Poland and Italy in the Middle Ages and the Renaissance (1999) this article examines the influence of Rome - in its role as the Holy See and a centre of learning and the arts - on Poland’s culture in the 15th and 16th century as well as on the activities of Polish churchmen, scholars and writers who came to the Eternal City. The aim of the article is to trace the role of the emerging Humanist themes and attitudes on the shape of the

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Moore, Kathryn Blair. "The Disappearance of an Author and the Emergence of a Genre: Niccolò da Poggibonsi and Pilgrimage Guidebooks between Manuscript and Print*." Renaissance Quarterly 66, no. 2 (2013): 357–411. http://dx.doi.org/10.1086/671582.

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While the anonymous Viaggio da Venetia al Sancto Sepolchro et al Monte Sinai, first published in Venice in 1518, was the most popular Holy Land guidebook in Renaissance Italy, the historical origins of the book have never been fully understood. From four illustrated versions of an earlier manuscript guide, the Libro d’Oltramare (1346–50), one can hypothesize about both the text and its author. The ultimate prototype for the Viaggio da Venetia was very likely one or more of these illustrated manuscripts, and the original author of both the text and illustrations was the Franciscan pilgrim Nicco

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Patuzzo, Sara, Andrea Franzoni, and Nicolò Nicoli Aldini. "Giuseppe Cervetto." Acta medico-historica Adriatica 22, no. 2 (2024): 221–32. https://doi.org/10.31952/amha.22.2.3.

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Giuseppe Cervetto (1807–1865) was a physician, lecturer, and medical historianfrom a Jewish familyborn in Verona, Italy. In addition to his clinical practice, he delved into his-torical studies, making notable contributions to the works of Italian anatomists from the 15th century, as well as to the physicians and their College in Verona, particularly G.B. Da Monte from the 16th century.In 1860, he was called to teach History of Medical Sciences at the University of Bologna. After two years, he became a lecturer in Hygiene and Forensic Medicine at Messina, but he sadly passed away at the relati

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