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Littérature scientifique sur le sujet « Views on world politicsdu bois »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Views on world politicsdu bois"

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Riggio, Milla Cozart. "Playing and Praying." Journal of Festive Studies 2, no. 1 (2020): 203–35. http://dx.doi.org/10.33823/jfs.2020.2.1.42.

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Theorizing carnival throughout the Americas means dealing not only with class and social issues in the context of modernity but also with the complexities of slavery, indentureship, colonialism, and neocolonialism reflected in this pre-Lenten festival. Dealing with carnival generally, it is impossible to separate its Christian, primarily Catholic, framework from the politics of its evolution and development. In the Americas, and in the island Republic of Trinidad and Tobago in particular, the carnival story is further complicated by deeply embedded African and Asian influences. In a nation in
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Brand, Anna Livia. "The duality of space: The built world of Du Bois’ double-consciousness." Environment and Planning D: Society and Space 36, no. 1 (2017): 3–22. http://dx.doi.org/10.1177/0263775817738782.

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Using Du Bois’ concept of double-consciousness, this article explores African Americans’ responses to urban redevelopment strategies that undermine their claims to urban space. Set in post-Katrina New Orleans, this study centers residents’ visions for urban redevelopment, which reveal the severe economic, social, and spatial inequalities that they have historically faced but also the beauty and vibrancy of these communities. This article explores the spatiality of black residents’ double-consciousness and argues that space’s material and symbolic functions contribute to residents’ subaltern vi
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Sen, Somdeep. "NATO and the global colour line." International Affairs 100, no. 2 (2024): 491–507. http://dx.doi.org/10.1093/ia/iiae012.

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Abstract This article explores the role of NATO in the upkeep of what W. E. B. Du Bois termed the global ‘colour line’—namely a racialized division of the world. Formally, the organization views itself as a defensive alliance, focused on safeguarding the freedom and security of its member states. However, building on works that reveal the racialized founding and workings of international relations, I argue that this seemingly defensive aspiration is premised on an antagonistic, racialized conception of the global order that is tantamount to what Du Bois conceived as the ‘colour line’. For one
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Saleh, Najlaa Kamil. "Racial Discrimination of the Black Man in Eudora Welty's: "Powerhouse"." JOURNAL OF LANGUAGE STUDIES 5, no. 1 (2022): 73–89. http://dx.doi.org/10.25130/jls.5.1.6.

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Eudora Welty's "Powerhouse" argues the plight of the black on the hand of the white. This paper presents how the racial differences turn from just a concept to a social system and dichotomy. It views the dilemma of the Black men and women in the white society. The investigation will trace back the role of Racial Discrimination in constructing the social, cultural, economic, and political systems. It shows the African-American theory as a Key concept in analyzing Eudora Welty's "Powerhouse". It focuses on the apartheid depiction of the black over the world. It stresses the significance of diffe
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Reis, Rosalinda. "GETTING A TOUCH OF CULTURE: TOP PLACES TO VISIT IN EUROPE." International Journal of Tourism & Hospitality Reviews 8, no. 2 (2021). http://dx.doi.org/10.18510/ijthr.2021.822.

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Every continent has its unique beauty, and Europe isn’t an exception. Here you will find a variety of tourist destinations ranging from beaches, beautiful sceneries, cultural and art centers among others. It’s no wonder Europe has always been voted among the best continents to visit. So, if you are planning for a romantic getaway, cultural tour, family vacation, or a getaway with your friends, this content has something to offer and more in what you are looking for.
 However, with 51 countries and thousands of destinations to discover, narrowing down on a single destination can be overwhe
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Howell, Katherine. "The Suspicious Figure of the Female Forensic Pathologist Investigator in Crime Fiction." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.454.

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Over the last two decades the female forensic pathologist investigator has become a prominent figure in crime fiction. Her presence causes suspicion on a number of levels in the narrative and this article will examine the reasons for that suspicion and the manner in which it is presented in two texts: Patricia Cornwell’s Postmortem and Tess Gerritsen’s The Sinner. Cornwell and Gerritsen are North American crime writers whose series of novels both feature female forensic pathologists who are deeply involved in homicide investigation. Cornwell’s protagonist is Dr Kay Scarpetta, then-Chief Medica
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Abrahamsson, Sebastian. "Between Motion and Rest: Encountering Bodies in/on Display." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.109.

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The German anatomist and artist Gunther von Hagens’s exhibition Body Worlds has toured Europe, Asia and the US several times, provoking both interest and dismay, fascination and disgust. This “original exhibition of real human bodies” features whole cadavers as well as specific body parts and it is organized thematically around specific bodily functions such as the respiratory system, blood circulation, skeletal materials and brain and nervous system. In each segment of the exhibition these themes are illustrated using parts of the body, presented in glass cases that are associated with each f
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Livres sur le sujet "Views on world politicsdu bois"

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Horne, Gerald. Black and red: W.E.B. Du Bois and the Afro-American response to the Cold War, 1944-1963. State University of New York Press, 1986.

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Horne, Gerald. Black and Red: W.E.B. Du Bois and the Afro-American Response to the Cold War, 1944-1963 (Suny Series in Afro-American Society). State Univ of New York Pr, 1985.

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Horne, Gerald, and Erik S. McDuffie. Citizen of the World: The Late Career and Legacy of W. E. B. Du Bois. Northwestern University Press, 2019.

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Porter, Eric. Problem of the Future World: W. E. B. du Bois and the Race Concept at Midcentury. Duke University Press, 2010.

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Porter, Eric. Problem of the Future World: W. E. B. du Bois and the Race Concept at Midcentury. Duke University Press, 2010.

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Warner, Tobias. The Tongue-Tied Imagination. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823284634.001.0001.

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Should a writer work in former colonial language, or in a vernacular? The language question was once one of the great, intractable problems that haunted postcolonial literatures in the twentieth century, but it has since acquired a reputation for being a dead end of narrow nationalism. Instead of asking whether language matters, The Tongue-Tied Imagination explores how the language question itself came to matter. Focusing on the case of Senegal, this book studies the intersection of French and Wolof. Drawing on extensive archival research and an under-studied corpus of novels, poetry, and film
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Halliwell, Martin. Race and Emancipation. Edited by Joel D. S. Rasmussen, Judith Wolfe, and Johannes Zachhuber. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198718406.013.5.

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Set against the history of slavery and abolitionism in the Atlantic world, the chapter first considers two essays of 1900 by African American leader W. E. B. Du Bois before addressing ways churches in the United States were often accused of complicity in perpetuating slavery. The chapter assesses the contested status of the ante-bellum black church and the covert worship slaves often needed to take in the South, before turning to the 1830 Southampton Insurrection and the 1831 Great Jamaican Slave Revolt. The focus switches to key texts that drew upon the Bible to oppose slavery, before conside
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Chapitres de livres sur le sujet "Views on world politicsdu bois"

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Rollyson, Carl. "1." In The Making of Sylvia Plath. University Press of Mississippi, 2024. https://doi.org/10.14325/mississippi/9781496846679.003.0066.

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This chapter narrates Sylvia Plath’s voyage aboard the Queen Elizabeth on September 14, 1955, accompanied by her brother, Warren, and Peter Davison. While on the ship, she mingled with young prep school boys and engaged in stimulating conversations with prominent figures, including British Labour MP Anthony Wedgwood Benn. The chapter details Sylvia’s discussion with Anthony about politics, social issues, and reform, particularly his support for the Labour movement and his opposition to McCarthyism. Anthony’s anti-colonialist views and advocacy for nuclear disarmament aligned with Sylvia’s own
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"W. E. B. Du Bois: The Souls of Black Folk." In Schlager Anthology of the Gilded Age and Progressive Era. Schlager Group Inc., 2021. https://doi.org/10.3735/9781935306658.book-part-017.

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Born in Massachusetts in 1868, W. E. B. Du Bois was the foremost African American intellectual of the first half of the twentieth century. Educated at Harvard and in Europe, he was a voice for Black pride and organization at a time when Black Africans all over the world were enslaved, colonized, or discriminated against. In 1903 he published the classic book for which he is most remembered, The Souls of Black Folk: Essays and Sketches. A groundbreaking study of the African American community from a sociological perspective, the book outlines for both Black and white readers the position of Afr
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Woods, Shelton. "Early’s Exile South." In Governor of the Cordillera. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501769955.003.0022.

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This chapter discusses Dean Worcester's decision to fire John Early in 1911. He never respected Early the same way that he did his other lieutenant governors whose managerial styles and racist views were like his own. By contrast, Early denounced Walter Hale's slaughtering of Kalinga villagers, he refused to allow Samuel Kane's Chinese merchant to swindle Igorot cargadores with contraband alcohol, and he stood up to the governor-general himself in trying to protect Igorots from what became a heartbreaking debacle in Europe. Given his prickly relationship with his boss, there must have been an
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Meglin, Joellen A. "The Remaking of the Choreographer." In Ruth Page. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190205164.003.0013.

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The turn that Page took away from ballet Americana and toward European opera with her “opera-into-ballet” La Revanche (Revenge, 1951) was a pragmatic and strategic one, related to postwar politics, anti-American sentiment in French cultural circles, and indirectly the cosmopolitan climate of the Marshall Plan for European recovery. She and Fisher understood that a political as well as an artistic choreography was required for their cosmopolitan project. With her adaptation of Giuseppe Verdi’s 1853 opera, Il Trovatore, Page turned to European Romanticism and timeless themes of obsession, reveng
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