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Littérature scientifique sur le sujet « Violence on television – Social aspects – Germany »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Violence on television – Social aspects – Germany"

Gorobiy, Aleksey. "History of German Television as a Social, Cultural, and Discursive Phenomenon." Virtual Communication and Social Networks 2024, no. 1 (2024): 15–22. http://dx.doi.org/10.21603/2782-4799-2024-3-1-15-22.

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Television is a global phenomenon with national peculiarities. This article introduces a chronological and comparative analysis of the development of television in West and East Germany. A systematic view of this phenomenon involves both technical and social aspects. From a technical innovation available to the privileged, it turned into a mass medium that performs an integrative function by shaping and broadcasting the current discourse. The research objective was to find out the specifics of television in Germany and correlate the global trends with the national context. The XX century erase

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Bowen, Erica, Emma Holdsworth, Eline Leen, et al. "Northern European Adolescent Attitudes Toward Dating Violence." Violence and Victims 28, no. 4 (2013): 619–34. http://dx.doi.org/10.1891/0886-6708.vv-d-12-0009.

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A focus group methodology was used to examine attitudes toward dating violence among 86 adolescents (aged 12–17) from four northern European countries (England, Sweden, Germany, and Belgium). Four superordinate themes were identified from thematic analyses: gender identities, television as the educator, perceived acceptability of dating violence, and the decision to seek help/tell someone. Although violence in relationships was generally not condoned, when violence was used by females, was unintended (despite its consequences), or was in retaliation for infidelity, violence was perceived as ac

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Węglińska, Agnieszka. "The Image of Germany in Social Media: Political and Social Aspects of Public Service Media in Poland." Central European Journal of Communication 13, no. 1 (2020): 41–54. http://dx.doi.org/10.19195/1899-5101.13.1(25).4.

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The goal is this paper is to analyze the image of Germany and Germans in social media platforms of Polish Television (Telewizja Polska — TVP). Through a web content analysis the study aims at presenting main societal and political aspects in the daily functioning of public service media. The outcome is therefore presented in a broad social and historical context, including relations between Germany and Poland. The main factors shaping bilateral relations such as stereotypes, trans-border cooperation and the presence of the German minority in Poland are presented. The empirical part of the pape

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Tamcke, Martin. "VIOLENCE IN THE CLASSROOM. INTEGRATION OF MIGRANTS IN GERMANY." Вестник Удмуртского университета. Социология. Политология. Международные отношения 6, no. 2 (2022): 266–69. http://dx.doi.org/10.35634/2587-9030-2022-6-2-266-269.

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The text reviews a few books, written by muslim migrants in Germany. The kurdish author Balci speaks about the violence in the submilieu of some muslim migrants with special respect to turkish and arab (and kurdish) differences and the violence against the christian migrants. As she had a job in social work with migrants, she relies on facts, but call her book a "novel". The two Iraqis present two ways to think about IS. The one, who never lived for a longer time in the Orient, tries to imagine, how the radicalisation can come into being in Germany among muslim migrants, that leads them to ter

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Unz, Dagmar, Frank Schwab, and Peter Winterhoff-Spurk. "TV News – The Daily Horror?" Journal of Media Psychology 20, no. 4 (2008): 141–55. http://dx.doi.org/10.1027/1864-1105.20.4.141.

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In two studies we examined the influence of violent television news on viewers emotional experiences and facial expressions. In doing so, we considered formal and content aspects of news reports as well as viewers gratifications as independent variables. Analyses showed that violence in TV news elicits primarily negative emotions depending on the type of portrayed violence. Effects of presentation mode and of expected gratification on the viewers feelings are traceable. On the whole, fear is neither the only nor the most prominent emotion; rather, viewers seem to react to violence with oth

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Garncarek, Emilia. "Editorial: Gender Perspective in Social Research: Chosen Problems, Aspects, and Contexts." Przegląd Socjologii Jakościowej 16, no. 1 (2020): 6–11. http://dx.doi.org/10.18778/1733-8069.16.1.01.

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This volume Society and Gender: Contemporary Issues and Research Perspectives, is a reflection of dynamically developing gender studies in the Polish social sciences. The first part of the introduction shows that gender/gender perspective has become one of the basic and essential cognitive category to understand the social world at its various levels, has also universal and widespread structural and stratification meaning. The second part of the introduction presents six articles that show all the richness and complexity of gender perspective in social research. The contributions are devoted

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Atallah Diyaiy, Ph D. Sabah. "Violence in Peter Weiss's Play Marat /Sade." Alustath Journal for Human and Social Sciences 214, no. 2 (2020): 191–96. http://dx.doi.org/10.36473/ujhss.v214i2.1470.

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Peter Weiss was born in Germany. When Hitler came to power, his family emigrated to Sweden in 1939. Weiss hated war which deprived him of his country, friends and relatives. As a committed writer, he discussed social and political situations. He wrote Marat/ Sade in 1964. The play takes place in a lunatic asylum in 1808. In the play Marquis de Sade hates the corrupt bourgeois society he belongs to. He detects the violence hidden under the slogans of the French Revolution. It is a revolution that is responsible for irrational and sadistic aspects of life. Weiss was frustrated by that kind of cr

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Zwerman, Gilda, Patricia Steinhoff, and Donatella Porta. "Disappearing Social Movements: Clandestinity in The Cycle of new Left Protest in The U.S., Japan, Germany, and Italy." Mobilization: An International Quarterly 5, no. 1 (2000): 85–104. http://dx.doi.org/10.17813/maiq.5.1.0w068105721660n0.

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Research on social movements has paid little attention to the dynamics of clandestine mobilization as an integral element ofprotest cycles. Studies ofsixteen New Left clandestine groups in Germany, Italy, Japan, and the United States demonstrate strong commonalities in the processes ofgoing underground and staying underground. Activists move from the public to the clandestine realm as a result of increased repression at the protest cycle's peak, commitment to specific ideological frames, and personal ties. Identity conflicts specific to underground roles and other aspects ofunderground life in

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Bovina, I. B., N. V. Dvoryanchikov, and S. V. Budykin. "Information security of children and adolescents in understanding parents and teachers." Psychology and Law 5, no. 3 (2015): 1–13. http://dx.doi.org/10.17759/psylaw.2015050301.

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The article presents the first part of the work devoted to the study of ordinary representations of parents and teachers about information security of children and adolescents. It is about addressing the problem of information security of children and adolescents, discuss the effects of observing violence in the mass media on the subsequent behaviour of viewers, refers to directing television roles on the example of transfer schemes by S. Milgram in the context of television game (experiment J. L. Beauvois with colleagues). This paper examines the impact on users has the Internet, discusses th

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Kočárková, Kateřina. "The Phenomenon of Ostalgie in Czech and German Television Series." Kulturní studia 2025, no. 1 (2025): 71–105. https://doi.org/10.7160/ks.2025-01(24).02en.

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Ostalgia – a nostalgic longing for aspects of life in former socialist regimes – permeates various domains of social and cultural life, including fashion, consumer goods, music, and popular media. This study explores ostalgia on the cultural level, focusing in particular on contemporary television series. The theoretical framework draws on concepts of collective memory and the culture of remembrance, with special attention to the material dimension of memory. Ostalgic narratives frequently foreground everyday objects, evoking a sense of temporal dislocation wherein the past can only be accesse

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Thèses sur le sujet "Violence on television – Social aspects – Germany"

Kader, Kashiefa. "Children's perceptions of "screen" violence and the effects on their well-being." Thesis, University of the Western Cape, 2006. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_9802_1189160105.

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Working from a child participatory perspective, the study aimed to explore children's perceptions and experiences of screen violence. Within this process there is an attempt to understand how children assign meaning to these violent screen images at an interpersonal and broader social level.

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Aderaldo, Guilhermo Andre. "Das ruas a tela : a representação da violencia na midia eletronica." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278989.

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Orientador: Maria Filomena Gregori Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas Made available in DSpace on 2018-08-10T16:08:58Z (GMT). No. of bitstreams: 1 Aderaldo_GuilhermoAndre_M.pdf: 2580976 bytes, checksum: fc7526e53cdad1580843574296e2e345 (MD5) Previous issue date: 2008 Resumo: De que maneira as lutas internas ligadas ao campo da televisão sustentam os modos através dos quais o tema da violência é representado em seu interior? Partindo do princípio de que, enxergar a televisão como uma simples transmissora dos "fatos" e

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EISERMANN, Jessica. "Mediengewalt: eine kultur- und organisationssoziologische Analyse der Rundfunkregulation am Beispiel der Landesmedienanstalten und der freiwilligen Selbstkontrolle Fernsehen." Doctoral thesis, 1999. http://hdl.handle.net/1814/5262.

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Defence date: 5 November 1999 Examining board: Colin Crouch (EUI) ; Prof. Klaus Eder (Humboldt-Universität zu Berlin für Sozialforschung - supervisor) ; Prof. Friedhelm Neidhardt (Wissenschaftszentrum Berlin für Sozialforschung - co-supervisor) ; Prof. Jo Reichertz (Universität Gesamthochschule Essen) PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017 In ihrem Dissertation begreift Jessica Eisermann das Problem der Mediengewalt als sozial konstruiertes Problem, dessen Deutung und Wahrnehmung von einem „Masterframe der Kausalität

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Gumbert, Heather Leigh. "East German television and the unmaking of the socialist project, 1952-1965." Thesis, 2006. http://hdl.handle.net/2152/2697.

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Smith, Rene. "Yizo, Yizo: This is it? Representations and receptions of violence and gender relations." Thesis, 2000. http://hdl.handle.net/10413/3558.

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Yizo Yizo, a South African drama series aired in 1999, received extraordinary positive and negative attention for its gritty depictions of township school life. The dissertation explores the relationship between the context, programme/text, the viewers/audiences, the content and the form of Yizo Yizo. Representations of violence and gender relations in Yizo Yizo are the primary concern of the dissertation. Contextual analysis is followed by an outline of the narrative needed to engage viewers' responses. This outline forms the basis for a discussion on representations of violence and gender r

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Livres sur le sujet "Violence on television – Social aspects – Germany"

Eisermann, Jessica. Mediengewalt: Die gesellschaftliche Kontrolle von Gewaltdarstellungen im Fernsehen. Westdeutscher Verlag, 2001.

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Merten, Klaus. Gewalt durch Gewalt im Fernsehen? Westdeutscher Verlag, 1999.

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Gifford, Clive. Violence on the screen. Smart Apple Media, 2006.

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Ahmad, Alay. Terrorism, television violence and innocent children. Institute of Muslim Psychology, 2004.

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John, Leonard. Smoke and mirrors: Violence, television, and other American cultures. New Press, 1997.

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Gunter, Barrie. Television and the fear of crime. J. Libbey, 1987.

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United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Juvenile Justice. Media violence: Hearing before the Subcommittee on Juvenile Justice of the Committee on the Judiciary, United States Senate, Ninety-eighth Congress, second session, on oversight on alleged media violence as it may affect children, October 25, 1984. U.S. G.P.O., 1985.

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Büttner, Christian. Television and the protection of young people in Europe: TV violence without frontiers? Peace Research Institute Frankfurt, 1995.

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Császi, Lajos. Tévéerőszak és morális pánik. Új Mandátum, 2003.

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M, Wober J., ed. Violence on television: What the viewers think. J. Libbey, 1988.

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Chapitres de livres sur le sujet "Violence on television – Social aspects – Germany"

Lehnert, Sigrun. "The fashion of east and west in German cinema newsreels (1950–65)." In Documenting Fashion, edited by Boel Ulfsdotter and Boel Ulfsdotter. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474476164.003.0005.

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Before television was established, newsreels conveyed cultural ideas to a wide audience through moving images in the interludes of cinema’s programming. Whereas in West Germany several newsreels existed, in East Germany only Der Augenzeuge was produced by the state-controlled production company DEFA. These newsreels are characterised by the compilation of various reports and by a montage of cinematic elements. This chapter outlines the topical and aesthetical variety of fashion reports between East and West Germany in terms of image selection, montage, underscored music, as well as the present

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