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Bibliographies thématiques / Visual and scent marking / Livres

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Livres sur le sujet « Visual and scent marking »

Auteur : Grafiati

Publié le 2 juin 2025

Mis à jour le 31 juillet 2025

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1

Olivers, Christian Nicolas Léon. Representations and resources in visual marking. University of Birmingham, 2001.

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2

Watson, Derrick G. Visual marking: Prioritising visual selection for new objects by top-down attentional inhibition. University of Birmingham, 1995.

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3

Burant, Corey. Urine scent marking during winter hunting and scavenging by red fox (Vulpes vulpes) in the Sudbury area. Laurentian University, 2004.

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4

Holste, Tom. Acts of drawings/lines of change: Marking stages of transformation in the work of Vic Joachim Smith : a retrospective exhibition, April 13 to May 15, 1985, the Main Art Gallery/Visual Arts Center, California State University, Fullerton. The Gallery, 1985.

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5

Planting for Visual Impact & Scent in Borders & Containers. Southwater, 2006.

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6

Planting for Visual Impact & Scent in Borders & Containers. Anness, 2006.

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7

Decoracion corporal prehispanica: Catalogo visual. Editorial Raíces, Instituto Nacional de Antropología e Historia, 2010.

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8

Atwood, John Wesley. Culprit tracking: Improved lazy marking for better GUI performance. 1996.

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9

Marking Modern Movement: Dance and Gender in the Visual Imagery of the Weimar Republic. University of Michigan Press, 2020.

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10

Marking Modern Movement: Dance and Gender in the Visual Imagery of the Weimar Republic. University of Michigan Press, 2020.

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11

Marking Modern Movement: Dance and Gender in the Visual Imagery of the Weimar Republic. University of Michigan Press, 2020.

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12

Griffin, David. Drawing Music, Marking Time. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350447516.

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Marking down the complexities of musical pieces on paper allows them to become portable, shareable, and eminently teachable, but how are the simple geometries of a music notation unfolded into space and time? A music notation is an almost impossibly complicated bit of drawing. Calling it a map or a diagram does not quite do the trick. Its tracery supplies mechanisms for planning, composition, analysis, annotation, and performance of music. But how is it that we read that simple, strategic two-dimensional geometry and make such complex, four-dimensional performances? In this book David Griffin

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13

Mills, M. G. L., and M. E. J. Mills. Socio-spatial organization and spatial ecology. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198712145.003.0010.

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Home ranges of males (1204 km2) and females (1510 km2) were similar. Female home range size was positively related to the dispersion of prey and generally, but not exclusively, they displayed home range fidelity. Overlap between female home ranges was extensive, although they rarely met up. Male home ranges overlapped extensively and there was no difference in size between coalition and single males. Males overcame the problem of scent marking a large home range by concentrating scent marks in core areas. Generally female cheetah home range size is affected by resource productivity, although w

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14

Buesching, Christina D., and Theodore Stankowich. Communication amongst the musteloids: signs, signals, and cues. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198759805.003.0005.

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Most intentional communication is intra-specific and benefits both sender and receiver. Typically, the more complex a species’ social system, the more complex is its communication. Because only ca. 10% of musteloid species are truly social, their communication is generally quite basic, while their solitary, nocturnal lifestyle is reflected in a predominance of olfactory signals. This chapter first discusses the properties of different signal modalities (visual, acoustic, olfactory and tactile), and then provides a review of musteloid communication in the context of signal functionality, starti

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15

Greig, Matilda, and Nicole Cochrane, eds. Napoleonic Objects and their Afterlives. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350415102.

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Two centuries after Napoleon Bonaparte’s death, this edited volume brings together a diverse group of historians, art historians, and museum professionals to critically examine the enduring power of visual and material culture in the making of Napoleonic memory.While most discussions surrounding the legendary figure explore his impact on legislative, political, or military reform, this innovative volume explores the global dimensions of the trade in Napoleonic collectibles, art, and relics over time. Representing new avenues of research and scholarship,Napoleonic Objects and their Afterlivesin

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