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Bibliographies thématiques / Whitman, walt, 1819-1892, concordances

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Littérature scientifique sur le sujet « Whitman, walt, 1819-1892, concordances »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Whitman, walt, 1819-1892, concordances"

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Sohaib, Sidra, and Prof Sami Rafiq. "Poetic Perceptions of Childhood: Insights from Select Works of Walt Whitman and Muhammad Iqbal." International Journal of English Literature and Social Sciences 9, no. 1 (2024): 322–26. http://dx.doi.org/10.22161/ijels.91.44.

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The paper incorporates Children’s Literature as a theoretical framework to study the innocent, imaginative, and inquisitive worlds of children. To achieve this goal, the researcher focuses on poems about childhood from two of the most celebrated writers of their respective nations, Walt Whitman (1819-1892) and Muhammad Iqbal (1877-1938). The paper is a study of textual and comparative analysis of the images of childhood as depicted in their works. Comparing the two writers of varied times and cultural backgrounds, the present study delves into an analysis of childhood as portrayed in their poe

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Barreto Júnior, Manoel. "Poéticas modernas em expressão anglófona: destroços, fissuras e replicâncias." Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras 4, no. 2 (2014): 12–25. http://dx.doi.org/10.69969/revistababel.v4i2.1402.

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Este artigo consiste em refletir sobre as relações e contingências de modernidade, na poética anglófona, por meio da eficácia estética da resignificação de palavras consideradas “malditas” que, como destroços, criam fissuras em torno do lento e contínuo processo de humanização. Para tanto, quando especulamos sobre as conjecturas dos destroços da humanidade, como elemento lírico, ponderamos sobre a ideia de resistência do gênero poético, sobretudo, quando este se nutre através da vida e suas possibilidades expressivas pelas replicâncias e representações ambivalentes por sentimentos/estados inde

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Witthaus, Michael, Laena Hines, Eric Mathews, Marni Rabinowitz, Steven Hudak, and Ronald Rabinowitz. "Walt Whitman, John Mahay, and Urotrauma in the American Civil War." International Journal of Urologic History 3, no. 1 (2023). http://dx.doi.org/10.53101/ijuh.3.1.092401.

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Objectives Walt Whitman (1819-1892) was a visionary American poet who inspired innovation within the literary landscape, choosing to preserve real, complex life with poetic imagery. He also chose to volunteer as a nurse during the American Civil War, daring to confront the violent, painful reality of war’s aftermath with precision and unflinching honesty. The United States Sanitary Commission organized volunteer nursing for the Union Army during the Civil War (1861-1865). Our objective is to investigate the urologic management and perspectives of Walt Whitman during his service as a nurse duri

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Fomeshi, Behnam. "Democratic Poetics: A Comparative Study of the US and Iran." February 28, 2022. https://doi.org/10.5281/zenodo.6349741.

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Walt Whitman (1819–1892), the father of American free verse, and Nima Yushij (1897–1960), the father of Persian New Poetry, each played a central role in his respective poetic tradition. Whitman’s free verse and Yushij’s New Poetry are the results of translating the discourse of democracy to a literary discourse. In this way, there are multiple points of comparison between these poets’ corresponding approaches to poetic theory, practice, and context. The purpose of the present study is to unravel the relationship between sociopolitical situations in Whitman’

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Thèses sur le sujet "Whitman, walt, 1819-1892, concordances"

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Nautiyal, Nandita. ""This self is Brahman" : Whitman in the light of the Upanishads." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26747.

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This thesis examines the reasons why Walt Whitman has been a "puzzle" to literary critics for well over a century. It shows the correspondence between Walt Whitman's work and the mystical tradition of East as also interpreted by American Transcendentalists. Enquiry into "self" is the central theme of most of Whitman's work. Two aspects of this enquiry have been investigated in this thesis and compared with the Upanishads: the development of self; and the use of contradictions as a means of conveying meaning. Both aspects support the view that Whitman displays a worldview not in accordance with

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Preston, Nathaniel H. "Passage to India and back again : Walt Whitman's democratic expression of vedantic mysticism." Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/902498.

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Democracy and mysticism are two prominent themes of Walt Whitman's writings, yet few critics have explored the connections that may exist between these areas. Some critics have noted that Whitman holds an ideal of "spiritual democracy," in which all people are equal due to their identity with a transcendent self such as that found in "Song of Myself," but they have not identified the best philosophical model for such a political viewpoint. I believe that the parallel between Whitman's thought and Vedantic mysticism, already developed by V. K. Chart and others, may be expanded to account for Wh

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Janssen, David. "Walt Whitman's Poetics of Labor." PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/4593.

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The purpose of this thesis is to organize and examine Walt Whitman's poetic representations and discussions of laborers and labor issues in order to argue that form a distinct "poetics" of labor in Leaves of Grass. This poetics of labor reveals that Whitman was attempting to enlarge the audience for American poetry by representing American society at work in poetry. Whitman also used labor as a poetic subject in order to justify the work of the poet in that society. In this sense, Whitman's poetics of labor is comprised of numerous demonstrations of his argument for the labor of poetry because

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Fillard, Claudette. "Walt Whitman, poète des éléments." Paris 4, 1987. http://www.theses.fr/1987PA040072.

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Alors que de nombreux critiques ont souligné l'importance des quatre éléments dans l'œuvre de Whitman, une étude approfondie de leur influence sur l'imagination, la sensibilité, et l'art poétique de l'écrivain fait cruellement défaut. L'emploi par Whitman de "elements" ou de termes apparentés montre avec quelle facilité on passe des éléments aux aliments et à ces "ailments" que l'anglais associe à la souffrance. Dejà se trouve ébranlée la vision traditionnelle d'un optimisme à toute épreuve. Si l'on essaie d'évaluer le role spécifique de chacun des éléments dans l'œuvre, on s'aperçoit que si l

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Choay-Lescar, Pauline. "Formes de l'absence chez Walt Whitman." Paris 3, 2000. http://www.theses.fr/2000PA030099.

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En depit des apparences, l'absence semble etre au coeur de l'oeuvre de whitman. Absence fondatrice, on la trouve dans l'intention poetique de l'auteur qui s'autocree et par lameme cree l'amerique a partir d'un neant originel ou d'une page blanche. Il donne a voir un monde autre ou le corps est un texte, support de l'ecriture de soi, et le texte une parole. Absence creatrice, elle apparait dans leprocessus creatif meme, a travers les moyens mis en oeuvre - comme la negation - pour modeler et informer cette nouvelle realite. Grace a un jeu subtil de miroirs et d'echos, metaphores, metonymies et

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Brown, Bryce Dean. "Whitman's Failures: "Children of Adam" in the Light of Feminist Ideals." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc503937/.

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Walt Whitman was a feminist, and this assertion can be supported by excerpts from his prose, poetry, and conversation. Furthermore, the poet's circle of associates, chronology, and place of residence also lend credence to the hypothesis stating Whitman's subscription to feminist credos. A pro-feminine attitude is evident in much of Whitman's work, and his ties to the women's rights movement of the nineteenth century do influence the poet's portrayal of women. But the section of poems titled "Children of Adam" proves to be an anomaly in Walt Whitman's feminist attitudes. Instead of portraying w

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Gambarotto, Bruno. "Walt Whitman e a formação da poesia norte-americana (1855-1867)." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-21052007-145634/.

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O objetivo desta dissertação é analisar alguns dos momentos decisivos do processo de formação da poesia norte-americana, marcados pelas quatro primeiras edições (1855, 1856, 1861,1867) de Leaves of Grass, de Walt Whitman. A escolha desses momentos sublinha o caráter engajado do projeto poético de Whitman, que não visava à mera aclimatação da poesia européia no Novo Mundo, mas sim à constituição formal de uma poesia norte-americana adequada à realidade social de seu país. Nesse sentido, a leitura das quatro primeiras edições de Leaves of Grass pressupõe dois movimentos complementares: o entendi

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Lundy, Lisa Kirkpatrick. "Reverberating Reflections of Whitman: A Dark Romantic Revealed." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc279061/.

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Walt Whitman has long been celebrated as a Romantic writer who celebrates the self, reveres Nature, claims unity in all things, and sings praises to humanity. However, some of what Whitman has to say has been overlooked. Whitman often questioned the goodness of humanity. He recognized evil in various shapes. He pondered death and the imperturbability of Nature to human death. He exhibited nightmarish imagery in some of his works and gory violence in others. While Whitman has long been called a celebratory poet, he is nevertheless also in part a writer of the Dark Romantic.

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Saraiva, Junior Gentil. "Re-creating Walt Whitman's Leaves of Grass into portuguese." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15552.

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Este trabalho está focalizado na tradução criativa da poesia de Walt Whitman para o português. O termo utilizado para nos referir a este processo é recriação, ou seja, uma tradução que vai além da tradução literal (que privilegia apenas os significados), buscando um trabalho de reconstrução conjunta de significados e significantes, dada a relação profunda existente entre ambos (o capítulo 3 trata desse método de tradução criativa, aqui indicado, além de abordar temas relacionados a este na poesia, como verso livre, ritmo, metro, etc.). Esse termo foi emprestado de meus mestres neste tipo de tr

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Katsaros, Laure. "Le rivage dans la poesie americaine : walt whitman, hart crane, george oppen." Paris 7, 2000. http://www.theses.fr/2000PA070070.

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Cette these examine le theme du rivage dans la poesie americaine de walt whitman a george oppen. Espace de fondation en amerique, le rivage constitue le point de depart du grand periple whitmanien a travers le continent americain. Chez hart crane, c'est un point de jonction entre la mer et le continent. Pour george oppen, c'est un point de rupture, qui creuse la distance entre le poete et l'espace. Chez ces trois poetes, le rivage n'est pas seulement un paysage. Il suggere aussi une pratique d'ecriture fondee sur la fluidite. Cette these s'appuie egalement sur des recits d'explorateurs du seiz

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Livres sur le sujet "Whitman, walt, 1819-1892, concordances"

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Whitman, Walt. Walt Whitman. C.N. Potter, 1987.

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Whitman, Walt. Walt Whitman. Sterling Pub., 1997.

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Whitman, Walt. Walt Whitman. Phoenix Poetry, 2002.

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Whitman, Walt. Walt Whitman: Selected poems. Bloomsbury, 1993.

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Whitman, Walt. Walt Whitman: Selected poems, 1855-1892 : a new edition. St. Martin's Press, 1999.

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Whitman, Walt. The essential Whitman. Ecco Press, 1987.

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Whitman, Walt. The essential Whitman. Ecco Press, 1987.

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Whitman, Walt. Walt Whitman's Leaves of Grass. Oxford University Press, 2005.

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Whitman, Walt. Suð í grasi: Týðingar : Walt Whitman, U.S.A., Federico García Lorca, Spania, Pablo Neruda, Chile. Tyril, 1986.

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Loewen, Nancy. Walt Whitman. Creative Education, 2015.

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Chapitres de livres sur le sujet "Whitman, walt, 1819-1892, concordances"

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Kreutzberger, Wolfgang. "Walt Whitman (1819–1892)." In Frauenliebe Männerliebe. J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_101.

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Blankenship, Russell. "Walt Whitman (1819–1892)." In American Literature as an Expression of the National Mind. Routledge, 2024. http://dx.doi.org/10.4324/9781003559184-17.

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"Walt Whitman (1819–1892)." In The American Sonnet. University of Iowa Press, 2023. http://dx.doi.org/10.2307/j.ctv32r03gt.8.

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"Walt Whitman (1819–1892)." In “… The Real War Will Never Get in the Books”, edited by Louis P. Masur. Oxford University Press, 1995. http://dx.doi.org/10.1093/acprof:oso/9780195098372.003.0014.

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WHITMAN, WALT. "WALT WHITMAN (1819–1892)." In Book of Irish American Poetry. University of Notre Dame Press, 2021. https://doi.org/10.2307/jj.21995835.11.

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"Walt Whitman (1819–1892; American)." In Romanticism: 100 Poems. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108867337.052.

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Reynolds, David S. "Walt Whitman 1812-1892: A Brief Biography." In A Historical Guide to Walt Whitman. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195120813.003.0002.

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Abstract Walt Whitman emerged from a humble background to become one of America’s most celebrated poets. The second eight children of Walter and Louisa Van Velsor Whitman, he was born on May 31, 1819, in the rural Long Island village of West Hills, about fifty miles east of Manhattan. Although his ancestors were not distinguished, he later placed great emphasis on his genealogy. In his poem “By Blue Ontario’s Shore,” he wrote, “Underneath all, Nativity, / I swear I will stand by my own nativity.”

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Reynolds, David S. "Introduction." In A Historical Guide to Walt Whitman. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195120813.003.0001.

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Abstract One of America’s most beloved and influential writers, Walttman (1819-1892) brought a radical democratic inclusiveness to literature, transforming the diverse, sometimes pedestrian an images of his culture into soaring, fresh poetry through his exuberant personality. He opened the way for modern writers by experimenting with innovative social and sexual themes and by replacing rhyme and meter with a free-flowing, prose-like poetic form that followed the natural rhythms of voice and feeling.

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"Walt Whitman: Selections from Drum-Taps." In The Schlager Anthology of American Wars and Conflicts. Schlager Group Inc., 2025. https://doi.org/10.3735/9781961844179.book-part-094.

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Walt (Walter) Whitman (1819–1892) was born in Huntington, Long Island, in New York, and grew up in financially straitened circumstances; he left school at eleven years of age to work in a law office and then in a printer’s shop. He began publishing his poetry while still in his teens and drifted in and out of teaching and editorial positions until 1855, when he published Leaves of Grass, his first major volume of poetry. It gave Whitman both instant fame and notoriety: some, like Ralph Waldo Emerson, considered it masterful poetry, while others objected to what they saw as sexual content. When

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