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Bibliographies thématiques / Whitman, walt, 1819-1892, concordances / Thèses

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Thèses sur le sujet « Whitman, walt, 1819-1892, concordances »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Nautiyal, Nandita. ""This self is Brahman" : Whitman in the light of the Upanishads." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26747.

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This thesis examines the reasons why Walt Whitman has been a "puzzle" to literary critics for well over a century. It shows the correspondence between Walt Whitman's work and the mystical tradition of East as also interpreted by American Transcendentalists. Enquiry into "self" is the central theme of most of Whitman's work. Two aspects of this enquiry have been investigated in this thesis and compared with the Upanishads: the development of self; and the use of contradictions as a means of conveying meaning. Both aspects support the view that Whitman displays a worldview not in accordance with

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Preston, Nathaniel H. "Passage to India and back again : Walt Whitman's democratic expression of vedantic mysticism." Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/902498.

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Democracy and mysticism are two prominent themes of Walt Whitman's writings, yet few critics have explored the connections that may exist between these areas. Some critics have noted that Whitman holds an ideal of "spiritual democracy," in which all people are equal due to their identity with a transcendent self such as that found in "Song of Myself," but they have not identified the best philosophical model for such a political viewpoint. I believe that the parallel between Whitman's thought and Vedantic mysticism, already developed by V. K. Chart and others, may be expanded to account for Wh

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Janssen, David. "Walt Whitman's Poetics of Labor." PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/4593.

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The purpose of this thesis is to organize and examine Walt Whitman's poetic representations and discussions of laborers and labor issues in order to argue that form a distinct "poetics" of labor in Leaves of Grass. This poetics of labor reveals that Whitman was attempting to enlarge the audience for American poetry by representing American society at work in poetry. Whitman also used labor as a poetic subject in order to justify the work of the poet in that society. In this sense, Whitman's poetics of labor is comprised of numerous demonstrations of his argument for the labor of poetry because

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Fillard, Claudette. "Walt Whitman, poète des éléments." Paris 4, 1987. http://www.theses.fr/1987PA040072.

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Alors que de nombreux critiques ont souligné l'importance des quatre éléments dans l'œuvre de Whitman, une étude approfondie de leur influence sur l'imagination, la sensibilité, et l'art poétique de l'écrivain fait cruellement défaut. L'emploi par Whitman de "elements" ou de termes apparentés montre avec quelle facilité on passe des éléments aux aliments et à ces "ailments" que l'anglais associe à la souffrance. Dejà se trouve ébranlée la vision traditionnelle d'un optimisme à toute épreuve. Si l'on essaie d'évaluer le role spécifique de chacun des éléments dans l'œuvre, on s'aperçoit que si l

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5

Choay-Lescar, Pauline. "Formes de l'absence chez Walt Whitman." Paris 3, 2000. http://www.theses.fr/2000PA030099.

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En depit des apparences, l'absence semble etre au coeur de l'oeuvre de whitman. Absence fondatrice, on la trouve dans l'intention poetique de l'auteur qui s'autocree et par lameme cree l'amerique a partir d'un neant originel ou d'une page blanche. Il donne a voir un monde autre ou le corps est un texte, support de l'ecriture de soi, et le texte une parole. Absence creatrice, elle apparait dans leprocessus creatif meme, a travers les moyens mis en oeuvre - comme la negation - pour modeler et informer cette nouvelle realite. Grace a un jeu subtil de miroirs et d'echos, metaphores, metonymies et

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Brown, Bryce Dean. "Whitman's Failures: "Children of Adam" in the Light of Feminist Ideals." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc503937/.

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Walt Whitman was a feminist, and this assertion can be supported by excerpts from his prose, poetry, and conversation. Furthermore, the poet's circle of associates, chronology, and place of residence also lend credence to the hypothesis stating Whitman's subscription to feminist credos. A pro-feminine attitude is evident in much of Whitman's work, and his ties to the women's rights movement of the nineteenth century do influence the poet's portrayal of women. But the section of poems titled "Children of Adam" proves to be an anomaly in Walt Whitman's feminist attitudes. Instead of portraying w

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7

Gambarotto, Bruno. "Walt Whitman e a formação da poesia norte-americana (1855-1867)." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-21052007-145634/.

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O objetivo desta dissertação é analisar alguns dos momentos decisivos do processo de formação da poesia norte-americana, marcados pelas quatro primeiras edições (1855, 1856, 1861,1867) de Leaves of Grass, de Walt Whitman. A escolha desses momentos sublinha o caráter engajado do projeto poético de Whitman, que não visava à mera aclimatação da poesia européia no Novo Mundo, mas sim à constituição formal de uma poesia norte-americana adequada à realidade social de seu país. Nesse sentido, a leitura das quatro primeiras edições de Leaves of Grass pressupõe dois movimentos complementares: o entendi

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Lundy, Lisa Kirkpatrick. "Reverberating Reflections of Whitman: A Dark Romantic Revealed." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc279061/.

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Walt Whitman has long been celebrated as a Romantic writer who celebrates the self, reveres Nature, claims unity in all things, and sings praises to humanity. However, some of what Whitman has to say has been overlooked. Whitman often questioned the goodness of humanity. He recognized evil in various shapes. He pondered death and the imperturbability of Nature to human death. He exhibited nightmarish imagery in some of his works and gory violence in others. While Whitman has long been called a celebratory poet, he is nevertheless also in part a writer of the Dark Romantic.

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9

Saraiva, Junior Gentil. "Re-creating Walt Whitman's Leaves of Grass into portuguese." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15552.

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Este trabalho está focalizado na tradução criativa da poesia de Walt Whitman para o português. O termo utilizado para nos referir a este processo é recriação, ou seja, uma tradução que vai além da tradução literal (que privilegia apenas os significados), buscando um trabalho de reconstrução conjunta de significados e significantes, dada a relação profunda existente entre ambos (o capítulo 3 trata desse método de tradução criativa, aqui indicado, além de abordar temas relacionados a este na poesia, como verso livre, ritmo, metro, etc.). Esse termo foi emprestado de meus mestres neste tipo de tr

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10

Katsaros, Laure. "Le rivage dans la poesie americaine : walt whitman, hart crane, george oppen." Paris 7, 2000. http://www.theses.fr/2000PA070070.

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Cette these examine le theme du rivage dans la poesie americaine de walt whitman a george oppen. Espace de fondation en amerique, le rivage constitue le point de depart du grand periple whitmanien a travers le continent americain. Chez hart crane, c'est un point de jonction entre la mer et le continent. Pour george oppen, c'est un point de rupture, qui creuse la distance entre le poete et l'espace. Chez ces trois poetes, le rivage n'est pas seulement un paysage. Il suggere aussi une pratique d'ecriture fondee sur la fluidite. Cette these s'appuie egalement sur des recits d'explorateurs du seiz

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11

Montoya, Gálvez Natalia. "Poetic intimacy: poet and reader : the exploration of prophetic voice in Blake and Whitman." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/137771.

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Kenaston, Karen S. "An Approach to the Critical Evaluation of Settings of the Poetry of Walt Whitman: Lowell Liebermann's Symphony No. 2." Thesis, Online resource, 2003. http://www.library.unt.edu/theses/open/20031/kenaston%5Fkaren/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2003.<br>Original copy accompanied by 3 recitals, recorded Apr. 27, 2000, Nov. 28, 2000, and Oct. 31, 2001; videocassette not dated. Lacking in UMI copy. Includes bibliographical references (p. 141-149).

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McHenry, Patrick J. "With music strong I come : Whitman's cultural influence through folk music." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/287.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>English Literature

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14

Morales, Muñoz Víctor. "Whitman's body and soul politic in Leaves of grass: a scientific and sensory reinvigoration of the United States." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/137778.

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15

Duarte, Carina Marques. "Quando parte o último comboio? : Álvaro de Campos, um seguidor decadente de Walt Whitman e Nietzsche." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/117936.

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Este trabalho analisa a produção de Álvaro de Campos – heterônimo de Fernando Pessoa – em relação a duas linhas de força: a poesia de Walt Whitman e a filosofia de Friedrich Nietzsche. Busca comprovar que os poemas da segunda fase, a eufórica, em virtude do prolífico diálogo com o bardo norte-americano e o filósofo, estão investidos de uma vontade de potência, a qual se manifesta, especialmente, no ímpeto sensacionista de experimentar tudo e na analogia entre o poeta e Deus. Herdeiro do Decadentismo, Campos não consegue manter o discurso vitalista e dinamista e, frequentemente, um tom depressi

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16

Hennequet, Claire. "L'identité poétique de la nation. Walt Whitman, José Marti, Aimé Césaire." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030085/document.

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Dans l’Amérique et les Caraïbes des XIXe et XXe siècles, l’œuvre du poète national est au cœur d’un trafic d’images qui nourrit un lien social fragile dans un temps où les collectivités reposent moins sur un lien direct entre leurs membres que sur un lien imaginé. Prenant ses distances vis-à-vis des représentations en circulation à son époque, comme les représentations exotiques de la nature, le poète offre une vision démocratique ambitieuse pour l’avenir de la communauté à travers des images nouvelles du territoire, du peuple, de l’esclavage et de l’histoire. L’ethos auctorial encourage l’app

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17

Cavalcanti, Marly Gondim. "Anáĺise músico-literária dos poemas de Walt Whitman, Antônio Francisco da Costa e Silva e Léopold Sédar Senghor." Artois, 2006. http://www.theses.fr/2006ARTO0003.

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Cette thèse examine la présence de la musique dans la polygraphie poétique de Walt Whitman, de Antônio Francisco da Costa et Silva et de Léopold Sédar Senghor. Bien qu'ils soient de différentes époques, qui s'étendent du XIX siècle au XXème ; de différentes cultures (américaine, brésilienne, française et senegalaise) ; et encore de différentes langues (anglais, portugais et français), ils témoignent de procédures similaires de création, en ce sens que les trois font appel à un lexique sonore musical comme élément essentiel dans la composition de leurs œuvres. Ici la musique n'est point un orna

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18

Upton, Corbett Earl 1970. "Canon and corpus: The making of American poetry." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11286.

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viii, 233 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>This dissertation argues that certain iconic poems have shaped the canon of American poetry. Not merely "canonical" in the usual sense, iconic poems enjoy a special cultural sanction and influence; they have become discourses themselves, generating our notions about American poetry. By "iconic" I mean extraordinarily famous works like Henry Wadsworth Longfellow's "Paul Revere's Ride," Walt Whitman's "Song of Myself," and Claude McKay's "If We Must Di

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19

Phiri, Aretha Myrah Muterakuvanthu. "Toni Morrison and the literary canon whiteness, blackness, and the construction of racial identity." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1002255.

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Toni Morrison, in Playing in the Dark, observes the pervasive silence that surrounds race in nineteenth-century canonical literature. Observing the ways in which the “Africanist” African-American presence pervades this literature, Morrison has called for an investigation of the ways in which whiteness operates in American canonical literature. This thesis takes up that challenge. In the first section, from Chapters One through Three, I explore how whiteness operates through the representation of the African-American figure in the works of three eminent nineteenth-century American writers, Harr

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20

Cristo, George Constantine. "Unraveling Walt Whitman." Thesis, 2007. http://hdl.handle.net/1805/899.

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Thesis (M.A.)--Indiana University, 2007.<br>Title from screen (viewed on Apr. 27, 2007) Department of English, Indiana University-Purdue University Indianapolis (IUPUI) Includes vita. Includes bibliographical references (leaves 65-70)

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21

"Representations of the American Civil War: Whitman, Crane and Bierce." 2007. http://library.cuhk.edu.hk/record=b5893323.

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Kwok, Yat Kam.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2007.<br>Includes bibliographical references (leaves 105-109).<br>Abstracts in English and Chinese.<br>Abstract --- p.i<br>論文摘要 --- p.iii<br>Acknowledgments --- p.iv<br>Introduction --- p.1<br>Chapter Chapter One: --- A Romantic Poet with a Roving Vision: Walt Whitman's Poems --- p.20<br>Chapter Chapter Two: --- A Medley of Images: Stephen Crane's Youthful War --- p.45<br>Chapter Chapter Three: --- Survivors under Siege: Ambrose Bierce's Modern War --- p.71<br>Conclusion --- p.100<br>Works Cited --- p.105

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