Bibliographies thématiques / Women authors, French – 19th century – Biography

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Littérature scientifique sur le sujet « Women authors, French – 19th century – Biography »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Women authors, French – 19th century – Biography"

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Rogers, Juliette M. "Shifting the Narrative on Women’s Humor: The Case of Olympe Audouard." Women in French Studies 2024, no. 2 (2024): 17–31. https://doi.org/10.1353/wfs.2024.a946124.

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Abstract: This article examines the comedic techniques used by the 19th-century French novelist, travel writer and journal editor Olympe Audouard, not only to expose the inequalities that existed for women in French society, but also to demonstrate that both women and men were capable of similar foibles and were thus both potential authors of as well as targets for humoristic writing. In order to examine her specific contributions to 19th-century French women’s humor writing, Rogers studies the ways in which Olympe Audouard’s use of comedy evolved in her publications from the 1860s to the 1880
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Miszalska, Jadwiga. "Przekład w służbie studiów literackich: Waleria Marrené-Morżkowska." Experimental Translation, no. 47 (2024): 48–65. http://dx.doi.org/10.4467/16891864pc.23.015.18846.

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The paper presents the activity of Waleria Marrené-Morżkowska as that typical of women who aspired to be present in literary circles at the turn of the 19th and 20th centuries. She was a novelist, publicist, literary critic and women’s activist who also devoted herself to translation. She translated from English, French, Italian and German, bringing to the Polish reader’s market some authors who were important but not yet widely known. She published several hundred papers on literary subjects in the most important Polish periodicals. She herself attempted to create a women’s magazine and to bu
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Foghel, Ecaterina, and Anjela Coșciug. "Roxelane, figure historique et personnage littéraire." Philologica Jassyensia 38, no. 2 (2023): 167–80. http://dx.doi.org/10.60133/pj.2023.2.13.

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The legal wife of the Turkish Sultan Suleiman II the Magnificent, Roxelana, also known as Hurrem Haseki Sultan or Anastasiya Lisovska, has enjoyed great popularity and recognition over the years. This fact is reflected in numerous literary works. The fictional character Roxelana figures in plays and historical novels by Turkish, French, Italian, English authors, from the 16th century onwards. Ukrainian authors became interested in this heroine relatively late (beginning with the 19th century). The novel 'Roxolana' by Osyp Nazaruk, first published in 1930, achieved the most remarkable success i
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Bolt, Valentina. "Italian campaign of Alexander Suvorov in the historical works of his contemporaries." Annual of French Studies 57 (2024): 315–31. http://dx.doi.org/10.32608/0235-4349-2024-1-57-315-331.

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The historiography of Suvorov's Italian campaign includes a wide range of studies in different languages. The first publications on this topic came from the pen of contemporaries of those events already in 1799-1800. At the same time, two main trends in their coverage were formed, which exist to this day. The first is to consider the events of 1799 through the prism of Suvorov's military biography. His role in them is recognized by many historians from different countries as the most significant, although many other famous generals from both the allied and French armies participated in the cam
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K.Selvi and A.Padmini. "Women Students Perception towards Entrepreneurship." Shanlax International Journal of Arts, Science and Humanities 6, S1 (2019): 85–89. https://doi.org/10.5281/zenodo.2586390.

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The term entrepreneur originated from a French word ‘entreprendre’ which means to undertake, in early 19th century it denoted a person who runs a musical institution.  Thus it refers to any individual, who sets up business enterprise, taking financial risks to earn profits; they are genuinely motivated by various factors around them, respond to it and act to change by inventing or by reinventing a product or services in the society.     Entrepreneurship refers ‘the capacity and willingness to develop organize and manage a business venture along with any of
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Carson, Anne M. "Lyricism in the World of George Sand." Axon: Creative Explorations 13, no. 2 (2024): 45–56. http://dx.doi.org/10.54375/001/fneqz1eboa.

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Lyric poetry’s metier is figurative language – metaphor, simile and imagery – used to represent happenings at human/world intersections, and within the world and the individual, covering, as Jane Hirschfield writes, “both senses and psyche” (2015).1 These affordances render it particularly suited to the writing of character in poetic biography. The creative artefact from my creative writing PhD is a poetic biography of 19th century French social radical and prolific author, George Sand. As a work of ‘restitution poetics’ it proposes to contribute to repair of a creative, literary women’s linea
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Sysolyatina, Sofiya V. "“Jephthah’s Daughter” by Amy Beach: the Biblical World in the Words of a Woman." ICONI, no. 2 (2019): 59–67. http://dx.doi.org/10.33779/2658-4824.2019.2.059-067.

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The article examines from the positions of musical content by means of analysis of the musical and poetical the composition “Jephthah’s Daughter” by Amy Beach, an American composer of the late 19th and early 20th century, a member of the “Boston six” — a group of American composers of the turn of the century, also known as the New England School, among which Amy Beach was the only woman. “Jephthahʼs Daughter” is a concert aria for voice and orchestra, which is interesting in the context of the composer’s musical legacy, as well as an exemplary composition of its era. The aria is devoted to the
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OULADIB, Hakima, and Fatine LEMOUALDI. "THE FEMININE GENDER IN LINGUISTICS: IS THERE ANY EGALITARIAN LANGUAGE WITH RESPECT TO MASCULINE?" International Journal of Humanities and Educational Research 05, no. 04 (2023): 174–87. http://dx.doi.org/10.47832/2757-5403.21.11.

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For several years, the theme of gender has been the subject of debate between several linguists, especially since the revival of feminism, during the second half of the 19th century. By default, the masculine grammatical gender, in French, refers to the male gender, while having a generic value allowing it to designate the female gender as well. Along the same lines, several feminist authors and linguists have revolted in order to promote a non-sexist language as well as an epicene language, eradicating the generic masculine and its stereotype of the superiority of men over women. Following th
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Kuzmenko (Staryshkina), Anastsiya A. "“Anxious Times Were Coming”: The Images of the Past in Ego-Documents of Russian Women-Journalists in the 2nd Half of the 19th – Early 20th Century." Vestnik NSU. Series: History and Philology 20, no. 1 (2021): 125–35. http://dx.doi.org/10.25205/1818-7919-2021-20-1-125-135.

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The article aims to reveal characteristics of the images of the past in the ego-documents of Russian women journalists in the 2nd half of the 19th and early 20th centuries. Historical epochs that were described by women-journalists in their text most often are the primary focus of our attention. These texts served as a means of commemoration, women tried to reinterpret historical background and recreate, by some means even construct the image of their professional community. The article indicates that women-journalists made a historical excursus rather rare, and also that the ego-documents con
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Lambert, Maria de Fátima. "Anne-Thérèse Marguenat de Courcelles, Mme De Lambert – o «gosto» de uma Salonnière protofeminista." Revista Portuguesa de Humanidades 27, no. 1-2 (2023): 71–108. http://dx.doi.org/10.17990/rph/2023_27_1_071.

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Anne-Thérèse Marguenat de Courcelles, Marquise or Madame de Lambert was the author of a significant published work, dealing with pregnant themes and concepts that are consistent with philosophical thought and literary culture in France in the 18th century. Ideas and sources that characterize her writing were mapped – namely the concept of taste; studies dedicated to it in the 19th and early 20th centuries, compared to most recent ones. Highlights are arguments in favor of a critical and “aware” education of women, reflections on moral philosophy and aesthetic considerations based on a plethora
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Thèses sur le sujet "Women authors, French – 19th century – Biography"

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Pauk, Filgueira Barbara. "Crossing the channel : socio-cultural exchanges in English and French women's writings - 1830-1900." University of Western Australia. School of Social and Cultural Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0083.

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The focus of this study is an investigation of cross-channel exchanges represented in travelogues, historical works, journalism, letters and journals written by English women Frances Trollope, Lady Margaret Blessington, George Eliot and Julia Kavanagh on France and by French women Flora Tristan and Marie Dronsart on England. The work is based on the view that narratives about another culture betray preconceptions and beliefs and are never innocent descriptions. Nineteenth-century English descriptions of France, for instance, are not only marked by the stereotype of the gregarious French bon vi
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Margrave, Christie L. "Women and nature in the works of French female novelists, 1789-1815." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6391.

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On account of their supposed link to nature, women in post-revolutionary France were pigeonholed into a very restrictive sphere that centred around domesticity and submission to their male counterparts. Yet this thesis shows how a number of women writers – Cottin, Genlis, Krüdener, Souza and Staël – re-appropriate nature in order to reclaim the voice denied to them and to their sex by the society in which they lived. The five chapters of this thesis are structured to follow a number of critical junctures in the life of an adult woman: marriage, authorship, motherhood, madness and mortality. Th
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McFarland, Michele. "The intellectual life of Catherine Helen Spence." Thesis, University of Ballarat, 2004. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/60437.

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This thesis will argue that Catherine Helen Spence, a writer, preacher and reformer who migrated from Scotland to Australia in 1839, performed the role of a public intellectual in Australia similar to that played by a number of women of letters in Victorian England. While her ideas were strongly influenced by important British and European nineteenth-century intellectual figures and movements, as well as by Enlightenment thought, her work also reflects the different socio-political, historical and cultural environment of Australia. These connections and influences can be seen in her engagement
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Clarke, Patricia, and n/a. "Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia." Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040719.150756.

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This thesis consists of an introduction and six of my books, published between 1985 and 1999, on aspects of the history of women in nineteenth-century Australia. The books are The Governesses: Letters from the Colonies 1862-1882 (1985); A Colonial Woman: The Life and Times of Mary Braidwood Mowle 1827-1857 (1986); Pen Portraits: Women Writers and Journalists in Nineteenth Century Australia (1988); Pioneer Writer: The Life of Louisa Atkinson, Novelist, Journalist, Naturalist (1990); Tasma: The Life of Jessie Couvreur (1994); and Rosa! Rosa! A Life of Rosa Praed, Novelist and Spiritualist (1999)
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Clarke, Patricia. "Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/365578.

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This thesis consists of an introduction and six of my books, published between 1985 and 1999, on aspects of the history of women in nineteenth-century Australia. The books are The Governesses: Letters from the Colonies 1862-1882 (1985); A Colonial Woman: The Life and Times of Mary Braidwood Mowle 1827-1857 (1986); Pen Portraits: Women Writers and Journalists in Nineteenth Century Australia (1988); Pioneer Writer: The Life of Louisa Atkinson, Novelist, Journalist, Naturalist (1990); Tasma: The Life of Jessie Couvreur (1994); and Rosa! Rosa! A Life of Rosa Praed, Novelist and Spiritualist (1999)
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Beauchamp, Claude. "Henry-Emile Chevalier et le feuilleton canadien-français (1853-1860)." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61277.

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Henry-Emile Chevalier was forced in exile by the December 1851 Coup d'Etat in France. In March 1853, he came to Montreal and joined Georges-Hippolythe Cherrier who had just started a new periodical called La Ruche Litteraire Illustree. In addition, during his stay in Montreal, Chevalier worked for several periodicals, was an active member of the Institut canadien de Montreal, and wrote many novels and serials depicting Canada's exoticism. This thesis will provide the most accurate biography of Chevalier up to date, it will also present an analysis of the exoticism in his novels and serials (18
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Letcher, Valerie Helen. "Trespassing beyond the borders Harriet Ward as writer and commentator on the Eastern Cape frontier." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002283.

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The aim of this thesis is to provide an introduction to the work of writer and journalist Harriet Ward, resident in the Eastern Cape from 1842 to 1848. She was a prolific correspondent to various periodicals published both in South Africa and in London. It would be true to say, to judge from the evidence, that she fulfilled a need felt by the British public for information on life and events in South Africa, and that she became the trusted guide of the middle-class reader. Her range covers reports from the frontiers of war, journalistic articles, memoirs, short stories, novels, autobiography,
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Gemis, Vanessa. "Femmes de lettres belges, 1880-1940: identités et représentations collectives." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210262.

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Entre 1880 et 1940, la Belgique francophone voit un accroissement significatif du nombre de femmes de lettres. À la croisée de l’histoire des femmes et de l’histoire des lettres belges, ce phénomène enregistre les nouvelles modalités d’inscription des femmes dans l’espace public, et en particulier leur accès progressif aux professions intellectuelles. Partant des acquis des études de genre (gender studies) et de la sociologie de la littérature, la thèse se propose d’étudier le rapport collectif et individuel que les femmes de lettres entretiennent vis-à-vis du littéraire.<br>Doctorat en Langue
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McLaren, Annette. "'....you too have power over me' : oppression in the life and work of Charlotte Bronte." Thesis, 2011. http://handle.uws.edu.au:8081/1959.7/524832.

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The writings of Charlotte Brontë are informed by the oppression that underpinned her society. Within the hierarchically structured society of Victorian England Brontë occupied a space of ‘otherness’ by virtue of her social position and her gender. Her desire to enter into the arena of creative writing, not usually the precinct of women, resulted in Brontë experiencing further backgrounding through her exclusion to this world. This thesis interrogates Brontë as a victim of oppression through its analysis of her life, particularly the early formative period of childhood and adolescence, and how
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Burkhart, Claire Lovell. "Reading and writing women : representing the femme de lettres in Stendhal, Balzac, Girardin and Sand." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2836.

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This dissertation explores the numerous literary representations of the femme de lettres during the first half of the nineteenth century in order to illustrate the complexities of women’s entrance into the male-dominated domain of literature and also to suggest the impact these fictional characters might have had on the reception of actual women writers as well as their omission from the century’s literary canon. The works that will be included in this analysis include: Mme de Staël’s Corinne, ou l’Italie, Stendhal’s Le Rouge et le noir, Honoré de Balzac’s Béatrix, La Muse du département and
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Livres sur le sujet "Women authors, French – 19th century – Biography"

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Lépouchard, Camille. Louise Swanton-Belloc: Du bon usage des modèles anglais et américains dans les milieux intellectuels français du XIXe siècle. Rumeur des âges, 1994.

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Gregorj, Luisa. La vita di Hector Malot (1830-1907). Firenze Atheneum, 2005.

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Leduc, Edouard. Anatole France avant l'oubli. Publibook, 2006.

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Harold, Bloom, ed. British women fiction writers of the 19th century. Chelsea House Publishers, 1998.

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Finch, Alison. Women's writing in nineteenth-century France. Cambridge University Press, 2000.

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Cholakian, Patricia Francis. Women and the politics of self-representation in seventeenth-century France. University of Delaware Press, 2000.

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Sanders, Valerie. The private lives of Victorian women: Autobiography in nineteenth-century England. St. Martin's Press, 1989.

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Sanders, Valerie. The private lives of Victorian women: Autobiography in nineteenth-century England. Harvester Wheatsheaf, 1989.

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Ernaux, Annie. La honte. Gallimard, 1999.

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Ernaux, Annie. Shame. Seven Stories Press, 1998.

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