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Bibliographies thématiques / Women authors, French – 19th century – Biography / Articles de revues

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Articles de revues sur le sujet « Women authors, French – 19th century – Biography »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2025

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1

Rogers, Juliette M. "Shifting the Narrative on Women’s Humor: The Case of Olympe Audouard." Women in French Studies 2024, no. 2 (2024): 17–31. https://doi.org/10.1353/wfs.2024.a946124.

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Abstract: This article examines the comedic techniques used by the 19th-century French novelist, travel writer and journal editor Olympe Audouard, not only to expose the inequalities that existed for women in French society, but also to demonstrate that both women and men were capable of similar foibles and were thus both potential authors of as well as targets for humoristic writing. In order to examine her specific contributions to 19th-century French women’s humor writing, Rogers studies the ways in which Olympe Audouard’s use of comedy evolved in her publications from the 1860s to the 1880

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Miszalska, Jadwiga. "Przekład w służbie studiów literackich: Waleria Marrené-Morżkowska." Experimental Translation, no. 47 (2024): 48–65. http://dx.doi.org/10.4467/16891864pc.23.015.18846.

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The paper presents the activity of Waleria Marrené-Morżkowska as that typical of women who aspired to be present in literary circles at the turn of the 19th and 20th centuries. She was a novelist, publicist, literary critic and women’s activist who also devoted herself to translation. She translated from English, French, Italian and German, bringing to the Polish reader’s market some authors who were important but not yet widely known. She published several hundred papers on literary subjects in the most important Polish periodicals. She herself attempted to create a women’s magazine and to bu

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Foghel, Ecaterina, and Anjela Coșciug. "Roxelane, figure historique et personnage littéraire." Philologica Jassyensia 38, no. 2 (2023): 167–80. http://dx.doi.org/10.60133/pj.2023.2.13.

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The legal wife of the Turkish Sultan Suleiman II the Magnificent, Roxelana, also known as Hurrem Haseki Sultan or Anastasiya Lisovska, has enjoyed great popularity and recognition over the years. This fact is reflected in numerous literary works. The fictional character Roxelana figures in plays and historical novels by Turkish, French, Italian, English authors, from the 16th century onwards. Ukrainian authors became interested in this heroine relatively late (beginning with the 19th century). The novel 'Roxolana' by Osyp Nazaruk, first published in 1930, achieved the most remarkable success i

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Bolt, Valentina. "Italian campaign of Alexander Suvorov in the historical works of his contemporaries." Annual of French Studies 57 (2024): 315–31. http://dx.doi.org/10.32608/0235-4349-2024-1-57-315-331.

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The historiography of Suvorov's Italian campaign includes a wide range of studies in different languages. The first publications on this topic came from the pen of contemporaries of those events already in 1799-1800. At the same time, two main trends in their coverage were formed, which exist to this day. The first is to consider the events of 1799 through the prism of Suvorov's military biography. His role in them is recognized by many historians from different countries as the most significant, although many other famous generals from both the allied and French armies participated in the cam

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K.Selvi and A.Padmini. "Women Students Perception towards Entrepreneurship." Shanlax International Journal of Arts, Science and Humanities 6, S1 (2019): 85–89. https://doi.org/10.5281/zenodo.2586390.

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The term entrepreneur originated from a French word ‘entreprendre’ which means to undertake, in early 19th century it denoted a person who runs a musical institution.  Thus it refers to any individual, who sets up business enterprise, taking financial risks to earn profits; they are genuinely motivated by various factors around them, respond to it and act to change by inventing or by reinventing a product or services in the society.     Entrepreneurship refers ‘the capacity and willingness to develop organize and manage a business venture along with any of

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Carson, Anne M. "Lyricism in the World of George Sand." Axon: Creative Explorations 13, no. 2 (2024): 45–56. http://dx.doi.org/10.54375/001/fneqz1eboa.

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Lyric poetry’s metier is figurative language – metaphor, simile and imagery – used to represent happenings at human/world intersections, and within the world and the individual, covering, as Jane Hirschfield writes, “both senses and psyche” (2015).1 These affordances render it particularly suited to the writing of character in poetic biography. The creative artefact from my creative writing PhD is a poetic biography of 19th century French social radical and prolific author, George Sand. As a work of ‘restitution poetics’ it proposes to contribute to repair of a creative, literary women’s linea

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Sysolyatina, Sofiya V. "“Jephthah’s Daughter” by Amy Beach: the Biblical World in the Words of a Woman." ICONI, no. 2 (2019): 59–67. http://dx.doi.org/10.33779/2658-4824.2019.2.059-067.

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The article examines from the positions of musical content by means of analysis of the musical and poetical the composition “Jephthah’s Daughter” by Amy Beach, an American composer of the late 19th and early 20th century, a member of the “Boston six” — a group of American composers of the turn of the century, also known as the New England School, among which Amy Beach was the only woman. “Jephthahʼs Daughter” is a concert aria for voice and orchestra, which is interesting in the context of the composer’s musical legacy, as well as an exemplary composition of its era. The aria is devoted to the

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OULADIB, Hakima, and Fatine LEMOUALDI. "THE FEMININE GENDER IN LINGUISTICS: IS THERE ANY EGALITARIAN LANGUAGE WITH RESPECT TO MASCULINE?" International Journal of Humanities and Educational Research 05, no. 04 (2023): 174–87. http://dx.doi.org/10.47832/2757-5403.21.11.

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For several years, the theme of gender has been the subject of debate between several linguists, especially since the revival of feminism, during the second half of the 19th century. By default, the masculine grammatical gender, in French, refers to the male gender, while having a generic value allowing it to designate the female gender as well. Along the same lines, several feminist authors and linguists have revolted in order to promote a non-sexist language as well as an epicene language, eradicating the generic masculine and its stereotype of the superiority of men over women. Following th

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Kuzmenko (Staryshkina), Anastsiya A. "“Anxious Times Were Coming”: The Images of the Past in Ego-Documents of Russian Women-Journalists in the 2nd Half of the 19th – Early 20th Century." Vestnik NSU. Series: History and Philology 20, no. 1 (2021): 125–35. http://dx.doi.org/10.25205/1818-7919-2021-20-1-125-135.

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The article aims to reveal characteristics of the images of the past in the ego-documents of Russian women journalists in the 2nd half of the 19th and early 20th centuries. Historical epochs that were described by women-journalists in their text most often are the primary focus of our attention. These texts served as a means of commemoration, women tried to reinterpret historical background and recreate, by some means even construct the image of their professional community. The article indicates that women-journalists made a historical excursus rather rare, and also that the ego-documents con

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Lambert, Maria de Fátima. "Anne-Thérèse Marguenat de Courcelles, Mme De Lambert – o «gosto» de uma Salonnière protofeminista." Revista Portuguesa de Humanidades 27, no. 1-2 (2023): 71–108. http://dx.doi.org/10.17990/rph/2023_27_1_071.

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Anne-Thérèse Marguenat de Courcelles, Marquise or Madame de Lambert was the author of a significant published work, dealing with pregnant themes and concepts that are consistent with philosophical thought and literary culture in France in the 18th century. Ideas and sources that characterize her writing were mapped – namely the concept of taste; studies dedicated to it in the 19th and early 20th centuries, compared to most recent ones. Highlights are arguments in favor of a critical and “aware” education of women, reflections on moral philosophy and aesthetic considerations based on a plethora

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Nechesnyi, Ihor. "Etienne Ozi – «a great bassonist of incredible talent»." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 68, no. 68 (2023): 33–53. http://dx.doi.org/10.34064/khnum1-68.02.

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Statement of the problem. Etienne Ozi stands out as a bassoonist due to his significant creative achievements in various spheres of his multifaceted activities. As a bassoonist soloist, he successfully debuted in the “Concerts Spirituels” and for more than two decades was actively performed in front of Parisians in the best halls of the capital. An equally significant achievement of Ozі as a teacher was the preparation of the first instructional manual for the specialists “Nouvelle m&#233;thode de basson adoptue par le Conservatoire” (1803), which remained the main official publication of

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Repina, Anastasija S. "Folk Adaptation of the Sentimental Romance by M. V. Zubova “I`m Going to the Desert." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 68 (2023): 181–89. http://dx.doi.org/10.37816/2073-9567-2023-68-181-189.

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The paper presents the collection and analysis of the folklore adaptations of Maria Zubova's sentimental romance “I am going away into the desert” in the 19th and 20th centuries. The transformation of the author's work in folk song and theatre culture demonstrates a complex interaction between folklore and book poetry. The biography of the author, a representative of the artistic milieu and one of the few female poets of the late 18th century, is reflected in some journal sources (“Materials for the History of Russian Female Authors” by M. N. Makarov) and fiction sources (“Russian Women of New

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Araujo, Rafael, and José María Tellado. "Joaquín González Hidalgo, un malacólogo de los siglos XIX y XX. Desengaños y éxitos." Iberus 36(2) (August 1, 2018): 81–110. https://doi.org/10.5281/zenodo.4765047.

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A biography of Doctor Joaquín González Hidalgo (1839-1923), the main Spanish malacologist of the 19th and 20th centuries, is presented. In addition to important books on Spanish, South American and the Philippines molluscs, he described numerous mollusk species in the French journal <em>Journal de Conchyliologie</em>. This work aims to explain the complex personality of Dr. Hidalgo. We know that in addition to having lost his son in 1885, he had a series of problems to get his position as professor of malacology at the Central University, and his position in the Museum of Natural

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Tziboula, Areti, and Anna-maria Rentzeperi-tsonou. "Gioachino Rossini, Gaetano Donizetti and Vincenzo Bellini: A comparative study of their libretto themes." Online Journal of Music Sciences 10, no. 1 (2025): 1–15. https://doi.org/10.31811/ojomus.1569505.

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This research examines the libretto choices of the pioneer composers of early 19th century Italian opera Rossini, Donizetti, and Bellini. It focuses on how historical, cultural, and social factors influenced their work and helped shape Italian opera. Employing a comparative approach, the study analyzes various operas by these composers to reveal how themes, adaptations, and characterizations differ across their librettos. Historical and literary analysis alongside stylistic exploration highlights common themes and innovations. The librettos were largely inspired by classical literature from Fr

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Bérešová, Jana. "BOOK REVIEW Maria-Ionela Neagu (Ed.), Voyage and Emotions across Genres. Berlin: Peter Lang GmbH, 2020, 276 pp, ISBN: 978-3-631-81001-9." JOURNAL OF LINGUISTIC AND INTERCULTURAL EDUCATION 17, no. 2 (2024): 153–56. https://doi.org/10.29302/jolie.2024.17.2.10.

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BOOK REVIEW Maria-Ionela Neagu (Ed.), Voyage and Emotions across Genres. Berlin: Peter Lang GmbH, 2020, 276 pp, ISBN: 978-3-631-81001-9. Reviewed by Jana Bérešová, Trnava University, Slovakia The book, entitled Voyage and Emotions across Genres, brings together papers that are framed within two main subjects: literary studies representing voyage and discursive approaches to space and emotions. As stated in the introductory article (pp. 9-15) by Maria-Ionela Neagu and Sky Marsen, this work aims to emphasise that locations in which people live are not stable entities. Rather, they are dynamic sp

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Muela, Bermejo Diana. "Recepción de la obra de Charles Maurice Donnay en la escena española de Fin de Siglo." Don Galán, 6, 55-61., June 7, 2016. https://doi.org/10.5281/zenodo.14685753.

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The reception and the performances of French playwrights' works at the end of the 19th century play a key role in the transformation of Spanish theatrical practices. They introduced the audiences into a new kind of theatre, away from traditional dramatic manners. Maurice Donnay’s presence is as frequent on Spanish stages, as it is in the press, so, he became an essential model for Spanish Fin-de-Siècle theatre renovation. Jacinto Benavente was the most relevant Spanish importer of Donnay’s dramatic themes so the similarity between these two authors is evident, specially in w

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"The Survival Strategy of Diaspora Javanese Women in New Caledonia in the Novel La Bayou de Djakarta à Nouméa." Jordan Journal of Modern Languages and Literatures 15, no. 4 (2023): 1445–62. http://dx.doi.org/10.47012/jjmll.15.4.18.

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Liliane Saintomer is one of the few authors on Javanese women’s diaspora in the Southwest Pacific region. In the late 19th to early 20th century, the Dutch rulers of the Dutch East Indies sent people from Java to work as contract laborers in French-controlled areas of the Southwest Pacific. This article explores the survival strategy of adolescent Javanese girls who became part of the historical events that unfolded in New Caledonia. The research used data from the novel La Bayou de Djakarta à Nouméa (The Older Sister from Jakarta to Nouméa) as the primary material. Using the textual analysis

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Zlatopolski, Dmitrii M., and Valery V. Shilov. "V. S. Kozlov and his Tsifrar-diagrammometer." Voprosy istorii estestvoznaniia i tekhniki 45, no. 3 (2024). http://dx.doi.org/10.31857/s0205960624030031.

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In the late 19th century a military statistician and a pioneers of the Russian cooperative movement, Viktor Semyonovich Kozlov (1842–1920), designed and built a unique mechanical analog computing device he named “tsifrar-diagrammometer”. It was intended for operational visual presentation of numerical results of observations, calculations, experiments, etc. (tsifrar) and for calculating their statistical characteristics (diagrammometer). At the 1889 Paris Exposition this device that represented Russia was awarded the bronze medal. Drawing on the archival records and the materials from the Russ

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Ying, Qingqing. "S. Moniuszko's Songs for High Voices and Multi-Genre Palette of their Stylish Expression." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 3 (October 25, 2023). http://dx.doi.org/10.32461/2226-3209.3.2023.289852.

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The purpose of the research is to trace the Biedermeier background of the expressiveness of S. Moniuszko's Songs in their borderline to the musical realism-verism of the middle of the 19th century, using the example of the songs for high voice from the collection "Pieśni wybrane", 1, na głos wysoki (Polskie Wydawnictwo Muzyczne: Kraków, 1972), which timbre-register corresponds to the lyric soprano of the author of this essay. The methodological basis is the intonation approach of the school of B. Asafyev in Ukraine, represented, among other things, by the works of O. Markova, O. Muravska, Yu.

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Smith, Louis M. "Nora Barlow - A Modern Cambridge Victorian And 'The Many Lives of Modern Woman'." Advancing Women in Leadership Journal 19 (June 12, 2017). http://dx.doi.org/10.21423/awlj-v19.a196.

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The audience and thesis of a book carry multiple implications for what will follow in the discussion. Inreading The many lives of modern woman (Gruenberg and Krech, 1952), I found the authors speaking to anumber of issues about which I was concerned. In particular they seemed to offer a kind of subtext to thelast chapter of the biography I am writing, Nora Barlow and the Darwin legacy (Smith, In process). If thatworks out, it is a major discovery or accomplishment. Further, when colleagues Sharon Lee and KellyMcKerrow sent a call for papers on women, leadership, and social justice, I thought t

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Hambardzumyan, Naira. "The Phenomenon Écriture Féminine and the Structuring of Poetic Language in the Poetry of Western Armenian Women Authors." Journal of Armenian studies, October 12, 2024, 150–72. http://dx.doi.org/10.54503/1829-4073-2024.2.150-172.

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There has been a great interest in the issue of women’s writing since the 1960s. The aim of the study is to examine the characteristics of the phenomenon of women's writing on the example of the features of the poetics of Western Armenian women authors’ works and to reevaluate not only the interactions and attitudes of Western Armenian women authors of the second half of the 19th century regarding the issue of women's emancipation, but also the idea of écriture féminine proposed by the French philosopher Hélène Cixous. The aim of the study is to examine not only the four-level semantic and ide

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Marshall, P. David. "Seriality and Persona." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.802.

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No man [...] can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true. (Nathaniel Hawthorne Scarlet Letter – as seen and pondered by Tony Soprano at Bowdoin College, The Sopranos, Season 1, Episode 5: “College”)The fictitious is a particular and varied source of insight into the everyday world. The idea of seriality—with its variations of the serial, series, seriated—is very much connected to our patterns of entertainment. In this essay, I want to begin the process of testing what values and meanings can be drawn from the idea of

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Noyce, Diana Christine. "Coffee Palaces in Australia: A Pub with No Beer." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.464.

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The term “coffee palace” was primarily used in Australia to describe the temperance hotels that were built in the last decades of the 19th century, although there are references to the term also being used to a lesser extent in the United Kingdom (Denby 174). Built in response to the worldwide temperance movement, which reached its pinnacle in the 1880s in Australia, coffee palaces were hotels that did not serve alcohol. This was a unique time in Australia’s architectural development as the economic boom fuelled by the gold rush in the 1850s, and the demand for ostentatious display that gather

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Sully, Nicole. "Modern Architecture and Complaints about the Weather, or, ‘Dear Monsieur Le Corbusier, It is still raining in our garage….’." M/C Journal 12, no. 4 (2009). http://dx.doi.org/10.5204/mcj.172.

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Historians of Modern Architecture have cultivated the image of the architect as a temperamental genius, unconcerned by issues of politeness or pragmatics—a reading reinforced in cultural representations of Modern Architects, such as Howard Roark, the protagonist in Ayn Rand’s 1943 novel The Fountainhead (a character widely believed to be based on the architect Frank Lloyd Wright). The perception of the Modern Architect as an artistic hero or genius has also influenced the reception of their work. Despite their indisputable place within the architectural canon, many important works of Modern Ar

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