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Tesi sul tema "1835-1910"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 30 luglio 2024

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1

STRONG, WILLIAM FREDERICK. "MARK TWAIN'S SPEAKING IN THE DARK YEARS (COMMUNICATION, RHETORIC, MOVEMENTS)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188015.

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Abstract (sommario):

This study examines Mark Twain's use of the spoken word in the last decade of his life. It includes Twain's informal readings, his image manipulation and control, his rhetorical speaking, his methods of speech preparation, and his dictation of the autobiography. Twain's use of oral interpretation is examined demonstrating the influence of the Reading Tour of 1884-1885. He read informally for personal delight and to edit his works. A large part of the dissertation is devoted to the long history of the Twain persona. Particularly does this study focus on Twain's rhetorical persona and the means

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2

Knapp, Peter John. "The war prayer : a dramatic setting of Mark Twain's text /." Connect to this title online, 1998. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1102529382.

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3

Crippen, Larry L. (Larry Lee). "Huck, Tom, and No. 44: the Tripartite Twain." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278563/.

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Abstract (sommario):

In this study, I show that three major areas of Mark Twain's personality—conscience, ego, and nonconformist instincts—are represented, in part, respectively by three of his literary creations: Huckleberry Finn, Tom Sawyer, and No. 44. The origins of Twain's personality which possibly gave rise to his troubled conscience, need for attention, and rebellious spirit are examined. Also, Huck as Twain's social and personal conscience is explored, and similarities between Twain's and Tom's complex egos are demonstrated. No. 44 is featured as symbolic of Twain's iconoclastic, misanthropic, and solipsi

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4

Barrow, William David 1955. "Orality, Literacy, and Heroism in Huckleberry Finn." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500929/.

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This work re-assesses the heroic character of Huckleberry Finn in light of the inherent problems of discourse. Walter Ong's insights into the differences between oral and literate consciousnesses, and Stanley Fish's concept of "interpretive communities" are applied to Huck's interactions with the other characters, revealing the underlying dynamic of his character, the need for a viable discourse community. Further established, by enlisting the ideas of Ernest Becker, is that this need for community finds its source in the most fundamental human problem, the consciousness of death. The study co

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5

Louis-Dimitrov, Delphine. "L'écriture de l'histoire dans l'oeuvre de Mark Twain : un imaginaire de la trace." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030057.

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Cette thèse se donne pour enjeu de redéfinir l'identité littéraire de Mark Twain dans son articulation avec l'histoire. Clef de voûte de la mythologie nationale qui donne forme à l'identité américaine, le motif de la trace devient chez Twain un principe d'écriture où s'exprime une conscience historique dissidente. La réappropriation progressive de ce paradigme subvertit les représentations collectives pour définir une compréhension singulière de l'historicité de la nation et du devenir individuel. L'opposition entre la trace mnésique, inscription de l'histoire dans la profondeur du lieu, et la

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6

Britton, Wesley A. (Wesley Alan). "The Atheism of Mark Twain: The Early Years." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500523/.

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Many Twain scholars believe that his skepticism was based on personal tragedies of later years. Others find skepticism in Twain's work as early as The Innocents Abroad. This study determines that Twain's atheism is evident in his earliest writings. Chapter One examines what critics have determined Twain's religious sense to be. These contentions are discussed in light of recent publications and older, often ignored, evidence of Twain' s atheism. Chapter Two is a biographical look at Twain's literary, family, and community influences, and at events in Twain's life to show that his religious ant

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7

Tromp, Alicia. "Les écrits tardifs de Mark Twain : un corpus illisible ?" Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC161/document.

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Depuis plusieurs décennies, la critique américaine bouscule les limites traditionnelles du concept de « canon ». Les « grands » auteurs n’ont pas pour autant été congédiés et la notion de canon continue à jouer un rôle central. Ce phénomène double est particulièrement frappant chez Mark Twain. Le corpus illustrant le mieux ce mélange d’hypercanonicité et d’obscurité totale est sans doute celui qui regroupe les textes composés après l’œuvre twainienne canonique par excellence, les célèbres Adventures of Huckleberry Finn : le Twain tardif. Si ces textes sont de plus en plus lus, l’effort d’analy

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8

Wienandt, Christopher. "Mark Twain, Nevada Frontier Journalism, and the "Territorial Enterprise" : Crisis in Credibility." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278247/.

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This dissertation is an attempt to give a picture of the Nevada frontier journalist Samuel L. Clemens and the surroundings in which he worked. It is also an assessment of the extent to which Clemens (and his alter ego Twain) can be considered a serious journalist and the extent to which he violated the very principles he championed.

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9

Harper, Pamela Evans. "Shared Spaces: The Human and the Animal in the Works of Zora Neale Hurston, Mark Twain, and Jack London." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9095/.

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Living in tune with nature means respecting the natural environment and realizing its power and the ways it manifests in daily life. This essay focuses on the ways in which respect for nature is expressed through animal imagery in Zora Neale Hurston's Their Eyes Were Watching God, Mark Twain's "The Stolen White Elephant," Roughing It, and Pudd'nhead Wilson, and Jack London's The Call of the Wild. Each author encouraged readers to seek the benefits of nature in order to become better human beings, forge stronger communities, and develop a more unified nation and world. By learning from the posi

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10

Ruiz, Flores Almidia Patricia. "Las Fábricas textiles en el centro y sur de México de 1835 a 1910: origen, evolución e influencia europea." Doctoral thesis, Universitat Politècnica de Catalunya, 2011. http://hdl.handle.net/10803/108904.

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The research presented in this thesis under the title ¿Las Fábricas Textiles, En El Centro Y Sur De México De 1835 A 1910. Origen Evolución e Influencia Europea¿ is proposed based on the principle 2.3 that ICOMOS presented for the analysis, conservation and restoration of architectural heritage structures which says that "A full understanding of the structural and material characteristics is required in conservation practice. Information is essential on the structure in its original and earlier states, on the techniques that were used in the construction, on the alterations and thei

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11

Jenn, Ronald. "La traduction de la rhétorique enfantine chez Mark Twain." Bordeaux 3, 2003. http://www.theses.fr/2004BOR30018.

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Cette étude vise à analyser la traduction de la rhétorique enfantine dans les romans Tom Sawyer et Huckleberry Finn de Mark Twain. L'approche est à la fois descriptive et prescriptive. Elle s'appuie sur la recherche dans divers domaines : études en traduction, histoire du livre et de l'édition, narratologie, linguistique appliquée à la traduction, stylistique, ainsi que sur plus d'un siècle de critique twainienne. Il s'agit d'une approche systémique du champ qui considère les liens que les différentes versions entretiennent avec l'original, mais également les unes avec les autres. Suivant les

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12

George, Ambrose Cato. "A mission and five commissions: a study of some aspects of the educational work of the American Zulu Mission, 1835-1910." Thesis, Rhodes University, 1989. http://hdl.handle.net/10962/d1001403.

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This thesis examines the work of the American Zulu Mission in Natal from 1835 to 1910. Of the institutions controlled by this mission, the most famous was that known in the 20th Century as Adams College, named after one of the founders of the Natal work, Dr Newton Adams. Although other research work has been done on this institution and this mission in general, this thesis attempts to examine the work in the light of the mission's own view of its educational purpose and the expectations of the Colonial Government of what could be expected of missionary education. To meet this purpose particula

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13

Barreiro, Idegar Alves [UNESP]. "O narrador e a presença da sátira menipéia em The adventures of Tom Sawyer." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/94122.

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Made available in DSpace on 2014-06-11T19:26:53Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-07-26Bitstream added on 2014-06-13T18:07:46Z : No. of bitstreams: 1 barreiro_ia_me_assis.pdf: 2278877 bytes, checksum: 4c4bea83dd40428a92a61112081fe584 (MD5)<br>Secretaria da Educação<br>Nossa pesquisa busca verificar a presença da sátira menipéia na obra The Adventures of Tom Sawyer de Mark Twain e discutir a atuação do narrador na mesma. É uma obra aparentemente elaborada para jovens, mas também tece críticas às normas pré-estabelecidas e abarca fantasia e humor inserindo-se nas caracterí

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14

Lavoie, Judith. "La parole noire en traduction française : le cas de Huckleberry Finn." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35905.

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Abstract (sommario):

Divided into five chapters, the thesis analyzes the translation into French of Black English as represented in Mark Twain's novel Adventures of Huckleberry Finn. The method, mainly text-oriented, that is to say turning away from the sociological approach, offers a semiotic reading of the text, both original and translated (Chapter 1). This semiotic approach considers the text as a significant mosaic. Thus, it brings out not only the motivation of the different textual elements, but also the coherence cementing them. The analysis of the original text (Chapter 2) shows that the subversive aesthe

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15

Abaurre, Maria Luiza Marques. "A materia de Bretanha no seculo XIX : Alfred Tennyson e Mack Twain na corte do rei Arthur." [s.n.], 1993. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270000.

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Orientador: Yara Frateschi Vieira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-07-18T07:12:55Z (GMT). No. of bitstreams: 1 Abaurre_MariaLuizaMarques_M.pdf: 5360910 bytes, checksum: f9c3d6cf3762f54e4da6e93c50a0c136 (MD5) Previous issue date: 1993<br>Resumo: Não tem resumo na obra impressa. Base IEL resumo: Leitura comparativa de duas refacções da matéria de Bretanha produzidas no século XIX: Idylls of the King, de Alfred Tennyson, e A Connecticut Yankec in King Arthur's Court, de Samuel Langhorne Clemens (

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16

Doca, Heloisa Helou [UNESP]. "Mark Twain: um patriota antiimperialista e seu relato de viagem em The innocents abroad or the new pilgrim's progress." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/103677.

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Made available in DSpace on 2014-06-11T19:32:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-02-10Bitstream added on 2014-06-13T18:44:16Z : No. of bitstreams: 1 doca_hh_dr_assis.pdf: 8916292 bytes, checksum: 8f6acbb180aa070c368f83b1ea070b0a (MD5)<br>A leitura cuidadosa do texto do Tratado de Paris, em 1900, leva Mark Twain a concluir que a intenção política norte-americana era, claramente, a de subjugação. Declara-se, abertamente, antiimperialista nesse momento, apesar das inúmeras críticas recebidas por antagonistas políticos que defendiam o establishment dos Estados Unidos. Após

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17

Sekerler, Richiardi Ayse Pelin. "Jevons et Walras : entre philosophie morale et économie sociale, un jalon dans la compréhension de la décision publique." Paris 1, 2010. http://www.theses.fr/2010PA010035.

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Cette thèse de doctorat porte sur les manières dont deux économistes du XIXe siècle, W. S. Jevons et L. Walras, abordent la question du bien-être collectif et la prise de décision publique. Connus principalement pour leurs travaux en économie pure, ces auteurs s'intéressent également à la question sociale et proposent des solutions pour Y remédier. Jevons, conformément à son adhésion à la tradition utilitariste, estime que les interventions des autorités publiques doivent avoir pour objectif l'amélioration du bien-être collectif. Quant à Walras, il adopte un critère de justice qui relève du «

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18

Bensalah, Nouria. "Les "Slave narratives" dans "The Adventures of Huckleberry Finn" de Mark Twain : les enjeux d'une intertextualité diverse." Paris 8, 2008. http://www.theses.fr/2008PA082915.

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Le sujet de la thèse porte sur les liens intertextuels entre "Les Aventures d'Huckleberry Finn" de Mark Twain et les "slave narratives" ou récits d' (ex-) esclaves. C'est une étude du récit de l'esclave dans le roman de Mark Twain et de sa fonction dans le travail intertextuel. Cette étude porte essentiellement sur : 1- l'intertextualité comme effet de l'écriture (le récit de Jim – l'esclave – et sa fonction dans le travail intertextuel) ; 2- l'intertextualité comique (il s'agit d'une observation des réécritures comiques, voire parodiques de certaines traditions propres aux "slave narratives"

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19

Soppelsa, Fernanda Bondam. "Regionalidade e tradução em Aventuras de Tom Sawyer, de Monteiro Lobato." reponame:Repositório Institucional da UCS, 2015. https://repositorio.ucs.br/handle/11338/1075.

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Mark Twain, renomado autor realista e local colorist, é conhecido pelo seu estilo coloquial de escrever. A modalidade oral regional da língua inglesa é representada na fala dos personagens do romance The Adventures of Tom Sawyer (Aventuras de Tom Sawyer). Nesta dissertação, é feita uma análise comparativa entre alguns trechos da obra original de Mark Twain, publicada em 1876, e da tradução feita por Monteiro Lobato, em 1934. A partir dos conceitos de regionalidade apresentados por Arendt (2012) e Stüben (2013), o objetivo desta pesquisa é analisar as especificidades culturais da obra original

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20

Wilson, David. "The art of faith in a world of progress : from transcendence to immanence." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/14757.

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This thesis examines what the visual art of Christian faith might reveal, and teach us, about the living art of faith in a world characterised by progress. The argument focuses on two prominent visual artists from the nineteenth century - William McTaggart (1835-1910) and William Dyce (1806 – 1864) - and two late twentieth century painters: Andy Goldsworthy (b. 1956) and Peter Howson (b. 1958). The principal contribution then, of the thesis is the sustained analysis of works of art as sites of religious meaning; works that do not simply reflect or echo their contexts (although this is clearly

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21

Hall, Robert L. (Robert Lee) 1956. "Natural Innocence in "Adventures of Huckleberry Finn", the Nick Adams Stories, and "The Old Man and the Sea"." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc500586/.

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Hemingway claims in Green Hills of Africa that "all modern American literature comes from one book by Mark Twain called Huckleberry Finn." If this basic idea is applied to his own work, elements of Adventures of Huckleberry Finn appear in some of Hemingway's Nick Adams stories and his novel The Old Man and the Sea. All major characters and several minor characters in these works share the quality of natural innocence, composed of their primitivism, sensibility, and active morality. Hemingway's Nick, Santiago, and Manolin, and Twain's Huck Finn and Jim reflect their authors' similar backgrounds

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22

Phiri, Aretha Myrah Muterakuvanthu. "Toni Morrison and the literary canon whiteness, blackness, and the construction of racial identity." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1002255.

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Toni Morrison, in Playing in the Dark, observes the pervasive silence that surrounds race in nineteenth-century canonical literature. Observing the ways in which the “Africanist” African-American presence pervades this literature, Morrison has called for an investigation of the ways in which whiteness operates in American canonical literature. This thesis takes up that challenge. In the first section, from Chapters One through Three, I explore how whiteness operates through the representation of the African-American figure in the works of three eminent nineteenth-century American writers, Harr

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23

Anderson, Erich R. "A Window to Jim's Humanity: The Dialectic Between Huck and Jim in Mark Twain's Adventures of Huckleberry Finn." Thesis, Connect to resource online, 2008. http://hdl.handle.net/1805/1729.

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Thesis (M.A.)--Indiana University, YEAR.<br>Title from screen (viewed on August 26, 2009). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Jane E. Schultz, Jonathan R. Eller, Robert Rebein. Includes vita. Includes bibliographical references (leaves 80-83).

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24

Long, Kim Martin. "The American Eve: Gender, Tragedy, and the American Dream." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277633/.

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America has adopted as its own the Eden myth, which has provided the mythology of the American dream. This New Garden of America, consequently, has been a masculine garden because of its dependence on the myth of the Fall. Implied in the American dream is the idea of a garden without Eve, or at least without Eve's sin, traditionally associated with sexuality. Our canonical literature has reflected these attitudes of devaluing feminine power or making it a negative force: The Scarlet Letter, Moby-Dick, Adventures of Huckleberry Finn, The Great Gatsby, and The Sound and the Fury. To recreate the

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25

Berré, Alessio. "Alle origini del «romanzo giudiziario» italiano : la figura del delinquente tra letteratura, Diritto e scienze mediche." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100038.

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Cette thèse de doctorat a pour objectif d’interroger les relations entre littérature, droit et sciences médicales à l’intérieur de ce qu’on appelle le roman « judiciaire », genre qui s’est développé en Italie dans une période comprise entre l’Unité nationale et le tout début du XXème siècle. Dans ce cadre, nous nous questionnons essentiellement sur l’élément principal qui émerge de cette relation interdisciplinaire, à savoir la construction de la figure du criminel. Dans cette perspective, nous avons pu en effet dégager que la construction de cette figure est centrale dans de nombreux romans d

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26

Batista, Miguel. "Bildung and initiation : interpreting German and American narrative traditions." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14616.

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This thesis is divided into two main parts. The first, comprising the three initial chapters, looks, in chapter one, at the specifically German origins of the Bildungsroman, its distinctive features, and the difficulties surrounding its transplantation into the literary contexts of other countries. Particular attention is paid to the ethical dimension of the genre, i.e. to the relation between the individual self and the exterior world, and how it affects individual formation. The focus then shifts to American literature, and the term 'narrative of initiation' is recommended as a credible alte

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27

Ishihara, Tsuyoshi. "Mark Twain in Japan: Mark Twain's literature and 20th century Japanese juvenile literature and popular culture." Thesis, 2003. http://hdl.handle.net/2152/669.

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28

Henrique, Sónia Isabel Duarte Pereira. "Informar, administrar, conservar prova: circuitos e significados da correspondência no Arquivo Colonial (Direção-Geral do Ultramar, 1835-1910)." Doctoral thesis, 2020. http://hdl.handle.net/10362/95076.

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O século XIX testemunhou o aprofundamento da cultura burocrática enquanto consequência do processo de construção do Estado Moderno. Os arquivos da Administração Pública Portuguesa resultantes apresentam-se como evidências de uma vivência de profunda instabilidade política, económica e social. O que inevitavelmente condicionou a política arquivística, da época, mas que se tornou no lastro desta cultura burocrática. O arquivo da Direção-Geral do Ultramar é um bom exemplo da relação entre prática administrativa e política arquivística. A exploração da evolução orgânica e funcional da Direção-Gera

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Madureira, Raquel Alexandra Teixeira. "Tradução de ficção breve de Mark Twain pertencente ao ciclo de Adão e Eva : contexto histórico, intertextualidade bíblica, humor e realismo de linguagem." Master's thesis, 2020. http://hdl.handle.net/10451/48951.

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Abstract (sommario):

O presente relatório, realizado no âmbito do estágio do mestrado de Tradução, na editora Ponto de Fuga, debruçar-se-á sobre a tradução de ficção breve da autoria de Mark Twain, pertencente ao ciclo de Adão e Eva. As obras em causa são, especificamente, “Adam’s Expulsion” (1996), “Adam’s Soliloquy” (1923), “Autobiography of Eve” (1996), “Passage from Eve’s Diary” (1923) e “Passage from Satan’s Diary” (1923). É sobre estes textos que incide a análise das escolhas tradutórias. As decisões tomadas são agrupadas em três grandes núcleos: as referências ao contexto religioso, social e histórico; as p

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30

Almeida, Sílvia Maria Cândido de. "Nacionalização e Universalização do Curriculum da Escola Primária em Portugal: Origens, Controlo e Práticas. Para uma Sociologia Histórica comparada do Conhecimento Escolar (1835-1910)." Doctoral thesis, 2014. http://hdl.handle.net/10362/119336.

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31

Walsh, Lynda. "The rhetoric of the scientific media hoax: humanist interventions in the popularization of nineteenth-century American science." Thesis, 2003. http://hdl.handle.net/2152/1035.

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32

Parra, Jamie Luis. "Prisoners of Style: Slavery, Ethics, and the Lives of American Literary Characters." Thesis, 2016. https://doi.org/10.7916/D8T72H9W.

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This dissertation reconsiders the relationship between fiction and slavery in American literary culture. “Prisoners of Style” shows how writers from the middle of the nineteenth to the middle of the twentieth century, including Hannah Crafts, Mark Twain, Charles Chesnutt, and William Faulkner, wrestled with enslavement. They found it not only a subject to be written about, but also a problem of characterization. Slavery and the ontological sorcery through which it produced a new kind of individual—the individual who is also a thing—led these authors to rethink basic formal assumptions about

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