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Bibliografie tematiche / 1920-1993

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Letteratura scientifica selezionata sul tema "1920-1993"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "1920-1993"

1

Casanova, Jean-Claude. "Jean Lecanuet (1920-1993)." Commentaire Numéro62, no. 2 (1993): 341. http://dx.doi.org/10.3917/comm.062.0341.

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2

Gershoff, Stanley N. "Jean Mayer 1920–1993." Journal of Nutrition 131, no. 6 (June 1, 2001): 1651–54. http://dx.doi.org/10.1093/jn/131.6.1651.

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3

Raphael, D. D. "Maurice Cranston (1920–1993)." Utilitas 6, no. 1 (May 1994): 1–7. http://dx.doi.org/10.1017/s095382080000128x.

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Professor Maurice Cranston, who died suddenly on 5 November 1993, was a man of many talents. Pre-eminent as a biographer of Locke and Rousseau, he was also distinguished for his own contribution to political philosophy and for his capacity to expound the political thought of others in clear, simple language. He did this with great success not only in the lecture room but also in numerous broadcast talks and discussions, notably on the Third Programme (later called Radio 3) of the BBC. In his academic work he was particularly well informed on French political thought, contemporary as much as cl

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4

Wortis, Joseph. "Charles Shagass 1920–1993." Biological Psychiatry 35, no. 6 (March 1994): 365–66. http://dx.doi.org/10.1016/0006-3223(94)90001-9.

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5

Abramsky, Chimen. "Lukasz Hirszowicz 1920–1993." East European Jewish Affairs 23, no. 2 (December 1993): 5–7. http://dx.doi.org/10.1080/13501679308577747.

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Lerman, Antony. "Dr Lukasz Hirszowicz 1920–1993." East European Jewish Affairs 24, no. 2 (December 1994): 11–13. http://dx.doi.org/10.1080/13501679408577774.

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7

Dahneke, Barton E., and Paul E. Morrow. "Thomas T. Mercer (1920–1993)." Journal of Aerosol Science 24, no. 6 (September 1993): 705–6. http://dx.doi.org/10.1016/0021-8502(93)90041-7.

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Gaddis Offutt, Elaine, and Amelia Catakis. "Edith A. Jones — 1920–1993." Journal of the American Dietetic Association 93, no. 8 (August 1993): 917. http://dx.doi.org/10.1016/0002-8223(93)91537-z.

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9

Malinin, Theodore I. "George W. Hyatt, M.D. (1920-1993)." Cryobiology 31, no. 5 (October 1994): 413. http://dx.doi.org/10.1006/cryo.1994.1050.

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Shapiro, Burton L. "Carl J. Witkop, Jr.(1920-1993)." American Journal of Medical Genetics 47, no. 2 (August 15, 1993): 161–62. http://dx.doi.org/10.1002/ajmg.1320470202.

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Tesi sul tema "1920-1993"

1

Marcotte, René. "Politique commerciale Américaine et délégation législative, 1920-1993." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25457/25457.pdf.

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2

Amaral, Ignez Teixeira Gurgel do. "As varias faces de Cabiria." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253185.

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Orientador: Carlos Eduardo Albuquerque Miranda<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-04T04:41:50Z (GMT). No. of bitstreams: 1 Amaral_IgnezTeixeiraGurgeldo_M.pdf: 1638056 bytes, checksum: 151fff1515b84ffbdc1afab3cb38f044 (MD5) Previous issue date: 2005<br>Resumo: Construção através de alegorias, cenas e imagens, dos diversos e possíveis caminhos percorridos por Cabiria, de Federico Fellini. As várias faces da prostituta Cabiria sendo desvelada num universo metafórico, literário, imaginário e fantástico atrav

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3

Eades, Caroline. ""Fellini-Satyricon"." Paris 3, 1986. http://www.theses.fr/1987PA030125.

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Le film de federico fellini, fellini-satyricon (italie, 1969), est le fruit d'influences litteraires, historiques et cinematographiques, tant sur le plan stylistique qu'au niveau de la narration. L'influence la plus notable est celle du roman de petrone, le satiricon, qui daterait du regne de neron et a fourni au film ses personnages principaux, la moitie de ses sequences et une grande partie de sa structure; les musees de naples et de rome, les sites de pompei et d'herculanum, les reconstitutions historiques de jerome carcopino ont contribue a l'elaboration des decors et des costumes. Le film

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4

Costa, Fabienne. "Le corps sous influences dans l'oeuvre de Federico Fellini." Paris 3, 2000. http://www.theses.fr/2000PA030149.

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L'esthetique du spectaculaire est d'ordinaire associee a l'oeuvre de fellini. Cette perspective conduit a determiner une categorie du corps dit << fellinien >>, essentiellement definie par les formes abondantes des acteurs. Un autre corps, plus discret mais nullement secondaire, traverse pourtant les films du cineaste italien. Saisi par le film qui ne se contente pas de le camper en personnage, il depasse la chair des acteurs, leur simple apparence qui compte moins que l'ensemble des relations dans lequel il est pris. Il montre sa capacite de diffusion, excede ses propres contours et devient a

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5

Souza, Christiane Pereira de. "A construção em abismo como construção critica em 8 1/2 de Fellini." [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284876.

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Orientador : Roberto Berton de Angelo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-03T22:59:17Z (GMT). No. of bitstreams: 1 Souza_ChristianePereirade_M.pdf: 833306 bytes, checksum: 30a7809533a7bc033ed284029b1f4fbb (MD5) Previous issue date: 2003<br>Mestrado

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6

Méjean, Jean-Max. "Fellini-Cinéma, une approche analytique de l'oeuvre de Federico Fellini." Paris 7, 1992. http://www.theses.fr/1992PA070076.

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Cette etude tente de pratiquer une analyse psychanalytique de l'ensemble de l'oeuvre de fellini, sur le plan de la psychanalyse jungienne. Une sorte d'itineraire tenant compte de l'aspect labyrinthique du cinema de fellini. Quelques films sont analyses de facon sequentielle, d'autres ont ete abordes de facon plus generale mais avec une insistance toute particuliere sur certains plans. L'etude comporte en outre des analyses de photgrammes comme tentative d'approche de l'image afin de denoter les aspects essentiels du double, de l'androgynie, du masque et de la femme que le heros fellinien reche

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7

Diana, Jean-François. "L'image mentale au cinéma : un regard particulier sur certaines oeuvres de Frederico Fellini." Metz, 1995. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/1995/Diana.Jean_Francois.LMZ9509_1.pdf.

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Le but de cette thèse est tout d'abord d'élaborer les éléments d'une théorie générale de l'image mentale au cinéma à partir d'oeuvres majeures issues de l'histoire du cinéma et plus précisément de certains films de Frederico Fellini, principalement Huit et Demi (1963) et Juliette des esprits (1965). La première partie se consacre aux paramètres d'une représentation spécifique en étudiant d'une part, les éléments du contenu d'univers mentaux cinématographiques (spatialité diégétique et mentalisée, temporalité diégétique et mentalisée, actorialité diégétique et mentalisée) et d'autre part, en s'

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8

Gallico, Vittoriano. "L'influenza di Federico Fellini e di Martin Scorsese sull'opera di Paolo Sorrentino." Thesis, Nantes, 2020. http://www.theses.fr/2020NANT2005.

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Paolo Sorrentino est un réalisateur et écrivain italien contemporain, né à Naples en 1970. Dès son premier longmétrage, intitulé L’uomo in piu (2001), nous relevons un intérêt critique régulier vis-à-vis de ses oeuvres cinématographiques et, par la suite, littéraires. Les prix récemment décernés à l’auteur napolitain, notamment pour La grande bellezza (2013), n’ont fait qu’accroître la curiosité des commentateurs. Comptant autant d’admirateurs que de détracteurs chez les critiques journalistiques, Sorrentino est aujourd’hui l’un des auteurs cinématographiques les plus célèbres d’Italie, ainsi

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9

Cunha, Renato José Pinto da. "Fellinimaginário : por uma teoria imaginativa do cinema." reponame:Repositório Institucional da UnB, 2018. http://repositorio.unb.br/handle/10482/34178.

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Tese (doutorado)—Universidade de Brasília, Faculdade de Comunicação, Programa de Pós-graduação em Comunicação, 2018.<br>Por meio da identificação na cinematografia de Federico Fellini de quatro categorias estéticas não canônicas — o onírico, o mnêmico, o espetacular e o utópico —, aqui tratadas como categorias estéticas imaginativas, esta tese propõe uma teoria felliniana imaginativa do cinema, que também se revela representativa para se pensar outras cinematografias. E isso se dá pelo desenvolvimento da ideia de imaginidades, ou ciências imaginativas, como o lugar de conhecimento das artes em

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10

Mendes, Euclides Santos 1980. "Cristais de tempo : o neorrealismo italiano e Fellini." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284506.

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Orientador: Francisco Elinaldo Teixeira<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-23T12:54:47Z (GMT). No. of bitstreams: 1 Mendes_EuclidesSantos_D.pdf: 1403678 bytes, checksum: 99882588c5a417d98f7a94f8e9331831 (MD5) Previous issue date: 2013<br>Resumo: O cineasta italiano Federico Fellini aprendeu o ofício de roteirista nos anos 1940, enquanto colaborava em filmes neorrealistas, e o manteve ao longo da sua vida. Consagrou-se internacionalmente como diretor no início dos anos 1960, ao transformar seu primevo olhar de mat

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Libri sul tema "1920-1993"

1

Dayan, Nisim. Federiḳo Felini, 1920-1993. [Israel]: Miśrad ha-ḥinukh, ha-Minhal le-madaʻe ṭekhnologyah, ha-Pikuaḥ ʻal megamot ṭekhnologyot tikshoret, 2006.

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2

dr, Majer Vladimir prof, and Hrvatska akademija znanosti i umjetnosti, eds. Nikola Škreb, 1920-1993. Zagreb: Hrvatska akademija znanosti i umjetnosti, 1994.

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3

Correa, Marcial Rubio. Legislación peruana sobre drogas, 1920-1993. Lima: CEDRO, 1994.

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4

Turkey. Millı̂ Eğitim Bakanlığı. Araştırma, Planlama, ve Koordinasyon Kurulu Başkanlığı., ed. T.C. hükümet programlarında eğitim, 1920-1993. Ankara: Millı̂ Eğitim Basımevi, 1993.

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5

1938-, Labbé Gabriel, ed. Musiciens traditionnels du Québec (1920-1993). Montréal: VLB, 1995.

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6

Peña, Luis Medina. Hacia el nuevo estado: México, 1920-1993. México: Fondo de Cultura Económica, 1994.

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7

Syd, Erhvervsudviklingscenter, and Institut for Sønderjysk Lokalhistorie, eds. Erhvervsuddannelser i grænselandet: Aabenraa tekniske skole 1920-1993. Sønderborg, Grundtvigs Allé 88, 6400]: EUC Syd, 2005.

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8

Khayr, Hānī. al-Ḥayāt al-niyābīyah fī al-Urdun, 1920-1993. ʻAmmān: Lajnat Tārīkh al-Urdun, 1993.

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9

Khayyir, Hānī. al- Ḥayāh al-niyābīyah fī al-Urdun, 1920-1993. ʻAmman: Lajnat Tārīkh al-Urdun, 1993.

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10

Marien, Marcel. Marcel Marien: 1920 - 1993 Jeden surrealistický zivot = Une vie surréaliste. Prague: Ceské muzeum vt́arných umení, 1996.

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Capitoli di libri sul tema "1920-1993"

1

Aldrich, John H. "William H. Riker (1920–1993)." In Readings in Public Choice and Constitutional Political Economy, 135–41. Boston, MA: Springer US, 2008. http://dx.doi.org/10.1007/978-0-387-75870-1_10.

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2

Dykeman, Therese Boos. "Oodgeroo of the Noonuccal (Kath Walker) of Australia 1920–1993." In Women in the History of Philosophy and Sciences, 433–43. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-28563-9_20.

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3

Turner, David A. "Brian Holmes (1920–1993)." In British Scholars of Comparative Education, 71–84. Routledge, 2020. http://dx.doi.org/10.4324/9780429285615-5.

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4

Lelental, Stefan. "In memoriam - Filomena Bortkiewicz (1920-1993)." In Studia z Dziejów Państwa i Prawa Polskiego, tom 2, 164–65. Wydawnictwo Uniwersytetu Łódzkiego, 1995. http://dx.doi.org/10.18778/7016-902-3.10.

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5

"Phyllis Ann Wallace – A Female Pioneer (1920?–1993)." In A Critical Analysis of the Contributions of Notable Black Economists, 86–90. Routledge, 2017. http://dx.doi.org/10.4324/9781315263960-11.

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6

"Semblanza biográfica de Sergio Rojas Fajardo (Popayán 1920 - Bogotá 1993)." In Popayán en las canciones de Sergio Rojas Fajardo, 21–32. Universidad del Cauca, 2020. http://dx.doi.org/10.2307/j.ctv2cmrb28.7.

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7

"Chapter 1. Policing Racial Boundaries and Riots in New York (1920–1993)." In Police Power and Race Riots, 41–87. University of Pennsylvania Press, 2014. http://dx.doi.org/10.9783/9780812209860.41.

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8

Pimm, Stuart L., Michael P. Moulton, and Lenora J. Justice. "Bird extinctions in the central Pacific." In Extinction Rates, 75–87. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198548294.003.0005.

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Abstract The Pacific islands faunas and floras are well known for their high extinction rates (Diamond 1984a,h; Smith et al. 1993; Milberg and Tyrberg 1993; Humphries and Fisher 1994). Human colonization has driven these changes in the last few millennia. The first wave spread eastwards from the East Indies reaching Melanesia and Micronesia about 4000 ya (years ago), Fiji and Samoa 3500 ya, the Marquesas 2000 ya, and the outliers of Hawai’i, Easter Island, and New Zealand within the last 1500 years. European exploration started with Magellan and Mendana in the 16th century and was all but complete when Cook died at Kealakekua, Hawai’i in 1779. Colonization started later: the first missionaries arrived in ‘Tahiti in 1795 and Hawai’i in 1820, for example. Both waves brought alien species to the region although the peak period of introductions is much more recent. Most bird introductions to Hawai’i occurred since 1920.

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9

Torrance, Isabelle. "Trojan Women and Irish Sexual Politics, 1920–2015." In Classics and Irish Politics, 1916-2016, 254–67. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864486.003.0013.

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This chapter traces representations of the status of women in Ireland through three twentieth-century productions based on the Trojan Women of Euripides. As a tragedy about the brutalities of colonialism, the play was immediately topical when it was produced by the Dublin Drama League in 1920, with Maud Gonne in the starring role as Hecuba. The play’s reception, however, underlined women’s lack of political agency, as did Brendan Kennelly’s Trojan Women (1993) and Marina Carr’s Hecuba (2015). Kennelly’s Trojan women are inspired by suffering Irish women from rural villages, but his Hecuba represents female collusion in sexist oppression from which men escape responsibility. Carr’s women are sexually liberated but they remain prisoners. Female sexuality continues to be connected with disempowerment at a moment when the absence of women from the Abbey Theatre’s 1916 commemoration programme was generating significant public criticism.

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Smith, Kenneth M. "A Linguistic Theory of Chromatic Harmonic Substitution and Progression in the Diatonic Unconscious." In Desire in Chromatic Harmony, 1–52. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190923426.003.0001.

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The chapter constructs an energetic model of harmonic progression in which tense chords are signifiers of tonal functions (Riemann’s T, S, and D functions). The paradigm adopts the linguistic axes that Lacan mapped as metaphor and metonymy, which were crucial to the formation of a human subject at whose center lies désir. The theoretical claims build on the recent work of David Lewin (2007), Richard Cohn (2012a), Steven Rings (2011a), Dmitri Tymoczko (2011a), Brian Hyer (2011), and others but also reevaluate the earlier work of Ernest Kurth (1920), Hugo Riemann (1893), and Ernö Lendvai (1993). The chapter seeks to account for voice leading, modulation, and tonal diversity in a broad range of works

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