Bibliografie tematiche / 3-d photography

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Letteratura scientifica selezionata sul tema "3-d photography"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 febbraio 2022

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Articoli di riviste sul tema "3-d photography"

Singh, G. Dave. "3-D Photography Combined With Conventional and 3-D Analysis." Journal of Oral and Maxillofacial Surgery 63, no. 8 (August 2005): 7. http://dx.doi.org/10.1016/j.joms.2005.05.016.

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Burleigh, Peter. "Photogenic Intensions." Magic, Vol. 5, no. 1 (2020): 60–65. http://dx.doi.org/10.47659/m8.060.art.

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What is a photograph? What a spurious, redundant start! After all, a photograph is clearly an image, a technical image of something. What a photograph is – such a stupid question! Yet, the casual announcement of the photograph as signification relies on an a priori truth that orients our thinking, our identities, our institutions. For it is “in terms of this self-apparent image of thought that everybody knows and is presumed to know what it means to think.” Collaging Deleuze and Bergson, intuition teaches us that an image is a nexus of force in itself, or as Anne Sauvagnargues suggests, what i

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Naemura, T., T. Yoshida, and H. Harashima. "3-D computer graphics based on integral photography." Optics Express 8, no. 4 (February 12, 2001): 255. http://dx.doi.org/10.1364/oe.8.000255.

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Connes, Pierre, and Etienne le Coarer. "3-D Spectroscopy: The Historical and Logical viewpoint." International Astronomical Union Colloquium 149 (1995): 38–49. http://dx.doi.org/10.1017/s025292110002265x.

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AbstractThe present review consists of two parts. The first is mostly of historical interest: the largely-forgotten Lippmann color-photography technique is recalled. The second part is wholly devoted to a critical comparative study of the recently- developed techniques.

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Huang, Shao-Kang, Cheng-Chieh Yang, Kuang-Tsu Shih, and Homer H. Chen. "Using Disparity Information for Stereo Autofocus in 3-D Photography." Electronic Imaging 2016, no. 18 (February 14, 2016): 1–6. http://dx.doi.org/10.2352/issn.2470-1173.2016.18.dpmi-254.

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Larsson, Linda, Mikael Sjödahl, and Fredrik Thuvander. "Microscopic 3-D displacement field measurements using digital speckle photography." Optics and Lasers in Engineering 41, no. 5 (May 2004): 767–77. http://dx.doi.org/10.1016/s0143-8166(03)00028-9.

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Häsler, Leonie. "Stereo Imaging In Fashion Photography." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 11, no. 1 (April 30, 2018): 38–55. http://dx.doi.org/10.31165/nk.2018.111.528.

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Fashion photographs are generally two-dimensional images showing one side of a three-dimensional model. This paper, however, deals with far less well-known stereoscopic fashion photographs. Stereoscopy is a technique that creates the illusion of a 3-D image. Based on the image collection of Swiss textile and clothes company HANRO, the article analyzes the composition of 3-D pictures by putting them in a broader media-historical context. The archived stereoscopic photographs date back to the 1950s and show a series of women’s fashion. In the same period, Hollywood experienced a 3-D-boom that ma

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Polo, María-Eugenia, José M. Vaquero, and Ángel M. Felicísimo. "Metric Properties of Sundials using 3-D Models from Digital Photography." Historical Archaeology 51, no. 4 (July 20, 2017): 557–62. http://dx.doi.org/10.1007/s41636-017-0047-x.

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Synnergren, Per, and Mikael Sjödahl. "A stereoscopic digital speckle photography system for 3-D displacement field measurements." Optics and Lasers in Engineering 31, no. 6 (June 1999): 425–43. http://dx.doi.org/10.1016/s0143-8166(99)00040-8.

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Boynton, Paul A., and Edward F. Kelley. "Binocular Fusion Camera Enables Photography of 3-D Displays for Evaluation Purposes." Information Display 29, no. 3 (May 2013): 28–31. http://dx.doi.org/10.1002/j.2637-496x.2013.tb00612.x.

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Tesi sul tema "3-d photography"

Olley, Peter, Timothy D. Gough, R. Spares, and Philip D. Coates. "An experimental and simulation comparison of a 3-D abrupt contraction flow using the Molecular Stress Function constitutive model." Maney Publishing, 2020. http://hdl.handle.net/10454/18042.

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Yes The Molecular Stress Function (MSF) constitutive model with convective constraint release mechanism has been shown to accurately fit a large range of viscometric data, and also shown to give strong vortex growth in flows of LDPE through planar and axisymmetric contractions. This work compares simulation and experimental results for 3-D flows of Lupolen 1840H LDPE through a contraction slit; 3-D effects are introduced by using a slit with a low upstream aspect ratio of 5:3. Comparisons are made with vortex opening angles obtained from streak photography, and also with stress birefringe

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Silvestro, Marco Alves. "O papel da foto na hipermídia." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/18239.

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Made available in DSpace on 2016-04-29T14:23:50Z (GMT). No. of bitstreams: 1 Marco Alves Silvestro.pdf: 1622003 bytes, checksum: f22ed74ab1f33d1bafd9b98aa5506aa4 (MD5) Previous issue date: 2009-06-19 The main objective of this thesis named The role of photography in hypermedia is to investigate the characteristics that photography acquires when it is integrated into the context of hypermedia. The point of departure is the technical history of photography and the transmutations it is undergoing in the digital world. Then, photography is studied as a language. The method that was applied

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Hu, Zhihong. "Multimodal 3-D segmentation of optic nerve head structures from spectral domain Oct volumes and color fundus photographs." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/3470.

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Currently available methods for managing glaucoma, e.g. the planimetry on stereo disc photographs, involve a subjective component either by the patient or examiner. In addition, a few structures may overlap together on the essential 2-D images, which can decrease reproducibility. Spectral domain optical coherence tomography (SD-OCT) provides a 3-D, cross-sectional, microscale depiction of biological tissues. Given the wealth of volumetric information at microscale resolution available with SD-OCT, it is likely that better parameters can be obtained for measuring glaucoma changes that move beyo

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Jibrini, Hassan. "Reconstruction automatique des bâtiments en modèles polyédriques 3-D à partir de données cadastrales vectorisées 2D et d'un couple d'images aériennes à haute résolution." Paris, ENST, 2002. http://www.theses.fr/2002ENST0010.

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Pinjuv, Guy L. "Hybrid forest modelling of Pinus Radiata D. Don in Canterbury, New Zealand." Thesis, University of Canterbury. New Zealand School of Forestry, 2006. http://hdl.handle.net/10092/1102.

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During this study two models were developed to predict growth of Pinus radiata D.Don plantations in Canterbury, New Zealand. The first, CanSPBL(1.2), is a model for whole rotations of stands owned by Selwyn Plantation Limited in Canterbury. The second model, CanSPBL(water) is a hybrid growth model for the Selwyn estate in Canterbury that incorporates an index of root zone water balance over the simulation period. An existing stand growth and yield model CanSPBL was examined using a validation dataset of PSP measurements that were not used in model fitting. Projection bias was shown for mean to

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Muriithi, Paul Mutuanyingi. "A case for memory enhancement : ethical, social, legal, and policy implications for enhancing the memory." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/a-case-for-memory-enhancement-ethical-social-legal-and-policy-implications-for-enhancing-the-memory(bf11d09d-6326-49d2-8ef3-a40340471acf).html.

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The desire to enhance and make ourselves better is not a new one and it has continued to intrigue throughout the ages. Individuals have continued to seek ways to improve and enhance their well-being for example through nutrition, physical exercise, education and so on. Crucial to this improvement of their well-being is improving their ability to remember. Hence, people interested in improving their well-being, are often interested in memory as well. The rationale being that memory is crucial to our well-being. The desire to improve one’s memory then is almost certainly as old as the desire to

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Fiveash, Tina Dale Media Arts College of Fine Arts UNSW. "The enigma of appearances: photography of the third dimension." 2007. http://handle.unsw.edu.au/1959.4/44259.

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The Enigma of Appearances is an examination into the medium of three-dimensional photography, with particular focus on the technique of stereoscopy. Invented in the mid-Victorian era, stereoscopy was an attempt to simulate natural three-dimensional perception via a combination of optics, neurology, and a pair of dissimilar images. Whilst successful in producing a powerful illusion of spatial depth and tangibility, the illusion produced by stereoscopy is anything but ??natural??, when compared to three-dimensional perception observed with the naked eye. Rather, stereoscopic photography creates

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Duganne, Erina Deirdre Reynolds Ann Morris. "Looking in/looking out the intersection of race, subjectivity, and feelings in 1950s and 1960s U.S. photography /." 2004. http://www.lib.utexas.edu/etd/r/d/2004/duganneed042/duganneed042.pdf#page=3.

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Bin-Ru, Tseng, and 曾秉儒. "Rapid Measuring System of 3-D Photograph." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/13778068739870447282.

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碩士 國立臺灣大學 機械工程學研究所 88 The major purpose of this research is to find a fast way to measure a 3-D image. The 3-D coordinates corresponding to the image caught in 1/30 can be calculated in order to be used in reverse engineering. The system consists of two CCDs, two face lasers, and one line laser. The corresponding 3-D coordinates is obtained by calculating the geometric relationship between the projected lines and CCDs. Besides, the laser lines are grouped by searching laser lines in order to use the number of the face lasers as a constraint to solve the correspondence pr

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Jones, Quyen L. "Implementation of radiation film dosimetry system to be used for the verification of a 3-D electron pencil-beam algorithm on a radiation treatment planning system." Thesis, 2004. http://hdl.handle.net/1957/29865.

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Radiation film dosimetry process using the RIT 113 v.4 dosimetry software and the film digitizer VXR-l2plus was used to evaluate the accuracy of electron dose calculations of the RAHD radiation therapy treatment planning system at Samaritan Regional Cancer Center. Kodak Ready-Pack EDR-2 film is recommended for dose distribution analysis in clinically practical dose ranges. The pencil-beam algorithm has a limitation for calculating dose in the penumbra region and in the tail region where the dose falls off. Graduation date: 2005

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Libri sul tema "3-d photography"

Lloyd, Hayes Suzanne, ed. 3-D Hollywood. New York: Simon & Schuster, 1992.

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Sammon, Rick. Under the sea in 3-D! Berkeley, CA: Nature Co., 1993.

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Rothstein, Barry. 3-D phantogram pets: A book of virtual animals. San Francisco: Chronicle Books, 2009.

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Zeller, Bob. The Civil War in depth: History in 3-D. San Francisco: Chronicle Books, 1997.

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Lin, Norman. Linux 3-D graphics programming. Plano, Tex: Wordware Pub., 2001.

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Vali͡us, N. A. Stereo: Fotografii͡a, kino, televidenie. Moskva: "Iskusstvo", 1986.

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Zone, Ray, Michael D. Smith, Bill Hogan, and Peter Ludé. 3D cinema and television technology: The first 100 years. White Plains, N.Y: Society of Motion Picture and Television Engineers (SMPTE), 2011.

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Copley, Richard Loren. The Civil War: A History in 3-D : Restored Stereo Photographs from 1861-1865 With Historical Narrative. Milford, N.Y: Richard Loren Copley, 2009.

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Barrett, Edward A. Application of stereoscopic (3-D) slides to roof and rib hazard recognition training. Washington, DC: Dept. of the Interior, 1988.

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Capitoli di libri sul tema "3-d photography"

"3 : : Polygraphic Photography and the Origins of 3-D Animation." In Animating Film Theory, 54–67. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822376811-005.

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Galloway, Alexander R. "Polygraphic Photography and the Origins of 3-D Animation." In Animating Film Theory, 54–67. Duke University Press, 2014. http://dx.doi.org/10.1215/9780822376811-004.

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GALLOWAY, ALEXANDER R. "Polygraphic Photography and the Origins of 3-D Animation." In Animating Film Theory, 54–67. Duke University Press, 2014. http://dx.doi.org/10.2307/j.ctv11sn1f6.7.

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Svorinich, Victor. "Miles in 3-D: Images of Bitches Brew." In Listen to This. University Press of Mississippi, 2015. http://dx.doi.org/10.14325/mississippi/9781628461947.003.0009.

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Using new commentary from the people behind the lens blended with revealing photographs, this chapter examines the visual narrative of Bitches Brew. Although the sessions were never shot, Miles Davis was photographed just about everywhere else at the time, whether it was on stage, at home, at the gym, or driving around New York in his Ferrari. Despite his shy and difficult demeanor, Davis had a warm and sincere relationship with the camera and the people behind it. These photographers were not only able to document this period in Davis’s life, but were also able to unveil a whole other side of him.

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Torii, Ippei, Yousuke Okada, Manabu Onogi, and Naohiro Ishii. "Inexpensive, Simple and Quick Photorealistic 3DCG Modeling." In E-Activity and Intelligent Web Construction, 1–12. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-61520-871-5.ch001.

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The process of creating photorealistic 3-dimensional computer graphic (3DCG) images is divided into two stages: modeling and rendering. Automatic rendering has gained popularity, and photorealistic rendering is generally used to render different types of images. However, professional artists still model characters manually. Moreover, not much progress has been achieved with regard to 3-D shape data acquisition techniques that can be applied to facial modeling. This is an important problem hampering the progress of 3DCG. Generally, a laser and a highly accurate camera are used to acquire 3-D shape data. This technique is time-consuming and expensive. The eyes may be damaged during measurements by this method. In order to solve these problems, this chapter proposes a simple method for 3-D shape data acquisition using a projector and Web cameras. This method is economical, simple, and less time-consuming than conventional techniques. This chapter describes the setup of the projector and Web cameras, shape data acquisition process, image processing, and generation of a photorealistic image. As an example, the authors take a reconstructed photorealistic 3DCG image of Japanese vegetable “bitter melon,” whose surface is extremely bumpy. The authors evaluate the error margin of this technique. They also verify the accuracy of this method by comparing the photograph of a face with its rendered image.

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Osmanovic, Smajo. "Imaging." In Glaucoma. Oxford University Press, 2012. http://dx.doi.org/10.1093/oso/9780199757084.003.0010.

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•Stereoscopic optic nerve photography has been considered the gold standard for documenting the optic nerve head (ONH)/retinal nerve fiber layer (RNFL) status. •Digital imaging technologies were developed recently to provide reproducible and more objective quantitative assessment of the ONH and RNFL. •Each technology measures different aspects of ONH and RNFL morphology; information obtained from different imaging devices is complementary and can be used to detect different abnormal features in the same patient. •Possible roles of ONH/RNFL imaging in clinical practice: •Documentation of ONH status• Glaucoma diagnosis •Detecting progression •Risk assessment •Screening for glaucoma •CSLO is based on a method of confocal imaging. •A diode laser (670 nm) (Fig 5.1A) scans the surface of posterior pole horizontally and vertically (x- and y-axes) with high speed. Reflected light is detected by a sensor after being filtered by a confocal pinhole which is conjugate to the focal plane of the retina. •By shifting the confocal pinhole, a series of planar scans are acquired at increasing depths and after alignment are combined to create 3-D topographic map of the retina and ONH surface. •Commercially available CSLO devices with major features are listed in Table 5.1. •Image acquisition with Heidelberg Retinal Tomography (HRT) is fast; single tomographic slices are captured in only 24 ms (faster than involuntary saccades or fixation movements). •Pupillary dilation is not needed. •Good images require adequate patient positioning, good fixation, clear media, appropriate focus, and centering the optic nerve in the image. •16 to 64 planar scans are acquired per set. Unusable scans are replaced by software until three useful sets are obtained. •The operator defines the optic disc margin by drawing a contour line along scleral ring. • A reference plane is determined by the HRT software 50 μm below the average height of the contour line in the inferior temporal quadrant. All structures above the reference plane and within the contour line are defined as a neuroretinal rim and are shown as blue (sloped) and green (flat) areas on the topography image (Fig 5.2c).

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Dahlgren, Anna. "Magazined art." In Travelling Images, 96–128. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526126641.003.0004.

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Chapter 3 investigates the printed magazine as a site where the world of art and fashion merged in the 1980s. Since the early 1990s fashion photographs have migrated effortlessly between the art field and the commercial field, between being considered as personal works or assignments limited by the ideas and wants of designers, brands and fashion publications. As pointed out by several scholars a crucial part of this development was the new aesthetics that emerged in the 1990s which challenged traditional notions of fashion as glamorous depictions of garments, a style labelled ‘trash realism’, ’radical fashion’ or ’post fashion’. However, as the chapter shows, an equally important material basis for this development was the emergence of new fora in the 1980s. Later on, in the 1990s and early 2000s several magazines that straddled art, style culture and high fashion appeared, such as Purple Prose, Tank, 032C and Sleek. This chapter trace the beginnings of these transgressions through a close examination of the two magazines i-D and Artforum, which from different positions and with different strategies served as an active interface between art and fashion in the 1980s.

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Rockman, Deborah A. "Essential Skills and Information: What Every Teacher and Every Student Should Know about Drawing." In The Art of Teaching Art. Oxford University Press, 2000. http://dx.doi.org/10.1093/oso/9780195130799.003.0006.

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Students often go through the motions of sighting without really understanding what they are doing and why it works. A little understanding of the principles of sighting goes a long way toward encouraging students to use the process to their advantage. . . . Why Use Sighting? . . . Many students have found that they are shining stars when it comes to copying photographs or working from other existing two-dimensional sources. They are often confounded when they discover that drawing from observation of three-dimensional forms does not yield the same strong results, the same degree of accuracy they are accustomed to. It is helpful for both the instructor and the student to understand why this occurs. Drawing or representing a three-dimensional form on a two-dimensional surface requires, in essence, a language translation. The language of two dimensions is different from the language of three dimensions. We must observe the three-dimensional form and translate it into a language that will be effective on a two-dimensional surface, such as a piece of drawing paper. When students draw from an existing two-dimensional source, the translation from 3-D to 2-D has already been made for them. But when they are referring to the actual form, they must make the translation themselves. The process of sighting provides the method for making this translation easily and effectively. A sighting stick is the basic tool for the process of sighting. I recommend using a IO" to I2" length of 1⁄8" dowel. Suitable alternatives include a slender knitting needle, a shish-kebab skewer, or a length of metal cut from a wire clothes hanger. Your sighting stick should be straight. I discourage the use of a drawing pencil as a sighting stick simply because the thickness of the pencil often obscures information when sighting. The more slender the tool, the less it interferes with observing the form or forms being drawn. However, in the absence of a more suitable tool, a pencil will suffice. In presenting sighting principles to a class, it is vital to go beyond a verbal explanation. For students to effectively understand the process, it is strongly recommended that teacher and students walk through the process together, exploring the various ways of applying sighting.

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Tziola, Despina A. "Privacy and Accountability of Public Figures." In Advances in Public Policy and Administration, 202–18. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-6248-3.ch012.

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Privacy uses the theory of natural rights and generally responds to new information and communication technologies. In North America, Samuel D. Warren and Louis D. Brandeis wrote that privacy is the “right to be let alone” (Warren & Brandeis, 1890) and focuses on protecting individuals. This citation was a response to recent technological developments, such as photography, and sensationalist journalism, also known as yellow journalism. Warren and Brandeis declared that information which was previously hidden and private could now be “shouted from the rooftops.” But whether the right to privacy may be limited in the case of public figures and whether public figures are accountable for their actions is up for debate. This issue is explored in this chapter through court decisions that occupied the public.

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Atti di convegni sul tema "3-d photography"

Anikin, V. I., I. V. Dementiev, Igor L. Zhurminsky, Nadezhda V. Nasedkina, and Lev M. Panasiuk. "Some cases of applying photothermoplastic carriers in holographic interferometry and speckle photography." In International Seminar on 3-D Holography, edited by Tung H. Jeong and Vladimir B. Markov. SPIE, 1991. http://dx.doi.org/10.1117/12.19420.

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Kutulakos, Kiriakos N. "Light Transport Analysis for 3D Photography." In Sixth International Conference on 3-D Digital Imaging and Modeling (3DIM 2007). IEEE, 2007. http://dx.doi.org/10.1109/3dim.2007.33.

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Smith, E. W., Y. S. Tan, and Y. M. He. "3-D Displacement Analysis Using Oblique Axis Speckle Photography." In 33rd Annual Techincal Symposium, edited by Graeme T. Reid. SPIE, 1989. http://dx.doi.org/10.1117/12.962799.

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Pope, Robert A. "Forensic aerial photography: projected 3-D exhibits facilitating rapid environmental justice." In IS&T/SPIE Electronic Imaging, edited by Ian E. McDowall and Margaret Dolinsky. SPIE, 2009. http://dx.doi.org/10.1117/12.807212.

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Junren, Chen, Chen Liangyi, Nie Yuxian, and Chen Wenxing. "A 3-D High Speed Photographic Survey For Bomb Dropping In The Wind Tunnel." In 18th Intl Congress on High Speed Photography and Photonics, edited by DaHeng Wang. SPIE, 1989. http://dx.doi.org/10.1117/12.969150.

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Park, Seung O., Byong Chon Park, and Young H. Kwon. "Simple technique for 3-D displacements measurement using synthesis of holographic interferometry and speckle photography." In Second Intl Conf on Photomechanics and Speckle Metrology: Speckle Techniques, Birefringence Methods, and Applications to Solid Mechanics. SPIE, 1991. http://dx.doi.org/10.1117/12.49507.

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Yuming, He, Tan Yushan, and Ku Chungshien. "Oblique-Optical-Axis Speckle Photography Used For Measuring 3-D Displacements Of Practical Engineering Structures." In Holography Applications, edited by Jingtang Ke and Ryszard J. Pryputniewicz. SPIE, 1988. http://dx.doi.org/10.1117/12.939090.

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Ji-zong, Wu, Fu Wei-qiao, and Wu Qin. "The Quantitative Measurement Of Temperature Distribution In 3-D Thermal Field With High-Speed Real-Time Holographic Interferometry." In 18th Intl Congress on High Speed Photography and Photonics, edited by DaHeng Wang. SPIE, 1989. http://dx.doi.org/10.1117/12.969161.

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Landraud, A. M., and M. Grosmann. "Realisation De Micro-Circuits Photoniques A Tres Haute Echelle D'integration Et Algorithme De Reconstruction D'images 3-D Pour Le Traitement Ultra-Rapide Et En Parallele Des Projections." In 16th International Congress on High Speed Photography and Photonics, edited by Michel L. Andre and Manfred Hugenschmidt. SPIE, 1985. http://dx.doi.org/10.1117/12.967959.

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Machida, Kenji. "Evaluation of Stress-Intensity Factor of Mixed-Mode Crack by Hybrid Speckle Photography." In ASME 2002 Pressure Vessels and Piping Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/pvp2002-1212.

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The experiment was conducted on the compact normal and shear (CNS) specimens made of homogeneous and dissimilar materials subjected to mixed-mode loading. Many Young’s fringes patterns around the crack tip were taken and analyzed by the image-processing system developed in my laboratory. The displacement obtained by speckle photography is not as smooth as that obtained by the finite element analysis (FEA). Therefore, the displacement data were smoothed by 2 D FFT filtering and least squares method. The intelligent hybrid method proposed by Nishioka et al. was applied to the stress-strain analy

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