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Letteratura scientifica selezionata sul tema "African Americans in popular culture"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "African Americans in popular culture"

1

Martinez, Theresa A. "Popular Culture as Oppositional Culture: Rap as Resistance." Sociological Perspectives 40, no. 2 (June 1997): 265–86. http://dx.doi.org/10.2307/1389525.

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Bonnie Mitchell and Joe Feagin (1995) build on the theory of oppositional culture, arguing that African Americans, American Indians, and Mexican Americans draw on their own cultural resources to resist oppression under internal colonialism. In this paper, rap music is identified as an important African American popular cultural form that also emerges as a form of oppositional culture. A brief analysis of the lyrics of political and gangsta rappers of the late 1980s and early 1990s, provides key themes of distrust, anger, resistance, and critique of a perceived racist and discriminatory society

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2

Brooks, D. A. "Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890-1930." Journal of American History 99, no. 4 (February 15, 2013): 1267–68. http://dx.doi.org/10.1093/jahist/jas526.

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Manley, Theodoric. "BEYOND BLACKFACE: AFRICAN AMERICANS AND THE CREATION OF AMERICAN POPULAR CULTURE, 1890–1930." Ethnic and Racial Studies 35, no. 6 (June 2012): 1097–98. http://dx.doi.org/10.1080/01419870.2012.658830.

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Browne, Ray B. "African Americans and Popular Culture. 3 Vols by Todd Boyd, Editor." Journal of American Culture 32, no. 2 (June 2009): 165. http://dx.doi.org/10.1111/j.1542-734x.2009.00707.x.

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5

Gonzalez, Michelle A. "Review: Creating Ourselves: African Americans and Hispanic Americans on Popular Culture and Religious Expression." Theological Studies 71, no. 3 (September 2010): 737–39. http://dx.doi.org/10.1177/004056391007100321.

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6

Sun, Lei. "Extolling Blackness: The African Culture in The Color Purple." English Language and Literature Studies 7, no. 1 (January 20, 2017): 13. http://dx.doi.org/10.5539/ells.v7n1p13.

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Alice Walker, advocates African cultures in her epistolary novel The Color Purple. Underscoring the fact that quilt-making has an ancient history in the black community and presents the African tradition of folk art and the rich legacy of visual images in African culture, Walker employs the image of quilts and quilt-making to associate with the symbolic meaning of sisterhood, family history and self-creation. Also, she depicts Shug as the most popular character as a blues singer in the novel, to indicate that she acknowledges her mode of thinking that blues as one secular African tradition can

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Billah, Zakiyah Dania. "Watchmen (2019): Is it an African-American superhero narrative or another traditional way to present racism?" Leksika: Jurnal Bahasa, Sastra dan Pengajarannya 17, no. 1 (February 20, 2023): 56. http://dx.doi.org/10.30595/lks.v17i1.15797.

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There have been many studies on race relations between African-American and White-American or Asian-American and White-American. However, there are few studies regarding the portrayal of these three races in media, such as film. The purpose of this study is to expose the Watchmen (2019) television series’ African-American superhero narrative and its racial relationship between white Americans, African Americans, and Vietnamese Americans (Asian Americans). In the United States, recent race relation is considered better than in the past, as proved by Obama serving the country for two terms, but

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Snyder, Rob. "Sources: Encyclopedia of African American Popular Culture." Reference & User Services Quarterly 51, no. 1 (September 1, 2011): 73–74. http://dx.doi.org/10.5860/rusq.51n1.73.

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9

Agbere, Dawud Abdul-Aziz. "Islam in the African-American Experience." American Journal of Islam and Society 16, no. 1 (April 1, 1999): 150–57. http://dx.doi.org/10.35632/ajis.v16i1.2138.

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African-American Islam, especially as practiced by the Nation oflslam, continuesto engage the attention of many scholars. The racial separatist tendency,contrasted against the color blindness of global Islam, has been the focal pointof most of these studies. The historical presence of African Americans in themidst of American racism has been explained as, among other things, the mainimpetus behind African-American nationalism and racial separatism. Islam inthe African-American Experience is yet another attempt to explain this historicalposition. Originally the author's Ph.D. dissertation, the

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Potgieter, Koen. "“This Disintegrating Force”: Reading Theodore Dreiser’s Sister Carrie as a Narrative of Black Upward Mobility." aspeers: emerging voices in american studies 5 (2012): 69–80. http://dx.doi.org/10.54465/aspeers.05-07.

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In this essay, I argue that Theodore Dreiser’s 1900 novel Sister Carrie can be read as a narrative of African American migration to the Northern cities. Sister Carrie engages with social change at the turn of the century, of which the migration of African Americans and others to large urban centers was a significant part. The novel describes the social fall and ruin of the middle-class figure Hurstwood while it depicts Carrie as an ethnic Other becoming rich and famous. In numerous accounts of Carrie’s attitudes and behavior, there are striking similarities to stereotypes of African Americans,

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Tesi sul tema "African Americans in popular culture"

1

Ellis, Aimé Jero. "The "bad nigger" in contemporary Black popular culture : 1940 to the present /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Kajikawa, Loren Yukio. "Centering the margins black music and American culture, 1980-2000 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930277371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Lombard, Deborah-Eve. "Racism's tangible lifeline 20th century material culture and the continuity of the white supremacy myth /." Thesis, University of Iowa, 1999. http://ir.uiowa.edu/etd/194.

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Thesis (M.A.)--University of Iowa, 1999.<br>Supervisor: MacCann, Donnarae. Title-page, preliminaries, Certificate of approval, Table of contents, text and appendices issued in paper (ii, 17 leaves, bound ; 28 cm.). Includes bibliographical references. Also issued on CD-ROM (46 files, 3.29 megabytes).

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Bryant, Yaphet Urie. "African American female adolescents and rap music video's image of women : attitudes and perceptions." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1045619.

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The present study sought to answer the following questions: Is there a correlation between time spent watching rap music videos and and perception of the imagery of women in rap music videos shown? 2) Is there a correlation between the perception of the imagery of women in rap music videos and their attitudes toward women? There were a total of 53 AAFA who participated in the study. The participants completed the Background Questionnaire and Attitude Toward Women Scale for Adolescents (AWSA). They then viewed approximately 10 minutes of rap music videos that portrayed women negatively, and com

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5

Harris, John Rogers. "The performance of black masculinity in contemporary black drama." Columbus, OH : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054742668.

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Thesis (Ph. D.)--Ohio State University, 2003.<br>Title from first page of PDF file. Document formatted into pages; contains vii, 233 p. Includes abstract and vita. Advisor: Stratos E. Constantinidis, Dept. of Theatre. Includes bibliographical references (p. 214-233).

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Dinerstein, Joel Norman. "Swinging the machine : White technology and Black culture between the World Wars /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Dabbs, Ashlie C. "The Invisibility of “Second Sight”: Double Consciousness in American Literature and Popular Culture." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1319390310.

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8

Waits, Sarah A. ""Listen to the Wild Discord": Jazz in the Chicago Defender and the Louisiana Weekly, 1925-1929." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1676.

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This essay will use the views of two African American newspaper columnists, E. Belfield Spriggins of the Louisiana Weekly and Dave Peyton of the Chicago Defender, to argue that though New Orleans and Chicago both occupied a primary place in the history of jazz, in many ways jazz was initially met with ambivalence and suspicion. The struggle between the desire to highlight black achievement in music and the effort to adhere to tenets of middle class respectability play out in their columns. Despite historiographical writings to the contrary, these issues of the influence of jazz music on societ

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Humphrey, Ashley Renee. "Where's the Roda?: Understanding Capoeira Culture in an American Context." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1543574890650575.

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Paes, Gabriela Segarra Martins. "A \'recomendação das almas\' na comunidade remanescente de Quilombo de Pedro Cubas." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01122009-160957/.

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A região entrecortada pelos rios Pilões, Nhunguara, Sapatu e Pedro Cubas era a mais rica zona de mineração de Eldorado (São Paulo), e o local para onde foram levados os primeiros escravizados que aportaram na região. Com a decadência da mineração, no final do século XVIII, muitos escravizados foram abandonados ou alforriados, transformando-se em camponeses, autônomos do ponto de vista econômico e religioso. O poder religioso era independente do clero oficial e concentrava-se nas mãos de leigos. Dessa forma, desenvolveu-se um catolicismo popular marcadamente diferente do catolicismo romano e re

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Libri sul tema "African Americans in popular culture"

1

Todd, Boyd, ed. African Americans and popular culture. Westport, CT: Praeger Publishers, 2008.

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2

Williams, Kimmika. Signs of the time: Culture pop. Darby, Pa: Three Goat Press, 1999.

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3

Pinn, Anthony B. Creating ourselves: African Americans and Hispanic Americans on popular culture and religious expression. Edited by Valentin Benjamin. Durham [NC]: Duke University Press, 2009.

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4

Pinn, Anthony B. Creating ourselves: African Americans and Hispanic Americans on popular culture and religious expression. Edited by Valentin Benjamin. Durham [NC]: Duke University Press, 2009.

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5

B, Pinn Anthony, and Valentin Benjamin, eds. Creating ourselves: African Americans and Hispanic Americans on popular culture and religious expression. Durham [NC]: Duke University Press, 2009.

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6

Daniels, Cora. Ghettonation: Dispatches from america's culture war. New York: Broadway Books, 2008.

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7

1940-, Adjaye Joseph K., and Andrews Adrianne R, eds. Language, rhythm, & sound: Black popular cultures into the twenty-first century. Pittsburgh, Pa: University of Pittsburgh Press, 1997.

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Williams, Thomas Chatterton. Losing my cool: Growing up with-and out of-hip-hop culture. New York: Penguin Press, 2010.

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9

Justin, Elam Harry, and Jackson Kennell A, eds. Black cultural traffic: Crossroads in global performance and popular culture. Ann Arbor: University of Michigan Press, 2005.

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1969-, Guillory Monique, and Green Richard C. 1967-, eds. Soul: Black power, politics, and pleasure. New York: New York University Press, 1998.

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Capitoli di libri sul tema "African Americans in popular culture"

1

Wilburn, Reginald A. "Malcolm X and African-American Literary Appropriations of Paradise Lost." In Milton in Popular Culture, 199–210. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983183_16.

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Mathers, Kathryn. "Traveling Images and How Americans Learned to Care for Africa." In White Saviorism and Popular Culture, 15–41. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003223818-2.

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Fendler, Ute. "African American and African Artists in South Korean Popular Culture." In Asia-Afria- Multifaceted Engagement in the Contemporary World, 243–70. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-0696-9_12.

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Mills, John T., and DeMond S. Miller. "Contributions of African American Anthems for Social Justice and Equity." In Black Popular Culture and Social Justice, 67–82. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003308089-8.

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Desai, Gaurav. "Popular Culture." In Encyclopedia of African Religions and Philosophy, 562–63. Dordrecht: Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-024-2068-5_313.

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Ambler, Charles. "African Historians and Popular Culture." In A Companion to African History, 483–99. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781119063551.ch25.

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"African Americans and US popular culture since 1895." In The Debate on Black Civil Rights in America. Manchester University Press, 2020. http://dx.doi.org/10.7765/9781526153739.00014.

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"Popular perceptions of empire: native Americans in Britain in the 1760s." In Eighteenth-Century Popular Culture, edited by John Mullan and Christopher Reid, 271–302. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198711346.003.0010.

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Abstract The eighteenth century is rightly seen as The period which witnessed Britain’s emergence as Europe’s leading colonial power. By 1763 Britain controlled vast tracts of land in North America as well as valuable possessions in India, Africa, and The Caribbean. Yet, as P.J. Marshall has shown, The process by which what came in time to he understood as an empire was acquired was a complex and uneven one. The colonial presence took quite different forms, ranging from commercial supremacy to territorial expansion and settlement, in different parts of The globe. In These circumstances The unifying idea of empire as a distinctive and inclusive political entity was slow to develop and take root. In particular, it is unclear how far those outside The political elite thought of Themselves as The beneficiaries of an imperial state, or derived Their sense of national identity from that perception.

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Dietzel, Susanne B. "The African American novel and popular culture." In The Cambridge Companion to the African American Novel, 156–70. Cambridge University Press, 2004. http://dx.doi.org/10.1017/ccol0521815746.010.

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Grant, Nicholas. "African American Culture, Consumer Magazines, and Black Modernity." In Winning Our Freedoms Together. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469635286.003.0005.

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Cultural exchange provided another vitally important avenue through which black South Africans engaged with, understood, and were influenced by African American life. Images of black cultural and economic success from across the Atlantic directly challenged white supremacist assumptions, providing black South Africans with a lens to assess the extent to which their lives were constrained and circumscribed by the modern apartheid state. These cross-cultural connections featured heavily in the pages of South African consumer magazines, especially the popular monthly publication Zonk!. The magazine’s transatlantic coverage gives an insight into how black South Africans envisioned and engaged with African American culture in the aftermath of World War II.

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Atti di convegni sul tema "African Americans in popular culture"

1

Livingstone, David. "Breaking Blackface: African Americans, Stereotypes, and Country Music." In 10th Annual Conference of the Croatian Association for American Studies: Breaking Stereotypes in American Popular Culture. University of Zagreb Faculty of Humanities and Social Sciences; Croatian Association for American Studies, 2023. http://dx.doi.org/10.17234/9789533791258.08.

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Barbosa, Diego. "Careta, who are you? Aspects of the carnivalesque in African Brazilian manifestations as strategies of subversion and resistance." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.197.

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The element of nonconformity in opposition to the authoritarianism of the official culture present in European folk carnival festivities traveled with European colonisers to the Americas, where they were met by diverse African and Indigenous traditions, giving birth to new forms of manifestation in the melting pot of cultures collateral to colonialism. Existing under a colonial system willing to suppress any subversive or marginal aspects, diasporic Black culture made use of carnivalesque modes of representation to temporarily subvert the authority of the official institutions, having the resi

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3

PAZ, LETICIA, and MARINILSE NETTO. "Os signos simbólicos-mágicos de Rubem Valentim: Sua presença e significação na tradição Nagô e Encantaria do Ilé Asè Aféfé T'Oyá." In Latin American Publicações. lapubl, 2021. http://dx.doi.org/10.47174/lace2021-005.

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Os emblemas e objetos de Rubem Valentim transitam entre a arte e a religião compondo um repertório simbólico-mágico em obras de estética geometrizadas que dialogam com a religiosidade afro-brasileira. Impregnado pelo sincretismo popular, o artista em seus deslocamentos compõe um acervo sígnico enraizado no primitivo prospectando temas que são debatidos na arte contemporânea. As experiências e os sentidos do candomblé são observados na ritualística Nagô e encantaria em entrevista realizada com o sacerdote doterreiro Ilê Asè Aféfé T'Oyá. Este estudo percorre as obras de Rubem Valentim estabelece

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Macken, Jared. "The Ordinary within the Extraordinary: The Ideology and Architectural Form of Boley, an “All-Black Town” in the Prairie." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.63.

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In 1908, Booker T. Washington stepped off the Fort Smith and Western Railway train into the town of Boley, Oklahoma. Washington found a bustling main street home to over 2,500 African American citizens. He described this collective of individuals as unified around a common goal, “with the definite intention of getting a home and building up a community where they can, as they say, be ‘free.’” The main street was the physical manifestation of this idea, the center of the community. It was comprised of ordinary banks, store front shops, theaters, and social clubs, all of which connected to form

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Rapporti di organizzazioni sul tema "African Americans in popular culture"

1

Kenes, Bulent. Richard B. Spencer: The founder of alt-right presents racism in a chic new outfit. European Center for Populism Studies (ECPS), June 2021. http://dx.doi.org/10.55271/lp0010.

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Richard Bertrand Spencer is a well-groomed, well-educated advocate for the creation of a “white ethno-state” in North America for a “dispossessed white race.” He has also called for “peaceful ethnic cleansing” to halt the “deconstruction” of what he describes as “white culture” and to achieve a “white homeland.” Spencer has become the most recognizable public face of the white supremacist and nationalist movements. As an ardent white supremacist and ethnonationalist, Spencer says America belongs to white people, who he claims have higher average IQs than Hispanics and African Americans, and th

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