Bibliografie tematiche / Alejandro Jodorowsky

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Letteratura scientifica selezionata sul tema "Alejandro Jodorowsky"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 27 luglio 2025

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Articoli di riviste sul tema "Alejandro Jodorowsky"

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Gavrilă, Ana-Maria. "Alejandro Jodorowsky’s Therapeutic Dreamscape. Blending History, Memory, and Symbolism in The Dance of Reality." Acta Universitatis Sapientiae, Philologica 8, no. 1 (2016): 155–67. http://dx.doi.org/10.1515/ausp-2016-0011.

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Abstract After an absence of more than two decades, the octogenarian cult-movie auteur Alejandro Jodorowsky (El Topo and La montaña sagrada) is back with a surreal cinematic memoir, The Dance of Reality (La danza de la realidad, 2013), a funny and bizarre feature that challenges categorization. Set in the 1930s, in the small coastal Chilean village of Tocopilla, The Dance of Reality is an eccentric autobiographical meditation on his painful childhood, in which the filmmaker himself takes on the role of both the narrator and the onscreen guide to his younger self: “For you, I do not yet exist.
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Melnyk, George. "The Transcontinental Cinema of Alejandro Jodorowsky." Film International 16, no. 4 (2018): 59–70. http://dx.doi.org/10.1386/fiin.16.4.59_1.

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Jaramillo, Laura. "Ritual, Cult Spectatorship, and the Problem of Women's Flesh in Alejandro Jodorowsky's Midnight Movies." Feminist Media Histories 6, no. 3 (2020): 172–206. http://dx.doi.org/10.1525/fmh.2020.6.3.172.

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In January 2019, New York's Museo del Barrio canceled a retrospective of the Chilean multimedia artist Alejandro Jodorowsky due to public protest over his claim that he raped the lead actress in his 1970 film El Topo (The Mole). For decades, Jodorowsky's film was synonymous with the cult spectatorship it inspired among its New York audiences, who attended screenings ritualistically. This paper argues for a feminist critique of cult spectatorship that considers Jodorowsky's violence against women as central to the category of cult. By tracing Jodorowsky's evisceration of women's flesh from his
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Carolina, Votto, and Mendes Stapazzoli Junior Fred. "ALEJANDRO JODOROWSKY E A FORMAÇÃO DO POETA." Revistaft 27, no. 120 (2023): 02. https://doi.org/10.5281/zenodo.7714102.

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Este artigo aborda o processo de formação do poeta a partir do filme Poesia sem fim do diretor chileno Alejandro Jodorowsky produzido em 2016. Propomos refletir em um primeiro momento acerca da formação e vocação do poeta através da construção de um tempo imaginário de invenção, abordando os aspectos estéticos apresentados no filme, bem como a possibilidade do cinema enquanto uma obra de arte total. Posteriormente a relação com os mestres que compõe o repertório de cria&ccedil
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Garcia, Estevão. "O México de Alejandro Jodorowsky em La montaña sagrada." Cinémas d’Amérique latine, no. 20 (December 1, 2012): 4–23. http://dx.doi.org/10.4000/cinelatino.404.

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Neustadt, Robert. "Alejandro Jodorowsky: Reiterating Chaos, Rattling the Cage of Representation." Chasqui 26, no. 1 (1997): 56. http://dx.doi.org/10.2307/29741325.

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Huberman, Ariana. "Witte, Michael, ed. 2023. ReFocus: The Films of Alejandro Jodorowsky." Latin American Jewish Studies 3, no. 1 (2024): 77–80. https://doi.org/10.26613/lajs/3.1.52.

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Ajzenhamer, Vladimir. "The Jodoverse: Cosmic cloning of classical geopolitics." Medjunarodni problemi 73, no. 3 (2021): 535–56. http://dx.doi.org/10.2298/medjp2103535a.

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The paper is an attempt at geopolitical contextualization and realpolitik reading of comic works by Alejandro Jodorowsky. The focus of the analysis is on the so-called ?Jodoverse? - a segment of Jodorowsky?s opus which includes three great science-fiction sagas - ?The Incal?, ?The Saga of the Metabarons? and ?Technopriests?. These works, which can be defined as ?space operas? in terms of genre, vividly evoke a futuristic vision of one of the possible cosmic futures of humanity. This paper aims to map those motives in this fictional universe that draw inspiration from the tradition of classical
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Pereira, Fabrício Trindade. "Imagens para não se ver." Conceição/Conception 13 (April 25, 2024): e024001. http://dx.doi.org/10.20396/conce.v13i00.8674769.

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Nos anos 60, num gesto artístico insurgente, Alejandro Jodorowsky realiza o efímero pánico, Melodrama Sacramental. Mais de 50 anos depois, a partir de uma pesquisa sobre o multiartista chileno, Fabrício Trindade cria Ações cênicas do dia doze (2016) e Efêmero (2017). Este artigo tem como propósito desvelar possíveis aproximações entre as criações supracitadas, para demonstrar que, em consonância às ideias de Didi-Huberman (2010), elas se compõem de imagens que convocam o espectador a fechar os olhos para vê-las.
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Fattori, Adolfo. "Dante Alighieri e Alejandro Jodorowsky Dinamiche del sacro e del secolare." Dante e l'Arte 5 (September 30, 2018): 247. http://dx.doi.org/10.5565/rev/dea.97.

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Tesi sul tema "Alejandro Jodorowsky"

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Marques, Tatiana Lee. "Subindo a montanha sagrada : misticismo e grotesco em Alejandro Jodorowsky." Universidade do Estado de Santa Catarina, 2015. http://tede.udesc.br/handle/handle/720.

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Made available in DSpace on 2016-12-08T16:18:57Z (GMT). No. of bitstreams: 1 124455.pdf: 122441 bytes, checksum: 3a558cb4e1d7a7952082e7004b82899a (MD5) Previous issue date: 2015-02-20<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This work investigates Alejandro Jodorowsky concept of Sacred Cinema by analyzing his film The Holy Mountain (1973). It is argued that his peculiar conception of Sacred Cinema reveals itself through the understanding of its mystical elements and grotesque aesthetic. To carry out the analysis of the symbolic imagery that underlies the film it is n
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Mancilla, Garay Ricardo Andrés. "El cine Pánico de Alejandro Jodorowsky (1969-1989) : una estética de la catástrofe." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/130767.

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Magíster en artes, mención teoría e historia del arte<br>Generalmente las aproximaciones críticas a la multifacética obra del artista Alejandro Jodorowsky, redundan en abordarla desde marcos religiosos –más relacionados a formas esotéricas como la alquimia y tradiciones orientales que al dogma judeo-cristiano-, y a una adscripción, casi irrestricta a la formalidad surrealista, quedándose al margen consideraciones desarrolladas para sus motivos e imágenes desde el que fuera su propio movimiento de postvanguardia, el Pánico; que tuvo sus primeros atisbos en el Santiago del cincuenta y se consoli
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Martínez, Henríquez Lorena. "La montaña abismada. Basado en un film de Alejandro Jodorowsky "La montaña sagrada"." Tesis, Universidad de Chile, 2004. http://www.repositorio.uchile.cl/handle/2250/110118.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Hispánica.<br>Habiendo revisado los conceptos aplicados en los informes: ¿Cuáles son las diferencias entre modernidad y postmodernidad?, ¿Cómo se manifiestan la modernidad, post-modernidad, dictadura y postdictadura en América Latina?, y por último, Revisión histórico conceptual de la literatura hispanoamericana del siglo XX: Del modernismo al postmodernismo, fijo mi interés, para iniciar la realización de este estudio final, en los contenidos iniciales del Relato Especular de Luciën Dällenbach, donde se encuentra la
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Pouilly, Elisabeth. "L'"état d'esprit performatif" dans le théâtre et le cinéma d'Alejandro Jodorowsky." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA144.

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Issu de Dada et du surréalisme, le groupe Panique, constitué de Fernando Arrabal, Roland Topor et Alejandro Jodorowsky, est créé en 1962. L’évolution de la pratique artistique de Jodorowsky de 1962 à 2016 est riche d’enseignements sur la performance théâtrale et l’interaction entre le théâtre et le cinéma. Nous suivons le constat que fait Joseph Danan dans Entre théâtre et performance: la question du texte qu’à un « état d’esprit dramaturgique » évoqué par Bernard Dort a succédé un « état d’esprit performatif » sur la scène contemporaine. L’œuvre de Jodorowsky est traversée par cet « état d’es
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Kulbay, Gülbeden. "Film som psykomagi : En analys av clownfiguren i Alejandro Jodorowskys film ”Poesía sin fin”." Thesis, Högskolan Dalarna, Bildproduktion, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-36510.

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Syftet med den här uppsatsen är att undersöka clownens betydelser i konstnären och regissören Alejandro Jodorowskys psykomagiska autobiografi Poesía sin fin (2016). Uppsatsen önskar även vidga förståelsen av hur filmmediet kan användas som verktyg för att bearbeta emotionella skador och trauman. Filmmediet inrymmer möjligheter att skapa bilder som kan beröra oss på många olika plan. Jodorowsky använder mediet specifikt för att skapa psykomagiska akter, akter som skapar möjlighet för läkning. De två karaktärer som Jodorowskys egen person pendlar mellan i sin autobiografi Poesía sin fin är poete
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Castro, Ram?rez Carlos Eduardo. "El mito y la negaci?n de lo fant?stico en Albina y los hombres perro de Alejandro Jodorowsky." Tesis, Universidad de Chile, 2006. http://repositorio.uchile.cl/handle/2250/110373.

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Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Hisp?nica menci?n Literatura<br>Como ya se ha dicho, Jodorowsky es un autor que inmediatamente evoca lo fant?stico, pero dicha relaci?n pareciera estar motivada m?s por la mera presentaci?n de sucesos sobrenaturales que la cr?tica no se ha preocupado de desentra?ar, que por una continuaci?n contempor?nea del g?nero inaugurado por Potocki . Los elementos simb?licos presentes en el cuento y -c?mo no- en la novela parecieran desviar o disipar la aparici?n de lo fant?stico, en tanto presencia de lo sobrenatural entendida
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Ljung, Peter. "Lucifer och den performativa filmkonsten : En studie kring sataniska visioner i den kaliforniska filmvärlden." Thesis, Södertörns högskola, Lärarutbildningen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-39195.

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This study regards the influence of ’modern’ satanism on performative art in the nineteen sixties- and seventies. The methodological framework consists of performativity theory, religious visual culture and aesthetics of experimental film. The material consists mainly of cinematic work by Kenneth Anger and Alejandro Jodorowsky, as well as musical performances by the likes of Mick Jagger, the Rolling Stones and David Bowie. In addition to this material I also use academic texts, dissertations and books written about the subjects themselves as a foundation for my own further analysis and discuss
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Silva, Tiago Malafaia Marques da. "A intermidialidade entre Teatro e Cinema na obra de Alejandro Jodorowsky." Master's thesis, 2019. http://hdl.handle.net/10362/91699.

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Esta dissertação tem como objetivo analisar as características intermidiais entre Teatro e Cinema na obra do artísta Alejandro Jodorowsky, usando duas obras suas como base: a peça teatral Ópera Pánica (2001) e o longa metragem Poesia Sin Fin (2017). Para este estudo, utilizarei o conceito de intermidialidade proposto por Dick Higgins e Claus Clüver, além de analisar questões contemporâneas e históricas que influenciaram a própria linguagem artística, singular e múltipla de Jodorowsky.<br>The present dissertation aims to analyze the intermidial characteristics of Theater and Cinema in the work
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Martin, Kenneth D. "La leccíon de "La muerte del intelectual" en el maestro y las magas de Alejandro Jodorowsky." 2008. http://purl.galileo.usg.edu/uga%5Fetd/martin%5Fkenneth%5Fd%5F200805%5Fma.

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Kulbashna, Darya. "Svatá hora Alejandro Jodorowského a Hora analogie René Daumala: Od patafyziky k moci." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-436609.

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The thesis departs from the undetermined relation between René Daumal's unfinished novel Mount Analogue: A Novel of Symbolically Authentic Non-Euclidean Adventures in Mountain Climbing (1952) and its alleged adaptation, Alejandro Jodorowsky's 1973 film The Holy Mountain. The thesis discusses the two works from the perspective of Lacanian psychoanalysis, specifically, through the lens of the so-called Borromean knot that represents the three functions of the psyche: the Real, the Symbolic, and the Imaginary. The structure of the thesis supposes the following: the first chapter concentrates on t
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Libri sul tema "Alejandro Jodorowsky"

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Jodorowsky, Alexandro. The spiritual journey of Alejandro Jodorowsky: The creator of El topo. Park Street Press, 2008.

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Jodorowsky, Alexandro. The spiritual journey of Alejandro Jodorowsky: The creator of El topo. Park Street Press, 2008.

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Jodorowsky, Alexandro. The spiritual journey of Alejandro Jodorowsky: The creator of El topo. Park Street Press, 2008.

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Jodorowsky, Alexandro. De la cage au grand écran: Entretiens avec Alejandro Jodorowsky et analyse de son univers cinématographique. K-ïnite, 2009.

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Egginton, William. Alejandro Jodorowsky. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350144804.

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Alejandro Jodorowsky is a force of nature. At 90 years old he is still making films and is a cultural phenomenon who has influenced other artists as disparate as John Waters and Yoko Ono. Although his body of work has long been considered disjointed and random, William Egginton claims that Jodorowsky’s writings, his comics, his theatre work and mime, his status as a guru and his remarkable failed attempt to make the film version of Dune, along with the therapeutic practice he calls psychomagic can all be tied together to form the philosophical programme that underpins his films. Incorporating
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Alejandro Jodorowsky. Cátedra, 2012.

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Jodorowsky, Alexandro. Alejandro Jodorowsky Quotes: Alejandro Jodorowsky, quotes, quotations, famous quotes. Createspace Independent Publishing Platform, 2016.

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Alejandro Jodorowsky Documenta 139620121692012. Hatje Cantz Publishers, 2011.

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Egginton, William. Alejandro Jodorowsky: Filmmaker and Philosopher. Bloomsbury Publishing Plc, 2024.

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Egginton, William. Alejandro Jodorowsky: Filmmaker and Philosopher. Bloomsbury Publishing Plc, 2024.

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Capitoli di libri sul tema "Alejandro Jodorowsky"

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Lázaro-Reboll, Antonio. "Alejandro Jodorowsky and El Topo." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-51.

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"Jodorowsky Redux." In The Transformative Cinema of Alejandro Jodorowsky. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781501378768.0015.

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"Reappraising Alejandro Jodorowsky’s Cinema." In The Transformative Cinema of Alejandro Jodorowsky. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781501378768.0005.

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"The Auteur Filmography of Alejandro Jodorowsky." In The Transformative Cinema of Alejandro Jodorowsky. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781501378768.0016.

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Egginton, William. "13 Jodorowsky, Psychomagic, and Subjective Destitution." In ReFocus: The Films of Alejandro Jodorowsky. Edinburgh University Press, 2023. http://dx.doi.org/10.1515/9781399505963-015.

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Newell Witte, Michael. "1 Introduction: The Films of Alejandro Jodorowsky." In ReFocus: The Films of Alejandro Jodorowsky. Edinburgh University Press, 2023. http://dx.doi.org/10.1515/9781399505963-003.

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Santos, Alessandra. "10 Resistance in Alejandro Jodorowsky’s Santa Sangre." In ReFocus: The Films of Alejandro Jodorowsky. Edinburgh University Press, 2023. http://dx.doi.org/10.1515/9781399505963-012.

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"The Birth of a Cult." In The Transformative Cinema of Alejandro Jodorowsky. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781501378768.0008.

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"In the Beginning." In The Transformative Cinema of Alejandro Jodorowsky. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781501378768.0007.

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"A Magical Childhood." In The Transformative Cinema of Alejandro Jodorowsky. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781501378768.0012.

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