Tesi sul tema "Alphabétisation – Espagne – 20e siècle"
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Guereña, Jean-Louis. "Pour une histoire de l'éducation populaire en Espagne (1840-1920)". Besançon, 1989. http://www.theses.fr/1989BESA1011.
Testo completoSeregni, Alessandro. "L' antiaméricanisme en Espagne, 1939-2004". Paris, EHESS, 2009. http://www.theses.fr/2009EHES0044.
Testo completoThe anti-Americanism grew, developed and widened littIe by little, thanks to the incessant repetition and partial reworking (a kind of rumination) of old and new negatives images and clichés some of which are still existing -about the United States, and aIl that comes from, or represents, this country. This study analyzes the development and the role of anti-Americanism in Spain, especially during the first period of Franco's regime (years 1939-1953), the transition to democracy (1976-1986) and the first presidency of George W. Bush and the war in Irak (2000-2004). The first chapter examine the reasons, the nature and the meaning of this phenomenon
Buisine-Soubeyroux, Marie-Hélène. "Alphabetisation, éducation et société à Logroño au temps d'Espartero (1833-1875)". Tours, 1996. http://www.theses.fr/1996TOUR2042.
Testo completoThe purpose of our thesis is to propose a social history of education in 19th century in Spain. We analyse the start and development of primary and secondary educational system in the city of Logrono from 1833 to 1875. We put it in relation with the social structure strongly influenced by the rise of a new "middle-classe" establishment. The monographic approach allows us to define the local reality. Our work is based on the use of primary sources (such as notary deeds, pools from various educational institutions, documents extracted from the 1860 census). It also follows the social micro history approach as defined by Christophe Charle. The plan is in three parts: the first one is dedicated to the analysis of the process of literacy of Logrono population; the other two parts aim to highlight the growth, the functioning and the social role played by the primary and secondary institutions. The firsts result we achieved is to underline that Logrono is quite ahead for the literacy rate compared to the rest of the country
Vergniolle-Delalle, Michelle. "Art et politique. Stratégies de l'opposition dans la peinture et la gravure espagnoles entre 1939 et 1975". Paris 1, 2001. http://www.theses.fr/2001PA010568.
Testo completoBaby, Sophie. "Violence et politique dans la transition démocratique espagnole 1975-1982". Paris 1, 2006. http://www.theses.fr/2006PA016612.
Testo completoYusta, Rodrigo Mercédès. "La resistencia armada contra el régimen de Franco en Aragon (1940-1952)". Paris 8, 2000. http://www.theses.fr/2000PA082027.
Testo completoLavail, Christine. "La femme nouvelle et son rapport à la culture (1935-1965) : la presse institutionnelle". Paris 4, 1994. http://www.theses.fr/1994PA040355.
Testo completoThe new woman is the feminine of the franco's governement in spain. The culture has a great importance in creation of this ideal. But it is conceived dangerous so it's meaning is changed. However, there's an evolution in the 1957-1962's
Martin, Vianney. "Le patriotisme en Espagne de 1931 à 2004". Lille 3, 2010. http://www.theses.fr/2010LIL30004.
Testo completoAt the very heart of modern Spain's fundamental debates, patriotism appears to be a particularly complex issue. Indeed, to what extent can the different kinds of patriotism that exist in Spain actually be regarded as "Spanish"? Are national and regional patriotisms necessarily rival feelings or can they be complementary ? From the troubled times of the Second republic to the 2004 Madrid terrorist attacks, the constant evolution of the patriotic phenomenon can be observed through statistics, myths and symbols, together with many and various means of expression. Directly linked to the "sense of belonging" and the existence of "affective hierarchies", "patriotism in Spain" is quite revealing of the deep nature of a country that is marked by its recent past and the contradictory aspirations of its components and still expects its "patriotic transition"
Regueillet, Anne-Gaëlle. "La sexualité en Espagne pendant le premier franquisme (1939-1950)". Tours, 2005. http://www.theses.fr/2005TOUR2021.
Testo completoThe most widespread theory defines the first Francoism (1939-1950) as a phase of "sexual repression" imposed by Church, during which the speech on the sex, and more precisely the teaching speech, would have completely disappeared, not to re-appear between the democracy in 1975. The first Francoism would have been one period of rupture, in particular compared to the second Republic (1931-1936), and there would have been a "pro-Franco specificity" in the manner of conceiving sexuality. According to the medical speeches and moralist pro-Franco, only procreative sexual activity practised within the canonical marriage was tolerated and said "normal", and the Franco régime imposed to sexually educate the population (children, teenagers, and adults) in this direction. From the point of view of daily realities, the premarital sexual practices were common, in spite of certain medical and social "risks". The Spanish company of the first years of Francoism was before a whole traditional company, the relation between the sexes being governed by "double morals" and inherence between sexual instinct and instinct of reproduction
Tio, Bellido Ramon. "Formes et discours critiques d'expériences artistiques dans un contexte totalitaire : le cas de l'Espagne de 1945 à 1975". Rennes 2, 2001. http://www.theses.fr/2001REN20016.
Testo completoFrom 1939 until 1975, Spain was ruled Francisco Franco, who was named head of state at the end of the civil war (1936-1939). This thesis aims to analyse the relationship between Franco's dictatorship and art and culture and in particular visual arts. It examines the question of wether or not a " Francist Aesthetic " existed during this period in the same way that fascism influenced the art of Hitler's Germany or Mussolini's Italy. If then explores in greater detail the " institutional "' issues raised by the " cultural policy " put in place in 1944 and the way in which that policy developed. In this respect the importance given to exhibitions, and especially to the sorts of " national exhibitions " supported by the Francist authorities, forms a key elements of the research. This thesis mentions Spain's " official " presence of the biennals in Venice as well as at the " Hispano-American " biennals along with the events organised in Europe in the 1950s and the early 1960s as these events accompanied the re-birth inside Spain of the international artistic movement known as informal abstraction. The break with this movement that followed in the late 1960s and the early 1970s corresponded to the beginning of the end of the Franco regime. The emergence at this time of artistic thinking that was ideologically anti-governmental is also discussed. Finally the thesis uses a critical and descriptive analysis of two key exhibitions -one in Venice in 1976, the other in Paris in 1987- to discuss the diplomatic bias of events that on the face of it had the same objective- to provide a historical and national perspective on modern and contemporary Spanish art
BRANCIARD, LAETITIA. "Les relations culturelles entre paris et madrid de 1914 a 1931 itineraires, roles et influences des artistes peintres". Paris 8, 1996. http://www.theses.fr/1996PA081202.
Testo completoThis research thesis aims to study the artistic and more generally the cultural relationships between paris and madrid, in order to demonstrate that the movement of people, art production and ideas influenced the contemporary creativity. This paper is articulated aroud three parts, each of wich takes into account the decisive cultural relationships between the two capitals. The study of the perception modes for the ideas and artistic "waves" in the parisian and madrilan cultural contexts, is of primary interest for this thesis. It allows us to show the role of the intelligencia publishing and press as "cultural intermediaires"
Huard, Geoffroy. "Histoire de l'homosexualité en France et en Espagne : discours, subcultures et pratiques : 1945-1975". Amiens, 2012. http://www.theses.fr/2012AMIE0019.
Testo completoThis dissertation tries to reconstruct the geography, cultures and policies about homosexuals in France and Spain between 1945 and 1975. Through arquives of Brigade Mondaine of Paris and of Courts of Vagos y maleantes, and Peligrosidad y rehabilitación social of Barcelona essentially, this work examines the myth of "liberation" since 1970's. Thus I demostrate that France defended a sexual moral view stricter than Spain and that explains partially the delay in France to grant equal rights
Allaire, Aurore. "Le celtisme dans la revue Nós (1920-1936)". Orléans, 2006. http://www.theses.fr/2006ORLE1080.
Testo completoIn Galicia, identity recovery took his arguments in the local Celtic past. The few characteristics of a hardly explored origin became a fundamental element supposed to determine, by defying time, the Galician identity of present. Initially, assumed by the historographers and the poets of Rexurdimento, under the European romantic influence, this recovery started at the beginning of the XXth century to argue Galician nationalism. The Galician celtism then found his base in the review Nós (1920-1936), created by Vicente Risco, theorist of the nationalism, in the bosom of which he brought together many intellectuals. In spite of cultural intentions, the review became the organ of the galicianist ideas asserted by the majority of the writers. Developed in different disciplines, the celtism constitued an argument of the defence of the Galician singularity. This study shows that, firstly, heirs to Rexurdimento, the intellectuals of Nós proceeded to a justification of the claims by an archaeological approach, then intuitive, of the past. Then, they try, by a revision of the Celtics myths, to reactualize, by the poetry and ethnographic studies, the characteristics of this remote past. The meticulous reading of the rhetoric developed in the articles, reveals that each pseudo-scientific, cultural and literary steps converge towards the same objective : to build a Galician identity ressembling the Irish and Breton models as much as possible and being distnguished in all points from Castile, indicated like the politic enemy of Galicia
Dauge, Michel. "Pratiques et institutions policières dans l' Espagne démocratique". Toulouse 1, 2001. http://www.theses.fr/2001TOU10049.
Testo completoThe purpose of this study is to contribute to a better knowledge of the organization and the functioning of Spanish police institutions, often known only on a superficial basis. Coming out, over 25 years ago, of an authoritative period, these institutions followed an evolution parallel to those of political institutions, in the frame of the Spanish modernization and democratization process. This work follows the progression of this evolution towards a system of police organization which is more decentralized, less militarized and more adapted to the demands of Spanish society today
Roig-Sanz, Diana. "La réception de la littérature espagnole à presse de Barcelone pendant la Seconde République". Aix-Marseille 1, 2008. http://www.theses.fr/2008AIX10065.
Testo completoGenieys, William. "Les élites face à l'Etat : l'institutionnalisation des élites périphériques espagnoles". Paris 1, 1994. http://www.theses.fr/1994PA010272.
Testo completoIn Spain the constitution of specific political and administrative elites has to be related to the changing territorial links between the center and the periphery. History of the Spanish state can explain the type of elites which has the power in the center and in the periphery. The trajectory of the Spanish state has led the peripheral elites to define themselves against the central political power or to ignore it. Only the franquist regime suceeded in creating a unified national elite : the cathocrats. The constitution of the "autonomy state", with the demoratic transition, led to the institutionalization of the peripheral elites, crucible of the Spanish political personnel. They are empirical studied in Catalonia and in Andalusia
Yao, N'Guetta. "Discours et idéologie des manuels scolaires en Espagne du franquisme a la démocratie". Rennes 2, 1987. http://www.theses.fr/1987REN20013.
Testo completoSubjected to history, school-books are not a place where statement is neutral and, like school itself from which they proceed, they play a big part in the process of socialization of the younger generations. Within the framework of the transition from the pro-franco dictatorship to the post-franco democracy, it is interesting to question oneself about the contents, the discourse that the spanish manuals propose - or rather impose - to children at the level of compulsory schooling (6 to 13 years old). Our study aims at bringing to light what may have changed or remained from one historico-political period to another, accomplishing this particularly through the analysis of themes such as the homeland, Spain, the Spanish great men, the Spanish "we" and lastly the discourse upon school. Those themes constitute the different parts of our study. Whatever are the disciplines that the discourse deals with - history, geography, language, religion or civic, ethic education (or political and social formation) - the discourse in the manuals is based on a privileged contents ("must know") whose communication, entirely active, is far from being just a simple trans- mission of knowledge. The world and its norm of perception are indissociable, and beyond the transmission of knowledge - or on this very pretext - the discourse aims at inserting the child in a given ideological field that it wants to reveal to him. The assessment of Spain, of the historic men, of the "we" that must resorb the individuality of any spanishman, depends on historically situated interests. The discourse in the books depends on its situation. If the change from franquism to democracy implies some evolution of its contents, we also note the existence of constants, common elements to both contexts. On the other hand, the functioning, the orientation of the educational message remain the same, in their main charateristics
Lorenzo-Martin, Lorenzo. "Antonio Pedrero Yéboles et l'art contemporain zamorano dans la deuxième partie du xxe siècle". Reims, 2002. http://www.theses.fr/2002REIML002.
Testo completoLembezat-Real, Valérie. "Les dissolutions du lien familial en droit comparé franco-espagnol". Bordeaux 1, 1994. http://www.theses.fr/1994BOR1D018.
Testo completoAfter franco spain made an attempt to catch up with europe. Their law tried to be in keeping with european law. Only the fiel of marriage and especially the methods of dissolution of the wedlock has still preserved the print of spanish civilization. First of all de point is to study the dissolution of marriage based on previous or concomiting facts at the moment when marriage was conclued : invaliditeies. In the first part, we'll try to consider the contents of the notion of marriage. The debaded, ambiguous spanish system, the contents of in the laws of the two countries. Then, we'll lay the stress on the existence of marriage dissolution founded on posterior facts: separation and divorce. Three ideas are to be stresses : the special place of separation in spanish law, the idea of democracy tied with the notion of divorce, the child's advantage in divorce procedure
Coale, Robert. "Le Prix national de littérature en Espagne, 1922-1995". Paris 4, 1999. http://www.theses.fr/1998PA040333.
Testo completoGarasa, Fausto. "Politique et mutations socio-économiques dans le monde de l'élevage aragonais à l'époque franquiste (1936-1975)". Reims, 2000. http://www.theses.fr/2000REIML003.
Testo completoRivalan, Guégo Christine. "La littérature (romans et nouvelles) populaire et légère en Espagne : 1894-1936". Rennes 2, 1995. http://www.theses.fr/1995REN20013.
Testo completoBased on the novels and novelettes by twelve authors (in alphabetical order, J. Belda, J. M. Carretero, J. Frances, A. Hernandez Cata, A. De Hoyos y Vinent, A. Insua, R. Lopez de Haro, P. Mata, A. Retana, F Sassone, F. Trigo et E. Zamacois), this study proposes to examine the birth, rise and decline of a movement in popular literature in Spain between 1894 and 1936 in relation to the new publishing deal, French literary influences and the centres of interest of the Spanish reading public of the time. The first part includes a presentation of the authors (through their biographies) and the magazines and publishing houses that brought out their writings. This panorama of Spain’s publishing world is supplemented with a survey of the circulation of these works abroad - essentially in France as well as the cinema adaptation of some of them. There follows a chapter entitled ' the book as an object ', which deals with the elements directly peripheral to the text - titles, covers, jacket flaps, back covers, illustrations, advertisement etc. Secondly, the analysis bears upon the contents of these works through a study of themes and characters, bringing to the fore the recurrent and permanent features in the writing of those pages together with their French literary inspiration. Their close links with the concerns of contemporary readers - among which the questioning about sexuality and the position of women in society hold a dominating place - is also examined
Rousseau, Marie-Pierre. "Le Président du gouvernement en Espagne". Bordeaux 4, 2006. http://www.theses.fr/2006BOR40001.
Testo completoValero, Alet. "Oriente, playas y castillos : pratiques, images et politiques touristiques en Espagne : 1830-1928". Aix-Marseille 1, 1993. http://www.theses.fr/1993AIX10040.
Testo completoOrient, beaches and castles. Toutist practices, impressions and policy in spain between 1830 and 1928 sets out to prove the diversity of spanish tourism over a long period. Side by side with romantic tourism (1830-1860), this study paves the way to discovering the recreational activities that accompanied both "taking the waters" - a practice which was not very widespread in spain- and medicinal bathing is its early stages, mainly in the bay of cadiz and along the coasts of the basque and alicante regions. At this time, owing the medical precepts and the taste for exploring, the discovery of the principal mountain ranges also took place : the pyrenees, the sierra nevada and the picos de europa. The completion of the main railway lines marked a threshold in the development of tourism, as regards both quantity and quality. Detailed statistics concerning the transport of travellers from one station to another on the madrid-irun line between 1876 and 1882 make it possible to find out which were the chosen destinations. Santander, but above all san sebastian were more often chosen than towns with monuments. An analysis of the statistics drawn up by san sebastian town council concerning visitors and residents between 1886 and 1925 enables us to follow the evolution of the number of turists. A study of the town's tourist policy shows the initiatives taken, the choices made and the deficiencies that remained. An analysis of the first initiatives taken by the state (comision nacional, 1905 ; comisaria regia de turismo, 1911) clearly shows the priority given to cultural tourism, a mistrust of the private sector and abortive attempts at development. The study ends at the time of the founding of the patronato nacional de turismo (1928), an organization wich will be analysed later
Renaudet, Isabelle. "La presse d'opposition au franquisme durant la dernière decennie de la dictature et la transition démocratique". Aix-Marseille 1, 1995. http://www.theses.fr/1995AIX1A001.
Testo completoFrom 1966 (date when a new law on the press was adopted) to 1975, the press (legally recognized) was an instrument of fight in the hands of a left wing opposition, which strove in favour of the institution of a democratic regime in spain. Because the daily press was closely supervised by censorship, it was particularly, the periodical press which was the centre of this prostest against the establishment. The roots of democracy are, therefore, to be found in the pages of those magazines which favoured cultural forms of expression. Their fate was, nevertheless, paradoxical, although history has confirmed their fight was right, they have, in fact, nearly all disappeared, victims of the democratic transition. This story, therefore, is not a bvanal press story; it is on the one hand, the story of a political fight which was conveyed through the press, instead of through the polls; on the other hand, it is the story of a missed reconversion, soone after the death of franco
Ciancio, Stéphane. "Le corps dans la peinture espagnole des années 1950 et 1960". Dijon, 2003. http://www.theses.fr/2003DIJOL020.
Testo completoThe dictatorship of the General Franco started in 1939 and stopped in 1975 with his death. This thesis considers two fundamental decades for spanish art and the rebirth of the avant-garde, but studies in this context the concept of body. Under this word body we can find subjacent those of formulation, gesture, trace, thickness, print, memory, black Spain, hispanity. So, the body can be her simple plastic figuration, but also evoke the relation body-painting, to mean matter, color, violence or the report with the body of the artist or the spectator for example. All studied through movements of avant-garde of the fifties and sixties, in particular the Action Painting, Pop Art, the New Figuration, the abstraction of the Sixties. . . . . . Lastly, among the many artists seen, let us retain in particular Saura, Millares, Tàpies, Viola, Canogar, Barjola and Arroyo. Corporeity, matter, memory, time, history and humanism are key words in our work which makes spout out a need for redemption proven of the artists in a world so hard with the man
Brémond, Joël. "Le sentiment anti-français dans l'Espagne post-franquiste". Paris 4, 1999. http://www.theses.fr/1998PA040323.
Testo completoAfter the death of Franco, Spain’s transition to a modern democracy curiously coincides with a marked increase in anti-French feeling inside Spain. This hostility is based on a long historical tradition and an age-old conflictual past, even if there has also been a long standing pro-French feeling in the country. New causes for dispute - Spain’s application to join the EEC, ETA terrorism, incidents at sea or even in sport - have brought this traditional antagonism into the present and the French neighbor has once again assumed the role of hereditary enemy. The reputation of the much hated buhonero of the golden age, the trauma caused by the accession of the bourbons to the Spanish throne, and above all the Napoleonic invasions, contribute then to the accusations brandished against France. Alternatively mythicized and demythicized, France is felt by the Spanish to be the omnipresent antithesis of their own country. This antagonism, which has been exacerbated by a profoundly unequal status at the international level, has given rise to what the Spanish feel to be collective national attitudes - superiority complex north of the Pyrenees and inferiority in the south - as well as examples of particularly unsubtle jingoism on both sides of the border. Spain's entry into the EEC has led to wider and more varied contacts with the outside world, and has thus improved its diplomatic status. At the same time, it has also brought an end to this long standing and uncomfortable confrontation with its gabacho neighbor. Better understanding by the French authorities, who have finally agreed to participate in the struggle against eta, has also helped to put bilateral relations on a more even keel
Martínez, Michel. "Emergence et consolidation d'un parti nationaliste progressiste en Espagne : le cas de Chunta Aragonesista en Aragon (de 1986 à nos jours)". Thesis, Dijon, 2012. http://www.theses.fr/2012DIJOL018/document.
Testo completoThe research presented in this thesis deals with the study of the contemporary Iberian nationalism which has influenced the territorial and national questions of Spain. Aragon, despite being a crossroad territory between France, Catalonia, Valencia, Castile and the Basque-Navarrese region, is often missing from this discussion. From a geopolitical point of view, Aragon appears to be like a “buffer” territory between central Spain and its borders. Moreover, due to these characteristics, Aragon has no two-party system PSOE/PP as is the case in Spain’s interior regions, but it also doesn’t have the hegemonic role of a NSWP (Non State-wide Parties), which defends a non-Spanish nationalism. What we do find in Aragon are two NSWPs with which the two big Spanish SWPs (State-wide Parties) have to form an alliance with, in order to govern in the big cities and at the Autonomous Parliament. The main focus of this thesis is on the Chunta Aragonesista (CHA), the Aragonese left-wing political Party which was created in 1986. Its political tradition, its ideology, its position in comparison to other NSWPs will be studied along with the circumstances that have made it possible for them to obtain a deputy at the Spanish Parliament in 2000 and to become the third major political force of Aragon from 2003 to 2007. Then, the possible causes of the Chunta Aragonesista’s electoral failure since 2007 will be analyzed. Finally, this paper will examine the role that Aragon (and the Chunta Aragonesista) could play by putting forward a new configuration of the Spanish state on the basis of a federal republic
Gauthier, Marina. "Expressionnisme et réalisme onirique en Espagne : l'œuvre de José Duarte (1928)". Toulouse 2, 2006. http://www.theses.fr/2006TOU20018.
Testo completoJosé Duarte, artist, painter, and graver was born, in Cordoba on January 23st 1928. He cursed his studies at the Escuela de Artes y Oficios Artísticos de Cordoba. At the age of 16 he entered the Escuela Superior de Bellas Artes de Sevilla, that he left in 1949. José Duarte is, without any doubt, a unique representative of his time characterized by a great complexity. Nowadays together with Guinovart, Canogar, Sempere and others, he can be considered as one of the most outstanding representative of Spanish art during the second half of the XXth century and the first of the XXIst. In the forties, Duarte reaches the most actual tendencies in art including the neo-cubism of Roger de La Fresnaye, the German New Objectivity or the inspiration of artists like Tamara Lempicka and Ewdard Hopper. His capabilities of tackling such modern issues within a society governed by the strict conservative rules imposed by Spanish Franco's regime are outstanding. During the fifties, Duarte definitively decides to join the Analytic Abstraction movement, initially alone and later on within the Equipo 57 Group (set forth by Denise René in 1957 and definitively made world wide known by the exhibitions of the Reina Sofia Museum in Madrid). In the next tow decades, Duarte is actively involved in national political activity against Franco's regime. He promotes and participates to international rallies to protect the Plastic Movement that was seriously criticised by the Spanish dictatorship. This political engagement is also reflected in his production that initially becomes violent and strongly expressive to mild out by the end of the seventies. Those two styles are expressions of the Social Realism and of the Dreamlike one. Both are a mirror of the sufferings of the human being left without his rights and his freedom. These two manifestations of the plastic movement are adapted to the Spanish specific reality, bringing to light the mystery and the “hidden face” which typically constitute one of the original sides of the Spanish art. During the Social Realism period, the main characters of his paintings are children from poor suburbs. They appear deformed by the expressionism style while violently projected by the motion of seesaws into a pseudo war scenario made of uncompleted or destroyed buildings. The palette appears to be logically shaded with strong light contrasts. Lines are widely traced in a nervous and in a very minimal fashion. On the other hand, when dealing with the Dreamlike Realism, the artist prefers to focus upon adult countrymen depicted in a open field scenario. The latter is represented as a very unfertile one, coloured with ochre tones using an intense light willing to mimic a typical summer time Andalusian country side. Both the Realism productions share the common feature of translating the “hidden face” from a universe characterized by its own decadence to another one focused upon the psychology of the human beings, his complex feature and difficulty in finding the path toward happiness. Since the beginning of democracy in Spain, Duarte´s themes and style smooth out leaving apart all kind of violent emotions favouring a much milder Realism. His paintings now deal with characters either standing by the side of swimming pools or collocated within elementary and full of light architectures. Later on, human characters are replaced with his everyday artists tools, books, flowers and shoes. This choice introduces another stage where all the expressive and futile elements disappear leading to a new production based on a composition made of basic geometrical entities. The colours of choice are now the primary and secondary ones. The use of the light pretends to transmit a sense of serenity typical of Dreamlike Realism. Finally, since the end of the nineties, Duarte's production reveals a new revolution: people and animals suddenly appears, after a long absence, rising from a surrealistic environment. These latest paintings introduce a brand new concept related with absurdity: men and animals appear to be blended, behaving in the same way, making impossible a definite differentiation between them as everyone follows irrationals and illogical patterns. Humans seems to have renounced to quest for happiness and, one of the basic motivation for life. In parallel, during the last five or six years, Duarte also paints objects : coloured bottles, corkscrew, irons, all of them extremely magnified. The general trend is toward the silence, tranquillity and introspection highlighting the poetry and the nostalgia for their history and original roots. The travel of José Duarte through the Analytic Abstraction, the Social Realism, Dreamlike Realism and a sort of surrealistic characterization, places this artist in-between the founders of the Spanish Avant Garde of the second half of the XXth century. Today, he is one of the most recognized artists in his own country
Guixé, i. Coromines Jordi. "Diplomacia y represión". Paris 3, 2006. http://www.theses.fr/2006PA030155.
Testo completoDiplomatie et Répression is a doctoral research project that analyses the State, police and unofficial repression of exiles of the Second Spanish Republic in France during three important wars, the Spanish Civil War, the Second World War and the Cold War. The unofficial strategies and diplomatic agreements resulted in dark and sinister police policies that decisively affected the lives of thousands of people. This was a political repression and this work analyses this continuous repression from the Civil War to the “witch hunt” operation in France in 1950. The research is based on original documents stored in the national and ministry archives of France and Spain, as well as police documentation and files on police and military repression. The persecution and repression of republican exiles employed all kinds of casuistries and affected everyone from senior officials to the most humble exiles who were deported and exterminated. The Spanish and French States played their part in the entire process and the different diplomatic and geostrategic expectations have traumatically marked our history and our societies. The work with the primary sources enables us to see that these repressive policies are not remote, and are in no way anecdotal or trivial. They were policies –albeit erroneous- which were dictated in violation of all respect for human and citizens’ rights. In addition to the facts, the thesis provides a European insight into the Franco’s Regime’s hard, fanatical and obsessed “extraterritorial repression” of the republican exile
Vigneron, Denis. "Nouveaux discours, nouveaux regards sur la création artistique en Espagne de la fin du dix-neuvième siècle à 1931". Lille 3, 2006. http://www.theses.fr/2006LIL30016.
Testo completoDuez, Ann. "La Nova cançó : réaffirmation d'une catalanité". Bordeaux 3, 1986. http://www.theses.fr/1986BOR30036.
Testo completoAmong the prevailing currents during the last few decades the 'new song' has a very special flavour in catalonia. It has grown up as a reaction to the continuing political repression in the wake of the civil war, to which it is closely related in a specific cultural and social context. After a historical outline of the song in catalonia the most representative figures of the 'nova canco' are analysed. The 'setze jutges' are the pioneers of this movement. A brief analysis of their texts already leads to the discovery of messages full of demands. A more detailed analysis of the work of the leader raimon, of the anti-conformist francesc pi de la serra, of the lyrical joan manuel serrat, of the melancholy maria del mar bonet, of the rebel lluis llach, of the anti-capitalist ovidi montllor reveals statements of political commitment, of social criticism, of defense of the catalan language and literature, of the awareness of man in time, but also of the discovery of his individuality. The texts of the 'cantautors' are evidence of individual protest widening its scope within the framework of a collective movement. The keythemes of the past, of the soil, of the night, of hope - reflecting a kind of pessimism typical of the catalan character -, the messages of the future and of development (the symbols of an interior crusade and of self-knowledge) are given a special interpretation in the catalan context. These themes, together with the intention of demystification in a blind society and with the techni- ques of contrast and irony, are all elements that contribute to the specifi- cally catalan character of this poetry. They give the cantautors the role of educators waking up sleeping consciences and justify the interpretation of this nova canco as a reaffirmation of a people
Le, Bigot Claude. "La poésie politique dans l'Espagne républicaine (1931-1939) : essai sur les formes d'une rupture idéologique". Rennes 2, 1990. http://www.theses.fr/1990REN20004.
Testo completoIs there a language pertaining to political poetry? If one relies on a sociocritical analysis, one notices that the beginning of the Spanish republic occurred along with an ideological break in Spanish literature which is essentially prevailing in poetry. The commitment of writers as militant intellectuals led them to alter their artistic practice. If, at the beginning, political poetry tends to become propaganda, as the war goes on, its persuasive role hides behind the archetype that constitute the backbone of epic romancero. The linguistic analysis which tries to entrance a rhetoric of persuasion in accordance with the obvious of the message, equally helps to demonstrate that the notion of political poetry isn't a homogeneous whole ; nor is it a literary genre, since it fuses into already existing literary genres. Political poetry is grounded on using speech strategies and can be traced thanks to its didactic and polemical functions. When its persuasive function faces away, its poetical function takes its place again. Without giving up any of their ideological choices, the most advanced authors among them have created a "wartime lyricism" which enables them to combine their political speech with literary speech
Balagué, i. Canadell Jordi. "Approche classique de l'analyse de la croissance économique dans le cas de l'économie espagnole (1954-1995) : le rôle clef de l'excédent brut d'exploitation". Toulouse 1, 1999. http://www.theses.fr/1999TOU10069.
Testo completoDomingues, Caroline. "Identité régionale et stratégie de communication mediatique : l'exemple de la Galice". Dijon, 1999. http://www.theses.fr/1999DIJOL005.
Testo completoThis thesis tries to define the relations between regional identity and media. The study is based on the example of Galice. Within the Spanish nation, this is a region with a strong identity. The development of this thesis dictated the study of the identity of this community on the historical, linguistic, social and political point of view and the analysis of the role of private and public media in the promotion of the identity. Then the thesis studies the objectives, the intentions and strategies of the different media. It points out their territorial strategy, the relations between language and media and the interactions system built between all the actors. The example of Galice shows that a strong identity doesn't appear systematically in the media content; the image and representations joined to a language and to a history playing a key role
Lemesle, Hervé. "Des Yougoslaves engagés au XXe siècle : itinéraires de volontaires yougoslaves en Espagne républicaine". Paris 1, 2011. http://www.theses.fr/2011PA010631.
Testo completoJoly, Maud. "Le corps de l’ennemie : histoire et représentations des violences contre les républicaines, Espagne (1936-1963)". Paris, Institut d'études politiques, 2011. http://www.theses.fr/2011IEPP0060.
Testo completoThis research is devoted to the analysis of sexual acts of violence committed by the nationalist camp against republican women during the period of the Spanish Civil War and of the post-war years. This study aims at studying the meaning of acts which end up creating a grammar of violence. It also aims at showing that the way the body of the enemy is treated sheds lights on the very nature of the Francoist political project. The very decision to shave, purge, rape and sexually mutilate women - all very particular forms of violence - allows us to understand how the country plunged into violence, along with the totalizing dynamic of this violence and the way it is part of a long genealogy of the history of political, social and cultural confrontation in Spain. He study revolves around the analysis of the corporeity of war, rooted in the links between violence, sex and war between 1936 and 1939 but also around the identification of those who committed these violent acts, designated in archives by descriptions of violent acts mixed with fantasies as well as stereotypes, and finally around the analysis of the long period during which the country left the war in fits and starts, an analysis that pinpoints continuities, echoes, and abrupt changes in the evolution of political violence in Spain. The thesis here is that of an archaeology of sexual violent acts. This archaeology aims at casting new light, thanks to the study of facts that used to be relegated to the margins of history, on the Spanish Civil War and its aftermath. Beyond this particular goal, the idea is to write, through the analysis of these violent acts and of the fantasies that underpin and reinvent them, new pages
Vázquez, de Castro Isabel. "Le théâtre de marionnettes populaire et son influence sur le renouveau scénique au cours du XXème siècle en Espagne". Paris 4, 1996. http://www.theses.fr/1996PA040174.
Testo completoThis study deals both with traditional forms of art and with "avant-garde" authors in the Spanish twentieth century. The first part describes the Tia Norica puppet theatre in Cadix. It presents the texts, puppets, sceneries and stage means saved by the Cadix museum as well as writer information on the subject. The second part introduces the works on puppetry of seven Spanish authors: J. Benavente, J. Grau, M. De Falla, F. Garcia Lorca, R. Del Valle-Inclan, R. Alberti and S. Espriu - a Catalonian writer - who are extremely interesting figures of scenic innovation in Spain. The texts themselves, as well as their staging and the reception by the critique and the public have been analyzed
Sarría, Buil María Aránzazu. ""Cuadernos de Ruedo ibérico" (1965-1979) : exil, culture d'opposition et mémoire historique". Bordeaux 3, 2001. http://www.theses.fr/2001BOR30048.
Testo completoIn 1965, the "Editions Ruedo ibérico",located in Paris launched an anti-Franco tribune open to any individual. This new publication was entiltled "Cuadernos de Ruedo ibérico" and reinforced the fight against the censorship of Franco's regime already initiated by Editions. Since their creation in 1961, the Editions had been directed by the Spanish Exile José Martinez Guerribeitia. This thesis is aimed to study the collection "Cuadernos de Ruedo ibérico" (1965-1979) in detail in order to identify the signs of a political program to find out if its presence in the background of those years implied a contribution to the Spanish cultural history over two key decades that paved the way from a decaying dictatorial regim to a democratic system
Bussy, Genevois Danièle. "Presse féminine et républicanisme en Espagne : 1931-1936". Bordeaux 3, 1988. http://www.theses.fr/1988BOR30028.
Testo completoStudy of women's periodical publications; before the spanish second republic proclaim, has existed a feminist press, a political one (primo de rivera dictature) and shelters magazines. Analyse of women's participation in republican governments and reforms; their opposition and participation in conservative parties. What about the femenine vote in november 33 elections ? since 1933-1934, we can observe the conservatism of republican news-papers, a revolutionary tendency and the penetration of right-wing publications by ideas and religious concepts, who precede franquist putsch
Hadj, Hamdri Nathalie. "La criminalité à Malaga à la fin du XIXe et au début du XXe siècle : l'autre face de l'Espagne". Paris 4, 1999. http://www.theses.fr/1999PA040120.
Testo completoCapmartin, Thierry. "Trois moments de la réception espagnole de "L'Être et le Néant" de Jean-Paul Sartre". Paris 8, 2009. http://www.theses.fr/2009PA083126.
Testo completoThe broad outline of this study is to describe and evaluate the way in which the philosophical production of Sartre’s first work was recognized in Spain, from the forties – "Being and Nothingness" was published in 1943 – until the eighties. We will concentrate particularly on works which relate to his phenomenological sections, then on his ontologisation, not to mention the illuminations which contemporary production of dramatic and narrative ontophenomenologic compositions can provide. The structure of this reception in three moments, which never entirely coincide with a strictly chronological ordering, attempts to show that, in Spain, one sought the text of "Being and Nothingness" through posing certain specific questions at particular moments, but that at the same time these Sartrian moments seem sometimes to forge connections between each other above and beyond that which separates them. They are nonetheless affected by a unique tension which is exactly the one of Sartrian onto-phenomenology itself
Bouisset, Christine. "Les incendies de forêts méditerranéens : limites, marges, frontières : des seuils écologiques aux limites politico-administratives, du local à l'européen, un siècle de gestion des incendies en France, Espagne et Italie". Avignon, 1998. http://www.theses.fr/1998AVIG1023.
Testo completoLaffue, Francis J. Robert. "Les bénéfices industriels et commerciaux en Espagne et en France". Bordeaux 1, 1986. http://www.theses.fr/1986BOR1D003.
Testo completoThe definition of industrial and commercial profits bears the imprint of commercial law as much as in spanish law. If links exist, then are not wholley servile. French fiscal law had to construct new solutions, not dictated by commercial law, such as the notion of company. Spanish law has simple definitions introducting barriers between different sorts of income; comparison shows the existence of a technical gap between the 2 laws, spanish law having the merit of coherence whereas french fiscal law is becoming more and more complicated
Jouffroy, Danièle. "Quand la gestion des conflits devient impossible : la crise définitive du syndicalisme vertical (1958 – 1975)". Paris 4, 2008. http://www.theses.fr/2008PA040151.
Testo completoOriginally the Spanish Trade Union Organization (OSE) was a control body of the francoist government, but during the fifties it became a place where wage-earners could defend themselves, and even act against the regime. After 1965, it tried to manage crises and defuse conflicts, which were more and more numerous in a tense context which repeatedly forced the government to back down. The trade union's archives show that, to devise strategies of neutralization able to fit in efficiently with a more modern context, OSE kept close watch on the working world. They also reveal the complexity of social relations in the "late francoist period". The "Vertical" tried to adapt to these varied situations, but it was being increasingly rejected, which caused it to disappear along with the political power that had set it up by force
Tesson, Hélène. "Planification et paysages urbains : à Salamanque (Espagne)". Paris 1, 2005. http://www.theses.fr/2005PA010593.
Testo completoSeptsault-Gouellain, Abel. "Science économique et convergence : le cas de l'Espagne franquiste (1936-1975)". Paris, EHESS, 1999. http://www.theses.fr/1998EHES0136.
Testo completoThis work is looking for the links between economical culture and democratic transition in spain (1936-1975)
Delaunay, Jean-Marc. "Des Palais en Espagne : l'Ecole des Hautes Etudes hispaniques et la Casa de Velasquez au coeur des relations franco-espagnoles au 20e siècle, 1909-1979". Paris 1, 1988. http://www.theses.fr/1988PA010533.
Testo completoThe history of the two french cultural institutes in spain is not only symbolic of the scientific and artistic attraction exerted by spain but also of the need to curb the influence of other foreign powers. The experience proved difficult since there were six different political regimes during the seventy years in question. Furthermore, the existence of those institutes was threatened when the buildings were destroyed during the spanish civil war, but had constantly been at stake since they were controlled by three different bodies - the bordeaux university, the french ministry of education and the academy of fine arts in paris - whereas spanish authorities just behaved as mere disinterested observers
Moldoveanu, Mihail. "Barcelone : la création architecturale contemporaine à l'écoute du modernisme catalan". Paris 4, 1999. http://www.theses.fr/1998PA040270.
Testo completoLiogier, Hélène. "Le cinéma français en Espagne, 1939-1975". Grenoble 2, 1998. http://www.theses.fr/1998GRE29012.
Testo completoThe film industry is therefore an economical, political and cultural stake which allow to study sens and fonction of the relations between a democracy and a dictatorship. The initiatives in favour of french movies knocked against franquistes's measures to control the importation and the broadcasting of foreign film. Before 1936, spain was the first exportation market for french movies. In 1939, this market completely passed out and for a long time. Until 1949, only a few french movies succeded entering the country. On the other hand, many movies, entered spain before 1939, were forbidden by the franquiste censorship. Only a few cinema did showed old french movies without success. The representatives of french culture could only broadcast some films in their institute. The years between 1950 and 1962 were an intermediary step to the reintroduction of french movies in spain. As the director of french embassy information department and supervisor of unifrance film in madrid, marcelin defourneaux made strong efforts to enhance the broadcasting of french film in spain. Nevertheless, because of discriminantory censorship manners, only a cultural minority had the opportunity to discover the french production, essentially thanks to "cine-clubs". On the contrary, from 1963 to the end of the dictatorship, french movies were well- represented in spain. Thanks to the bether relations between france and spain and also the less restricted censorship about moral questions, french films have eventually met their large audience. At the beginning of the seventies, spain is again the second or even the first exportation market for french film industry