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Articoli di riviste sul tema "Ancient textile fabrics"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 30 luglio 2024

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1

Wang, Ping, Tian Tian Li, and Ji Huan He. "Determination of the Del Zone in Tearing of Textiles Using an Ancient Chinese Algorithm." Advanced Materials Research 796 (September 2013): 183–86. http://dx.doi.org/10.4028/www.scientific.net/amr.796.183.

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Abstract (sommario):

Resistance of tear is an important characteristic of textile materials, especially for fabrics used for personal protective equipment. In this study, a constant force is applied to tear the fabric specimens to obtain the del-zone theoretically. The strain-stress curve for a single yarn is obtained from experiment, and the del-zone is determined by an ancient Chinese algorithm. This combination of ancient Chinese algorithm and actual tearing behavior of woven fabrics provides a noval analysis approach of tearing performance of textile product theoretically.

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2

Kaljus, Astri. "Reconstructing fabrics used in the clothing of “Kukruse Woman” from the late 12th century: A craftsperson’s perspective." Studia Vernacula 11 (November 5, 2019): 148–63. http://dx.doi.org/10.12697/sv.2019.11.148-163.

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This article focuses on the reconstruction of fabrics based on archaeological finds. When a woman’s grave from the late twelfth century AD (Kukruse Burial VI) was unearthed at Kukruse in eastern Estonia, archaeologists involved experts from various fields in studying the materials that were found in the grave – from natural scientists to textile researchers. A set of clothing was reproduced from what was found in the grave of the “Kukruse Woman”. The grave that served as the basis for this study featured plentiful amounts of jewellery and bronze embellishments, but textile remains were e

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3

Kaljus, Astri. "Reconstructing fabrics used in the clothing of “Kukruse Woman” from the late 12th century: A craftsperson’s perspective." Studia Vernacula 11 (November 5, 2019): 148–63. http://dx.doi.org/10.12697/sv.2019.11.148-163.

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Abstract (sommario):

This article focuses on the reconstruction of fabrics based on archaeological finds. When a woman’s grave from the late twelfth century AD (Kukruse Burial VI) was unearthed at Kukruse in eastern Estonia, archaeologists involved experts from various fields in studying the materials that were found in the grave – from natural scientists to textile researchers. A set of clothing was reproduced from what was found in the grave of the “Kukruse Woman”. The grave that served as the basis for this study featured plentiful amounts of jewellery and bronze embellishments, but textile remains were e

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4

Kaljus, Astri. "Reconstructing fabrics used in the clothing of “Kukruse Woman” from the late 12th century: A craftsperson’s perspective." Studia Vernacula 11 (November 5, 2019): 148–63. http://dx.doi.org/10.12697/sv.2019.11.148-163.

Testo completo

Abstract (sommario):

This article focuses on the reconstruction of fabrics based on archaeological finds. When a woman’s grave from the late twelfth century AD (Kukruse Burial VI) was unearthed at Kukruse in eastern Estonia, archaeologists involved experts from various fields in studying the materials that were found in the grave – from natural scientists to textile researchers. A set of clothing was reproduced from what was found in the grave of the “Kukruse Woman”. The grave that served as the basis for this study featured plentiful amounts of jewellery and bronze embellishments, but textile remains were e

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5

Azam, Farooq, Faheem Ahmad, Zeynep Ulker, Muhammad Sohail Zafar, Sheraz Ahmad, Abher Rasheed, Yasir Nawab, and Can Erkey. "The Role and Applications of Aerogels in Textiles." Advances in Materials Science and Engineering 2022 (September 17, 2022): 1–22. http://dx.doi.org/10.1155/2022/2407769.

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Abstract (sommario):

Textiles have been used for clothing purposes since ancient times. However, due to their functional properties, their importance—as well as their use in various fields such as filtration, protective clothing, and medical applications—increased over time. Properties of the textile fabrics depend mostly on the fiber type, fabrication technique, and structure. Moreover, fabric porosity is one of the properties that provide comfort, increased thermal insulation, and filtration capability to the end products. The porous structure of woven, knitted, and nonwoven fabrics has been used for many years

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6

Simpson, Elizabeth, Mary W. Ballard, G. Asher Newsome, and Brendan Burke. "King Midas’s Textiles: Dyeing and Weaving Technology in Ancient Phrygia." Textile Museum Journal 50, no. 1 (2023): 4–31. http://dx.doi.org/10.1353/tmj.2023.a932848.

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Abstract: Many civilizations have left behind evidence of wonderful textiles exhibiting advanced weaving techniques and a variety of colors. It has been the task of textile historians, weavers, technologists, and chemists to investigate the extant finds. For ancient Phrygian textiles of the ninth–eighth centuries bce, this approach has been upended. The colorants in the largest royal burial at Gordion, Tumulus MM (for “Midas Mound”), were biologically disassociated from the textiles they once colored, which had degraded inside the tomb. Some years earlier, a fire had engulfed the City Mound at

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7

Spantidaki, Stella, and Christina Margariti. "Archaeological textiles excavated in Greece." Archaeological Reports 63 (November 2017): 49–62. http://dx.doi.org/10.1017/s0570608418000054.

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This paper offers an account of the archaeological textiles excavated in Greece, consideration of the challenges one has to deal with when studying such materials and a discussion of ways to overcome them. A complete list of archaeological textiles excavated in Greece is not within the scope of this paper, since such comprehensive studies have been published previously (Spantidaki and Moulhérat 2012; Moulhérat and Spantidaki 2016) and, of course, the corpus of such textiles is continuously expanding.The study of textiles is an emerging and fast-growing field of Greek archaeology (Gleba 2011).

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8

De Caro, Giannini, Lassandro, Scattarella, Sibillano, Matricciani, and Fanti. "X-Ray Dating of Ancient Linen Fabrics." Heritage 2, no. 4 (November 18, 2019): 2763–83. http://dx.doi.org/10.3390/heritage2040171.

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We propose a new method for dating ancient linen threads by inspecting their structural degradation by means of wide-angle X-ray scattering. X-ray dating of a textile sample can be performed nondestructively and on a submillimeter area, e.g., 0.2 0.5 mm2, exploiting new table-top X-ray micro-sources. A theoretical formula is derived for dating linen samples directly from wide-angle X-ray scattering measurements. Our preliminary results show that X-ray dating results are in agreement with other dating sources, such as the radiocarbon method and historical records, if some conditions are satisfi

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9

Kaljus, Astri. "12. sajandi lõpu Kukruse „memme“ rõivakangaste rekonstrueerimise lugu käsitöölise vaatenurgast / Reconstructing Fabrics Used in the Clothing of “Kukruse Woman” from the Late 12th Century: a Crafter’s Perspective." Studia Vernacula 7 (November 4, 2016): 130–46. http://dx.doi.org/10.12697/sv.2016.7.130-146.

Testo completo

Abstract (sommario):

This article focuses on the reconstruction of fabrics based on archaeological finds. When a woman’s grave from the late twelfth century AD (Kukruse Burial VI) was unearthed at Kukruse in eastern Estonia, archaeologists involved scientists from various fields in the study of the materials that were found in the grave – from natural scientists to textile researchers. A set of clothing was reproduced from what was found in the “Kukruse Woman” grave.The grave that served as the basis for this study featured plentiful amounts of jewellery and bronze embellishments, but textile remains were extremel

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10

Kaljus, Astri. "12. sajandi lõpu Kukruse „memme“ rõivakangaste rekonstrueerimise lugu käsitöölise vaatenurgast / Reconstructing Fabrics Used in the Clothing of “Kukruse Woman” from the Late 12th Century: a Crafter’s Perspective." Studia Vernacula 7 (November 4, 2016): 130–46. http://dx.doi.org/10.12697/sv.2016.7.130-146.

Testo completo

Abstract (sommario):

This article focuses on the reconstruction of fabrics based on archaeological finds. When a woman’s grave from the late twelfth century AD (Kukruse Burial VI) was unearthed at Kukruse in eastern Estonia, archaeologists involved scientists from various fields in the study of the materials that were found in the grave – from natural scientists to textile researchers. A set of clothing was reproduced from what was found in the “Kukruse Woman” grave.The grave that served as the basis for this study featured plentiful amounts of jewellery and bronze embellishments, but textile remains were extremel

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11

Taieb, Amine Haj, and Hela Mnejja. "Design of Microencapsulated Nigelle Sativa Oil Impregnated in Textile Structure." Journal of Engineering Research and Reports 25, no. 5 (July 5, 2023): 81–87. http://dx.doi.org/10.9734/jerr/2023/v25i5913.

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Textiles have been used for protection from solar radiation since the time of ancient civilizations. Textile structures render unique characteristics required for sun screening apparel such as pliability, good mechanical strength, softness, esthetics, and other engineered properties. However, textiles as such may not be able to provide effective protection and theyshould be treated with ultraviolet (UV) blocking agents to ensure that the fabrics deflect the harmful UV rays. Several UV blocking agents are being developed to add or improve the UV protection function of textiles. There are opport

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12

Simion Beldean-Galea, Mihail, Florina-Maria Copaciu, and Maria-Virginia Coman. "Chromatographic Analysis of Textile Dyes." Journal of AOAC INTERNATIONAL 101, no. 5 (September 1, 2018): 1353–70. http://dx.doi.org/10.5740/jaoacint.18-0066.

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Abstract The textile industry uses many raw materials (natural and synthetic dyes and fibers) and different dyeing techniques that can be considered important pollutants with a negative impact on the environment (toxic working conditions, discharged wastewater, and contamination). Although synthetic dyes are intensively used, offer a wide range of colors and hues and properties of adhesion, longevity, and resistance to sunshine and chemical processes, and are cost-effective, they have begun to be restricted by many textile producers because they are nonbiodegradable and have toxic, carcinogeni

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13

Appolinaire, Kaji. "Challenges of the modernization and industrialization of the manufacture of Ndop fabric from Cameroon." Journal of Textile Engineering & Fashion Technology 9, no. 5 (September 13, 2023): 120–22. http://dx.doi.org/10.15406/jteft.2023.09.00344.

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The Ndop fabric is part of the material witnesses of Cameroonian living culture like the Faso Dan Fani of Burkina Faso, like the shuka of the Massai of Kenya and Tanzania. These symbolic fabrics have a highly significant cultural and heritage dimension in their community. The promotion of these traditional African garments and the modernization of ancestral manufacturing techniques have for several decades contributed to the development of the continent's textile industry. The proliferation of ancient and modern traditional styles testifies the impact of the industrialization of the sector on

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14

Bhattacharya, Dr Sumanta. "Study on Exhaustion Behaviour of Red Chili on Cotton Fabric." International Journal for Research in Applied Science and Engineering Technology 9, no. 11 (November 30, 2021): 1022–29. http://dx.doi.org/10.22214/ijraset.2021.38964.

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Abstract: Dying is a popular practice in textile industry which is prevalent at all parts of the world from the period of ancient civilization. Initially, natural dyes i.e. dye derived from natural resources like vegetables, flowers, minerals, plants etc. were used. Now-a-days, due to technological and scientific innovations synthetic dyes are processed at large scale in the laboratories as it is still one of the most profitable industry globally. However, the rapid utilization of chemicals in textile industry for production of synthetic dyes causes degradation of environment like soil polluti

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15

Harini, N., and N. Santhi. "Challenges and opportunities in product development using natural dyes." Scientific Temper 14, no. 01 (March 25, 2023): 211–15. http://dx.doi.org/10.58414/scientifictemper.2023.14.1.26.

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Dyeing is a crucial textile technology procedure and one of the most enjoyable Textile Arts. Dyeing is an ancient art form that predates our civilization. All over the world the coloring of textile material is done with bleached fabric using natural and synthetic dyes. Coloring with natural materials is now commonly used as a supplement to hand spinning, knitting, and weaving. This study aims to compare the effluent properties of synthetic and natural dyes. Additionally, a product was created utilizing natural dyes because they are safe for the environment.This research article compares efflue

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16

Wang, Ping, Chun-Hui He, Yan Zhang, Fu-Juan Liu, and Zhu-Xin Zhao. "Application of an ancient Chinese algorithm to stab performance of woven fabrics." Thermal Science 20, no. 3 (2016): 819–22. http://dx.doi.org/10.2298/tsci1603819w.

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Stab damage is a common failure mode for textile products, especially for the geotextiles and geotextile-related products which are widely used in the road, airport, pipeline, and so on. In this paper, an ancient Chinese algorithm is applied to predict the stab area and stab energy of woven fabrics under stabbing load according to the load-displacement performance of the single yarn. This research proposes a novel method to analyze the stab property of the textile products.

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17

Hotsalo, Kateryna. "The ideas about Ottomans in Italy during the 15th and 16th centuries: the study through textiles." Text and Image: Essential Problems in Art History, no. 1 (2022): 84–98. http://dx.doi.org/10.17721/2519-4801.2022.1.07.

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The article is an attempt to supplement the knowledge of Italians' ideas about Ottomans during the 15th and 16th centuries, using the preserved antique textiles of both cultures, as well as fabrics' mentions in written and visual sources. Modern technological research methods of ancient textiles make it possible to clarify their attributive data, which in turn contributes to more definite conclusions about artistic exchanges in the field of decoration of expensive textiles. Thus, for example, it turned out that two fabrics from the collection of the Khanenko Museum, which were considered Itali

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18

Karpova, Elena A. "TEXTILE ART AS PART OF CITY'S ARCHITECTURAL SPACE." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 20. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-20.

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The article is devoted to the interaction of textile art with architecture. The prototypes of tent architecture were temporary and mobile structures and ancient tent shelters. Decorative fabrics were used to decorate city streets during festivals and processions. They served as an essential color dominant emotionally affecting the viewers. The textile art of the 20th – early 21st century has seen the emergence of three-dimensional forms named "new tapisserie" and "environment". In the 20th century, architectural tent structures received extensive engineering and technical development, which in

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19

Shen, Hui, Yan Zhu, and Xiao Luo. "Application of Micro-Damaged Testing Methods in the Analysis of Ancient Silk Material." Advanced Materials Research 175-176 (January 2011): 299–302. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.299.

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The ancient silk fabrics are important signs of the development of textile technology. Based on the micro-sampling, this paper discusses the application of micro-damaged testing methods in the analysis of ancient silk materials, which includes the Energy Dispersive X-ray Spectroscopy (EDS) and infrared spectrum (FTIR). By testing the ancient silk, the elementary compositions and the contents of the materials can be obtained by EDS, which provides evidence for the inference of their applications and storage environment. The composition and structure of the materials can be obtained by FTIR, whi

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20

Martínez García, María Julia. "That highly prized textile fiber: wool as a magical and medicinal remedy." Journal of Textile Engineering & Fashion Technology 9, no. 3 (May 29, 2023): 69–76. http://dx.doi.org/10.15406/jteft.2023.09.00336.

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The subject of this paper is the exploration and study of wool fiber beyond the production of fabrics and the manufactures associated with it. We want to try a step forward in the research of the complex world of certain textile fibers applications, such as wool, in the practice of medicine and ancient magic. Pure wool was considered a natural and traditional remedy for the prevention of inflammations and irritations of the skin. These applications were already known and practiced in Antiquity. For ancient cultures, wool possessed, and medical and magical virtues, as well as pharmacological qu

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21

An, Boyeon, Seonghee Pak, and Ryangmi Lee. "A Scientific Analysis of Rusty Textiles from the Gaya Period Excavated at No.63 Tomb Gyodong, Changnyeong." Journal of Conservation Science 38, no. 6 (December 31, 2022): 675–83. http://dx.doi.org/10.12654/jcs.2022.38.6.09.

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This study presents the results of an analysis of the rusty textile around the gilt-bronze crown and silver belt discovered during an excavation survey of Tomb No. 63 in Gyodong, Changnyeong, South Korea, in 2020. Microscopic observation was conducted to observe the conservation and weaving states of the textile, and cross/side-sectional investigation was performed for fiber identification. Scanning electron microscopy (SEM) and Fourier-transform infrared spectroscopy were also carried out. The number of layers of the fabric in the gilt-bronze crown could not be determined because of severe fi

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22

Malagon-Mancebo, Massiel. "THE INFLUENCE OF CARIBBEAN COLONIES ON EUROPEAN WOMENS FASHION AT THE END OF THE XVIII CENTURY AND BEGINNINGS OF XIX." Temas Americanistas, no. 51 (2023): 393–432. http://dx.doi.org/10.12795/temas-americanistas.2023.i51.17.

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Neoclassical fashion defined its diaphanous look by seeking to revive the style of the ancient Roman civilization, and the marble statues of ancient Greece; further influenced by the excavation of Pompeii in 1738 and its archeological developments in 1748. The attitudes towards voluminous and pompous fashions had changed, however the acceptance of the new modern and much more revealing silhouette did not occur without challenges. For neoclassical fashion to be accepted it needed a foundation to make it plausible, and it needed a pioneer to wear and deem it ‘appropriate’. This study builds a co

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23

Avella, Alessandra. "Vestimenta drawing in use by the Romans." Convergences - Journal of Research and Arts Education 15, no. 30 (November 30, 2022): 135–45. http://dx.doi.org/10.53681/c1514225187514391s.30.163.

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The study of the Pompeii clothes, representative of the wider Roman culture, is carried out starting from the graphic analysis of the classical iconography of the MANN (National Archaeological Museum of Naples) in comparison with historiographical sources, by means of the representation of the main patterns of women's clothing in use by the Romans and their respective decorative and chromatic motifs, also in relation to the fibres of which the fabrics were made. This study, which also makes use of data obtained from the photogrammetric survey of a selected number of textile finds belonging to

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24

Ortman, Scott G. "Conceptual Metaphor in the Archaeological Record: Methods and an Example from the American Southwest." American Antiquity 65, no. 4 (October 2000): 613–45. http://dx.doi.org/10.2307/2694419.

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This paper attempts to unify recent theorizing on cultural meaning in material culture using the notion of conceptual metaphor. Research in several disciplines suggests that conventional metaphorical concepts are central to cultural cognition. Ethnographic studies and psychological experiments indicate that conceptual metaphors are expressed in numerous forms of human expression, including speech, ritual, narrative, and material culture. Generalizations on the nature and structure of metaphor emerging from cognitive linguistic research can be used to develop methods for reconstructing ancient

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Строков, А. А., Г. А. Камелина, and А. А. Мамонова. "Textile from the Early Medieval Cemeteries in the Crimea." Краткие сообщения Института археологии (КСИА), no. 268 (June 10, 2023): 339–56. http://dx.doi.org/10.25681/iaras.0130-2620.268.339-356.

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Статья посвящена изучению текстиля из могильников Чуфут-Кале, Суук-Су и Скалистинский, хранящегося в Государственном историческом музее (ГИМ). В основном это мелкие фрагменты, сохранившиеся на металлических предметах, прежде всего деталях костюма. Несколько фрагментов из Суук-Су были достаточно большого размера и сохранили свою изначальную структуру, а также проколы, след от сгиба, краску, что может говорить о том, что это было какое-то текстильное изделие. Технологический анализ показал, что чаще для производства ткани использовали растительное волокно, но иногда применялась и шерсть. Все фра

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Martí Mestre, Joaquim. "Teles i productes tèxtils del segle XVI. Estudi lexicosemàntic." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 21, no. 21 (June 22, 2023): 303. http://dx.doi.org/10.7203/scripta.21.26807.

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   Resum: En aquest treball s’analitzen mots i sentits de mots de l’àmbit tèxtil no enregistrats en els diccionaris històrics. L’estudi es fa a partir de documentació manuscrita inèdita de relacions de béns procedents de protocols notarials valencians de la primera meitat del segle XVI, complementats amb protocols dels segles XIV, XV i XVII. L’estudi confirma la importància d’aquests textos per a la lexicografia històrica. Entre els mots estudiats en aquest treball, trobem arabismes, gal·licismes, tipus lèxics afins amb l’aragonés, mots d’origen toponímic lligats a la procedè

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27

Jiamrungsan, Supamas. "The Ancient Technique of Weaving with the Contemporary Art." International Journal of Creative and Arts Studies 4, no. 1 (June 1, 2017): 13. http://dx.doi.org/10.24821/ijcas.v4i1.1951.

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This study is a qualitative research method. The purposes are firstly to trial production of Pha Yok Dok which is one of the local handicrafts, found in the north-eastern part of Thailand. It is the guidelines for handling core issues of the creation and must start from studying motif of design, focus on techniques the golden fabric is located at weaving with gold threads, called Yok Thong. Secondly, to improve the pattern of contemporary fabric are the synthesis of Yok Dok texti le design in making fabric. It is a complex process which requires highly skilled weavers. In researcher’s point of

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28

Verma, Himani, Anita Rani, Manisha Gahlot, Alka Goel, and Anil Kumar Sharma. "Sustainable dyeing of wool fabric with Talaromyces purpurogenus." Journal of Applied and Natural Science 11, no. 4 (December 10, 2019): 796–801. http://dx.doi.org/10.31018/jans.v11i4.2179.

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Natural dyes had been used by human being since ancient times for colouring of various materials including textiles. These were replaced completely by synthetic dyes, continuous use of which created the problem of pollution and environmental degradation. With the development of green technology and increased awareness of sustainability, the use of non-allergic, non-toxic and eco-friendly natural dyes on textiles has become a matter of significant importance. Among the natural sources of colourants, microorganisms such as bacteria and fungi have gained interest in the field of textile coloratio

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Hang, Yin. "The Conservation Methods of Ancient Lu Embroidery Fabric." Advanced Materials Research 472-475 (February 2012): 3343–46. http://dx.doi.org/10.4028/www.scientific.net/amr.472-475.3343.

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As a kind of silk, Lu Embroider is an valuable cultural heritage. This textile adequately approves the advancement of Chinese civilization. At the same time, Lu Embroider is easy decayed. We lack the consciousness of protecting the cultural heritage. In this paper, the reasons and significance of conservation ancient Lu Embroider fabric are introduced. The correspond conservation methods also is presented at the same time.

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Platinda, Svetlana, and Teodora Hubenco. "The basil – plant pattern with multiple values and significances." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 135–39. http://dx.doi.org/10.55383/amtap.2022.2.24.

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The content of the article refers to the options of expression of the plant motifs and especially of the basil as a plant-symbol Phytomorphic motifs give special originality to traditional national fabrics. In the most ancient wall carpets and rugs the phytomorphic motifs are very stylized, almost not identified and among the flowers and motifs represented, we find the rose, leaf, tree of life, fir branch, and others. One of the most common decorative motifs found in the ornamental composition of woolen carpets is the basil, which has been observed in some samples since the18th-19th centuries.

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An, Weizhu, Sudha Dhingra, and Feng Zhao. "Comparison Between Atlas in Xinjiang of China and Patola in Gujarat of India." Asian Social Science 16, no. 2 (January 31, 2020): 45. http://dx.doi.org/10.5539/ass.v16n2p45.

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Ikat is an ancient technique by which colored patterns are formed by tying and dyeing threads before they are woven. Ikat is an ancient resist dyeing technique in which the yarns are tied and dyed according to a specific pattern prior to weaving. This paper focuses on Atlas and Patola, the most famous ikat fabrics in China and India respectively as the research objects. The effort is to provide comparative analysis from the aspects of weaving technology, pattern style, composition characteristics and colors, based on literature and images. Although they are similar in production process, they

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He, Xiaochun, Yaxuan Xia, and Kang Lok Chung. "RESEARCH ON THE INNOVATIVE DESIGN OF TRADITIONAL LIGHTWEIGHT CLOTHING SILK FABRICS GUIDED BY THE CHANGE OF EMOTIONAL BEHAVIOR UNDER THE BACKGROUND OF GUANGDONG, HONG KONG AND MACAO." International Journal of Neuropsychopharmacology 25, Supplement_1 (July 1, 2022): A68—A69. http://dx.doi.org/10.1093/ijnp/pyac032.094.

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Abstract (sommario):

Abstract Background The construction and development of Dawan district has further promoted the innovative application of cultural resources, brought the long-standing Lingnan culture into the international stage, and become an important carrier and tool to strengthen international cultural exchanges and promote economic cooperation and development. Dawan district. Gauze, as a traditional and ancient manual weaving and dyeing process, has been listed in the national intangible cultural heritage list. It is on the verge of disappearing and in urgent need of rescue. Lightweight business wear is

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Li, Bin, and Qiang Li. "Study on the Relation between the Linked-Pearl Pattern and Weaving Technology in Ancient China." Advanced Materials Research 332-334 (September 2011): 2093–98. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.2093.

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The linked-pearl pattern on fabric is a key to study on the transformation of the technique from weaving warp-faced patterns to weft-faced patterns in ancient China. However, the previous studies on the linked-pearl pattern on fabric were not very clear, and led to much misunderstanding. Some researchers believed that Chinese weavers did not master the technique of weft-faced patterns until Persian merchants introduced the brocades with a pattern featuring stringed ball into China along the Silk Road. Based on the studies on historical materials and archeological discoveries of the linked-pear

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Petrushevski, Andri. "USE OF THREE DIMENSIONAL PRINTING IN THE PRODUCTION OF TEXTILE PRINT FORMS." Fibres and Textiles 29, no. 2 (August 2022): 3–9. http://dx.doi.org/10.15240/tul/008/2022-2-001.

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Abstract (sommario):

Since the invention of woven fabric, various types of artistic printing on fabric have been used. One of the most ancient and widespread methods is letterpress and gravure printing. Besides printing, it is also widely used in industrial textile production. The creation of industrial printing plates is a very expensive process today. For this reason, for small editions more economical technologies are used, such as silk-screen printing. However, gravure and letterpress methods have several advantages over screen printing. Reducing the cost of production of printing plates of this type will be a

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Bhattacharya, Dr Sumanta. "Analysis of Enervation Conduct of Indian Maddar Natural Dye on Silk Fabric." International Journal for Research in Applied Science and Engineering Technology 9, no. 11 (November 30, 2021): 1073–81. http://dx.doi.org/10.22214/ijraset.2021.38967.

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Abstract: Dying is a popular practice in textile industry which is prevalent at all parts of the world from the period of ancient civilization. Initially, natural dyes i.e. dye derived from natural resources like vegetables, flowers, minerals, plants etc. were used. Now-a-days, due to technological and scientific innovations synthetic dyes are processed at large scale in the laboratories as it is still one of the most profitable industry globally. However, the rapid utilization of chemicals in textile industry for production of synthetic dyes causes degradation of environment like soil polluti

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Wei, Le, Yue Ma, Zhimou Guo, Junjie Ding, Gaowa Jin, An Gu, and Yong Lei. "Application of Advanced Analytical Techniques in Organic Cultural Heritage: A Case Study of Ancient Architecture Relics in the Palace Museum (Beijing)." Coatings 12, no. 5 (May 5, 2022): 636. http://dx.doi.org/10.3390/coatings12050636.

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Abstract (sommario):

Multilayer objects with different interfaces are quite typical for architectural heritage, and from them may be inferred the age, production process, and deterioration mechanism through analyzing characteristic compositions with advanced analytical techniques. The Meiwu ceiling in the Hall of Mental Cultivation of the Palace Museum was found to contain many paper-based layers during conservation. Once several surface strata were detached, a colorful layer of printed fabric textile was discovered integrally. Through microscopic observation and micro-attenuated total reflection-Fourier transform

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Sun, Ying, Zheng Liu, Jeffrey Silberman, Jue Hou, and Jian Dai. "Fabric Composition and Wearability Analysis of Zhuanghua." Fibres & Textiles in Eastern Europe 30, no. 4 (July 1, 2022): 9–20. http://dx.doi.org/10.2478/ftee-2022-0033.

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Abstract Zhuanghua is a representative variety of Nanjing Yun brocade, symbolising the highest achievement of ancient Chinese textile technology. It has been widely used as a clothing fabric since its appearance. This paper firstly explored the characteristics of weaving materials, fabric weaves, and fabric weaving of Zhuanghua based on a literature review, manufactory visiting, and a market survey. To preserve the textile application, the permeability, shape preservation property, and appearance preservation property of fabric were tested for wearability. Specifically, six pieces of Zhuanghua

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Manning, Sean. "The History of the Idea of Glued Linen Armour." Mouseion 17, no. 3 (July 1, 2021): 491–514. http://dx.doi.org/10.3138/mous.17.3.003.

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Abstract (sommario):

Many people have heard that ancient warriors wore armour of many layers of linen cloth glued together. Critics emphasize the lack of archaeological or written evidence for this construction; supporters emphasize that their reconstructions resemble armour in ancient art and pass practical tests. Both present the theory as one that first appeared in the 1970s. This article make two contributions to the debate. It shows how sixteenth-century scholars used a peculiar medieval chronicle to understand the linen armour in ancient texts, and how paraphrases and mistranslations of their theory ultimate

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Jaroszyński, Adam, and Anna Kotłowska. ""Eparchikon biblion" V, 2: Is Thalassai the Same as Byssos?" Studia Ceranea 3 (December 30, 2013): 39–46. http://dx.doi.org/10.18778/2084-140x.03.03.

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The article examines a kind of fabric described as ‘θάλασσαι’ in The Book of the Prefect (Τὸ ἐπαρχικὸν βιβλίον). The meaning of this term by both editors and commentators of the document has not been satisfactorily explained so far. It appears highly probable, however, that ‘θάλασσαι’, because of the ‘marine’ origin of the word, can be associated with a textile from byssos – the socalled sea silk, made from fibres produced by a mollusc pinna nobilis. The presence of this fabric in numerous ancient sources is indicated, incl. works of Aristophanes, Cicero, Herodotus and Plutarch. Diocletian’s E

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Majid, Abdul, and Widya Dina. "Cultural Studies and Symbolism of Tapis Cloth Motifs in the Culture of Lampung People." Enigma in Cultural 1, no. 1 (November 9, 2023): 1–4. http://dx.doi.org/10.61996/cultural.v1i1.16.

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Abstract (sommario):

The traditional textile art in Lampung, Indonesia, holds significant cultural significance and is imbued with intricate symbolism. The images found on Tapis cloth not only showcase aesthetic appeal but also encompass profound cultural teachings, spiritual values, and symbolism that profoundly influence the lives of the Lampung people. Tapis cloth patterns embody diverse cultural elements such as mythology, spiritual convictions, a symbiotic connection with the environment, ethnic heritage, equilibrium, safeguarding, and the pursuit of prosperity. Tapis fabric serves as a means of conveying anc

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Gambhir, Gagan. "THE MAGICAL TECHNIQUE OF CHAMBA RUMAL." ShodhKosh: Journal of Visual and Performing Arts 2, no. 2 (September 27, 2021): 49–53. http://dx.doi.org/10.29121/shodhkosh.v2.i2.2021.33.

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Abstract (sommario):

India is known for its textiles and embroidery all over the world. Indications of cotton fabrics have been found at the site of the Mohen-jo-Daro excavations and the finest muslins and silks are seen represented in the murals of the Ajanta and Bagh caves. The art of embroidery has been practiced since the remote ages in India. At the excavations made at Mohen-jo-Daro, bronze needles have been found which were most probably used for purposes of embroidery. Ancient literature and sculptures also prove the antiquity of the art of embroidery in India.

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Koren, Zvi C. "Chromatographic Investigations of Purple Archaeological Bio-Material Pigments Used as Biblical Dyes." MRS Proceedings 1374 (2012): 29–47. http://dx.doi.org/10.1557/opl.2012.1376.

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Abstract (sommario):

ABSTRACTThis article discusses recent scientific research performed by the author in understanding the composition of archaeological purple pigments and dyes from molluskan sources, which were primarily used for the dyeing of royal and priestly textiles, as also cited in the Bible. Towards this end, the high-performance liquid chromatography (HPLC) method has been applied to the qualitative and quantitative multi-component fingerprinting of purple pigments extracted from various Muricidae mollusks inhabiting the Mediterranean waters. The results show that the colorants in these purple pigments

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Ribarović, Vana. "Old and new terminology describing fabrics of the women's traditional dress of Split." Portal, no. 14 (December 29, 2023): 197–207. http://dx.doi.org/10.17018/portal.2023.11.

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Abstract (sommario):

Prilikom pregleda zapisa u muzejskoj dokumentaciji Etnografskog muzeja Split, prije provedbe konzervatorsko-restauratorskih radova na nekoliko predmeta koji su dijelovi svečane ženske splitske narodne nošnje, uočeno je da su pri inventarizaciji, kod opisa temeljne tkanine, korišteni termini lokalnog govora i tadašnjeg standardnog jezika koji su danas nejasni. Cilj rada je objasniti i prevesti termine zatečene u dokumentaciji referirajući se na stručnu terminologiju dostupnu na više svjetskih jezika u rječnicima međunarodne organizacije Centre International d’Etude des Textiles Anciens (CIETA),

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Sarri, Kalliope. "Maria C. Shaw and Anne P. Chapin (with contributions by E.W. Barber, G. Bianco, B. Burke, E. C. Egan and S. Peterson Murray). Woven Threads. Patterned textiles of the Aegean Bronze Age (Ancient Textile Series 22)." Journal of Greek Archaeology 3 (January 1, 2018): 431–35. http://dx.doi.org/10.32028/jga.v3i.535.

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Abstract (sommario):

Aegean studies and textile research welcome a new book with an original and highly specialized topic. Contrary to previous research that was orientated more to weaving technologies, this volume is devoted to textile design and connects fabric technologies with different expressions of the visual arts. The book focuses first and foremost on a detailed analysis of patterns and in this way it upgrades patterning from a simple decorative medium to an important key for understanding the applied thread technologies, the evolution of design and a series of craft transfers during the Late Bronze Age.

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Begum, Afreen, and Vankar Shree. "Color palette from natural dyeing with Rubia dye (Indian Maddar)." Tekstilna industrija 71, no. 1 (2023): 31–38. http://dx.doi.org/10.5937/tekstind2301031b.

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Abstract (sommario):

Among the natural dyes, one of the most appealing coloration on Textiles comes from Rubia dye. From ancient times this dye has been used. Rubia is one of the species of the Rubiaceae family. The common madder, covers the members such as Rubia tinctorum (common madder), Rubia peregrina (wild madder), and Rubia cordifolia (Indian madder). Figure-1 shows the picture of Rubia cordifolia. It is a source of red pigment which was of economic importance in Asia, Europe, Africa and Mediterranean in the past. The Indian madder plant has 3-4 colorant moleculesmanjisthin, purpurin and pseudopurpurin and n

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46

Yastrebova, Olga M. "Persian and Russian Names of Textiles Imported to Russia from Iran in the First Half of the 17th Century, as Listed in the Inventories of Goods and Diplomatic Gifts." Vestnik of Saint Petersburg University. Asian and African Studies 15, no. 1 (2023): 22–42. http://dx.doi.org/10.21638/spbu13.2023.102.

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Abstract (sommario):

The question of the origin and ways of borrowing into the Russian language of the names of oriental fabrics, which were imported in large quantities into Russia in the 17th century, has been attracting attention of scholars for a long time, but synchronous bilingual Persian Russian sources were hardly involved in the study of this issue. The article examines a number of such sources stored in the Russian State Archive of Ancient Acts: these are lists of goods and gifts brought from Safavid Iran by trade and diplomatic representatives of Shah Safi I (1629–1642), accompanied by a Russian transla

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Srivastava, Ankita, and Ankur Saxena. "Pattu Weaving: A Sustainable Fabric Manufacturing Technique." Journal of Sustainability and Environmental Management 1, no. 2 (May 26, 2022): 299–305. http://dx.doi.org/10.3126/josem.v1i2.45382.

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Abstract (sommario):

Sustainability is the need of the hour and the world is now looking for the environment-friendly options while choosing the materials, techniques, processes and disposal systems. In textiles, handloom weaving is considered as the sustainable way of fabric manufacturing. Many ancient crafts clusters are still existing and re-inventing themselves to create sustainable products. The craft of ‘Pattu weaving’ is one of them which is known as a traditional weaving technique. Pattu weaving is a traditional craft using extra weft weaving technique which is widely practised by the weavers in India. The

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48

Foxhall, Lin. "The fabric of society: recognising the importance of textiles and their manufacture in the ancient past." Antiquity 91, no. 357 (June 2017): 808–11. http://dx.doi.org/10.15184/aqy.2017.76.

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Nakamura, Toshio, Takako Terada, Chikako Ueki, and Masayo Minami. "Radiocarbon dating of textile Components from Historical silk costumes and other cloth products in the Ryukyu Islands, Japan." Radiocarbon 61, no. 6 (October 14, 2019): 1663–74. http://dx.doi.org/10.1017/rdc.2019.105.

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Abstract (sommario):

ABSTRACTIn our research on traditional clothing and accessories in the Ryukyu Islands of Japan, we have collected cloth fragments from traditional Ryukyuan costumes and other fabric products for radiocarbon (14C) dating. In this study, the cloth samples from historical costumes of noro priestesses (two samples), men and women from high-status families (five samples), and non-costume cloth products (seven samples), belonging to the traditional hereditary religious system of the ancient Ryukyu Kingdom, which lasted from approximately the 14th century AD to 1829 were analyzed. One extra sample or

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50

El-Deeb, Nahla Ahmed Hamdy. "The Aesthetic and Plastic Values for the Concept of Synthesis through the Ages and the Variables of Material and Designing the Hanging Textile." European Journal of Sustainable Development 9, no. 4 (October 1, 2020): 281. http://dx.doi.org/10.14207/ejsd.2020.v9n4p281.

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Abstract (sommario):

Synthesis means intermarriage and compatibility between more than one raw material in a single artwork. Interacting with its various properties and sources to reach a balance between expressive and technical aspects within the framework of the technical and technical capabilities of that raw material. By adding raw materials, they are woven with textured structures or by the new method developed through the art of gluing or collage and the art of assembly through deletion and addition within the scope of plastic treatments of the textile surface or by using both the traditional and the new met

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