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Tesi sul tema "André"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 30 luglio 2024

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1

Menk, Nancy L. "André Jolivet : Epithalame /". Cincinnati : Ohio : [N.L. Menk], 1985. http://catalogue.bnf.fr/ark:/12148/cb350848137.

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2

Lestringant, Frank. "André Thevet, cosmographe". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376152699.

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3

Huneau, Denis. "André Caplet et l'orchestre /". [Tours] : [D. Huneau], 2001. http://catalogue.bnf.fr/ark:/12148/cb40100439s.

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4

Rassendren, Yves. "André Caplet : langage et innovation /". [S.l.] : [Y. Rassendren], 2000. http://catalogue.bnf.fr/ark:/12148/cb399019404.

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5

Gagneux, Frédéric. "André Suarès et le wagnérisme /". Paris : Éd. Classiques Garnier, 2009. http://catalogue.bnf.fr/ark:/12148/cb41426272k.

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6

Richard, Marcellin Sibille Jean. "La Passion de saint André /". Paris : H. Champion, 2007. http://catalogue.bnf.fr/ark:/12148/cb41062911g.

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7

Sibille, Jean Martin Jean-Baptiste. "La Passion de Saint André". Lyon : Université Lumière Lyon 2, 2003. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2003/sibille_j.

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8

Landreth, Janet. "André Jolivet : a study of the piano works with a discussion of his aesthetic and technical principles /". Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37103810r.

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9

Wellmann, Imke. "Das Zitat in André Gides Erzählungen /". Aachen : Shaker, 1995. http://catalogue.bnf.fr/ark:/12148/cb37035675q.

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10

Picard, Annabelle. "Les livres illustrés par André Beaudin /". Lille : A. Picard, 1995. http://catalogue.bnf.fr/ark:/12148/cb37066624p.

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11

Blachère, Jean-Claude. "André Breton et les mondes primitifs". Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb375960684.

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12

Kim, Jung-Sook. "Le Sentiment amoureux chez André Gide". Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37598780d.

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13

Gential, Bernard. "André Gide et les arts plastiques". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37613840r.

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14

Hamon, Bénédicte Bogros Olivier. "La médiathèque André Malraux de Lisieux". [S.l.] : [s.n.], 2004. http://www.enssib.fr/bibliotheque/documents/dcb/rshamon-benedicte.pdf.

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15

Guarnuccio, Bryan Arthur. "André Jolivet's Chant de linos (1944) a sentential analysis /". Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1151003196.

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16

Vinh, Dao. "André Malraux ou La quête de la fraternité /". Genève : Droz, 1991. http://catalogue.bnf.fr/ark:/12148/cb354921518.

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17

Sunnen, Myriam. "Malraux et le christianisme /". Paris : H. Champion, 2009. http://catalogue.bnf.fr/ark:/12148/cb414809055.

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Abstract (sommario):

Texte remanié de: Thèse de doctorat--Littérature française--Paris 3, 2004. Titre de soutenance : Dialogue d'un agnostique ave le christianisme : l'exemple d'André Malraux.
Bibliogr. p. 493-527. Index.

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18

Blondeau, Philippe. "André Dhôtel ou Les merveilles du romanesque /". Paris ; Budapest ; Torino : l'Harmattan, 2003. http://catalogue.bnf.fr/ark:/12148/cb38995362g.

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19

Ducharme, Jean. "L'un et l'autre dans la musique d'André Boucourechliev /". Villeneuve d'Ascq : Presses universitaires Septentrion, 1998. http://catalogue.bnf.fr/ark:/12148/cb371148973.

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20

Cazentre, Thomas. "Gide lecteur : la littérature au miroir de la lecture /". Paris : Éd. Kimé, 2003. http://catalogue.bnf.fr/ark:/12148/cb39068603g.

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21

Jobe, Robert DeRoy. "The operas of André-Ernest-Modeste Grétry /". Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371219281.

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22

Dario, Maria. "André Salmon : alle origini della modernità poetica /". Venezia : Istituto veneto di scienze, lettere ed arti, 2001. http://catalogue.bnf.fr/ark:/12148/cb37719778s.

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23

Bahmer, Claudia. "Weltkunst Formpsychologie und Kulturanthropologie in André Malraux' Kunstschriften". Berlin Kulturverl. Kadmos, 2006. http://d-nb.info/991770420/04.

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24

Monnet, François. "André Tardieu et la rénovation de la République /". Genève : Institut universitaires de hautes études internationales, 1990. http://catalogue.bnf.fr/ark:/12148/cb355926645.

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25

Roebling, Iris. "'Acte gratuit' Variationen einer Denkfigur von André Gide". Paderborn München Fink, 2009. http://d-nb.info/993984916/04.

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26

Masucci, Roberta. "André Barsacq : scenografie di un uomo di teatro /". Florence : Università degli studi, facoltà di lettere e filosofia, 2004. http://catalogue.bnf.fr/ark:/12148/cb409623070.

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27

Mireault, François. "Usages et fonctions esthétiques des savoirs ésotériques chez André Breton et Jovette Marchessault /". Trois-Rivières : Université du Québec à Trois-Rivières, 2002. http://www.uqtr.ca/biblio/notice/tablemat/17613391TM.html.

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28

Machabéis, Jacqueline. "La Tentation du sacré dans l'oeuvre d'André Malraux". Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37607561n.

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29

Coquio, Catherine. "La Morale des lignes André Rouveyre, dessinateur et écrivain /". Lille 3 : ANRT, 1990. http://catalogue.bnf.fr/ark:/12148/cb376129894.

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30

Hayashi, Takashi. "L'Image d'André Malraux au Japon". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376143429.

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31

Claudel, Philippe Ernst Gilbert. "Géographies d'André Hardellet". Nancy : Université Nancy 2, 2001. http://cyberdoc.univ-nancy2.fr/htdocs/docs_ouvert/doc199/2001NAN21010.pdf.

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32

Carroll, Charles Michail. "François-André Danican Philidor : his life and dramatic art /". Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37121952w.

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33

Amare, Denise. "Langage et effacement de l'être chez André du Bouchet". Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb375954309.

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34

Schäfer, Claus W. "André François-Poncet als Botschafter in Berlin : 1931-1938 /". München : Paris (8 rue Parc-Royal, 75003) : R. Oldenbourg ; [diff.] Institut historique allemand, 2004. http://catalogue.bnf.fr/ark:/12148/cb399023683.

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35

Banducci, Antonia Louise. ""Tancrède" by Antoine Danchet and André Campra : performance history and reception (1702-1764) /". Ann Arbor : UMI, 1991. http://catalogue.bnf.fr/ark:/12148/cb36652785w.

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36

Erdmann, Eva. "Der postromantische Brief : zum Briefwechsel von André Gide und Paul Valéry : (1890 bis 1942) /". München : m-press, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015045094&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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37

Salska, Anna. "Postawa estetyczna André Joliveta na tle działalności grupy "La Jeune France" /". Lódź : Akademia muzyczna, 1993. http://catalogue.bnf.fr/ark:/12148/cb35871068r.

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38

Le, Roux Benoît. "André Thérive et ses amis pendant la Grande Guerre, 1914-1918". Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376073586.

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39

Ballabriga, Michel. "Etude sémio-linguistique du discours surréaliste (André Breton) construction d'une cohérence /". Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37611552f.

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40

Hötter, Gerd. "Surrealismus und Identität : André Breton[s] Theorie des Kryptogramms, eine poststrukturalistische Lektüre seines Werks /". Paderborn : Igel Verl. Wissenschaft, 1990. http://catalogue.bnf.fr/ark:/12148/cb35493301h.

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41

Liere, Franciscus Anastasius van. "Andrew of St Victor : commentary on Samuel and Kings /". Groningen : Turnhout : F. A. van Liere ; Brepols, 1995. http://catalogue.bnf.fr/ark:/12148/cb36964541x.

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42

Gras-Durosini, Dominique. "Mandiargues et ses récits : l'écriture en jeu /". Paris ; Budapest ; Kinshasa [etc.] : l'Harmattan, 2006. http://catalogue.bnf.fr/ark:/12148/cb40129009b.

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43

Stein, Sharon. "Images of women in André Gide's Les Faux-Monnayeurs : misogyny or feminism?" Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28546.

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Abstract (sommario):

This study consists of an analysis of the major female characters in Andre Gide's Les Faux-Monnayeurs. The theme of insubordination, as exemplified in the personal growth of the novel's hero, Bernard, provides an important contrast to the author's portrayal of women. Bernard's refusal of subordination drives him toward disponibilite and authenticity. In Gidian terminology, to be disponible is to be receptive to the plenitude of life, to dare all. It is only after experimenting with life's excesses that Bernard arrives at a personal regie de vie that respects both his natural impulses and conventional moral standards. The discussion of the female characters focuses on the female's status in the social milieu portrayed in the novel. Society's traditions appear to encourage and maintain women's subordination and suppress the female's natural impulse for freedom; female disponibilite and authenticity seem unattainable. In analysing individual, female characters in light of their subordination and denial of authenticity, they will be classified into three categories: myths, stereotypes and archetypes. Bronja and Lilian, who are diametrically opposed personifications of good and evil, assume the roles of mythical figures. Sophroniska, Sarah and Rachel, who are typified depictions of the female "intellectual", the "feminist" and the "religious devotee" respectively, constitute stereotypes. The category of archetypes is comprised of Pauline, Marguerite, Mme Vedel, Mme de La Perouse and Laura, who are all similar in their roles as wives and mothers. They adhere to the conventional role of woman in their society. Consequently, archetypes illustrate most poignantly the problematic existence of women in the novel. After examining how the female characters are representative of their particular groups, we will attempt to ascertain why the author's portrayal of them is not only limited, but also pejorative. Conclusions will be drawn in light of the male characters' attitudes toward women. The male point of view is dominant and tends to overshadow and efface the female presence in the text. Furthermore, females are denigrated and disparaged from two distinctly different male perspectives: that of the homosexual and that of the heterosexual. The homosexual male vilifies and refuses women in their capacity as objects of male sexual desire. The heterosexual male advocates and adheres to traditional values that tend to privilege men; his deprecation of women is rooted in traditional, male chauvinism. It is from this second perspective that the feminist statement emerges. The author's deference toward the male is entwined with his sympathy for women and the plight of their existence. That the female characters are forbidden personal freedom and authenticity is never overtly stated; yet this conclusion emerges clearly from a critical analysis of the images of women in the novel and of male responses to the female characters. Exploration of the subtext produces many indications that support the notion that the author sees a potential for women's emancipation and for a resolution of the problems of female existence. The author's sympathy serves as an invitation to the reader to reconstruct the feminist statement and propose a personal solution.
Arts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate

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44

Gätjens, Sigrid. "Die Umdeutung biblischer und antiker Stoffe im dramatischen Werk von André Gide". Hamburg : Romanisches Seminar der Universität Hamburg, 1993. http://books.google.com/books?id=C9BcAAAAMAAJ.

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45

Moukoko, Gobina. "Littérature et humanisme André Malraux, Sembene Ousmane et le souci de l'homme /". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376167437.

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46

Köhler, Johannes. "Der "Emblematum liber" von Andreas Alciatus, 1492-1550 : eine Untersuchung zur Entstehung, Formung antiker Quellen und pädagogischen Wirkung im 16. Jahrhundert /". Hildesheim : A. Lax, 1986. http://catalogue.bnf.fr/ark:/12148/cb349338330.

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47

Lee, Kenneth Oneal. "Plays of Tennessee Williams as opera an analysis of the elements of Williams's dramatic style in Lee Hoiby's Summer and smoke and André Previn's A streetcar named Desire /". connect to online resource. Access restricted to the University of North Texas campus, 2003. http://www.library.unt.edu/theses/open/20033/lee%5Fkenneth%5Foneal/index.htm.

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Abstract (sommario):

Thesis (D.M.A.)--University of North Texas, 2003.
Accompanied by 4 recitals, recorded Apr. 4, 1994, Nov. 18, 1996, Aug. 5, 2002, and Oct. 20, 2003. Includes bibliographical references (p. 122-124).

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48

Castant, Alexandre. "Le décor méditerranéen dans Le lis de mer d'André Pieyre de Mandiargues et la photographie contemporaine /". Montpellier : A. Castant, 1990. http://catalogue.bnf.fr/ark:/12148/cb392590036.

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49

Amthor, Wiebke. "Schneegespräche an gastlichen Tischen wechselseitiges Übersetzen bei Paul Celan und André du Bouchet". Heidelberg Winter, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2808121&prov=M&dok_var=1&dok_ext=htm.

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50

Amthor, Wiebke. "Schneegespräche an gastlichen Tischen : wechselseitiges Übersetzen bei Paul Celan und André du Bouchet /". Heidelberg : Winter, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2808121&prov=M&dokv̲ar=1&doke̲xt=htm.

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