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Letteratura scientifica selezionata sul tema "Architectural philosophy"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 febbraio 2022

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Articoli di riviste sul tema "Architectural philosophy"

1

Vesnić, Snežana. "The philosophical platform of the architect: Why philosophers make such good drawings?" SAJ - Serbian Architectural Journal 9, n. 3 (2017): 201–16. http://dx.doi.org/10.5937/saj1703201v.

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Theoretical interpretations and attempts at instrumentalisation of the ties and exchanges between philosophy and architecture have mostly been directed at questions of language or the institutionalisation of the discipline of architecture. In this text, I suggest a different approach to philosophical engagement in architecture: a simultaneous use in the methodology of the architectural project and constitution of a philosophy of architecture, not only as a question of interdisciplinary exchange, but as an integral part of comprehensive architectural processes, with philosophy still maintaining its original authenticity. My approach is twofold: explain the methodology and delineate its framework, but also raise the question what is an architect's philosophical platform. To that end, I will attempt to elaborate three models: 1) the first delves partially into the fields of fiction and illusion, and in it the architect adopts the role (position) of the philosopher, 2) the second model is the architectural engagement of philosophical notions, and 3) the third is the use of philosophical concepts in the creation of architectural ones. Corresponding to each, I will suggest the activity of "repetition of difference" as a possibility of creation of the authentic architectural concept.

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2

Budi Santosa, Revianto. "Recharting The Philosophy of Technology in Contemporary Architecture". SHS Web of Conferences 41 (2018): 04012. http://dx.doi.org/10.1051/shsconf/20184104012.

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Technology is an indispensable aspect of architecture. In fact, it is being an essential part of the human effort in making architecture. Since the early modern era, technology that rapidly change has been seen as the sign of progress, not only pertaining to the technology itself, but also architecture and even civilization. Modern architectural theoreticians, from Sant’Elia to Le Corbusier, enthusiastically embraced the progressive side of technology and engineering. Philosophically, however, modern technology is regarded pessimistically. Heidegger and Jaspers considered technology as the source of alienation to the human being themselves and to the reality they face. To overcome this gap, Alan Drengson, proposed the four philosophy of technology to rechart the variety of tendency towards technology in Western society, consisting of (1) technological anarchy, (2) technophilia, (3) technophobia, and (4) technological appropriateness. In this explanation, he coined the terms “creative philosophy” to include many aspects and ways of thinking which might be incorporated in the creative activities like architectural design. This paper attempts to evaluate the appropriatenes of Drengson’s philosophical scheme as a platform for architectural education in Indonesia in general, by relating his framework with the architectural theories and practices in Indonesia. The result of this effort is while the formulation of his scheme is the very inclusive and closely related with creative activity like architectural design, it contains bias of industrial technology appearing in the Asian scene brought by Western European colonials. Discussing philosophy underlying Gandhi’s movement in India to reject oppressive technology, we may arrive at the conclusion that the philosopy of non-violence, truth and justice based on the principle of self restrained are relevant to figure out the ideal of appropriate technology in Asia.

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3

Ćipranić, Miloš. "Avenues of Approach – Petar Bojanić and the Institution of Architecture". AM Journal of Art and Media Studies, n. 12 (15 aprile 2017): 109. http://dx.doi.org/10.25038/am.v0i12.171.

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The philosopher Petar Bojanić advocates resistance of the architectural discipline to the philosophy of architecture. Using the technique of mise-en-scène, in “Thinking Architecture/Disciplining Architecture” (2015) Bojanić reaffirms that after architecture’s theoretical turn in the second half of the 20th century the architect is undoubtedly capable of theoretically thematizing his/her own work. I argue strongly that this implies, among other things, building a disciplinary language, which must reconcile, or at least balance between, the verbal and non-verbal form of expression. Also, I try to show that it is precisely theory that the architect has needed through history to establish the architectural discipline as liberal and autonomous.In “The Real and the Theoretical” (2013) the philosopher from Belgrade stresses the tensions between reality and theory present in the work of the architect. Theorizing in the field of architecture carries a danger of severe detachment from currently important and pressing social problems. Since there is no discipline without a group and since architecture is defined as the art of community, architectural practice can be understood, as it is in “The Architectural Philosophy” (2013), as a spatial way of transforming society. Article received: December 12, 2016; Article accepted: January 10, 2017; Published online: April 20, 2017Original scholarly paperHow to cite this article: Ćipranić, Miloš. "Avenues of Approach – Petar Bojanić and the Institution of Architecture." AM Journal of Art and Media Studies 12 (2017): 109-120.

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4

Šuvaković, Miško. "Architecture and philosophy: Relations, potentialities and critical points". SAJ - Serbian Architectural Journal 4, n. 2 (2012): 160–75. http://dx.doi.org/10.5937/saj1202160q.

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In the debate "Architecture and Philosophy / the relations, potentialities and critical points" the notions of "philosophy of architecture" and "aesthetics of architecture" will be discussed. The differences between traditional and contemporary philosophy and aesthetics of architecture will be introduced. In a separate sub-chapter the status of "theory" and "theorizing" during the times of late modernism and postmodern culture will be discussed. It has been pointed to the modalities of theory outside philosophy and aesthetics. The discourses from philosophy, humanities, free theorizing and architectural theories are brought closer together. In the final sub-chapter the status of contemporary philosophy and cotemporary architecture have been discussed. The notion of contemporaneity has been particularly elaborated. The central thesis of this paper is the relation of architecture and philosophy, i.e. the theory constituent for modern, postmodern and contemporary architecture. The derived thesis of the discussion is that critical theory of architecture and architectural yearning for "critical architecture" have acquired exceptional significance at the time of global conflicts and, presently at the time of global economic crisis. The theoretical, aesthetic and philosophical attention has essentially been shifted from the immanent questions about architecture (form, function, spectacularity) to the external i.e. transcendental questions about the culture and society, i.e. about the economy, power, governance, supervision, forms of life, flexibility of architectural production, exchange and consumption.

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Schwarte, Ludger. "Spaces of reflection: Where does philosophy take place?" SAJ - Serbian Architectural Journal 10, n. 3 (2018): 95–106. http://dx.doi.org/10.5937/saj1802095s.

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If reasoning implies a specific architecture (of concepts), the act of reasoning is not independent of very concrete architectural dispositions. In my essay, I will first give a sketch of places that have been designed as spaces of reflection, secondly, deconstruct the implicit assumptions of the relation with architecture and, lastly, try to show how the practice of philosophy depends on architectural settings.

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Becheru, Raluca. "The philosophy of architecture in analytic tradition: An enquiry on the possibility of the field and its themes". SAJ - Serbian Architectural Journal 8, n. 2 (2016): 309–21. http://dx.doi.org/10.5937/saj1602309b.

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The paper focuses on the new field of philosophy of architecture in analytic tradition. The research presented in this paper is part of an ongoing doctoral research concerning the connection between ethics and aesthetics in architecture. The connection between architecture and philosophy is not a novelty. Architectural theory has always looked up to philosophy for inspiration but only recently philosophers have started to study architecture in detail. Architectural theory is still a field that is in search of a better conceptual frame after the failure of the theoretical premises of the Modern Movement and the rise of the "theory speak". Architecture's features as a public art ask for a certain amount of objectivity. The philosophy of architecture in analytic tradition can contribute to a more objective conceptual frame. The principal concerns are familiar to those acquainted with continental philosophy: What makes architecture special among the arts? What is the essence of an architectural work? How we can better define architecture's social mission? But the way of answering them is different. The ethical dimension of architecture is one of the most debated subjects among architects in recent years. There are several contributions on the connection between ethics and aesthetics in the philosophy of architecture in analytic tradition. They have the potential to have an impact on architectural theory and practice.

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Rabboh, Emad H., e Ali A. Elmansory. "The Correlation of Deconstruction Architecture to Arab Architectural Identity". Academic Research Community publication 2, n. 4 (1 gennaio 2019): 319. http://dx.doi.org/10.21625/archive.v2i4.369.

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The Arab architectural identity is characterized by the originality of the various Arab cultures. Islamic culture is what makes Arab societies unique and it is what inspired Arab architecture. Consequently, the Arab architecture encounters contemporary challenges. If modern architectural trends influenced Arab civilization, it could then obliterate its identity over the years. Moreover, positively interacting with modern architectural trends must take place rather than negative interactions. The aforementioned reasons leave this phenomenon the subject of discussion and research and thus the lack of update and development of the vocabulary of Arab architecture. The proposed study discusses the problem of the correlation of deconstructive architecture with the architectural and Arabic identity through the end of the 20th century until 2017. In order to arrive at the definition of the philosophy of deconstruction architecture and the appropriate relationship between it and the Arab architectural identity, the study utilizes a qualitative descriptive methodology that tries to give a generic image of philosophy and characteristics. Deconstruction architecture attempts to link the positive aspects of architecture and Arab identity through the analysis of the frameworks of this philosophy of particular architectural works of various architects who adopt this philosophy of architecture. Responding to the above, the current study shows that it is better to strip the modern trends and take what suits the Arab culture.

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Zhang, Ning. "The Role of Ancient Chinese Philosophy in the Designs of Chinese Buildings". Open House International 41, n. 3 (1 settembre 2016): 81–85. http://dx.doi.org/10.1108/ohi-03-2016-b0014.

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Buildings are the condensation of the national, ethnic, or cultural identity. They are also the specific materialized form of the national social systems, folk customs, and ideologies. Architectural design and philosophy constitute an isomorphic relationship with each other. This study focuses on the Chinese traditional philosophy. Using Kuanzhai Alley in Chengdu as an example, philosophical expressions, such as “holistic thinking,” “group form layout,” “heaven and man,” “yin–yang and the five elements,” “ancient architecture design,” “good” aesthetic concepts, and “conformal”rationalism, are discussed from the aspects of the selection of the environment, spatial layout, architectural symbol, planning, and design significance. The traditional architectural forms and types are analyzed and interpreted based on the Chinese traditional philosophy. The role of the ancient Chinese philosophy in the Designs of Chinese Buildings is summarized. Traditional ideas on Chinese architecture should be recognized from the aspect of philosophy to propose a new design direction for developing modern Chinese architectural designs.

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Ameen, Sura Kassim, Ibrahim Jawad Al-yusif e Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture". Iraqi Journal of Architecture and Planning 19, n. 1 (28 gennaio 2020): 1–12. http://dx.doi.org/10.36041/iqjap.v16i1.490.

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Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things. The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas

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Ameen, Sura Kassim, Ibrahim Jawad Al-yusif e Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture". Iraqi Journal of Architecture and Planning 19, n. 1 (28 gennaio 2020): 1–12. http://dx.doi.org/10.36041/iqjap.v19i1.490.

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Abstract (sommario):

Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things. The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas

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Più fonti

Tesi sul tema "Architectural philosophy"

1

Hale, Jonathan. "Architectural interpretation : philosophy, technology, embodiment". Thesis, University of Nottingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503906.

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2

Pickersgill, Robert Sean, e sean pickersgill@unisa edu au. "Architecture and Horror: Analogical Explorations in Architectural Design". RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090525.162052.

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This thesis examines the relationship between the practice of architectural design and the media through which it is represented. It makes a consistent critical appraisal of the philosophical presumptions under which architectural theory is made, in particular, the relationship between theories of expression and representation. The thesis presents seven distinct projects by the author which developmentally explore the degree to which architecture is able to represent the sublime - in particular through the concept of horror. In this instance horror emerges as a category of excess that supervenes the uses of the term in the genres of film and literary studies. Within the thesis horror describes an (impossible) objective for representation The thesis argues that the environment within which these philosophical questions of 'effect' may most resonantly be explored is, ultimately, digital media. The author draws on contemporary commentary by Jacques Derrida and Georges Bataille, in particular Derrida's discussion of the Parergon and contemporary discussion of l'informe, the informal to support these arguments. It is within the apparently 'real' environments of virtual reality that the presentation of the mise-en-scene of horror may be explored. Immersive digital environments, it is argued, provide an appropriate level of freedom and direction for the exploration of the spatial experience of the abyss. The thesis concludes by presenting observations on the antinomy of aspirations that any materialist theory of architectural practice must attend to when working within digital media.

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3

Durning, Louise. "The Architecture of Humanism : an historical and critical analysis of Geoffrey Scott's architectural theory". Thesis, University of Essex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.276634.

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4

Crenshaw, Andrew. "The architectural image Finnegans Wake and the text of drawing". Thesis, Georgia Institute of Technology, 1992. http://hdl.handle.net/1853/23013.

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5

Davidson, Bradley Ross. "Poetic intent in architectural design". Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23392.

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6

Prucka, Leslie J. "Linguistic, strategies for architectural activities : Wittgenstein, philosophy, and language". Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/21705.

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7

Machado, Oscar A. "A Philosophy of Architecture". Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/205.

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To evaluate specific architectural theories, an analytic methodology was used. The specific architectural theories evaluated all have in common the fact that their formative models can explain how their original ideas manifest in the practice of architectural works. Although these architectural theories researched are thousands or in some cases hundreds of years apart, a way to compare and contrast them was to use philosophies of art common to all. This contemporary approach to analysis was done with the use of ?analytic philosophy? for its effectiveness to clarify concepts. Central aspects of architectural theories will be analyzed in detail through the lenses of four contemporary theories of the philosophy of art. They are: formalism (including neo-formalism and theories that emphasize the connection between form and function), expression theories, representation theories (including neo-representational and mimetic accounts), and theories based on aesthetic experience. Looking at architecture from the viewpoint of analytic philosophy of art provides new insights into the nature of architecture and illuminates the field in significant ways. A recommendation for further study is enclosed.

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8

Jacob, Jose 1969. "The architectural theory of the Mānasāra /". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84515.

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The extant Manasara is one of the authoritative treatises of vastusastra, traditional Indian architectural theory. The dissertation addresses the question of the nature of vastusastra, traditional architectural theory, as enunciated in the Manasara, and the relationship of theory to traditional practice. Vastusastra claims itself to be a priori with respect to practice. Two aspects of theory, theology and nomology, constitute the ontological and epistemological foundation and structure for this claim. From this sastraic perspective, practice is understood as mere application of rules. However, a closer hermeneutical reading of the text reveals the dialectical nature of theory itself, in both its theological and nomological aspects. This dialectic obtains in the relationship between theory and practice as a certain reciprocity between them, and in the parallelism between making the temple (the paradigmatic architectural object) and writing the treatise. Thus, a more precise understanding of the nature of traditional theory and its relationship to traditional practice is arrived at through this exercise. Such a calibrated understanding of vastusastra is indispensable in addressing the issue of the proper role that it may play in contemporary Indian architectural practice which is constituted in the modern scientific and technological mode.

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Smith, Albert Cowper III. "Architectural model as a machine". Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/22978.

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Clayton, Kristyn. "Personality and architectural preferences : a search for patterns". Online access for everyone, 2007. http://www.dissertations.wsu.edu/Thesis/Spring2007/K_Clayton_060607.pdf.

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Libri sul tema "Architectural philosophy"

1

Architectural philosophy. London: Athlone Press, 2000.

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2

Benjamin, Andrew E. Architectural philosophy: Repetition, function, alterity. New Brunswick: Athlone Press, 2000.

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3

Architectural reflections: Studies in the philosophy and practice of architecture. 2^a ed. Manchester: Manchester University Press, 2000.

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4

Wilson, Colin St John. Architectural reflections: Studies in the philosophy and practice of architecture. Oxford: Butterworth Architecture, 1992.

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5

Constructing a new agenda for architecture: Architectural theory 1993-2009. New York: Princeton Architectural Press, 2010.

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6

Coomaraswamy, Ananda Kentish. Essays in architectural theory. New Delhi: Indira Gandhi National Centre for the Arts, 1995.

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7

Monsters of architecture: Anthropomorphism in architectural theory. Savage, Md: Rowman & Littlefield, 1991.

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8

Gins, Madeline. Architectural body. Tuscaloosa: University of Alabama Press, 2002.

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9

Baudrillard, Jean. Mass, identity, architecture: Architectural writings of Jean Baudrillard. Chichester, West Sussex, England: Wiley Academy, 2003.

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10

Introducing architectural theory: Debating a discipline. New York: Routledge, 2012.

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Capitoli di libri sul tema "Architectural philosophy"

1

Sirowy, Beata. "Architectural Ethics: A Phenomenological Perspective". In Ethics or Moral Philosophy, 177–94. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6895-6_13.

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2

Cawthorne, Sarah. "Nature’s Cabinets Unlocked: Cognition, Cabinets, and Philosophy in Margaret Cavendish’s Poems and Fancies". In Architectural Space and the Imagination, 181–95. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36067-2_12.

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3

Moore, Steven A., e Rebecca Webber. "Expert Culture, Representation, and Public Choice : Architectural Renderings as the Editing of Reality". In Philosophy and Design, 287–300. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6591-0_22.

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4

Bonenberg, Agata. "Architectural Concept: Location Versus Tradition of a Design Philosophy". In Cityscape in the Era of Information and Communication Technologies, 9–21. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-69542-6_2.

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Martin, Reinhold. "Points of Departure: Notes Toward a Reversible History of Architectural Visualization". In Philosophy of Engineering and Technology, 1–21. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56466-1_1.

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Pérez-Gómez, Alberto. "Architectural theories and the world of philosophy, science, and theology". In InterVIEWS, 12–30. New York : Routledge, 2020. | Series: Research in architecture: Routledge, 2019. http://dx.doi.org/10.4324/9780429423192-2.

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Capdevila-Werning, Remei. "Architectural Drawings as Symbols: A Goodmanian Account of Epistemic Practices in the Design Process". In Philosophy of Engineering and Technology, 53–76. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56466-1_3.

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Macdonald, Angus J. "Philosophy of structures and its relationship to architectural theory in the Modern period". In Structure and Architecture, 157–89. Third edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315210513-9.

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Bhatt, Mehul, e Carl Schultz. "People-Centered Visuospatial Cognition: Next-Generation Architectural Design Systems and Their Role in Design Conception, Computing, and Communication". In Philosophy of Engineering and Technology, 207–32. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56466-1_9.

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Vermaas, Pieter E., e Sara Eloy. "Shape Grammar Systems as a Technology for Flexible Design for Values in Cities: Giving Architectural Design to Inhabitants". In Philosophy of Engineering and Technology, 225–52. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-52313-8_12.

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Atti di convegni sul tema "Architectural philosophy"

1

Alhazim, Mohammad, John Littlewood, Keireine Canavan e Paul Carey. "Design Philosophy of the Traditional Kuwaiti House". In Architectural Engineering Conference 2013. Reston, VA: American Society of Civil Engineers, 2013. http://dx.doi.org/10.1061/9780784412909.099.

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Alison, Aurosa. "Les « Unités » Modulor dans la Philosophie de l’Espace de Gaston Bachelard". In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1045.

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Résumé: Celui du Modulor est le premier exemple de la mesure humaine utilisée dans l’architecture. L’architecture de la moitié du vingtième siècle a été influencée par les projets de Le Corbusier. En même temps, la pensée de Gaston Bachelard s’évolue contextuellement au Mouvement Moderne et en 1957 le philosophe publie le célèbre ouvrage « La Poétique de l’espace ». Une bonne partie de sa pensée a été influencée par l’étude des quatre éléments naturels, par une conception de l’espace intime et par les différents développements de l’image de la maison. La description de la maison, dans les mots de Bachelard, correspond aux thèses principales de Carl Gustav Jung sur les différentes étapes de l’âme. Dans cette étude nous analysons les liaisons entre une conception intime de l’espace vécu et la pensée progressive de l’architecture moderne. A travers les exemples suggérés par l’Unité d’Habitation et par le Cabanon de Le Corbusier, nous voulons illustrer les dynamiques d’une philosophie de l’espace, émotionnelle, intime et secret. Abstract: The Modulor is the first example of the human measure. The architecture of the second part of the twenty century was influenced by Le Corbusier works. The development of the thought of Gaston Bachelard is contextualized in the second half of the twentieth century too, he writhed the Poetic of the Space on 1957. His philosophy was influenced based on the study of the four natural elements, up to the conception of intimate space, namely that of the house. The Bachelard house description corresponds to the Carl Gustav Jung’s theses about the soul life and the soul stadium. In this paper we analyse the correspondences between an intimate conception of the lived space and an architectural progressive thought. Throw the examples of Le Corbusier’s Unité d’Habitation and of Le Corbusier’s Cabanon we try to explain the emotional, intimate and secret dynamic of a current Space Philosophy. Mots clés: Unités, Modulor, Architecture, Mouvement Moderne, Gaston Bachelard, Poétique de l’espace, Espace intime. Keywords: Unités, Modulor, Architecture, Gaston Bachelard, Space Philosophy, Intimate Space. DOI: http://dx.doi.org/10.4995/LC2015.2015.1045

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CHU, Dong. "Study on Urban Ecological Landscape Design Methodology Based on the Interaction Philosophy". In 2016 International Conference on Architectural Engineering and Civil Engineering. Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/aece-16.2017.42.

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4

Itham Mahajan, Rajini. "THE INEVITABLE ORDER: Revisiting the Calibrated Biomimetics of Le Corbusier’s Modulor". In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.895.

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Abstract: Biomimetics is a philosophy in Architecture that addresses issues not through mimicry but by understanding the rules governing natural forms. Biomimetics has gained popularity in the past few decades but it would be more apposite to state that this philosophy may have had its origins many years previously in the conceptualization of the Modulor, as Le Corbusier strived to unite Mathematics, Physiology & Design. Common knowledge shows that disturbed by application of generic Imperial and Standard systems of measurements, the Modulor was ideated to help perceive the built environment as a physical extension of the human body. Le Corbusier’s attempt to develop a harmonious scale towards the measurement of the absolute has been criticized for adopting industrial efficiency; though alienating human emotion was farthest from Corbusier’s thought. What then is the architectural paradox in comprehending The Modulor as the universal proportioning system- racial differences in anthropometry, mechanizing architectural built forms within and without or simply an apprehension of losing mannerisms in architecture? Trying to unravel the mysteries of nature through analytics of the numbering system, Corbusier was consumed by the all-pervasive need to find answers to eternal questions in scientific spirituality. This paper explores the inevitable order of Le Corbusier’s universe, revisiting the conceptualization of the Modulor, its relevance to architectural philosophies in general and Biomimetics in particular and the universal application of the same as a governing factor in Design methodologies. Keywords: Le Corbusier, Biomimetic, Modulor, Universal Application, Design. DOI: http://dx.doi.org/10.4995/LC2015.2015.895

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GAO, Ming, e Yunli GU. "Jiejie in Limited Spaces and Small Speaks for Magnificent: Research on the Architectural Philosophy and Practice of Xiaodong Lee". In 2016 International Conference on Architectural Engineering and Civil Engineering. Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/aece-16.2017.14.

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Amendola, Gianluca, Ignazio Dimino, Antonio Concilio, Rosario Pecora e Francesco Amoroso. "Exploitation of Adaptive Trailing Edge Architectures to Small Aircraft". In ASME 2017 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/smasis2017-3889.

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Airfoil camber adaptation may be the key for the performance improvement of wings for many specific applications, including shorter take-off distance, compensation of weight variation and so on. Following the successful experiences gained in SARISTU, where an adaptive trailing edge device was developed for medium to large size commercial aircraft, the authors propose to exploit the developed architecture to a small aircraft wing. The basic reasons behind that mainly rely on the associated possibility to access easier implementation onto a real aircraft instead of referring to wing segments for wind tunnel or ground tests. In this way, many operative problems are faced, that would be otherwise neglected in usual lab experimentation. First of all, the integration of the proposed device onto a flying machine, that in turn pose the problem of facing the interface with the existing systems. Secondly, the necessity of including the device into the flap while fully preserving its current functionality. Furthermore, the necessity of developing a robust design process that allows having the release of the permit-to-fly. Each of the above steps, non-exhaustive in illustrating the difficulty of the addressed challenge, is structured in many other sub-segments, ranging from a suitable FHA analysis to a full re-design of the existing high lift systems or the adaptation of the architecture of the reference morphing trailing edge itself. This last item poses the classical challenge of the scaling issues, requiring the structural and the actuation subsystems to entirely fit into the new geometry. The objective of the present research is then to verify the feasibility of applying a certain architectural morphing philosophy onto a real aircraft, taking into account all the operational difficulties related to such an operation. This paper reports the activities related to the exploitation of the reference adaptive structural architecture, to the geometry of a flap of a small aircraft. In detail, the system layout is presented, followed by a FE analysis of the structural system under the operational loads and an estimation of the weight penalty associated to this transformation. Interfaces of the flap system with the main aircraft body are considered as constraints to the design development, so that the only flap is affected.

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Annaz, Fawaz. "Architecture philosophy in high integrity electromechanical actuators". In 2008 5th International Symposium on Mechatronics and Its Applications (ISMA). IEEE, 2008. http://dx.doi.org/10.1109/isma.2008.4648830.

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Mao, Quan, Jing Qin, Xinfang Zhang e Ji Zhou. "Case Prototype Based Design: Philosophy and Implementation". In ASME 1994 International Computers in Engineering Conference and Exhibition and the ASME 1994 8th Annual Database Symposium collocated with the ASME 1994 Design Technical Conferences. American Society of Mechanical Engineers, 1994. http://dx.doi.org/10.1115/cie1994-0421.

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Abstract In this paper, the philosophy of case prototype based design is proposed. The system architecture of CascDEST which is an embodiment of this philosophy are presented in the paper, also an algorithm of neural network based analogical case retrieval and a strategy of constraint networks based object scheme evaluation and modification are described in details. Finally, an application of CascDEST in three series industrial steam turbine design is presented.

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Milovanovic-Bertram, Smilja. "Lina Bo Bardi: Evolution of Cultural Displacement". In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.61.

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In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in literature are immigrants as elements of strangeness, distance, and alienation all contribute to their creativity. The premise is that critical distance is paramount for reflection as a change of context unfolds unforeseen possibilities. Displacement was a consistent element throughout the trajectory of Lina’s architectural career as she moved from Rome to Milan, from Milan to Sao Paolo from Sao Paolo to Bahia and back to Sao Paolo. Viewing this form of detachment and dislocation permits insight into her career and body of work as displacement mediates the paradoxical relationship between time and space. The paper will examine three distinct periods in her career. The first period is set in Rome, where she assimilated the city, showed artistic aptitude and spent her university years studying under Piacentiniand Giovannoni. The second period is set in Milan, where she developed impressive editorial and layout skills in publications work with Gio Ponti and BrunoZevi. and was influenced by Antonio Gramsci’s writings. The third is set in Brazil, where she builds and evolves as an architect via what she absorbed in Rome, wrote in Milan, and finally realized in Brazil. After Italy’s collapse in WWII Lina writes, draws, edits, critiques the plight of the Italians in need of better housing and circumstances. She leaves Milan with her new husband, PM Bardi (a prominent journalist, art critic) for Brazil. In Sao Paolo she absorbs the optimism and positive direction of Brazil. Her early design work in Brazil echoes European modernism, but when she travels to Bahia and becomes aware of the social conditions, she draws from her Italian experiences of and ideas of transforming lives through craft. Her architectural projects become directly responsive to the culture of Bahia and the politics of poverty. Lina’s design thinking evolves and parallels George Kubler’s study, The Shape of Time, and the history of man-made objects by bridging the divide between art and material culture.

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Lazareva, Maryna. "PHILOSOPHY OF ARCHITECTURE IN THE DIMENSION OF CONSUMER CONSCIOUSNESS". In LES TENDANCES ACTUELLES DE LA MONDIALISATION DE LA SCIENCE MONDIALE. European Scientific Platform, 2020. http://dx.doi.org/10.36074/03.04.2020.v3.12.

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Rapporti di organizzazioni sul tema "Architectural philosophy"

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Bush, R., e D. Meyer. Some Internet Architectural Guidelines and Philosophy. RFC Editor, dicembre 2002. http://dx.doi.org/10.17487/rfc3439.

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Kiefer, M. L., D. B. Seidel, R. S. Coats, J. P. Quintenz, T. D. Pointon e W. A. Johnson. Architecture and computing philosophy of the QUICKSILVER, 3D, electromagnetic, particle-in-cell code. Office of Scientific and Technical Information (OSTI), gennaio 1990. http://dx.doi.org/10.2172/7271685.

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