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Letteratura scientifica selezionata sul tema "Architecture Early works to 1800"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "Architecture Early works to 1800"

Yuliya Ivanovna, Arutyunyan. "Interpretation of Medieval art in the scientific illustration of France in the 1820s – 1860s." Vestnik of Saint Petersburg State University of Culture, no. 2 (51) (2022): 154–61. http://dx.doi.org/10.30725/2619-0303-2022-2-154-161.

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In the XIX century, the importance of scientific illustration increases. Images of the Middle Ages appear in works on the history of art and material culture, reference books, periodicals, and guidebooks. The characteristic features of scientific illustration are the desire to observe the real proportions and composition of monuments of architecture and fine art, diligence, understanding the patterns of style and reflecting them in graphic reproductions. The publications combine detailed images of architectural monuments and schematically interpreted details of facades and interiors. In the wo

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Kreizer, I. "MAGINARY OR EXPRESSIVE: XXI CENTURY ARCHITECTURE IN THE WORKS OF EXCELLENT MASTERS." Municipal economy of cities 1, no. 168 (2022): 40–44. http://dx.doi.org/10.33042/2522-1809-2022-1-168-40-44.

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The article deals with the theme of the interaction of "expressiveness" and "pictoriality" in the work of the masters of architecture of the XXI century. Architects' methods of work with such concepts as "imagery" and "expressiveness" became the cornerstone in understanding the concept of "modern" in the late nineteenth and early twentieth centuries. The architecture of the twentieth century in the leading countries of Europe, the USA, then the USSR, trying to keep pace with scientific discoveries and technical capabilities, created a number of rationalist avant-garde trends, which later merge

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Gella, О., and K. Didenko. "RESIDENTIAL BUILDINGS BUILT BEHIND THE STATE INDUSTRY BUILDING (DERZHPROM) IN THE LATE 1920S AND EARLY 1930S: BLOCKS EAST OF NAUKY AVENUE." Municipal economy of cities 1, no. 182 (2024): 43–49. http://dx.doi.org/10.33042/2522-1809-2024-1-182-43-49.

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The article is devoted to residential buildings built in the late 1920s and early 1930s in the metropolitan Kharkiv, in the area behind the State Industry Building (Derzhprom) east of Nauky Avenue. The design andconstruction of these residential neighbourhoods, which took place between 1926 and the late 1930s and had their peculiarities and diversity, are not sufficiently covered in scientific works and require a dedicated study. The preservation, documentation, and restoration of modernist buildings and complexes in eastern Ukraine, especially in the Kharkiv region, require the creation of a

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Maslov, Konstantin. "In search of the lost tradition: towards a history of church painting of the 1830s — 1st half of the 1840s." St. Tikhons' University Review. Series V. Christian Art 48 (December 30, 2022): 74–94. http://dx.doi.org/10.15382/sturv202248.74-94.

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Fast moving Europeanisation of Russia, started by Peter the Great and continued by his successors, showed itself, among other things, in founding the Imperial Academy of Fine Arts and in the birth of Russian academic school, whose brilliant achievements were not in the least the legacy of Russian art tradition, especially that of icon-painting, for the latter was only allowed to exist as the arts of the commoners. This state of things was regarded as something to overcome during the reign of Nicholas I, when gradual re-establishment of the ties with tradition begins, seen in particular in the

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Egorova, L. V. "Svetlov, I., Lukicheva, K. and Arias-Vikhil, M., eds. (2023). Paris around the 1900s. Joséphin Péladan’s Society of ‘Rose + Croix.’ St. Petersburg: Aleteya. (In Russ.)." Voprosy literatury, no. 2 (March 15, 2024): 174–77. http://dx.doi.org/10.31425/0042-8795-2024-2-174-177.

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The review discusses a collection of articles produced by a team of scholars under the supervision of professor Igor Svetlov. The book focuses on alternative experiments in late 1800s — early 1900s French art, which, although they failed to grow into independent movements, succeeded in producing several interesting concepts. The study is especially concerned with the Paris-based salon of ‘Rose + Croix’ and its founder Josephin Peladan — a writer, philosopher, occultist, and an able organizer. The book considers his artistic interests and views on the connection between art and religion, the ro

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Islam, Sk Zohirul. "Six-Pointed Star Motif in Muslim Architecture of Bangladesh (Past Bengal) and Turkish Influence: An Historical Study." Bangladesh Journal of Multidisciplinary Scientific Research 2, no. 1 (2020): 40–47. http://dx.doi.org/10.46281/bjmsr.v2i1.565.

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With the rise of Islamic states as the dominant powers of India and Indian Sub- Continent (India, Pakistan and Bangladesh) and South Asia Sultanate and Mughal period (1200-1800 A.D.), by Turkish heroic figure (horsemen), Indian art was subjected to Islamic influence, resulting in a hybrid aesthetics as well as Indo- Islamic art which flourished to varying extends across south and southeast Asia. Bangladesh is world third largest Muslim majority country and situated in South Asia. So the main and primary identity of the notion is mosque architecture and then languages via culture in Bangladesh

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Harris, Eileen. "Acquisition and use: British architectural books before 1800." Art Libraries Journal 17, no. 3 (1992): 7–11. http://dx.doi.org/10.1017/s0307472200007896.

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Architectural books in use in England – and specifically in the Royal Academy Library – in the second half of the 18th century included translations of the major Italian treatises; Sir William Chambers’ Treatise on civil architecture (the first work of its kind by an English author); volumes recording actual buildings by English architects; archaeological works documenting the remains of ancient buildings; and works by Fréart and Perrault on the classical orders. The latter were complemented by Henry Emlyn’s eccentric Proposition for a new order of architecture published in 1781. The contents

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Abdul Malik, Mohd Puaad, Faisal @. Ahmad Faisal Abdul Hamid, and Rahimin Affandi Abdul Rahim. "Analyse Malay Fiqh Works Writing 1600-1800." Al-Muqaddimah: Online journal of Islamic History and Civilization 6, no. 2 (2018): 71–89. http://dx.doi.org/10.22452/muqaddimah.vol6no2.6.

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In essence, this article will focus on the subject classical Malay fiqh works 1600-1800. Classical Malay fiqh works are Malay intellectual works produced by Malay Muslim scholars in various topics of Islamic law including worship (ibadah), commercial transaction law (muamalah), family law (munakahat) and others. This fiqh Malay work played an important role in Malay society at the beginning of Islamic development in the Malay world. It is a means of communication, scientific knowledge or developmental science. The premise of this article analyzes the writing of fiqh works that developed in the

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Špelda, Daniel. "Kepler in the Early Historiography of Astronomy (1615–1800)." Journal for the History of Astronomy 48, no. 4 (2017): 381–404. http://dx.doi.org/10.1177/0021828617740948.

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This article discusses the reception of Kepler’s work in the earliest interpretations of the history of astronomy, which appeared in the seventeenth and eighteenth centuries. The focus is not on the reception of Kepler’s work among astronomers themselves but instead on its significance for the history of science as seen by early historians of mathematics and astronomy. The first section discusses the evaluation of Kepler in the so-called “Prefatory Histories” of astronomy that appeared in various astronomical works during the seventeenth century. In these, Kepler was considered mainly to be th

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Bowers, Katherine. "Ghost Writers: Radcliffiana and the Russian Gothic Wave." Victorian Popular Fictions Journal 3, no. 2 (2021): 152–71. http://dx.doi.org/10.46911/tvct9530.

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Ann Radcliffe’s novels were extremely popular in early nineteenth-century Russia. Publication of her work in Russian translation propelled the so-called gothic wave of 1800-10. Yet, many of the works Radcliffe was known for in Russia were not written by her; rather, they were works by others that were attributed to Radcliffe. This article traces the publication and translation histories of Radcliffiana on the Russian book market of 1800-20. Building on JoEllen DeLucia’s concept of a “corporate Radcliffe” in the anglophone world, this article proposes a Russian corporate Radcliffe. Identifying,

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Tesi sul tema "Architecture Early works to 1800"

Harrop, Patrick H. "Inseminate architecture : an archontological reading of Athanasius Kircher's Turris Babel." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56976.

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Among the vast assembly of Biblical mythology, the tower of Babel stands as an exclusive representation of the limits of human endeavor. As a paradigmatic extremity, it circumscribes the field of civic artifice. Babel is the absolute limit, and in that regard, its presence is enduring and timeless. The legacy of exegetic readings are textual shades, emanating from the point source of the paradigm. Athanasius Kircher's Turris Babel is an appropriate and intentional unfolding of this condition.<br>Firstly, that in the awakening of the Baroque scholar to history, origin materializes as the sole l

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Luscombe, Desley School of History UNSW. "Inscribing the architect :the depiction of the attributes of the architect in frontispieces to sixteenth century Italian architectural treatises." Awarded by:University of New South Wales. School of History, 2004. http://handle.unsw.edu.au/1959.4/31896.

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This study investigates the changing understanding of the role of the ???architect??? in Italy during the sixteenth century by examining frontispieces to published architectural treatises. From analysis of these illustrations four attributes emerge as important to new societal understandings of the role of ???architect.??? The first attribute is the desire to delineate the boundaries of knowledge for architecture as a discipline, relevant to sixteenth-century society. The second is the depiction of the ???architect,??? as an intellectual engaged in the resolution of practical, political, ec

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Mah, Kai Wood. "Architecture and domestic culture in eighteenth-century China." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19665.

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This thesis examines architectural discourse and spatial practices as manifestations and experiences of order in eighteenth-century Qing dynasty China. It reviews the development of the historiography of Chinese architectural history as an academic discipline, and proposes that in the Qing there was an unprecedented rupture between domestic architectural style from that of the court. An alternative design strategy in spatial planning and detailing was adopted. It is argued that the Qing architectural discourse, its intertextuality, was implicitly linked to the historical formation of the Qing

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Winterton, David E. (David Edward). "Toward a natural history of architecture : the vegetal culture of Viel de Saint-Maux." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22551.

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This thesis reflects on the Lettres sur l'Architechure of Viel de Saint-Maux, published in Paris in 1787. This period represents a crisis point at which classical architechure and a traditional means of relating-to-the-world had exhausted themselves. In the Lettres, St.-Maux privileges original agrarian societies who worship the natural force of fecundity and the agricultural bounty that results from it. He claims that this worship supplied the radical base for their iconographic and symbolic forms as applied to architecture. Viel de St.-Maux's privileging of the generative forces of nature as

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Querard, Alexandra Eurith. "On the art of historia : the restoration and extension of the Casa del Mantegna." Thesis, Georgia Institute of Technology, 1997. http://hdl.handle.net/1853/23733.

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Orbay, İffet. "Istanbul viewed : the representation of the city in Ottoman maps of the sixteenth and seventeenth centuries." Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/8630.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2001.<br>Includes bibliographical references (p. 361-395).<br>Starting from the premise that maps are essentially about visualizing space, this dissertation examines what the Ottoman maps of Istanbul reveal about the city's perception, as it evolved in connection to urban development after the conquest. The maps that form the subject of this study appear as illustrations in three manuscript books. The Istanbul maps contained in Mecmu'-i Menazil (1537-8) and HiinernAme (1584) respectively mark the beginning and the a

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McNally, Louis K. "The Weather of 1785: An Interdisciplinary Approach to Meteorological Reconstruction Using Forensic Synoptic Analysis." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/McNallyLK2004.pdf.

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Préfontaine, Jennifer. "Secrets des femmes." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98575.

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The goal of this thesis is a critical edition of the Secrets des femmes, a text attributed to Arnold de Vilanova. In the exegetic tradition, this attribution has been widely argued. Our preliminary findings lead to the same conclusions. The text composed in French couldn't have been written by Vilanova, who would have composed it in Latin, the language of the "clerks", or in Catalan, his first language. Critical tradition shows that the Secrets des femmes is based on three manuscripts. But we have demonstrated that the Mazarine's manuscript is not at the base of this work, but rather of a text

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Labriola, Daniele. "On Plato's conception of philosophy in the Republic and certain post-Republic dialogues." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4497.

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This dissertation is generally concerned with Plato's conception of philosophy, as the conception is ascertainable from the Republic and certain ‘post-Republic' dialogues. It argues that philosophy, according to Plato, is multi-disciplinary; that ‘philosophy' does not mark off just one art or science; that there are various philosophers corresponding to various philosophical sciences, all of which come together under a common aim: betterment of self through intellectual activity. A major part of this dissertation is concerned with Plato's science par excellence, ‘the science of dialectic' (he

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蔡瑞珩. "《鍼經指南》之鍼刺手法研究". HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/132.

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《鍼經指南》為元代竇默，字漢卿，所著。其所記載的鍼刺手法上承《黃帝內經》、《難經》，下啟《金鍼賦》、《玉龍歌》、《鍼灸大成》等，為鍼刺手法發展史上里程碑，亦是後世各種複式手法發展的啟蒙。本文通過對《鍼經指南》相關鍼刺手法的篇章進行整理，從＂呼吸補瀉＂、＂燃轉補瀉＂、＂提插補瀉＂、＂迎隨補瀉＂、＂寒熱補瀉＂，及＂手指補瀉十四法＂等方面展開分析，分別探討《鍼經指南》的學術淵源和《鍼經指南》對元明時期鍼刺手法發展的影響。最後將相關醫家觀點與《鍼經指南》中鍼刺手法理論進行對比分析，討論其異同點。通過資料整理，學術思想的對比分析，筆者總結《鍼經指南》對鍼刺手法理論主要貢獻是：1.提出調息治神法﹔ 2.熱補涼瀉復合補瀉手法﹔ 3.＂提鍼豆許＂手法技巧﹔ 4.＂瀉南補北＂迎隨補瀉理論。元代與明代主要鍼灸醫家的手法技巧和鍼刺理論均從《鍼經指南》的內容中發展與推衍出來。根據研究結果顯示，鍼刺手法自《鍼經指南》后空前發展。鍼刺補瀉理論體系更加完善，手法操作更加繁複。符合由簡而繁的事物發展規律。此外，後世醫家在臨床實踐中將《鍼經指南》的鍼刺手法理論與當代文化思想結合并產生新的鍼刺手法及鍼刺理論，從另一方面體現了理論與實踐相結合的哲學思想。關鍵詞：誠刺手法﹔《鍼經指南》﹔竇漢卿

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Libri sul tema "Architecture Early works to 1800"

Serlio, Sebastiano. Sebastiano Serlio on architecture. Yale University Press, 1996.

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1948-, Smith Thomas Gordon, ed. Vitruvius on architecture. Monacelli Press, 2003.

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McEwen, Indra Kagis. Vitruvius: Writing the body of architecture. MIT Press, 2003.

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McEwen, Indra Kagis. Vitruvius: Writing the body of architecture. MIT Press, 2003.

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Serlio, Sebastiano. Sebastiano Serlio on architecture. Yale University Press, 1996.

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D, Rowland Ingrid, Howe Thomas Noble 1949-, and Dewar Michael, eds. Vitruvius: Ten books on architecture. Cambridge University Press, 1999.

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Pollio, Vitruvius. De architectura libri decem. Zumpres, 1998.

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Serlio, Sebastiano. Sebastiano Serlio -- On domestic architecture. Columbia University Libraries, 2018.

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Pierre, Gros, Corso Antonio, and Romano Elisa, eds. De architectura. Giulio Einaudi, 1997.

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1476?-1560?, Caporali Gianbatista, ed. De Architectura libri I-V. Grafiche Benucci, 1985.

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Capitoli di libri sul tema "Architecture Early works to 1800"

Mondon, Jean-François, and Joseph F. Eska. "Forced to Force? Remarks on the Architecture of the Left Periphery of Early Irish and Absolute/Conjunct Morphology." In The Method Works. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-48959-4_9.

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Rihua, Chen. "The Writing of County Histories in Early Modern England." In Connessioni. Studies in Transcultural History. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0242-8.05.

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The writing of county history in England experienced its first boom from the 1570s to the 1650s, during which time a series of outstanding county histories were written, including William Lambarde’s Perambulation of Kent, William Burton’s Description of Leicestershire and William Dugdale’s Antiquities of Warwickshire. All these works are manifestations of the phenomenon of ‘county history writing by the gentry’. County histories are primarily about local place names and famous persons, but also give accounts related to rivers, mountains, land, architecture, real estate, family clans, regional customs and histories. This essay illustrates the sociocultural phenomenon of ‘county history writing by the gentry’ in the view of the formation of the nation state, and aims to demonstrate the significance and value of the writing of county histories by gentlemen, from the perspective of the ‘community of county gentry’.

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Prieto, Moisés. "Corrupt and Rapacious: Colonial Spanish-American Past Through the Eyes of Early Nineteenth-Century Contemporaries. A Contribution from the History of Emotions." In Palgrave Studies in Comparative Global History. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0255-9_5.

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AbstractAround 1800, merchants, scientists and adventurers travelled to Latin America with different purposes. Their multifaceted interests in a world region, experiencing a threshold of independence from Spanish colonial rule, inspired new historical and political works about the continent’s recent past. The Enlightenment provided not only the philosophical armamentarium against corruption, but it also paved the way to a new expression of sentiments and to the loss of fear when addressing injustice. Some examples of these are Hipólito Villaroel’s list of grievances and Humboldt’s Political essay. These two authors provide some thoughts on the political landscape of New Spain (now Mexico), while the two Swiss physicians Rengger and Longchamp describe the ruthless and odd dictator Francia of independent Paraguay as a champion of anti-corruption. Finally, Argentine dictator Rosas—and his robberies as described by Rivera Indarte, Sarmiento and other anonymous authors—represent the embodiment of corruption through pure larceny, for whose crimes the Spanish colonial past apparently no longer served as a comparison.

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Manninger, Sandra, and Matias del Campo. "Deep Mining Authorship." In Computational Design and Robotic Fabrication. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-8405-3_1.

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AbstractConsidering the emerging field of architecture and artificial intelligence, it might be necessary to contemplate the remodeling of the concept of authorship entirely. The invention of authorship is a complex historical process that can be traced back to the emergence of print culture in Europe in the 15th century. Prior to this period, most literary and artistic works were created anonymously or attributed to collective or anonymous sources, such as folklore or religious traditions. However, with the rise of printing, texts became more easily reproducible and marketable, and there emerged a need for individual authors to take credit for their works. The notion of authorship was closely tied to the idea of originality and ownership, as authors sought to assert their exclusive rights to their works and to distinguish themselves from other writers. This was supported by the development of copyright law, which granted legal protection to authors and their works, and helped to establish a market for literary and artistic works. The idea of the author as a singular, autonomous figure gained further prominence in the 18th and 19th centuries, with the emergence of romanticism and the cult of the individual. This period saw the rise of the idea of the artist as a genius, whose works were the product of their own unique creativity and imagination. This idea was further reinforced by the rise of literary criticism, which focused on the interpretation and analysis of individual works and their authors. However, as Michel Foucault and other scholars have argued, the notion of authorship is not a universal or timeless concept, but rather a historically contingent and culturally specific one. Different societies ad cultures have different understandings of authorship, and these have shifted over time in response to changes in technology, culture, and social values. As it stands now, authorship in its traditional form can hardly be applied in a context where automated collaborations provide more than 50% of the generated material. This is true for multiple art fields. Visual Arts (Mario Klingemann, Sofia Crespo, Memo Atken, Ooouch, etc.), Music (Dadabots, YACHT, Holly Herndon), Literature, etc. Very soon this will also be true for Architecture. The consequence is also an entire rethinking of the concept of the sole genius. This notion, developed by German Romanticists in the early 19th century, is, in the current context of AI-assisted creativity, completely obsolete, as we are drawing from the genius of hundreds of thousands of artists and artworks in order to interrogate the latent space for unseen artistic opportunities. More akin to an archeological dig leading to the discovery of a next-generation jet fighter plane.

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Herold-Zanker, Katharina. "‘Ex septentrione lux’." In Decadence and Orientalism in England and Germany, 1880-1920. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191990489.003.0005.

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Abstract This chapter traces the development from the cosmopolitan decadence of the 1890s to a nationalist poetry negotiated through the inclusion and exclusion of the East, evident in the works of poet Stefan George. It compares unpublished archival material from the Stefan George Archiv in Stuttgart to George’s later poetry symptomatically referred to as ‘aesthetic fascism’ and situates his work in the larger context of international conservative modernism. As evident from his early letters to his London friend, George stylized himself as the cosmopolitan decadent dandy, embracing symbolist and Orientalist trends from France, Italy, Belgium, and England, which he gathered in his publication of his Blätter für die Kunst and his translation of Baudelaire, Ernest Dowson, and D’Annunzio. The chapter reads his early poetic masterwork Algabal (1892), dedicated to and modelled on King Ludwig II, as a companion piece to Wilde’s Salome in which George celebrates attributes of decadent Orientalism in the poem’s Byzantine splendour. Similar to the influence of ancient architecture on Wilde’s Orientalist writing, George imported pieces of ‘exotic’ architecture into his cycle of poetry. At the end of the 1900s, his ideology gravitated towards a purified poetry acting as a self-critique of his own former attachment to decadent literature. Exclusive of foreign influences and expressive of a messianic vision to reform German culture through a Nietzschean vitalist rather than decadent programme, his later poetic cycles are in dialogue with cultural anxieties of a decline of the West as expressed by contemporary authors Theodor Lessing and Oswald Spengler.

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Larsen, Kristin E. "Early Years and Architectural Training." In Community Architect. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501702464.003.0003.

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This chapter focuses on Clarence Samuel Stein's formative years, including the foundations of his work ethic, engagement in learning by doing, community design skills, and commitment to affordable housing. Born in Rochester, New York, on June 19, 1882, into an upwardly mobile Jewish family, Clarence Samuel Stein was the third child of Rose Rosenblatt and Leo Stein. When the Stein Manufacturing Company consolidated with two other firms in 1890 to form the National Casket Company, the Stein family moved to the Chelsea district in New York City. This chapter first provides an overview of New York City's Ethical Culture Society and its influence on Stein's early life before discussing his enrollment in 1905 at Paris's École des Beaux Arts, known for its strong tradition of architectural education with a focus on fostering excellence in design and drafting. It also considers Stein's employment in the office of Bertram Grosvenor Goodhue as well as his civic reform work in New York City.

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Fagan, Brian. "Greece Bespoiled." In From Stonehenge to Samarkand. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195160918.003.0007.

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The grand tour took the young and wealthy to Rome and Naples, but not as far as Greece, which had sunk into oblivion under its Byzantine emperors, who began to rule in A.D. 527. For seven hundred years Greece remained masked in obscurity as Crusaders, Venetians, and then Turks established princedoms and trading posts there. The Turks entered Athens in 1455 and turned the Parthenon and Acropolis into a fortress, transforming Greece into a rundown province of the Ottoman Empire. Worse yet, the ravages of wind, rain, and earthquake, of villagers seeking building stone and mortar, buried and eroded the ancient Greek temples and sculptures. Only a handful of intrepid artists and antiquarians came from Europe to sketch and collect before 1800, for Greek art and architecture were still little known or admired in the West, overshadowed as they were by the fashion for things Roman that dominated eighteenth-century taste. A small group of English connoisseurs financed the artists James Stuart and Nicholas Revett on a mission to record Greek art and architecture in 1755, and the first book in their multivolume Antiquities of Athens appeared in 1762. This, and other works, stimulated antiquarian interest, but in spite of such publications, few travelers ventured far off the familiar Italian track. The Parthenon was, of course, well known, but places like the oracle at Delphi, the temple of Poseidon at Sounion—at the time a pirates’ nest— and Olympia were little visited. In 1766, however, Richard Chandler, an Oxford academic, did visit Olympia, under the sponsorship of the Society of Dilettanti. The journey took him through overgrown fields of cotton shrubs, thistles, and licorice. Chandler had high expectations, but found himself in an insect-infested field of ruins: Early in the morning we crossed a shallow brook, and commenced our survey of the spot before us with a degree of expectation from which our disappointment on finding it almost naked received a considerable addition. The ruin, which we had seen in evening, we found to be the walls of the cell of a very large temple, standing many feet high and well-built, its stones all injured . . .

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Klimasmith, Betsy. "Urban Illuminations in Ormond." In Urban Rehearsals and Novel Plots in the Early American City. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192846211.003.0007.

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Concerned that the city’s water supply might have contributed to the devastating 1793 yellow fever outbreak, Philadelphia embarked on the nation’s first urban public works project, a waterworks that connected its citizens to one another even as it raised new fears about these links. Charles Brockden Brown dramatizes these fears in Ormond; his surprising connections to the waterworks shed new light on the novel and on the dirty work behind urban improvement. Chapter 4 explores whether a novel might play a role in shaping a city’s infrastructure. Five years after the 1793 epidemic, and after having suffered his own bout with yellow fever in New York, Brockden Brown published Ormond (1799), a novel that tracks its heroine Constantia’s emergence from enclosed domestic space to city streets of connection and contagion, characterized by deceptions, concealment, and architectural trompe l’oeil. Ormond straddles the worlds of the theatre and infrastructure, exposing a new urban ideology that covers the mechanics of urban engineering with illusionistic design, a dynamic especially visible in two Philadelphia buildings: Mathew Carey’s old haunt, the Chestnut Street Theatre, which Benjamin Henry Latrobe renovated between 1801 and 1805, and Latrobe’s neoclassical Centre Square pump house, which housed the steam engines that powered the city’s new municipal waterworks. In Ormond, urban connection takes on a threatening cast, but paradoxically offers the only hope for Philadelphia’s future. As he reflects on Philadelphia’s recovery, Brockden Brown reveals that the neighborliness the epidemic engenders is tenuous and fleeting.

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Triplett, Edward. "Exploring the Book of Fortresses." In Creating Place in Early Modern European Architecture. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728027_ch010.

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Duarte de Armas’ Livro das fortalezas or Book of Fortresses illustrates 55 border fortresses in over 180 meticulous measured and annotated renderings. The book is even more impressive given that de Armas completed his on-site survey in a single year (1509) and finished annotating the book the following year. The book’s drawings, alluring in their combination of finite time and enormous space, are difficult to link together at an intra-site or inter-site scale. Consequently, while mapping the 55 border fortresses in the book provides a greater apprehension of a historical, liminal space, this alone does not solve the greater problem of reconstructing de Armas’ methods for rendering place on the Portuguese-Castilian border, nor does it acknowledge the historical moment in which it was produced. This article reconstructs the world of the Book of Fortresses through a novel, digital approach that acknowledges Duarte de Armas’ malleable sense of space rather than ‘rectifying’ his work to match modern geography.

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"10. Architecture and the Arts in Anatolia under the Beyliks and Early Ottomans." In The Art and Architecture of Islam: 1250–1800. Yale University Press, 1994. http://dx.doi.org/10.37862/aaeportal.00124.014.

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Atti di convegni sul tema "Architecture Early works to 1800"

Columbu, Stefano, Gian Matteo F. Picchizzolu, and Antonio Cazzani. "The construction materials and static-structural aspects of the Budello tower (Teulada, southwest Sardinia, Italy)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11549.

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The Budello tower is located on a slight promontory from which it dominates the entire bay of Teulada and the towers of Sant’Isidoro, Pixinni, Malfatano and Porto Scudo. The tower, built in 1601 with irregular ashlars of local stones (mainly of magmatic-intrusive origin), has a truncated cone shape, an external diameter of 10,2 m and a height of 11,80 m. Inside it consists of a single room, with a domed vault and a central pillar, equipped with a embrasure, a fireplace, a trap door in the cistern, and a staircase, from which the square of arms was accessed. It was a torre de armas garrisoned b

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Chenoweth, Richard. "The Collaboration of B. Henry Latrobe and Giuseppe Franzoni to Create the Nation’s First Statue of Liberty (1807-1814)." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.76.

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When the U. S. Capitol burned on 24 August 1814, its principal chambers were gutted and an early masterpiece of American Neoclassical sculpture, a colossal personification of Liberty in the style of the times, was completely destroyed. The Liberty is not well known because in her brief lifetime, no artist stopped to record her - not even Latrobe himself, a prolific sketcher. Liberty presided over Latrobe’s majestic Hall of Representatives, a chamber that was, itself, a difficult collaboration of conflicting ideas between its client Thomas Jefferson and its architect Latrobe. Liberty was an int

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Liu, Yun, and Lieve Watteeuw. "Characterising the degradation of green colourants on early hand-coloured works on paper using multispectral imaging and reflectance spectroscopy." In Optics for Arts, Architecture, and Archaeology (O3A) IX, edited by Roger Groves and Haida Liang. SPIE, 2023. http://dx.doi.org/10.1117/12.2673630.

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Bostenaru Dan, Maria. "Carol Cortobius Architecture." In World Lumen Congress 2021, May 26-30, 2021, Iasi, Romania. LUMEN Publishing House, 2022. http://dx.doi.org/10.18662/wlc2021/08.

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Carol Cortobius was an architect trained in Germany, with an initial practice at Otto Wagner in Vienna, who worked for the Hungarian community in Bucharest building churches. An introduction on the catholic Hungarian community in Bucharest will be given. Dănuț Doboș in a monograph of one catholic church in Bucharest offers an overview of all his works. For the three catholic churches on which he intervened (two built, one restored, but altered now) there are monographs showing archive images not available for the general public. Apart of the catholic churches (two of the Hungarian community) h

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Negre, Joan, Ferran Falomir, Marta Pérez-Polo, and Gustau Aguilella. "Poliorcética, morfología edilicia y técnicas constructivas en el Tossal de la Vila, un recinto fortificado de época emiral en el extremo septentrional del Šarq al-Andalus." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11383.

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Poliorcetics, architectural morphology and construction techniques at Tossal de la Vila, a fortified enclosure from the Emirate period in the northernmost end of Šarq al-AndalusThis work focuses on the first results from the systematic excavation of the Tossal de la Vila (Serra d’en Galceran, Castelló) archaeological site. This is, a hillfort build during the Emirate of al-Andalus in the intersection between the territories of Tortosa, Valencia and the Iberian System mountain ranges. Our case study is framed within the historiographic discussion on the subject of rocky and castellated settleme

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Dayem, Adam. "Instruments of Invention and Intent: Evolving Pedagogy for Early Architectural Drawing." In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.78.

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In discipline and practice, architecture works with conventions of perspective and orthographic projection inherited from the Renaissance. Perspective projections produce illusions that simulate vision, orthographic projections set out measurable dimensions that allow three-dimensional buildings to be con-structed from scaled two-dimensional drawings. These two modes of projection may seem to be at odds with each other, one emphasizing the art of architecture in qualitative illusory effects, the other emphasizing the technology of architecture in quantitative measure. But of course, many of th

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Isgrò, Sara. "Le fortificazioni costiere austroungariche sulla frontiera italiana nell’Istria e Dalmazia dagli studi dello Scacchiere orientale." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11601.

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Austro-Hungarian coastal fortifications on the Italian border at Istria and Dalmatia from the studies on the eastern areaRight after the Unification of Italy, land’s topography, with landscape acquisition and restitution through explorations across borders, and in particular regarding Austro-Hungarian fortification on the Italian land and sea border, were immediately observed by Major State’s officials. In early 1900 the long and jagged stretch of Dalmatian coast between Pola and Cattaro, full of natural ports and coastal canals formed by many islands sometimes arranged in multiple orders alon

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Starostenko, Yulia. "The J. Stübben’s Book “Der Städtebau” (“Town Planning”) and Its Influence on the Works of Russian Specialists in Cities Improvement of the Early 20th Century." In Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.81.

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Cheuk, Alan N., Jacko T. Leung, and Peter W. Tse. "Effective Architecture for Web-Based Maintenance System and Its Security." In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-84645.

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Keeping machine running without failure is vital to maintain manufacturing productivity. Any loss in production and service due to equipment malfunction is unacceptable. The use of Web-based maintenance helps to detect defective machine in its early stage and thus avoid costly failure. It provides an easy way for the operator to evaluate the performance of the distant located machines. The architecture of our proposed Web-based maintenance has been redesigned to reduce the burden of the main server. The heavy loading situation which often occurs in the main server can be avoided. Beside archit

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Baró Zarzo, José Luis, and Jovita Cortijo Ruiz. "Architecture and Music around the Alhambra. Reminiscences of a dreamlike world: La Puerta del Vino (Debussy)." In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15464.

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Orientalism, as a variant of exoticism in the Romantic period, adopted a series of topics linked to distant countries and oriental cultures, including Spanish lands, especially Andalusian. This phenomenon was especially prolific in the world of the arts around the Alhambra, «doubly romantic for its medieval and oriental origin» (Raquejo, 1989).Alhambrism was developed by traveling writers in the early 19th century, eager for suggestive scenarios in which to recreate their poems and stories. Later it spread to the plastic arts, with painters such as François Antoine Bossuet, John Frederick Lewi

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