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Letteratura scientifica selezionata sul tema "Architecture, Modern Philosophy"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 agosto 2024

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Articoli di riviste sul tema "Architecture, Modern Philosophy"

1

Becheru, Raluca. "The philosophy of architecture in analytic tradition: An enquiry on the possibility of the field and its themes." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 309–21. http://dx.doi.org/10.5937/saj1602309b.

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The paper focuses on the new field of philosophy of architecture in analytic tradition. The research presented in this paper is part of an ongoing doctoral research concerning the connection between ethics and aesthetics in architecture. The connection between architecture and philosophy is not a novelty. Architectural theory has always looked up to philosophy for inspiration but only recently philosophers have started to study architecture in detail. Architectural theory is still a field that is in search of a better conceptual frame after the failure of the theoretical premises of the Modern

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Budi Santosa, Revianto. "Recharting The Philosophy of Technology in Contemporary Architecture." SHS Web of Conferences 41 (2018): 04012. http://dx.doi.org/10.1051/shsconf/20184104012.

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Technology is an indispensable aspect of architecture. In fact, it is being an essential part of the human effort in making architecture. Since the early modern era, technology that rapidly change has been seen as the sign of progress, not only pertaining to the technology itself, but also architecture and even civilization. Modern architectural theoreticians, from Sant’Elia to Le Corbusier, enthusiastically embraced the progressive side of technology and engineering. Philosophically, however, modern technology is regarded pessimistically. Heidegger and Jaspers considered technology as the sou

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Grebinnyk, T. O., V. V. Belopoly, and O. I. Plaksina. "Philosophy in architecture: a modern view." Bulletin of Prydniprovs’ka State Academy of Civil Engineering and Architecture, no. 6 (December 27, 2018): 83–88. http://dx.doi.org/10.30838/j.bpsacea.2312.261218.83.452.

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4

Suharjanto, Gatot. "Konsep Arsitektur Tradisional Sunda Masa Lalu dan Masa Kini." ComTech: Computer, Mathematics and Engineering Applications 5, no. 1 (June 30, 2014): 505. http://dx.doi.org/10.21512/comtech.v5i1.2644.

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It is known that traditional architectures are a product of human conception full of culture and philosophy, while modern architectural concepts prioritize functionality and simplicity that tends to be simple or quick. Now the architectural concept slowly changes according to the conditions of time, then so is the existence of works of architecture that also changes. This condition can be found in almost major cities in Indonesia, where many houses or buildings built still in traditional architecture theme but combined and matched with modern architecture concept. One of many diverse cultures

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Rabboh, Emad H., and Ali A. Elmansory. "The Correlation of Deconstruction Architecture to Arab Architectural Identity." Academic Research Community publication 2, no. 4 (January 1, 2019): 319. http://dx.doi.org/10.21625/archive.v2i4.369.

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The Arab architectural identity is characterized by the originality of the various Arab cultures. Islamic culture is what makes Arab societies unique and it is what inspired Arab architecture. Consequently, the Arab architecture encounters contemporary challenges. If modern architectural trends influenced Arab civilization, it could then obliterate its identity over the years. Moreover, positively interacting with modern architectural trends must take place rather than negative interactions. The aforementioned reasons leave this phenomenon the subject of discussio

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Šuvaković, Miško. "Architecture and philosophy: Relations, potentialities and critical points." SAJ - Serbian Architectural Journal 4, no. 2 (2012): 160–75. http://dx.doi.org/10.5937/saj1202160q.

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In the debate "Architecture and Philosophy / the relations, potentialities and critical points" the notions of "philosophy of architecture" and "aesthetics of architecture" will be discussed. The differences between traditional and contemporary philosophy and aesthetics of architecture will be introduced. In a separate sub-chapter the status of "theory" and "theorizing" during the times of late modernism and postmodern culture will be discussed. It has been pointed to the modalities of theory outside philosophy and aesthetics. The discourses from philosophy, humanities, free theorizing and arc

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Jász, Borbála. "Architectural Theory and Analytic Philosophy in the Interwar Period." Acta Universitatis Sapientiae, European and Regional Studies 14, no. 1 (December 1, 2018): 41–53. http://dx.doi.org/10.2478/auseur-2018-0010.

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Abstract The basis of the connection between analytic philosophy and architecture theory was developed in the interwar period. The results of analytic philosophy – especially the neo-positivism of Vienna Circle – and modern, functionalist architecture theory were utilized in an interdisciplinary approach. The comparison was based on language puzzles, science-based building processes, the method of justification and verification, and designing an artificial language in order to express the theoretical (philosophical) and the practical (architectural) approach as well. The functionality was base

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Negulyaeva, T. V., and S. F. Dyadchenko. "Architecture and philosophy of antiquity: The formation of classical architecture." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 1 (February 26, 2021): 73–84. http://dx.doi.org/10.31675/1607-1859-2021-23-1-73-84.

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The classical architecture is being constantly developed in time, and, consequently, is relevant nowadays. The paper deals with the development of classical architectural in antiquity up to the present time. This is necessary for further study of modern architecture. The aim of this work is to identify the most stable formation of the classical antique architecture. Scientific novelty lies in the systematic approach to the studying the evolution of ancient architectural theory, taking into account a variety of external factors and based on ancient philosophy. The main level of scientific knowl

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De Clercq, Rafael. "The Legitimacy of Modern Architecture." Philosophical Forum 35, no. 2 (June 2004): 135–46. http://dx.doi.org/10.1111/j.0031-806x.2004.00166.x.

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Maciuika, John. "Review of: Architecture and Nihilism: On the Philosophy of Modern Architecture." Modernism/modernity 3, no. 2 (1996): 115–17. http://dx.doi.org/10.1353/mod.1996.0027.

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Tesi sul tema "Architecture, Modern Philosophy"

1

Wilk, Michael. "Affinity to infinity : the endlessness, correalism, and galaxies of Frederick Kiesler." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0029/MQ64122.pdf.

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García, Moreno Beatriz. "Contextualist thought and architecture." Diss., Georgia Institute of Technology, 1992. http://hdl.handle.net/1853/22370.

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Chen, Hui-Min. "A critique on scientific rationality in the production of architecture." Diss., Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/23114.

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Marchisen, Kirk Joseph. "Transformation through analogy : narrative in architecture." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/22379.

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Bloomer, Jennifer Allyn. "Towards an architecture of desire : the (s) crypt of Joyce and Piranesi." Diss., Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23414.

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McFeat, Lin Gillian. "The architecture of colonisation : the concept of depiction : Colon : the colonisation of a(a)rchitecture : the depiction of the concept." Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09PH/09phm1432.pdf.

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Includes bibliography. This thesis examines deconstructive writings, employing those strategies as a basis for re-forming approaches to architecture. A theory is posited that a distinction must be made between architecture as idiom and architecture as medium, expressed as a separation between architecture as a built form, Architecture the Idea and A(a)rchitecture as a new direction for framing an approach to its discourse.

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Burniat, Patrick. "Le plan libre, syncrétisme de la modernité corbuséenne: essai de clarification du concept de plan libre dans l'oeuvre architectural de Le Corbusier." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210512.

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Le sujet de la thèse —la clarification du concept de plan libre dans l’œuvre architectural de Le Corbusier— s’inscrit dans un cadre général de recherches portant sur les modes de conception architecturale en contexte de modernité. Cette préoccupation prend comme horizon la compréhension des processus qui servent l’architecture comme construction d’idées et qui permettent d’en articuler les différentes phases, depuis l’amont des intentions exprimées par le concepteur, jusqu’à l’aval des expressions prises par la solution, en passant par les moyens qui, précisément, permettent d’articuler une pe

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Prucka, Leslie J. "Linguistic, strategies for architectural activities : Wittgenstein, philosophy, and language." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/21705.

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Tavel, Jose Enrique. "A theory of architecture based on the synthesis of bricolage and linguistic devices." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/21742.

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Elliott, Benjamin Wing. "An object under light : the metaphysical strength of light as revealed in Saint Augustine's Confessions." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23928.

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Libri sul tema "Architecture, Modern Philosophy"

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Bure, Gilles de. Architecture contemporaine. Paris: Flammarion, 2009.

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Michael, Hays K., ed. Architecture theory since 1968. Cambridge, Mass: The MIT Press, 2000.

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Lefaivre, Liane. The Emergence of Modern Architecture. London: Taylor & Francis Group Plc, 2004.

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Lefaivre, Liane. The Emergence of Modern Architecture. London: Taylor & Francis Inc, 2004.

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Masheck, Joseph. Building art: Modern architecture under culturalconstruction. Cambridge: Cambridge University Press, 1993.

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Alexander, Pilis, and St. Norbert Arts and Cultural Centre., eds. [Architecture parallax: Snacklunch. [Winnipeg: St. Norbert Arts and Cultural Centre, 1998.

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Krista, Sykes, ed. Constructing a new agenda for architecture: Architectural theory 1993-2009. New York: Princeton Architectural Press, 2010.

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Tom, Avermaete, Havik Klaske 1975-, and Teerds Hans, eds. Architectural positions: Architecture, modernity, and the public sphere. Amsterdam: SUN Publishers, 2009.

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Tom, Avermaete, Havik Klaske 1975-, and Teerds Hans, eds. Architectural positions: Architecture, modernity, and the public sphere. Amsterdam: SUN Publishers, 2009.

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Krier, Léon. Architecture: Choix ou fatalité. Paris: Norma, 1996.

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Capitoli di libri sul tema "Architecture, Modern Philosophy"

1

Lanciaux, Ryan. "The Mise en Place Philosophy." In Modern Front-end Architecture, 1–11. Berkeley, CA: Apress, 2021. http://dx.doi.org/10.1007/978-1-4842-6625-0_1.

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Macdonald, Angus J. "Philosophy of structures and its relationship to architectural theory in the Modern period." In Structure and Architecture, 157–89. Third edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315210513-9.

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Tappenden, Jamie. "The Riemannian Background to Frege’s Philosophy." In The Architecture of Modern Mathematics, 97–132. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198567936.003.0004.

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Abstract There was a methodological revolution in the mathematics of the nineteenth century, and philosophers have, for the most part, failed to notice. My objective in this chapter is to convince you of this, and further to convince you of the following points. The philosophy of mathematics has been informed by an inaccurately narrow picture of the emergence of rigour and logical foundations in the nineteenth century. This blinkered vision encourages a picture of philosophical and logical foundations as essentially disengaged from ongoing mathematical practice. Frege is a telling example: we have misunderstood much of what Frege was trying to do, and missed the intended significance of much of what he wrote, because our received stories underestimate the complexity of nineteenth-century mathematics and mislocate Frege’s work within that context. Given Frege’s perceived status as a paradigmatic analytic philosopher, this mislocation translates into an unduly narrow vision of the relation between mathematics and philosophy.

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Scholz, Erhard. "H. Weyl’s mature view of mathematical knowledge." In The Architecture of Modern Mathematics, 291–310. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198567936.003.0011.

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Abstract Introduction Hermann Weyl’s views of mathematical knowledge went through various transformations. He described most of them himself in his retrospective (Weyl 1954). In 1905, at the beginning of his university studies, he was thrown (by Hilbert’s views on the foundations of geometry) from a youthful and naive Kantianism to a ‘positivism’ in the sense of H. Poincaré and E. Mach. Five years later, he came under the influence of Husserl’s phenomenology and turned away from positivism. At Zürich he came into close contact with F. Medicus, an expert in the philosophy of post-Kantian German idealism and an editor of J. G. Fichte’s works. After Weyl came back from service in the German army in 1916, his philosophical outlook turned radically towards realism in the sense of German idealist philosophy, formed under the impression of his way of reading Fichte and, a little later, under the personal influence of L.E.J. Brouwer. In 1926 he had the chance to rework his philosophical outlook when he wrote his contribution Philosophie der Mathematik und Naturwissenschaften for the handbook of philosophy edited by M. Schröter and A. Bumler (Weyl 1927a). During this work Weyl became more closely acquainted with Leibniz’ philosophy, among others. He broadened and refined his philosophical views and started to reconsider his earlier exaggerated rejection of Hilbert’s formalist views in the foundations of mathematics.

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Erjavec, Aleš. "Why Architecture in Post-Modern Times? (1989)." In Art, Philosophy, and Ideology, edited by Tyrus Miller, 11–22. BRILL, 2024. http://dx.doi.org/10.1163/9789004697515_003.

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Ferreirós, José. "Riemann’s Habilitationsvortrag at the Crossroads of Mathematics, Physics, and Philosophy." In The Architecture of Modern Mathematics, 67–96. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198567936.003.0003.

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Abstract Et his principiis via sternitur ad majora. And by these principles the road is open to higher things. (Newton, quoted by Riemann in 1861)1 With Dirichlet and Riemann, Göttingen has remained the plantation of the most profoundly philosophical orientation in mathematical research that it became with Gauss. (Wilhelm Weber)2 There is no doubt that Bernhard Riemann was one of the main architects of modern mathematics, a visionary planner who delineated new outlines for quarters like complex analysis or abstract geometry, and designed magnificent modern avenues to link mathematics with physics. Riemann’s work emerged from a most noteworthy interaction between the three disciplines of physics, mathematics, and philosophy – the ‘magic triangle,’ as Sánchez Ron has aptly put it in a paper about Einstein. In fact, the evolution of Riemann’s ideas affords a better example of the magic triangle at work than Einstein’s in 1905–1916. We shall examine this in the relatively localized domain of mathematical and physical geometry, but also at the more global level of Riemann’s epistemology of mathematics.

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Ferreirós, J., and J. J. Gray. "Introduction." In The Architecture of Modern Mathematics, 47–66. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198567936.003.0001.

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Abstract The aim of this book of essays is to advance contemporary work in creating stronger links between the history and philosophy of mathematics. It has become clear through several conferences and publications that the present situation at the beginning of the twenty-first century is congenial to this kind of historico-philosophical enterprise. The editors have brought together an important international group of scholars whose contributions focus on the history and philosophy of modern mathematics, roughly from 1800 to 1970.

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Sinaceur, Hourya Benis. "From Kant to Hilbert: French philosophy of concepts in the beginning of the twentieth century." In The Architecture of Modern Mathematics, 311–38. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198567936.003.0012.

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Abstract The legacy of the Kantian theory of knowledge was very much alive among French philosophers of science at the beginning of the twentieth century. To adopt, not the letter of the Kantian system, but its spirit of critique, seemed a good perspective from which to undertake a rational study of science in general, and of mathematics in particular. The critical attitude does indeed invite us to turn away from things in themselves, inaccessible to the human mind, and to keep at arm’s length metaphysical questions, examining instead the defining conditions of knowledge.

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Corry, Leo. "‘Axiomatics, Empiricism, and Anschauung in Hilbert’s Conception of Geometry: Between Arithmetic and General Relativity’." In The Architecture of Modern Mathematics, 133–56. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198567936.003.0005.

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Abstract To what extent the philosophy of mathematics of any individual mathematician is relevant to historically understanding his mathematical work, and to what extent his mathematical work has any bearing in understanding philosophical issues related with mathematics, are questions that have different meanings and have to be approached differently when they refer to different mathematicians. Take, for example, Descartes and Frege. These two thinkers can be considered philosophers in the strict sense of the word, with philosophical interests going well beyond the strict scope of mathematics, each of them in his own way. They devoted much of their time and efforts to develop coherent, well-elaborated philosophical systems, and their writings turned them into philosophers in the eyes of the philosophical community. Their philosophical systems are directly relevant to addressing central questions pertaining to the nature of mathematical knowledge, but they were not intended exclusively as answers to specific problems in the philosophy of mathematics. And besides their intense involvement with philosophical questions, both Descartes and Frege contributed positive mathematical results of various kinds, albeit of different overall impact on mathematics at large, and while working under quite different professional circumstances. A natural question that the historian may be easily led to ask in relation to these two thinkers concerns the mutual relationship between the philosophical systems they developed and the mathematics that each of them produced. One way to answer this question is by investigating, separately, the philosophy and the mathematics of each of them, and then trying to articulate the said relationship.

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Avigad, Jeremy. "Methodology and metaphysics in the development of Dedekind’s theory of ideals." In The Architecture of Modern Mathematics, 159–86. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198567936.003.0006.

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Abstract 1 Introduction Philosophical concerns rarely force their way into the average mathematician’s workday. But, in extreme circumstances, fundamental questions can arise as to the legitimacy of a certain manner of proceeding, say, as to whether a particular object should be granted ontological status, or whether a certain conclusion is epistemologically warranted. There are then two distinct views as to the role that philosophy should play in such a situation. On the first view, the mathematician is called upon to turn to the counsel of philosophers, in much the same way as a nation considering an action of dubious international legality is called upon to turn to the United Nations for guidance. After due consideration of appropriate regulations and guidelines (and, possibly, debate between representatives of different philosophical factions), the philosophers render a decision, by which the dutiful mathematician abides.

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Atti di convegni sul tema "Architecture, Modern Philosophy"

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Ding, Liyang. "Jean Gebser’s Aperspectival Consciousness and Modern Architecture." In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.45.

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Jean Gebser, a prominent German-Swiss philosopher, introduces a transformative framework that aims to elucidatehuman consciousness and cultural structure, laying the foundation for a new approach to interpreting the developmentof architecture. This paper delves into the intersection of Gebser’s theory and modern architecture, with a particularfocus on the emergence and advancement of the “aperspectival” spatial concept in the work of German architect HansScharoun as an illustrative example.Challenging the prevailing linear understanding of time and space, Gebser’s The Ever-present Origin offer

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Nesterova, T. "PROPORTIONS IN ARCHITECTURE AS A POSSIBILITY OF DETERMINING THE TIME OF ESTABLISHMENT OF HISTORICAL BUILDINGS." In Man and Nature: Priorities of Modern Research in the Area of Interaction of Nature and Society. LCC MAKS Press, 2021. http://dx.doi.org/10.29003/m2595.s-n_history_2021_44/123-133.

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The article discusses the methodology for determining the time of erection of architectural monuments, which is based on the proportions of the volumetric-spatial structure of buildings. In all historical periods, the architecture of buildings was created based on mathematically precise calculations, known as architectural proportions, which acquired metaphysical properties under the influence of ancient philosophy and continued to be used until the late Middle Ages. Depending on the archetype of buildings, the relationship between structural and architectural parts came from a certain part of

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Chernyshova, E., A. Krishan, and V. Zapyantseva. "Philosophy of modern Japanese architecture using the case of the Ribbon Chapel by Hiroshi Nakamura." In INTERNATIONAL SCIENTIFIC AND PRACTICAL CONFERENCE “INNOVATIVE TECHNOLOGIES IN AGRICULTURE”. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0167153.

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Guo, Wenbo, and George B. Johnston. "Revisionist Approaches to the Historiography of Chinese Architecture." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.84.

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The study of Chinese architectural history by Chinese scholars started quite late as compared to the study of Western architectural history by Western scholars. Influenced by the philosophy of Confucianism, which devalued material artifacts, architecture was not considered to be a scholarly field in pre-Modern China.1 Chinese scholars treated architecture as a technique mastered by craftsmen and excluded it from the domain of fine arts such as painting, calligraphy, sculpture and inscription. The Western idea of architecture as a respected gentleman’s career was not introduced into China until

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Gefei Ding and Gang Xu. "Exploring the design philosophy and practices of modern ecological architecture inspiration of the works of Pritzker Prize winners." In 2011 International Conference on Electric Technology and Civil Engineering (ICETCE). IEEE, 2011. http://dx.doi.org/10.1109/icetce.2011.5776046.

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Jović, Jelena, Miomir Vasov, and Dušan Ranđelović. "Biomimicry and regenerate architecture: Back to the future of ecodesign." In Zbornik radova sa Nacionalne konferencije sa međunarodnim učešćem – Zelena Gradnja 2024. University of Niš - Faculty of Civil Engineering and Architecture, 2024. http://dx.doi.org/10.5937/greenb24015j.

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Considering the fact that construction and exploitation of buildings have a significant impact on the pollution of the environment, one of the primary tasks of architectural and construction sector is to solve the increasingly evident ecological imbalance with their doctrine or at least to alleviate it. Biomimicry represents a retroinnovative architectural concept that bases its philosophy of adapting to modern living on imitation of natural phenomena and processes. This way, biomimicry becomes methodological approach to sustainable architecture and urbanism. Considering the fact that the desi

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Gleeson, Andrew Ryan. "The Mies Mystique: Irreducible Opposites in the Work of Mies Van Der Rohe." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.79.

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A chronological historiography of Mies van der Rohe’s architecture uncovers a constant reassessment of his work by critics in changing eras. By the 1990’s he was reassessed as a more complex figure than previously understood. Publications, such as, The Presence of Mies, and, Mies in Berlin/America revealed new ways to conceptualize his work. Today he’s a well-worn symbol of the elite European architect in a necessary, refresh¬ing, and fruitful landscape of broader inclusivity. However, in the canon of Western Modern Architecture Mies is the most mysterious; an architect who conceals multitudes

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Laun, Alexander. "Improving the Conceptual Design Process for Unmanned Underwater Vehicles." In SNAME 30th American Towing Tank Conference. SNAME, 2017. http://dx.doi.org/10.5957/attc-2017-0014.

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With a renewed global focus on anti-submarine warfare (ASW), the United States Navy will increasingly rely on unmanned underwater vehicle (UUV) technology to serve as a cost-effective force multiplier. Modern UUV development necessitates a uniquely constrained, iterative approach to the traditional submarine design spiral. Considering a broad spectrum of customer-generated requirements, the UUV conceptual design process applies the best practices of naval architecture, marine engineering, ocean engineering, systems engineering, and submersible design. This paper provides an assessment of the t

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Alison, Aurosa. "Les « Unités » Modulor dans la Philosophie de l’Espace de Gaston Bachelard." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1045.

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Résumé: Celui du Modulor est le premier exemple de la mesure humaine utilisée dans l’architecture. L’architecture de la moitié du vingtième siècle a été influencée par les projets de Le Corbusier. En même temps, la pensée de Gaston Bachelard s’évolue contextuellement au Mouvement Moderne et en 1957 le philosophe publie le célèbre ouvrage « La Poétique de l’espace ». Une bonne partie de sa pensée a été influencée par l’étude des quatre éléments naturels, par une conception de l’espace intime et par les différents développements de l’image de la maison. La description de la maison, dans les mots

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Santamaria, Giovanni. "Merging Thresholds and New Landscapes of Knowledge." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.11.

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It has become extremely important to revisit our teaching methodology along with pedagogical contents and objectives, in consideration of the impressive and sometimes overwhelming progress that the technology available to document, analyze and represent the complexity of our built and natural environments has reached, and also the role that it has been proactively playing in affecting our way of thinking, designing and building. A renewed “theory of formativity” (Pareyson)1 styles a knowledge that is generated by a constantly transforming process of “making,” in which methodologies, theoriesan

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