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Articoli di riviste sul tema "Argentine fiction – 21st century"

Autore: Grafiati

Pubblicato: 29 luglio 2024

Ultima modifica: 31 luglio 2025

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1

BOUZELBOUDJEN, Lina. "Una historia sencilla, singular y universal: una lucha compartida entre palabras y malambo." Cuadernos de Aleph 15 (September 25, 2022): 52–74. https://doi.org/10.5281/zenodo.14901214.

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<strong>Resumen</strong>: En el presente artículo, comentamos cómo Leila Guerriero usa su pluma de cronista para escribir con sinceridad y sin artificios ficcionales <em>Una historia sencilla</em> (2013). Veremos que el manejo minucioso de una prosa informativa y poética le permite proponer un texto posmoderno que ofrece una historia singular de Argentina, tal como una obra que acude, sencillamente y precisamente, a temas universales como la herencia cultural, la identidad y la perseverancia. <em>Una historia sencilla</em> es una primera investigación periodí

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Horn, Patrick E. "Reading 21st-Century Southern Fiction." Southern Cultures 22, no. 3 (2016): 14–19. http://dx.doi.org/10.1353/scu.2016.0028.

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Balza, Martin. "The Argentine army in the 21st century." RUSI Journal 142, no. 1 (1997): 14–16. http://dx.doi.org/10.1080/03071849708446105.

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CARAIVAN, LUIZA. "21st Century South African Science Fiction." Gender Studies 13, no. 1 (2014): 93–105. http://dx.doi.org/10.1515/genst-2015-0007.

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Abstract The paper analyses some aspects of South African science fiction, starting with its beginnings in the 1920s and focusing on some 21st century writings. Thus Lauren Beukes’ novels Moxyland (2008) and Zoo City (2010) are taken into consideration in order to present new trends in South African literature and the way science fiction has been marked by Apartheid. The second South African science fiction writer whose writings are examined is Henrietta Rose-Innes (with her novel Nineveh, published in 2011) as this consolidates women's presence in the SF world.

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Bakker, Barbara. "Egyptian Dystopias of the 21st Century." Journal of Arabic and Islamic Studies 21 (October 23, 2021): 79–94. http://dx.doi.org/10.5617/jais.9151.

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During the first two decades of the 21st century an increasing amount of narratives termed as Arabic dystopian fiction appeared on the Arabic literary scene, with a greater part authored by Egyptian writers. However, what characterises/marks a work as a dystopia? This paper investigates the dystopian nature of a selection of Egyptian literary works within the frame of the dystopian narrative tradition. The article begins by introducing the features of the traditional literary dystopias as they will be used in the analysis. It then gives a brief overview of the development of the genre in the A

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6

Doğanay Koç, Esra. "Investigation of The Effect of Science Activities Applied with Non-Fiction Science Picture Books on The 21st Century Skills of 60-72 Month Old Children." Cukurova University Faculty of Education Journal 53, no. 1 (2024): 268–98. http://dx.doi.org/10.14812/cuefd.1357082.

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In this research, it is aimed to investigate impact of science activities applied with non-fiction science picture books on 21st century skills of 60-72 months old children. The study was conducted with a total of 58 children, in other words 29 children in the experimental group and 29 children in the control group. In the research, quantitative data were obtained with the 21st century skills scale which as given to children before and after the application, and the obtained data were construed by using statistical analyzes. In the light of the results obtained from the research, it can be obs

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Khabibullina, Lilia F. "Postcolonial Trauma in the 21st-Century English Female Fiction." Imagologiya i komparativistika, no. 15 (2021): 89–104. http://dx.doi.org/10.17223/24099554/15/5.

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The postcolonial fiction of the 21st century has developed a new version of family chronicle depicting the life of several generations of migrants to demonstrate the complexity of their experience, different for each generation. This article aims at investigating this tradition from the perspective of three urgent problems: trauma, postcolonial experience, and the “female” theme. The author uses the most illustrative modern women’s postcolonial writings (Z. Smith, Ju. Chang) to show the types of trauma featured in postcolonial literature as well as the change in the character of traumatic expe

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Callueng, Erly S. Parungao, and Jennie V. Jocson. "Mind Style and Motherhood in 21st Century Philippine Fiction." International Journal of Emerging Issues in Early Childhood Education 3, no. 1 (2021): 59–69. http://dx.doi.org/10.31098/ijeiece.v3i1.539.

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This paper presents an analysis of Isolde Amante’s Eve, a 21st century Philippine fiction to reveal a contemporary worldview of motherhood. Despite the success of feminist movements in society, motherhood remains fraught with romantic ideals that stem from the essentialist notions of gender and sex. This results in ‘othering’--oppressing and alienating women in the 21st century. The paper argued that the entire notion of motherhood has entered a postmodern framing—one that challenges traditional notions of motherhood and mothering. To characterize this worldview, the paper used the theories of

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Abadzi, Helen. "Training 21st-century workers: Facts, fiction and memory illusions." International Review of Education 62, no. 3 (2016): 253–78. http://dx.doi.org/10.1007/s11159-016-9565-6.

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Gohar Aageen and Dr. Shazia Razzaq. "Abnormal Characters In Urdu Short Stories Of 21st Century." Dareecha-e-Tahqeeq 3, no. 3 (2023): 36–54. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i3.51.

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Abnormality and disability have become particularly prominent issues today. Now it is not a flaw or defect, but it is a matter of global attention. Efforts are being made to solve the issues related to the lives of such people at the global level and bring them to the fore. In Urdu fiction, such characters have also been presented. The fiction writer of the 21st century describes the problems associated with the lives of these people in diverse ways and closes their impact on society, so that the Practical and ideological changes in society can be covered .This article is based on all those st

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Santhosh, H.K. "Digimodernist sensibility in Contemporary Fiction." INTERNATIONAL JOURNAL OF CREATIVE RESEARCH THOUGHTS - IJCRT 6, no. 2 (2018): 414–31. https://doi.org/10.5281/zenodo.5622680.

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The trend of digimodernism, which emerged with the development of digital technology at the beginning of the 21st century, is rooted in our culture. This essay explores the features of digimodernism, its sensibility and the changes it has created in the structure and narrative of the fiction in the contemporary context of the Malayalam novel.

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Gonnermann, Annika. "The Concept of Post-Pessimism in 21st Century Dystopian Fiction." Comparatist 43, no. 1 (2019): 26–40. http://dx.doi.org/10.1353/com.2019.0002.

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김영민. "The Ethics of Ekphrasis in the 21st Century American Fiction." Journal of English Language and Literature 61, no. 4 (2015): 577–93. http://dx.doi.org/10.15794/jell.2015.61.4.003.

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Litvin, Margaret. "21st-Century Arabic Literary Remixes of the Arab-Soviet Romance." International Journal of Middle East Studies 56, no. 3 (2024): 516–20. https://doi.org/10.1017/s0020743824000989.

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After an absence of more than fifteen years, Russian and Soviet themes began to reappear in contemporary Arabic fiction around 2005, as Russia started to regain prominence in Arab politics and Arabic writers began rediscovering some of the transnational entanglements that the Cold War’s unipolar ending had largely occluded. Contemporary Arabic fiction writers have put Russian and Soviet material to many uses; this essay focuses on four: satirizing Soviet internationalism through depictions of dormitory racism; mocking the gender assumptions behind Arab nationalism and internationalism; humaniz

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Hans, V. Basil, and Shawna Jill Crasta. "DIGITALIZATION IN THE 21st CENTURY." Journal of Global Economy 15, no. 1 (2019): 12–23. http://dx.doi.org/10.1956/jge.v15i1.524.

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World is changing at dizzying speed. The Internet is not only fascinating buy is also rapidly affecting our work and life. How do we prepare students for jobs that have not yet been created, for technologies that have not yet been invented? It has been estimated that our current skill sets would last only â€œthe next decade or twoâ€. Knowledge is no longer limited to set theories or single idea or linear thinking. What is required is the capacity to think across disciplines, connect ideas and â€œconstruct informationâ€. The distinguishing fact from fiction is essential in our digital age and

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Szydłowska, Joanna. "Od egzotyzacji do inspiracji. Mazurscy staroobrzędowcy w polskich narracjach fiction i non-fiction w XX i XXI wieku." Acta Neophilologica 2, no. XXI (2020): 253–74. http://dx.doi.org/10.31648/an.4760.

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This paper analyzes the presence of the Old Believers in Polish media and literary discourses of the 21st century. Special focus is placed on the exoticization pro-cedures of otherness with respect to the Old Believers’ communities. Instrumentaliza-tion mechanisms in the following modules are described: national and anthropological, autobiographical, popcultural and eschatological.

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Taber, Nancy. "Women Pirates Learning Through Legitimate Peripheral Participation." Canadian Journal for the Study of Adult Education 35, no. 02 (2023): 123–32. http://dx.doi.org/10.56105/cjsae.v35i02.5745.

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In this field note article, I discuss my in-progress historical novel about privateering in the 17th century to demonstrate how adult education feminist theories of situated learning have influenced my fiction-based research. I introduce situated learning in gendered communities of practice, explain women’s experiences in (para)military organizations, and describe fiction-based research. I then compare theoretical concepts and quotations with excerpts from my fiction to explore feminist situated learning adult education theories, women in non-traditional roles, fiction-based research, and how

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Hasumi, Shigehiko. "Fiction and the `Unrepresentable'." Theory, Culture & Society 26, no. 2-3 (2009): 316–29. http://dx.doi.org/10.1177/0263276409103110.

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In this article I argue that basic characteristics of the medium of cinema formed during the relatively brief era of silent movies continued to characterize film throughout the 20th century. Despite the development of talkies in the 1920s, sound was never truly integrated into the composition of cinema in the sense implied by the term `audiovisual'. This is a reflection not only of technological constraints but also of a fundamental ideological orientation that prohibited the direct representation of the voice. This `prohibition' of the voice is not a phenomenon confined entirely to cinema. Th

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Yudina, Natalia. "Terminology of kinship relations in the Russian language discourse of the 21st century." Przegląd Wschodnioeuropejski 8, no. 2 (2018): 255–61. http://dx.doi.org/10.31648/pw.3584.

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The paper reveals the peculiarities of the functioning of kinship relations terminology in Russian language discourse of the 21st century. The review of subject-oriented scientific literature and discourse use of relationship terms in fiction and mass media of the 20th – 21st century makes it possible to distinguish several tendencies in the functioning of relationship nominations in the Modern Russian language. They are characterized by interdisciplinary and synergetic features and demonstrate the unity of genealogical, mental, social, cultural and linguistic processes and principles typical

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Green-Simms. "The Emergent Queer: Homosexuality and Nigerian Fiction in the 21st Century." Research in African Literatures 47, no. 2 (2016): 139. http://dx.doi.org/10.2979/reseafrilite.47.2.09.

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Lindgren, Marcia. "Latin Language Teaching in the 21st Century: Exploring Fact and Fiction." Syllecta Classica 15, no. 1 (2004): 177–78. http://dx.doi.org/10.1353/syl.2004.0002.

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Wati, Peni Kisworo, Ida Zulaeha, and Rahayu Pristiwati. "Development of Literacy Aspects Class Minimum Competency Assessment Instruments With 21st Century Skills for Class VII Junior High School Students." International Journal of Research and Review 10, no. 12 (2023): 767–76. http://dx.doi.org/10.52403/ijrr.20231276.

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Assessment is the process of collecting information about students (through various sources of evidence), regarding what they know and what they do. Efforts to improve the quality of learning can be achieved through improving the quality of the assessment system. The need for classroom AKM equipment for junior high schools is very large. Class AKM is related to measuring students' competence in thinking or reasoning in reading texts and solving problems that require literacy knowledge. The aim of this research is to analyze the development needs required in the AKM class instrument for literac

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Ogneva, Elena. "DIALOGUE OF CRIME AND INTELLECTUAL FICTION IN THE WORKS OF ADOLFO BIOY CASARES IN THE 1940 S." Herald of Culturology, no. 3 (2022): 109–24. http://dx.doi.org/10.31249/hoc/2022.03.07.

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The article deals with the prolific creative period of the prominent Argentine prose writer of the twentieth century Adolfo Bioy Casares - 1940-s. This is the time when his original artistic style was formed, which is studied in the context of the interrelation of elements and features, inherent in both popular and “elevated” literature. The analysis of the novel The Invention of Morel (1940) and the short story In Memory of Pauline (1948) allows us to trace how in Bioy Casares’s prose the features of the crime fiction genre are organically combined with philosophical fiction, and what enrichi

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Chemodurova, Zinaida M. "The mechanisms of representing transcultural authorial modality in 20th–21st century translingual fiction." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 92 (2024): 133–58. https://doi.org/10.17223/19986645/92/7.

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The article addresses the issue of constructing and interpreting fiction created by bilingual writers in what is known as "postmonolingual era". The translingual turn in modern philology accounts for the fast growing interest in literary translingualism as an interdisciplinary area of research carried out by cognitive linguists, sociolinguists, narratologists, literary scholars, and stylisticians all over the world. The article hypothesizes transcultural authorial modality as a constituent textual property of translingual fiction and offers its definition as a special kind of authorial modalit

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Axmedova, Gulrux. "THE IMPORTANCE OF THE SOCIAL SCIENCES IN THE UPBRINGING OF A HARMONIOUS GENERATION." MODERN SCIENCE AND RESEARCH 2, no. 11 (2023): 867–70. https://doi.org/10.5281/zenodo.10204199.

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<i>This article will provide information about the pedagogical approach to taking history lessons, the main tasks of raising a free-minded young generation in the 21st century. In critical and free fiction, the role of history lessons in the Social Sciences is highlighted.</i>

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Wang, Yangyang. "From “New Worlds” to “Science Fiction World”: Exploring the Chinese Inspiration of the New Wave of Science Fiction." Economic Society and Humanities 1, no. 2 (2024): 36–41. http://dx.doi.org/10.62381/e244206.

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New Worlds has had a huge impact on Western science fiction literature and propelled the development of British "New Wave" science fiction novels. Editor in chief Michael Moorcock dedicated to developing new literary styles and cultivating a large number of excellent science fiction writers. Before the 1990s, Chinese science fiction novels had always been a supplement to popular science and children's literature. It was Science Fiction World that cultivated a "new generation" of science fiction writers for Chinese science fiction literature and brought a vigorous development momentum to the Ch

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Radin Sabadoš, Mirna. "REVISITING A HISTORY OF THE WORLD IN 10 ½ CHAPTERS – ABOUT TWO EXPLANATIONS OF EVERYTHING AND THE UNRELIABLE NARRATOR." PHILOLOGIA MEDIANA 14, no. 1 (2022): 163–72. http://dx.doi.org/10.46630/phm.14.2022.12.

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The paper offers a reading of the novel A History of the World in 10 ½ Chapters by Julian Barnes introducing current theoretical frameworks dealing with the relationship of history and fiction from the perspective of the second decade of the 21st century. Although the novel explicitly deals with the issue of history, it was often insufficiently addressed in the critical analyses of Barnes’s work as well as in the treatment of history in fiction, especially in terms of the analysis of structure and the treatment of time explained as the experience of the present. Considering the processes Mark

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Tozzi, Liliana. "La construcción del refugio en la narrativa argentina del siglo XXI." Studia Romanica Posnaniensia 51, no. 4 (2024): 47–60. https://doi.org/10.14746/strop.2024.51.4.4.

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Much of the Argentine narrative of the 21st century refracts the social context, determined by capitalism and its consequences in terms of exclusion, precariousness, individualism, among others. In this framework, space and temporality are related, in some cases, to processes of isolation and self-destruction of the characters; in others, to the possibility of marginal communities which resist the impositions of the hegemonic system. In this communication, I propose the idea of refuge, as a crossing point for several theoretical categories: the image of “house/home” as a place of safety (Bache

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Proudfoot, Diane. "Sylvan's Bottle and other Problems." Australasian Journal of Logic 15, no. 2 (2018): 95. http://dx.doi.org/10.26686/ajl.v15i2.4858.

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   According to Richard Routley, a comprehensive theory of fiction is impossible, since almost anything is in principle imaginable. In my view, Routley is right: for any purported logic of fiction, there will be actual or imaginable fictions that successfully counterexample the logic. Using the example of ‘impossible’ fictions, I test this claim against theories proposed by Routley’s Meinongian contemporaries and also by Routley himself (for what he called ‘esoteric’ works of fiction) and his 21st century heirs. I argue that the phenomenon of impossible fictions challenges ev

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Rulli, Mariana. "The long road to equality: University and gender in Argentina." Bulletin de l'Institut etnographique 70, no. 3 (2022): 119–30. http://dx.doi.org/10.2298/gei2203119r.

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In the first decades of the 20th century in Argentina, especially in 1918, there was a university reform promoted by the student movement and that promoted the democratization of the universities. However, the massive incorporation of women into the country?s national universities is going to arrive almost around the end of the century. Thus, in the first decades of the 21st century, several reforms were produced in most of the Argentine universities, which were promoted by the feminist movement, the women professors and researchers, the students and the administrative workers. The main reform

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Samutina, Natalia. "'The Care of the Self' in the 21st century: sex, love and family in Russian Harry Potter fan fiction." Digital Icons: Studies in Russian, Eurasian and Central European New Media, no. 10 (June 7, 2013): 17–46. https://doi.org/10.5281/zenodo.14750112.

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The article examines Russian Harry Potter fan fiction as an anthropological source. The analysis focuses on fan fiction as a cultural practice, on Russian online communities devoted to the continuation of Harry Potter stories and their common values, reading strategies and practices of writing. Given that Russian Harry Potter fan fiction writers and readers are mostly women, the author pays attention to gender norms as they are represented in fan fiction texts and reading practices. The article explores the central role that individual choice plays in fan fiction axiology, the representations

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Riveiro, María Belén. "The Latin American Publishing Circuit in the 21st Century: Following the Trajectory of César Aira." Journal of Foreign Languages and Cultures 5, no. 2 (2021): 056–64. http://dx.doi.org/10.53397/hunnu.jflc.202102006.

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This essay poses a question about the identity of Latin American literature in the 21st century. In the 1960s and 1970s, the Latin America Boom received recognition both locally and internationally, becoming the dominant means of defining Latin American literature up to the present. This essay explores new ways to understand this notion of Latin America in the literary scene. The case of the Argentine writer César Aira is relevant for analyzing alternative publishing circuits that connect various points of the region. These publishing houses foster a defiant way of establishing the value of li

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Bodnár, Kata. "Aspects of Analysing Trauma Fiction by Observing Lolita’s Impact on the 21st Century Novel, My Dark Vanessa." Folia Humanistica et Socialia 1, no. 2 (2024): 5–13. http://dx.doi.org/10.69705/fhs.2023.1.2.1.

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Trauma studies in literature have only appeared towards the end of the 20th century, hence psychological analysis in fiction is a relatively new field, therefore observing pieces of trauma fiction has its challenges. Further improvement of trauma analysis is essential since earlier pieces of the literary canon can gain new interpretations with this method. This article aims to apply several methods of analysing trauma fiction from both psychologists and literary theorists. The focus is on the impact of trauma and its effect on the narrator’s memories making her fractured narration unintentiona

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Teng, Xu, and Mohd Asyiek Mat Desa. "Exploring Chinese Characteristics in Science Fiction Films: A Case Study of 'Wandering Earth'." Journal of Ecohumanism 3, no. 3 (2024): 1387–95. http://dx.doi.org/10.62754/joe.v3i3.3609.

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Chinese science fiction films were first created in the 1930s, but few outstanding works appeared until the beginning of the 21st century. With the appearance of Wandering Earth in the 2019 Spring Festival, Chinese science fiction films entered a new stage of development.This paper, using the 'Wandering Earth' series as a blueprint for research, first summarizes the development of Chinese science fiction films. Secondly, it focuses on analyzing why 'Wandering Earth' can be considered a genuinely Chinese hard science fiction film.Finally, through the analysis of the Wandering Earth series, we w

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Simsone, Bārbala. "Science Fiction In Latvian Literature." Interlitteraria 22, no. 2 (2018): 397. http://dx.doi.org/10.12697/il.2017.22.2.16.

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The present paper is devoted to the overview of the beginnings and development of the genre of science fiction in Latvian literature. Similarly to other popular fiction genres, science fiction in Latvian literature has not been very popular due to social and historical reasons; however, during the course of the 20th century several authors have at least partially approached the genre and created either fully fledged science fiction works or literary works with science fiction elements in them. The paper looks at the first attempts to create science fiction-related works during the beginning of

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Peña Torres, Jessica. "La Liga de la Decencia: Performing 20th Century Mexican History in 21st Century Texas." Arts 13, no. 2 (2024): 47. http://dx.doi.org/10.3390/arts13020047.

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This article describes the development and public performances of La Liga de la Decencia, a new play presented as part of the 2023 New Works Festival at the University of Texas at Austin. Inspired by the cabaret scene and teatro de revista of the 1940s in Mexico City, La Liga de la Decencia combines live performance and video art to explore how hegemonic gender and social norms shaped by the emergent nationalism of postrevolutionary Mexico continue to oppress femme and queer bodies today across the US–Mexico border. Through satire, parody, and dance, La Liga de la Decencia problematizes the so

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Sağıroğlu, Rana. "A Compact Embodiment of Pluralities and Denial of Origins: Atwood’s The Year of The Flood." European Journal of Multidisciplinary Studies 1, no. 3 (2016): 141. http://dx.doi.org/10.26417/ejms.v1i3.p141-146.

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Margaret Atwood, one of the most spectacular authors of postmodern movement, achieved to unite debatable and in demand critical points of 21st century such as science fiction, postmodernism and ecocriticism in the novel The Year of The Flood written in 2009. The novel could be regarded as an ecocritical manifesto and a dystopic mirror against today’s degenerated world, tending to a superficial base to keep the already order in use, by moving away from the fundamental solution of all humanity: nature. Although Atwood does not want her works to be called science fiction, it is obvious that scien

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Anju Sosan George. "Shifting Autism Popular Fiction: Representing Asperger’s Syndrome in Select Works of Mark Haddon, Jodi Picoult and Steig Larsson." Creative Saplings 2, no. 09 (2023): 1–18. http://dx.doi.org/10.56062/gtrs.2023.2.09.460.

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Increased disability awareness in the 21st century spurred a resurgence in autism popular fiction. Many autism fiction have emerged as International best sellers and have discussed Asperger’s syndrome (high functioning autism). This paper analyses how contemporary fiction has gleaned the Asperger from the autism spectrum and its subsequent representational politics. The signification of autism as narrative prosthesis forms the focus of this paper as it analyses and explores how the condition of autism has been re-presented in popular autism fiction. The study looks at the term ‘popular fiction

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Ye, Dong. "American Science Fiction Studies in China: Retrospect and Prospect." Journal of Foreign Languages and Cultures 8, no. 2 (2024): 130–42. https://doi.org/10.53397/hunnu.jflc.202402011.

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The study of American science fiction in China has travelled a long and winding path over the past three decades. Relative papers and dissertations have been increasing with an academic boom of research programs. By analyzing the statistics and representative works on American science fiction in China, it is revealed that the research output has been flourishing in the 21st century in terms of its research quantity and quality, though there is still much to be improved in its depth, breadth, and standardization. It is suggested that in the research of science fiction as a form of world literat

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Clarke, Jim. "Buddhist Reception in Pulp Science Fiction." Literature and Theology 35, no. 3 (2021): 355–73. http://dx.doi.org/10.1093/litthe/frab020.

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Abstract Science fiction has a lengthy history of irreligion. In part, this relates to its titular association with science itself, which, as both methodology and ontological basis, veers away from revelatory forms of knowledge in order to formulate hypotheses of reality based upon experimental praxis. However, during science fiction’s long antipathy to faith, Buddhism has occupied a unique and sustained position within the genre. This article charts the origins of that interaction, in the pulp science fiction magazines of the late 1920s and early 1930s, in which depictions of Buddhism quickly

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Akhmedov, Rafael. "Mobility of Science Fiction as a Literary Genre." AIJCR 11, no. 1 (2021): 1–5. https://doi.org/10.5281/zenodo.7348963.

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The article is an attempt to establish mobility of SF expressed mostly by the works of writers belonging to the New Wave – one of the most important breakthroughs in the history of the genre and, even more importantly, that its effects continue into the 21st century. Firstly, the article focuses on the changing parameters of the theoretical constructs of the genre as decades go by, meaning that the more SF works proliferated and touched upon every aspect of humanity, the more inadequate became the definitions which attempted to encapsulate the whole of the genre.  

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Gelasi, Eleni. "The pursuit of work-family balance and the crisis of social reproduction in short fiction by Helen Simpson and Tessa Hadley." Proceeding of the World Conference on Gender and Women's Studies 1, no. 1 (2023): 7–21. http://dx.doi.org/10.33422/gwsconf.v1i1.141.

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In this interdisciplinary paper I will embark on a feminist reading of contemporary short fiction by women writers focusing on the topic of work-life balance in the first two decades of the 21st century. I will show how the Friedanian dissatisfaction traced in the female characters by Hadley and Simpson is symptomatic of the infeasibility of work-life balance which has emerged as a new feminist ideal in the 21st century. Through the writing of Angela McRobbie, Catherine Rottenberg and Nancy Fraser I will showcase how feminism has changed its goals and vocabulary and how it is being used in ord

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Kovtun, Natalia V. "Modernists and Traditionalists in the Perspective of Fiction Manifestos of the 21st Century." Journal of Siberian Federal University. Humanities & Social Sciences 10, no. 5 (2017): 718–32. http://dx.doi.org/10.17516/1997-1370-0078.

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Singh, Dr M. S. Xavier Pradheep. "Dissecting Graphic Fiction: A Study of the Hybrid Form of the 21st Century." Think India 22, no. 3 (2019): 249–56. http://dx.doi.org/10.26643/think-india.v22i3.8189.

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“Comic art does possess the potential for the most serious and sophisticated literary and artistic expression, and we can only hope that future artists will bring the art form to full fruition” (176), prophesied Lawrence Abbott in 1986. It became true when Graphic Fiction emerged as a hybrid genre and entered into the academia. It is a meaningful interaction of words, image panels, and typography. They have a long history dating back to cave paintings and Egyptian hieroglyphics. Though there are “more genetic similarities between the comic book and the graphic novel” (Sardesai 28), Graphic Nov

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Ferro, David L. "Singularities: Technoculture, Transhumanism, and Science Fiction in the 21st Century by Joshua Raulerson." Technology and Culture 57, no. 1 (2016): 285–86. http://dx.doi.org/10.1353/tech.2016.0029.

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T., Dr Vyomakesisri. "Identity: Intersectionality of Queer and Postcoloniality in Selected 21st Century Indian Children’s Fiction." International Journal of English Literature and Social Sciences 10, no. 3 (2025): 214–18. https://doi.org/10.22161/ijels.103.33.

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The intersection of Postcolonial and Queer theory can be directed towards their sustained interaction with contemporary politics of identity, including reflection on the categories and institutions, as well as the knowledge(s) and power plays through which social dynamics and people are structured and regulated, and how such dimensions impacted literature. Beyond this, and especially in its intersection with postcolonial studies, the destabilising effect of Queer theory, which subverts self-evident notions of power and marginality, centre and periphery, can be explored. A number of key connect

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Lutostański, Bartosz. "App Fiction and ‘Postdigital Culture’." Anglica. An International Journal of English Studies, no. 33/2 (2024): 71–89. https://doi.org/10.7311/0860-5734.33.2.05.

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Digital fiction can already boast a relatively long history. From the first text generators to hypertexts to multimodal and multimedia works, this genre of literature has always thrived on the latest technological innovations. The turn of 2015 and 2016 saw the release of three novels in the form of mobile device applications that might be recognized with the benefit of hindsight as paving the way for a new distinct genre of digital fiction. In the following article, I discuss The Pickle Index by Eli Horowitz, Arcadia by Iain Pears, and Belgravia by Julian Fellowes as examples of ‘app fiction’

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Rickards, Guy. "Copenhagen and Bregenz: Penderecki's ‘The Devils of Loudun’ and Glanert's ‘Solaris’." Tempo 67, no. 265 (2013): 70–73. http://dx.doi.org/10.1017/s004029821300048x.

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As with the symphony, the rites have been read over opera as a form many times, yet even in the 21st century it stubbornly refuses to lie down and die. Three recent premières exemplify the basic strength of the genre: a revision of a radical 20th-century icon, and two wholly new works, one based on a psychological science-fiction classic (twice turned into a feature film), the other on a historical, post-medieval King of Sweden. What links the three together is the psychological examination of the events portrayed.

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Gaspar, Martín. "Fiction and Scientism: Iosi Havilio’s Opendoor and Paraísos and Roque Larraquy’s La comemadre." Anclajes 25, no. 1 (2021): 25–42. http://dx.doi.org/10.19137/anclajes-2021-2513.

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Abstract (sommario):

The presence of late 19th century scientific positivism is evident in novels by Roque Larraquy (especially La comemadre, 2010) and Iosi Havilio (Opendoor, 2006 and Paraísos, 2011), set in part or entirely in the 21st century. I argue that Larraquy finds a narrative tone and character type in turn-of-the-century institutions and archives, whereas Havilio procures a motivation for a protagonist otherwise devoid of passions. For both novelists, the archive functions more as a narrative device than as a search for knowledge or meaning (as it does in boom novels). In this way, both the institutions

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SAEEDA IRUM and DR. NAHEED QAMAR. "The Problem of Identity in Asim Butt's Novel “Daira”." DARYAFT 16, no. 02 (2024): 51–63. https://doi.org/10.52015/daryaft.v16i02.397.

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Asim Butt is one of the finest fiction writers of 21st century. The realistic topics and unique style of his writings not only fascinate the readers but also gives him a distinctive place among the other fiction writers of his time. Asim Butt deeply feels the pains and suffering of the modern person, who lost his roots and facing the issues of identity, loneliness and desolation in his inner world. His first novel “Daira” is one of the examples of his thoughts which depicts the miseries of the modern person who is in search of his identity and facing crises in his inner world.

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