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Tesi sul tema "Aristotle. Poetics"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 20 febbraio 2023

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1

Flower, Harry Mitchell. "The structuralist enterprise and Aristotle's Poetics /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu148726601122196.

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2

Way, Peter B. "Classicism in Aristotle's Poetics and Liu Xie's Wenxin diaolong /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/6633.

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3

Wood, Matthew Stephen. "Aristotle and the Question of Metaphor." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32476.

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This doctoral dissertation aims to give a comprehensive and contextual account of Aristotle’s theory of metaphor. The dissertation is organized around the central claim that Aristotle’s definition of metaphor in Chapter 22 of the Poetics, as well as his discussion of it in Book III of the Rhetoric, commit him to what I call a vertical theory of metaphor, rather than to a horizontal one. Horizontal theories of metaphor assert that ‘metaphor’ is a word that has been transferred from a literal to a figurative sense; vertical theories of metaphor, on the other hand, assert that ‘metaphor’ is the t
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4

Barriviera, Alessandro. "Poetica de Aristoteles : tradução e notas." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268984.

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Orientador: Trajano Augusto Ricca Vieira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-07T07:28:44Z (GMT). No. of bitstreams: 1 Barriviera_Alessandro_M.pdf: 27896667 bytes, checksum: 2b246e86e231acf8419b696321599ee5 (MD5) Previous issue date: 2006<br>Resumo: O presente trabalho consiste numa tradução da Poética de Aristóteles, acompanhada do texto grego e notas. A poesia sempre teve papel predominante na cultura grega antiga. Conduta moral e religiosa, por exemplo, tinham suas regras - mesmo se criticad
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5

Hiatt, Robert F. "Gothic Romance and Poe's Authorial Intent in "The Fall of the House of Usher"." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/135.

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In my thesis I will discuss Edgar Allan Poe’s “The Fall of the House of Usher” in relation to the expectations that scholars have of the gothic genre. I will break this project into four chapters, along with an introduction: (Ch.1) a critical review of scholarship on Poe’s “Usher” that will demonstrate the difficulty in coming to a critical consensus on the tale, (Ch.2) a discussion of Brown’s outline of Gothic conventions, (Ch.3) a look at Poe’s “The Philosophy of Composition” juxtaposed with Aristotle’s Poetics to illumine aspects of Poe’s approach to writing and how it has been informed, an
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6

Bouchard, Elsa. "De la poétique à la critique : lʼinfluence péripatéticienne chez Aristarque". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040057.

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Cette thèse vise à suggérer l’existence d’un partage d’une théorie poétique commune entre l’école d’Aristote d’une part et le grammairien Aristarque de Samothrace d’autre part. À partir d’un examen des textes et des fragments de la critique littéraire hellénistique, deux aspects fondamentaux de la poétique péripatéticienne font l’objet d’une comparaison avec Aristarque, soit : 1) la prise de position interprétative qui tient compte de la nature fictionnelle du discours poétique et le soustrait aux critères de vérité traditionnellement imposés par les lecteurs anciens, notamment à l’intérieur d
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7

Anderson, Daniel Paul. "Plato's Complaint: Nathan Zuckerman, The University of Chicago, and Philip Roth's Neo-Aristotelian Poetics." online version, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=case1196434510.

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8

Neel, Paul Joseph. "The Rhetoric of Propriety in Puritan Sermon Writing and Poetics." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1352580869.

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9

Gazoni, Fernando Maciel. "A poética de Aristóteles: tradução e comentários." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08012008-101252/.

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Abstract (sommario):
Este trabalho é uma tradução da Poética de Aristóteles (com exceção dos capítulos 19 a 22, que não são discutidos aqui) acompanhada de comentários. A intenção dele é estabelecer um texto que leve em conta as várias contribuições dadas pelas principais traduções francesas, inglesas, italianas e portuguesas, e situar, por meio dos comentários, a Poética dentro do corpus da filosofia aristotélica, especialmente a ética de Aristóteles e sua teoria da ação.<br>This paper is a translation into Portuguese of Aristotle\'s Poetics (with the exception of chapters 19 trough 22, which are not discussed he
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10

Lazarus, Micha David Swade. "Aristotle's Poetics in Renaissance England." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:fea8e0e3-df54-4b57-b45d-0b46acd06530.

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This thesis brings to light evidence for the circulation and first-hand reception of Aristotle's Poetics in sixteenth-century England. Though the Poetics upended literary thinking on the Continent in the period, it has long been considered either unavailable in England, linguistically inaccessible to the Greekless English, or thoroughly mediated for English readers by Italian criticism. This thesis revisits the evidentiary basis for each of these claims in turn. A survey of surviving English booklists and library catalogues, set against the work's comprehensive sixteenth-century print-history,
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11

SILVA, CHRISTIANI MARGARETH DE MENEZES E. "CATHARSIS, EMOTION AND PLEASURE IN ARISTOTLES POETICS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=15172@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A presente tese de doutorado trata da catarse, da emoção e do prazer na Poética de Aristóteles. O filósofo não define o que entende por catarse trágica na obra; no entanto, ele nos diz que a trama trágica suscita duas emoções dolorosas – piedade e temor – e, além disso, surte um prazer que lhe é próprio. A questão é entender como estes dois opostos, prazer e dor, relacionam-se entre si e se no esclarecimento dessa relação encontramos também pistas para interpretarmos a catarse.<br>The PHD thesis presented here is a reflection on t
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12

Wenge, Matt. "Fearlessness the seventh element of drama." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5082.

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Aristotle proclaimed in his Poetics that there were six elements to drama: spectacle, music, diction, thought, character, and plot. This paper will analyze the play Thom Pain (based on nothing) against these six elements. I will discuss the aspects of each element that are present in the show as well as the ideas and concepts my director, Tad Ingram, and I brought to the show. Through the rehearsal and performance process I discovered a seventh element; the element of fearlessness. In his Poetics, Aristotle does not fully address what the actor brings to the performance and this aspect is just
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13

Cook, Elizabeth M. "The definition of katharsis in Aristotle's Poetics." Connect to resource, 2005. http://hdl.handle.net/1811/5885.

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Thesis (Honors)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages: contains 66 p. Includes bibliographical references (p. 65-66). Available online via Ohio State University's Knowledge Bank.
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14

Babcock, Kimberly John. "Modern Dramatic Tragedy and Aristotle's Poetics: A Comparison." W&M ScholarWorks, 1987. https://scholarworks.wm.edu/etd/1539625396.

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15

Guimarães, Deborah Vogelsanger. "O percurso do logos na "poetica" de Aristoteles." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281976.

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Orientador : Francisco Benjamin de Souza Netto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-01T05:51:37Z (GMT). No. of bitstreams: 1 Guimaraes_DeborahVogelsanger_M.pdf: 8249189 bytes, checksum: 35b90e1d82f934f5b63ac78f96948f63 (MD5) Previous issue date: 2002<br>Resumo: Neste trabalho será exposto o texto aristotélico "Sobre a Poética" , ao qual nos referiremos como "Poética", em especial nos capítulos 6,9 e 21 de maneira que, em conjunto com a exposição do Livro 11da "Retórica", também de Arist
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16

Costa, César Vergara de Almeida Martins. "Direito e literatura: a compreensão do direito como escritura a partir da tragédia grega." Universidade do Vale do Rio do Sinos, 2008. http://www.repositorio.jesuita.org.br/handle/UNISINOS/2434.

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Made available in DSpace on 2015-03-05T17:20:08Z (GMT). No. of bitstreams: 0 Previous issue date: 29<br>Nenhuma<br>A presente dissertação tem por objetivo a afirmação do Direito como “escritura”, que é ao mesmo tempo transgressora e conservadora da tradição jurídica. Para tanto, parte-se da aproximação do direito à literatura, investigando-se, mais precisamente, as relações que se estabelecem entre a tragédia grega e o direito. Nessa senda, investiga-se o panorama geral em que se inserem os estudos que aproximam o direito da literatura e vice-versa, e visita-se a poética aristotélica para,
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17

Schirano, Cristiano. "L'equivoco del Commentatore. Averroè e il commento alla Poetica di Aristotele." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017.

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Abstract (sommario):
Averroè (1126-1198) è stato, di certo, uno dei filosofi musulmani più influenti nella storia del pensiero. Formatosi in diritto, astronomia, filosofia, matematica, teologia, è ospitato alla corte dei sovrani almohadi. Qui inizia la composizione di alcuni suoi trattati più celebri, come il Tahafut al-Tahafut ("L'Incoerenza dell'Incoerenza dei Filosofi"), e delle opere per le quali entrerà nella storia del pensiero: i commenti alle opere di Aristotele. Realizza, nella sua copiosa attività letteraria, tre tipi di commenti alle opere di Aristotele: i commenti brevi, o epitomi; i commenti medi; i c
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18

Moraitou, Despina. "Die Äusserungen des Aristoteles über Dichter und Dichtung ausserhalb der Poetik /." Stuttgart : B. G. Teubner, 1994. http://catalogue.bnf.fr/ark:/12148/cb371097447.

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Texte remanié de: Diss.--Philosophische Fakultät--Köln--Universität, 1991.<br>Titre de couv. : "Aristoteles über Dichter und Dichtung" Notes contenant d'abondantes citations en grec. Bibliogr. p. 143-152. Index.
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19

Kyriakou, Poulheria. "Aristotle's "Poetics": its theoretical foundations and its reception in Hellenistic literary theory /." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487864485228575.

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20

Harrison, Rowena Jane. "Recapturing Greek tragedy : Aristotelian principles in eighteenth-century opera and oratorio." Thesis, University of Newcastle Upon Tyne, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313236.

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21

Kappl, Brigitte. "Die Poetik des Aristoteles in der Dichtungstheorie des Cinquecento /." Berlin : de Gruyter, 2006. http://swbplus.bsz-bw.de/bsz258692073inh.pdf.

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22

Watson, Robert Stewart. "Richard Rorty, innovation strategies & movie inspiration." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41465/1/Robert_Watson_Thesis.pdf.

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Movie innovation is a conversation between screenwriters and producers in our mixed economy – a concept of innovation supported by Richard Rorty and Aristole's Poetics. During innovation conversations, inspired writers describe fresh movie actions to empathetic producers. Some inspired actions may confuse. Writers and producers use strategies to inquire about confusing actions. This Australian study redescribes 25 writer-producer strategies in the one place for the first time. It adds a new strategy. And, with more evidence than the current literature, it investigates writer inspiration, which
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23

Lurje, Michael. "Die Suche nach der Schuld : Sophokles' Oedipus Rex, Aristoteles' Poetik und das Tragödienverständnis der Neuzeit /." München ; Leipzig : K. G. Saur, 2004. http://catalogue.bnf.fr/ark:/12148/cb39233455p.

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24

Magnoli, Bocchi Giovanni Battista. "Politica e storia nella "Retorica" di Aristotele : per un commento ad exempla historica." Thesis, Mulhouse, 2018. http://www.theses.fr/2018MULH1860.

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Le projet avait pour objectif d'étudier les contenus historiques des trois volumes de la Rhétorique d'Aristote. Comme il été souligné à juste titre à plusieurs reprises, le rapport entre le Stagirite et l'histoire est un domaine de recherche absolument profitable et qui a bénéficié d'une attention particulière de la part des historiens au cours des dix dernière années. Nous ne parlons pas de ce que dit Aristote directement de l'histoire, à partir du célèbre passage de la "Poétique", mais de l'usage qu'il fait, à des fins argumentatives, de plusieurs épisodes historiquement pertinents. Si, de f
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25

Picardie, Michael. "Towards a philosophy of theatre inspired by Aristotle's poetics and post-structuralist aesthetics in relation to three South African plays." Thesis, University of South Wales, 2014. https://pure.southwales.ac.uk/en/studentthesis/towards-a-philosophy-of-theatre-inspired-by-aristotles-poetics-and-poststructuralist-aesthetics-in-relation-to-three-south-african-plays(031e80c8-04cc-4060-86df-770d67477b26).html.

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I have attempted a reading of Aristotle in terms of mimesis, ethos, mythos, lexis, hamartia, anagnorisis, peripeteia, catharsis and anamnesis - as an existential “being there” (Dasein) of the characters’ freedom and actual historicity - in three of my plays in which I performed or witnessed in productions in England, Wales, three Scandinavian countries, the U.S. and South Africa. I have analysed other Southern African “womanist” performative drama and feminist theatre. I assume with the ancient Greeks that in serious theatre there is theoria, an educated, discursive looking, which involves a d
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26

Khovacs, Ivan Patricio Morillo. "Divine reckonings in profane spaces : towards a theological dramaturgy for theatre, with special reference to the theo-drama of Hans Urs von Balthasar." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/329.

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If from God’s perspective ‘all the world’s a stage’, theology invites one to think and act according to the view afforded from this height. To speak theologically of a ‘world stage’ as many contemporary theologians have done has required rethinking the Church’s long-established antagonism towards the stage. Of late, theology has opened up academic exchange with the drama’s understanding of ‘the great theatre of the world’. Hans Urs von Balthasar’s theo-drama in particular has given Christians a means for entering into discussion with dramatic forms. Contemporary theological engagements with ‘d
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27

Poujade, Baltazard Sylvaine. "Francisci Robortelli Vtinensis in librum Aristotelis De arte poetica explicationes : introduction, édition, traduction." Thesis, Rennes 2, 2018. http://www.theses.fr/2018REN20069.

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Ce travail présente une édition et une traduction de l'ouvrage d’une des figures marquantes de l’humanisme italien de la Renaissance, Francesco Robortello, intitulé Francisci Robortelli Vtinensis in librum Aristotelis De arte poetice explicationes. Il s'agit du premier commentaire à être publié de la Poétique d'Aristote. L'ouvrage paraît à Florence en 1548, et fait l’objet d’une deuxième édition, révisée par ses soins, à Bâle en 1555 : le commentaire est précédé du texte grec de l’édition aldine des Rhetores Graeci de 1508, accompagné d'une traduction latine d’Alessandro Pazzi qui date de 1536
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Le, touze Anna. "Francisci Robortelli Vtinensis paraphrasis in libellum Horatii qui vulgo de arte poetica inscribitur : introduction, édition, traduction annotée." Thesis, Rennes 2, 2021. https://tel.archives-ouvertes.fr/tel-03248316.

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Ce travail présente une édition et une traduction annotée de la paraphrase à l’Art poétique d’Horace de Francesco Robortello, philologue de la Renaissance célèbre pour son commentaire à la Poétique d’Aristote. La paraphrase paraît en 1548 à Florence, au sein du volume qui contient le commentaire à Aristote. Elle est rééditée à Bâle en 1555 avec le commentaire à la Poétique. Cette paraphrase prend place au sein de la nébuleuse des commentaires à l’Art poétique d’Horace qui se multiplient à la Renaissance. Cette étude montre que la paraphrase de Robortello s’inscrit dans une tradition du comment
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29

Zanin, Enrica. "Fins tragiques : poétique et éthique du dénouement dans la tragédie pré-moderne en Italie, en France et en Espagne." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040234/document.

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La poétique du dénouement pré-moderne, dans les tragédies italiennes, françaises et espagnoles, est liée à un souci éthique: la fin de l'intrigue est le lieu attendu qui en dévoile le sens et qui dit sa morale. Or, le dénouement tragique répond à une double exigence: s'il conclut la tragédie, il doit aussi renverser le sort du héros. Pour achever la tragédie, le dénouement doit réaliser un équilibre moral; pour renverser l'intrigue, il doit susciter un excès pathétique. Ces deux exigences sont issues de deux modèles théoriques opposés: la logique de l'exemplarité et l'efficacité pathétique. La
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30

Gorgoni, Francesca. "La traduction hébraïque du Commentaire Moyen d’Averroès à la Poétique d’Aristote : étude, édition du texte hébreu et traduction française avec glossaire hébreu-arabe-français." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCF007/document.

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Todros ben Meschoullam den David Todrosi (Arles 1314- ?) traducteur à Arles, de 1330 à 1340, est un des derniers protagonistes du mouvement de traduction de l’arabe à l’hébreu qui caractérise l’histoire intellectuelle juive en Provence au Moyen-Âge. L’édition que nous proposons ici, est sa traduction hébraïque du Commentaire Moyen d’Averroès à la Poétique d’Aristote comparé avec le texte arabe de départ et traduite, pour la première fois, en langue française. L’analyse comparée du corpus oriental du Commentaire a été d’une grande importance pour saisir les spécificités intrinsèques de la tradu
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31

Hatakeyama, Kana. "La faute dans la tragédie française du XVIIe siècle." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30007.

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Cette thèse a pour objectif d’étudier la tragédie du XVIIe siècle en France avec la notion de faute tragique, hamartia, et de montrer l’originalité et la diversité des tragédies classiques. Commentée dans la Poétique d’Aristote, l’hamartia se définit comme une notion médiane entre un délit volontaire et une malchance. Coupable d’une hamartia, le héros n’en est pas pour autant entièrement responsable malgré sa prise d’initiative, dans la mesure où la faute n’est pas due à l’intention perverse. Parce que le malheur déclenché par une hamartia, apparaît disproportionné à l’intention du coupable, l
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32

Bouchard, Elsa. "De la poétique à la critique : l’influence péripatéticienne chez Aristarque." Thèse, 2012. http://hdl.handle.net/1866/8570.

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Abstract (sommario):
Cette thèse vise à suggérer l’existence d’un partage d’une théorie poétique commune entre l’école d’Aristote d’une part et le grammairien Aristarque de Samothrace d’autre part. À partir d’un examen des textes et des fragments de la critique littéraire hellénistique, deux aspects fondamentaux de la poétique péripatéticienne font l’objet d’une comparaison avec Aristarque, soit : 1) la prise de position interprétative qui tient compte de la nature fictionnelle du discours poétique et le soustrait aux critères de vérité traditionnellement imposés par les lecteurs anciens, notamment à l’intérieur d
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33

Petra, O'Toole. "Das Mögliche, Das Wirkliche Und Das Unmögliche: Three Concepts Of Poetics." 2013. http://hdl.handle.net/10222/36263.

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This thesis presents a historical analysis of literature through the intriguing (but often overlooked) overarching concepts of art –“das Mögliche”, “das Wirkliche” and “das Unmögliche”– and the changes in the historical orientations they represent. Each concept is demonstrated through the exploration of three key texts. The first text addressed in this thesis is Aristotle’s Poetics and the realm of the “Mögliche” he founded within his argument. The second concept, the “Wirkliche”, was inspired by the German Sturm und Drang writer J.M.R. Lenz and his text Anmerkungen übers Theater. Oscar Wilde’
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34

Poley, Danen. "FORESTS FULL OF BEASTS: ARISTOTELIAN ANALYSES OF ANTINOMIAN MADNESS IN 'KING LEAR' AND 'TIMON OF ATHENS'." Thesis, 2012. http://hdl.handle.net/10222/15404.

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"Forests Full of Beasts" analyzes late-Shakespearean thought as represented in "Timon of Athens" and "King Lear," focusing on expressions of madness. Applying an Aristotelian framework, each chapter examines the two plays through a different lens, applying the "Nicomachean Ethics," "Politics" and "Poetics" in turn. Looking at these plays through the "Ethic"s shows that Timon and Lear miss the mark of happiness through excessive action, and their madness is therefore construed as deliberately maintaining unsustainable behaviour. The Politics foregrounds humanity's social nature, and it is in th
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35

Potter, Lucy. "Re-reading Marlowe’s Dido and its influence." Thesis, 2008. http://hdl.handle.net/2440/77319.

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Over the last 30 years, a number of critics have sought to rescue Christopher Marlowe’s Tragedy of Dido, Queen of Carthage from its status as an apprentice work. These attempts have produced two, equally dominant strands of criticism: the first attributes importance to the play’s comic elements; the second attributes importance to the influence of non-Virgilian traditions of the Dido and Aeneas story. Both critical strands find Dido’s treatment of the Aeneid largely incompatible with the idea that the play is a tragedy. This thesis suggests an alternative, new approach to Dido, one that is b
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Peña, Laguna Luis Ernesto. "Influence de quelques notions de dramaturgie d’Aristote dans mes compositions musicales." Thèse, 2017. http://hdl.handle.net/1866/19849.

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Κατάρα, Δήμητρα. "Μῦθος, λόγος, ὅμοιος και ἐπιεικής : παρατηρήσεις για τη χρήση της ορολογίας στην "Ποιητική" του Αριστοτέλη". Thesis, 2010. http://nemertes.lis.upatras.gr/jspui/handle/10889/4636.

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Eξέταση της χρήσης των λέξεων μῦθος, λόγος, ὅμοιος και ἐπιεικής στην Ποιητική του Αριστοτέλη. Παρουσίαση των τρόπων με τους οποίους ερμηνεύονται οι παραπάνω όροι και προσπάθεια επίλυσης των προβλημάτων που δημιουργεί η χρήση των όρων αυτών μέσα από τη διατύπωση σχετικών παρατηρήσεων. Μελέτη των σχέσεων μεταξύ των ουσιαστικών μῦθος και λόγος καθώς και προσπάθεια διευκρίνισης της σημασίας των επιθέτων ὅμοιος και ἐπιεικής στα κεφάλαια 2, 13 και 15 της Ποιητικής με βάση τη σύγκριση μεταξύ ζωγραφικής και ποίησης.<br>In the present study, we examine, to a greater or lesser extent, the terms mythos,
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Goossen, Jonathan. "Jonson's and Shakespeare's "Comedy of Affliction"." 2011. http://hdl.handle.net/10222/14178.

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This dissertation explores the relevance of recent studies of Aristotle’s comic theory to the central dramatists of early modern England, Ben Jonson and William Shakespeare. Applications of the Poetics to Renaissance English drama tend to treat Aristotle’s theory historically, as a set of concepts mediated to England by continental redactions. But these often conflated the Poetics’ focus on literary form with the Renaissance’s predominant interest in literature’s rhetorical effect, reducing Aristotle’s genuinely speculative theory to a series of often pedantic literary prescriptions. Recent sc
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"Mimesis and cognitive pleasure in aristotle's poetics." Tese, MAXWELL, 2005. http://www.maxwell.lambda.ele.puc-rio.br/cgi-bin/db2www/PRG_0991.D2W/SHOW?Cont=7209:pt&Mat=&Sys=&Nr=&Fun=&CdLinPrg=pt.

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Teng, Kuang-Chih, and 鄧光志. "On the Conception of Catharsis in Aristotle’s Poetics." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/58982157758483383808.

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"Poetica de Aristoteles : tradução e notas." Tese, Biblioteca Digital da Unicamp, 2006. http://libdigi.unicamp.br/document/?code=vtls000391795.

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"Ousia And Tragedy An Ontological Approach To Aristotle's Poetics." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/2/12605264/index.pdf.

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"A reflection on the concept of mimesis and tragic action in aristotle's poetics." Tese, MAXWELL, 2004. http://www.maxwell.lambda.ele.puc-rio.br/cgi-bin/db2www/PRG_0991.D2W/SHOW?Cont=4749:pt&Mat=&Sys=&Nr=&Fun=&CdLinPrg=pt.

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Baker, Stephanie A. "Zidane in Tartarus : a neoAristotelian inquiry into the emotional dimension of kathartic recognition." Thesis, 2010. http://handle.uws.edu.au:8081/1959.7/487617.

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Katharsis occupies an important place in the social imagination as a mode of emotional clarification. It was the term used by Aristotle in the Poetics, where he argued that through observing tragedy audiences could experience kathartic recognition by affectively rationalising the events constituting mythos (the tragic plot) in a process synonymous with feeling-realisation. Research on katharsis has generally fallen into disrepute following various interdisciplinary interpretations, cultural changes and the term’s common conflation with Freud’s hydraulic theory of emotional repression. While At
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Kramar, Natalia. "La forme du dialogue chez Platon : une étude « poétique » du Phédon." Thèse, 2016. http://hdl.handle.net/1866/18790.

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Le présent mémoire, qui s’inscrit dans l’approche dialogique des études platoniciennes, vise à expliciter la notion de forme du dialogue chez Platon, et ce, par le biais d’une analyse « poétique » du Phédon. Dans un premier temps, une définition provisoire et approximative de cette notion sera formulée à la suite de l’examen de ses significations dans les travaux des auteurs du courant dialogique : la forme du dialogue est une forme littéraire, poétique ou dramatique, conçue comme une totalité formée de parties, gouvernée par la « nécessité logographique » et ayant une structure telle que les
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Κουλουμπής, Φώτιος. "Το 25ο κεφάλαιο της "Ποιητικής" του Αριστοτέλη και τα "Ομηρικά Απορήματα"". Thesis, 2001. http://nemertes.lis.upatras.gr/jspui/handle/10889/4296.

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Ο Αριστοτέλης μετά την πραγμάτευση της ποίησης και του έπους στην Ποιητική του, προσθέτει ένα κεφάλαιο – το 25ο – όπου πραγματεύεται το ειδικό θέμα των αντιρρήσεων που εκδήλωσαν ορισμένοι κριτικοί ενάντια στην ποίηση την ομηρική και το θέμα των αρχών πάνω στις οποίες θα βασισθούν οι απαντήσεις προς τους κριτικούς του Ομήρου. Η ύπαρξη ενός τέτοιου κεφαλαίου κρίνεται ως χρήσιμη καθώς αντικείμενο της ποίησης δεν αποτελεί μόνο η διδαχή της φύσης της ποίησης, αλλά, επίσης, η ορθή κριτική των ποιητικών έργων. Οι λανθασμένες ερμηνείες πολλών αμφίβολων αποσπασμάτων αυτού του κεφαλαίου οφείλον
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Kaňková, Markéta. "Lars von Trier na českých jevištích: divadelní adaptace a jejich filmové předobrazy." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-322084.

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This thesis concentrates on the phenomenon of theatre adaptation of films in context of czech contemporary theatre. It's goal is - on examples of theatre transcriptions of Lars von Trier's films - to capture and describe difficult process of adaptation, which is wageing during the transformation of films and film texts into their theatre versions. During the process of analyses, we will try to trace not only the concrete transfigurations, but to name possible approaches and techniques revelating during the act of adaptation.
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Šuman, Záviš. "Konceptualizace mores v dramatickém básnictví. Studie o poetice francouzské tragédie v 17. století." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-322575.

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214 Abstract Conceptualization of Mores in Seventeenth-Century French Tragedy This thesis is devoted to the study of interpretations of how tragic characters should be portrayed ("mores", "ethos", "mœurs") in French seventeenth-century theories on Tragedy. The theoretical writings of Jean Chapelain, La Mesnardière, Pierre Corneille, d'Aubignac, René Le Bossu, Rapin, Saint-Évremond, Jean Racine and André Dacier are examined in detail. Their findings are compared with the Latin and Italian commentaries on how the Aristotelian notion "character" ("éthé", "éthos") ought to be perceived and underst
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