Letteratura scientifica selezionata sul tema "Art and state Germany History 20th century"

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Articoli di riviste sul tema "Art and state Germany History 20th century"

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Novikova, Marina V. "THE PROBLEM OF NATIONAL TRAUMA IN THE COLLECTIVE MEMORY OF GERMANS IN THE UNITED GERMANY." RSUH/RGGU Bulletin. Series Political Sciences. History. International Relations, no. 2 (2021): 117–26. http://dx.doi.org/10.28995/2073-6339-2021-2-117-126.

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The article attempts to characterize the state of historical con- sciousness of the Germans at the end of the 20th – beginning of the 21 st century. The article examines what factors influenced the formation of the “sacrificial narrative” in the collective memory of the Germans of the united Germany. The research is based on the publications in the German, Polish and Russian press, autobiographical works, interviews, diaries and memoirs of Gunther Grass, Gerhard Schroeder, etc., analyzes the works of art and filmography released at that time. Memories of the suffering of the German civilian po
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Bukharin, Mikhail D. "Exploration of Eastern Turkestan in the Archival Heritage of Albert Grünwedel." Ancient Civilizations from Scythia to Siberia 20, no. 2 (November 24, 2014): 234–55. http://dx.doi.org/10.1163/15700577-12341270.

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The article presents a part of the archival heritage of Albert Grünwedel – his letters to S. F. Oldenburg, devoted to the exploration of Eastern Turkestan at the beginning of the 20th century. Grünwedel gives some important characteristics to the ways of studying of Buddhist art in Central Asia, describes the state of several monuments in Turfan; his information completes the history of cooperation of German and Russian expeditions. Several documents shed some more light on the conditions of the division of the areas of excavations between German and Russian expeditions.
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Лучка, Л. "BOOK SHOWS AND THE READING UNIVERSE PROFESSOR VK YAKUNINA." Problems of Political History of Ukraine, no. 15 (February 5, 2020): 34–40. http://dx.doi.org/10.33287/11924.

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The research deals with creating a diverse reader image of an intellectual personality of a historian. V.K. Yakunin started his reading career as a student of Dnipropetrovsk State University in the 1960’s. During his studies he constantly visited the scientific library. It was at this time when he first became acquainted with rare and valuable editions on historical subjects. The reading experience of the historian is about 60 years. While writing his Candidate dissertation (1972) and PhD thesis (1990), he worked with a significant number of sources and literature, and he also used interlibrar
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Lysova, Alexandra, and Helmut Kury. "Obstacles to the Development of Restorative Justice: a Comparative Analysis of Russia, Canada and Germany." Всероссийский криминологический журнал 12, no. 6 (December 28, 2018): 806–16. http://dx.doi.org/10.17150/2500-4255.2018.12(6).806-816.

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Restorative justice (RJ), which is a concept of criminal justice focused on the needs of victims and the community affected by the criminal act rather than on the punishment of the offender, is becoming an integral part of criminal justice in many developed Western countries. Russia, however, is just taking the first steps in the development of restorative justice with the focus on mediation for juvenile delinquents. Using the theory of the (de)civilization process by N. Elias, the authors suggest that a weak state, characterized not so much by inefficient economy as by underdeveloped social i
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Dartmann, C. "The State and Economic Crisis in 20th Century Germany." German History 13, no. 1 (January 1, 1995): 80–82. http://dx.doi.org/10.1093/gh/13.1.80.

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Sipos, Regina, and Kerstin Franzl. "Tracing the History of DIY and Maker Culture in Germany’s Open Workshops." Digital Culture & Society 6, no. 1 (December 1, 2020): 109–20. http://dx.doi.org/10.14361/dcs-2020-0106.

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Abstract This article presents preliminary research findings on the history of Do-It-Yourself (DIY) and maker culture in Germany. It aims to identify historical, political, economic and societal shifts that have led to the existence of approximately 1000 makerspaces of various kinds in Germany today. The article summarises the beginnings of DIY in the 20th century in West Germany and East Germany. It focuses on how infrastructures supporting DIY were created out of necessity and economic considerations, how tools and spaces were offered as public service, the influence of counterculture moveme
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Kuhutiak, Mykola, Ihor Raikivskyi, and Oleh Yehreshii. "Halychyna. Journal of Regional Studies: Science, Culture, and Education. Twenty Years of Publishing Activity." Journal of Vasyl Stefanyk Precarpathian National University 4, no. 2 (October 30, 2017): 134–38. http://dx.doi.org/10.15330/jpnu.4.2.134-138.

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This is a review of the twenty-year-long publishing activity of Halychyna. Journal of Regional Studies: Science, Culture and Education, one of the first Ukrainian journals for historians, philologists, art critics that appeared in the independent Ukraine. In Halychyna, there has been published the works by well-known scholars of Vasyl Stefanyk Precarpathian National University and many other higher educational establishments of Ukraine. The Journal can boast an array of sections – archaeology, history, ethnology, political science, historiography, source studies, documents and materials, cultu
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Chernyaeva, Irina V., and Lidiya V. Balakhnina. "On the issue of pricing works of art in the process of historical development of artistic practices." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 321–29. http://dx.doi.org/10.37816/2073-9567-2021-59-321-329.

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In modern art practice, the issue of formation of symbolic and economic value of works of art remains acute and relevant. In the history of art art historians, curators, and art critics used to determine symbolic value. The issue of formation of economic value of works of art is still debatable. The task of the study is to identify features of the pricing of works of art inherent in individual periods of the development of artistic practices in a historical context. The authors address the issue retrospectively, considering the relationships between art and market, originated in the 18th centu
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Grantseva, E. O. "Horrors of War in the Context of the Fine Arts Transformation of the XX Century." Concept: philosophy, religion, culture 4, no. 4 (December 29, 2020): 147–57. http://dx.doi.org/10.24833/2541-8831-2020-4-16-147-157.

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The article is dedicated to the outlook on the socio-cultural transformations of the 20th century brought by global conflicts. The main attention is paid to the problems arisen from overcoming traumas by the means of art and to the influence the traumatic experience has had on the transformation of the artistic language. The themes of the horrors of war, war and post-war experience and reflections acquire special significance in the artistic culture of the 20th century, with traumas brought by both world wars and other conflicts giving rise not only to emotional responses to ongoing disasters,
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Grantseva, E. O. "Horrors of War in the Context of the Fine Arts Transformation of the XX Century." Concept: philosophy, religion, culture 4, no. 4 (December 29, 2020): 147–57. http://dx.doi.org/10.24833/2541-8831-2020-4-16-147-157.

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Abstract (sommario):
The article is dedicated to the outlook on the socio-cultural transformations of the 20th century brought by global conflicts. The main attention is paid to the problems arisen from overcoming traumas by the means of art and to the influence the traumatic experience has had on the transformation of the artistic language. The themes of the horrors of war, war and post-war experience and reflections acquire special significance in the artistic culture of the 20th century, with traumas brought by both world wars and other conflicts giving rise not only to emotional responses to ongoing disasters,
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Tesi sul tema "Art and state Germany History 20th century"

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Zabecki, D. T. "Operational Art and the German 1918 Offensives." Thesis, Department of Defence Management and Security Analysis, 2009. http://hdl.handle.net/1826/3897.

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At the tactical level of war the Germans are widely regarded as having had the most innovative and proficient army of World War I. Likewise, many historians would agree that the Germans suffered from serious, if not fatal, shortcomings at the strategic level of war. It is at the middle level of warfare, the operational level, that the Germans seem to be the most difficult to evaluate. Although the operational was only fully accepted in the 1980s by many Western militaries as a distinct level of warfare, German military thinking well before the start of World War I clearly recognized the Operat
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Hojdyssek, Gunter Art College of Fine Arts UNSW. "From laughing at the world to living in the world." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43091.

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Born in 1938 in Poland, I epxperienced wartime Berlin and post-war Stalinism. My first job, at sixteen, was with the East Berlin States Opera and the Bertold Brecht's Berliner Ensemble. The play writes Betrtold Brecht and Buechner had the strongest influence on me. Brecht's play 'Mutter Courage and her children' and Georg Buechner's 'Woyzech' encapsulated the harsh realities of post-war Europe, and confirmed my desire for social justice and reform. Yet, the main influence on my work comes from my own life experience. My life in Australia has become a kind of exile-a deprivation of the origin
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Kennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.

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Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressioni
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Heath, Karen Patricia. "Conservatives and the politics of art, 1950-88." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:d62a078b-4009-40a8-8765-1a4f5e0fbcbc.

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This thesis offers a new policy history of the National Endowment for the Arts, the federal agency responsible for providing grants to artists and arts organisations in the United States. It focuses in particular on the development of conservative perspectives on federal arts funding from the 1950s to the 1980s, and hence, illuminates the broader evolution of conservative political power, especially its limits. The most familiar narrative holds that the Endowment found itself caught up in the Culture Wars of the late 1980s when Christian right groups objected to certain federal grants, particu
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Miller, Jennifer Anne. "The Politics of Nazi Art: The Portrayal of Women in Nazi Painting." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5157.

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The study of Nazi art as an historical document provided an effective measure of Nazi political platform and social policy. Because the ideology of the Third Reich is represented within Nazi art itself, it is useful to have a good understanding of the politics and ideology, surrounding the German art world at the time. Women were used in this study as an exemplification of Nazi art. This study uses the subject of women in Nazi painting, to show how the ideology is represented within the art work itself. It was first necessary to understand the fervorent "cleansing" of the German art world init
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Ryder, Marianne. "Forming a New Art in the Pacific Northwest: Studio Glass in the Puget Sound Region, 1970-2003." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1096.

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The studio glass movement first arose in the United States in the early 1950s, and was characterized by practitioners who wanted to divorce glass from its industrial associations and promote it as a fine arts medium. This movement began in a few cities in the eastern part of the country, and in Los Angeles, but gradually emerged as an art form strongly associated with the city of Seattle and the Puget Sound region. This research studies the emergence and growth of the studio glass movement in the Puget Sound region from 1970 to 2003. It examines how glass artists and Seattle's urban elites int
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Martin, William R. "Corporatism in American foreign policy toward Germany between the wars, 1921-1936." PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4380.

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This thesis is an investigation of how United States foreign policy was made in the context of German-American relations in the period between the two world wars. The problem under investigation is whether the United States was using a corporatist approach in dealing with the problems of Germany and ultimately Europe and whether the corporatist model is a good one for analyzing foreign policy development during this period. Corporatism, as it is used in this thesis, is defined as an organizational form which recognizes privately organized functional groups outside the United States government,
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Deupree, William Erik. "Innovation on a budget the development of military technology during the interwar period, 1919-1939." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4934.

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This thesis investigates the progress of technological development during the interwar period of 1919 to 1939. The interwar period was a time of slashed military budgets and isolationist policies. However, despite political, financial, and organizational handicaps, each branch of the military made significant progress in the development of military technology, and the air corps and navy achieved significantly better results. The reason these two branches were able succeed was through a combination of organizational policy and the development of an overarching goal for their respective branch.
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Devillez, Virginie. "L'Etat et les artistes: entre révolution et réaction, les politiques culturelles de la Belgique (1918-1944)." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211733.

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Mihail, Benoît. "Le "Néo-Flamand" en France: un passé régional retrouvé et réinventé sous la Troisième République." Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211363.

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Libri sul tema "Art and state Germany History 20th century"

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Art as politics in the Third Reich. Chapel Hill: University of North Carolina Press, 1996.

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Art as politics in the third reich. North Carolina: University of North Carolina Press, 1996.

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Petropoulos, Jonathan. The Faustian bargain: The art world in Nazi Germany. London: Allen Lane, 2000.

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Petropoulos, Jonathan. The Faustian bargain: The art world in Nazi Germany. New York, N.Y: Oxford University Press, 2000.

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Hitlers kunstenaarsziel. Soesterberg, Nederland: Uitgeverij Aspekt, 2012.

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Kidron, Michael. The new state of the world atlas. London: Pan Books, 1987.

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Kidron, Michael. The new state of the world atlas. London: Pan Books, 1987.

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Kidron, Michael. The new state of the world atlas. 4th ed. London: Simon & Schuster, 1991.

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Kidron, Michael. The new state of the world atlas. Oxford: Heinemann Educational, 1987.

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Kidron, Michael. Sekai no kokusei chizu: The new state of the world atlas. Tōkyō: Chūō Kōronsha, 1985.

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Capitoli di libri sul tema "Art and state Germany History 20th century"

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Mahoney, Dillon. "Crafts Traders versus the State." In Art of Connection. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520292871.003.0003.

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This chapter traces the development of Kenya’s tourism and handicraft industries from their roots in 20th century British colonialism to provide some of the broader history of Kenya’s tourism and co-operative development, their emergence in Mombasa, and their relationships with local governments. I draw on archival as well as ethnographic data collected just before the 2002 demolition of Mombasa’s roadside kiosks, which form the starting point for the larger longitudinal study. I focus on the array of experiences of Mombasa’s roadside traders of diverse backgrounds as they struggle with the privatization and segregation of urban residential and commercial space both before and after the demolitions. The economy was radically altered as the roadsides were “cleaned” and a new wave of economic formalization characterized the relationship between small-scale businesspeople and the state. For many entrepreneurs invested in the global crafts trade, this was the final straw that pushed them toward new technologies, jumping scales into global markets, and investing in export and wholesale businesses that were not spatially dependent upon a connection to the city center.
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Barbin, Évelyne. "From experimental to theoretical geometry in new pedagogical movements at the turn of the 19th and 20th centuries (1872-1906)." In “DIG WHERE YOU STAND” 6. Proceedings of the Sixth International Conference on the History of Mathematics Education, 219–32. WTM-Verlag Münster, 2020. http://dx.doi.org/10.37626/ga9783959871686.0.17.

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There exist many historical works on the new pedagogical movements in the beginning of the 20th century, at the level of one country and at the international level also. Our purpose is to focus on teaching of geometry with comparing situations in four countries: United Kingdom, France, Germany and United States. We show that, behind the agreements, there are deep differences in relation with questions posed by geometrical teaching. We use two kinds of materials, discussions and textbooks, and we specially examine the questions on parallels definitions and their introduction in teaching. Keywords: laboratory method, concrete geometry, experimental geometry, intuitive geometry, practical geometry, rational geometry, Émile Borel, Carlo Bourlet, John Dewey, George Halsted, Julius Henrici, Adelia Hornbrook, Jules Houël, Charles Méray, Eliakim Moore, John Perry, Peter Treutlein.
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Walczynski, Mark. "Concluding Thoughts." In The History of Starved Rock, 186–90. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748240.003.0013.

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This concluding chapter demonstrates that under state management, Starved Rock State Park grew in popularity. The park provided specialists from the US Army Corps of Engineers with a training area to master the military art of pontoon bridge assembly in preparation for the Allied invasion of Germany in World War II. Equally important, the park was where locals came to work and to relax in the 1950s and 1960s, and it is where today over two million people come to hike, camp, picnic, fish, hunt, and enjoy nature every year. However, the very geologic composition of Starved Rock and its environs has created a new challenge for the twenty-first century. Sand companies now mine silica sand near the park. The challenge is one of balance between protection of the park's fragile natural resources versus the competing interests of local governments and residents desiring new employment opportunities. In addition, the Starved Rock Dam, completed in 1933, raised the level of the Illinois River above the dam about ten feet. Nevertheless, the Illinois Department of Natural Resources employees at Starved Rock State Park are dedicated to preserving and maintaining the park and to serving park visitors.
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Rivers, Ray. "Can Archaeological Models Always Fulfil our Prejudices?" In The Connected Past. Oxford University Press, 2016. http://dx.doi.org/10.1093/oso/9780198748519.003.0014.

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The past few years have seen a significant growth in the use of quantitative models in archaeology. Such modelling has a long, albeit uneven, history, using ideas going back to Christaller’s (1933) use of Dirichlet/Voronoi tessellations of space in the early 20th century to construct ‘central places’. These elementary techniques for geometrizing social relations survived as late as the 1980s, most simply supplemented or replaced by other low-technology, ‘ruler and compass’ methods, such as Renfrew’s XTENT model (Renfrew 1975a, 1975b; Renfrew and Level 1979). By that time, archaeological modelling (e.g. Clarke 1968, 1977; Johnson 1977) was already incorporating the graph theory techniques of the social geographers, exemplified by the burgeoning network modelling of proximal point analysis (PPA) (e.g. Terrell 1977, 1986) and by the network-based spatial interaction models (SIMs) of the social planners and transport modellers (e.g. Wilson 1970; Wilson and Bennett 1986). However, even when adapted to historical processes (Rihll and Wilson 1987, 1991), such quantitative models were not part of the archaeological mainstream and limitations on computer power and cost meant that they had only restricted application. By the 1990s, these limitations were reinforced by a post-processual critique which led to a shift in emphasis in archaeology towards viewing space as a construct of human activity, a movement from ‘space to place’ (Hirsch 1995). Although SIMs had led this shift by downplaying the role of geography in characterizing social interactions, the dialogue about quantitative modelling turned against its reductive nature, even to the extent of shying away from mathematical analysis (e.g. Sheppard 2001). However, cheap computer power and the ready availability of commercial software packages have led to a revival in network methods. See Lock and Pouncett (2007) for an early overview, and for the current state of the art see Kandler and Steele (2012) and recent monographs edited by Bevan and Lake (2013) and Knappett (2013), as well as the other chapters in this book. The main focus of this article concerns the ‘retrodictive ability’ of archaeological models. In the absence of ‘laws’ of human behaviour, there is great freedom in how to proceed.
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