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Tesi sul tema "Artists"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Mantooth, Jennifer R. "Muse as artist : selected artists past and present /." Online version of thesis, 1992. http://hdl.handle.net/1850/11227.

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2

Alkhudair, Maha. "Unveiling Artists: Saudi Female Artists Life Stories." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37502.

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Abstract (sommario):

This study tells the life stories of four Saudi female artists. Using life story narrative approach, I focused on the following research questions: How are Saudi female artists fulfilling their aspirations as artists in the conservative Saudi society? What are the common and divergent themes in the life stories of the Saudi women artists, namely Safeya Binzagr, Maha Almalluh, Tagreed Albagshi, and Fida Alhussan? The artists were interviewed using open-ended questions and asked to discuss their artwork. The postmodern feminism and social construction theories were used to understand their life

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3

O'Neil, Maryvelma Smith. "Giovanni Baglione : seventeenth-century artist, draughtsman and biographer of artists." Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:b1494a9e-8c16-4d48-9553-0f63da44cb6c.

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This thesis explores Baglione's contributions to art and to the history of art by examining the nature of his artistic and critical originality and the significant influences thereon. In the work for which he is best known, Le Vite ... (1642), Baglione was an interesting and generous critic who was unusually receptive to pictorial effects, even when in architecture and sculpture. He assesses Caravaggio's accomplishments with well chosen observations thereby breaking his restriction to discuss only accessible works of art. A broad view of his paintings and drawings shows Baglione's complex, ori

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4

McLaughlin, Pamela Ann. "Mapping an identity how women artists develop an artistic identity /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2006. http://proquest.umi.com/login?COPT=REJTPTU0NWQmSU5UPTAmVkVSPTI=&clientId=3739.

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5

Blackledge, Aimee. "Materials for the Artist's Mind : Artists as Collectors in Eighteenth-Century England." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519751.

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6

Bain, Alison L. "Exhibiting the artist's city : occupational identity construction by contemporary Toroto visual artists." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423935.

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7

Earner, Meaghan. "Allston Artist Village." View thesis online, 2009. http://docs.rwu.edu/archthese/13/.

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8

Dubreuil, Jordan. "Strabismal existence." View thesis online, 2009. http://docs.rwu.edu/archthese/21/.

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9

Taft, William W. Jr. "The Special Artists." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/100.

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10

Leung, Lo-ming, and 梁路明. "Artists village-place (space) for artists in Yau Tong Bay, Yau Tong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31985300.

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11

Leung, Lo-ming. "Artists village-place (space) for artists in Yau Tong Bay, Yau Tong." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25947084.

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12

Simonsen, Garric. "Some artists paint paintings." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Spring2010/g_simonsen_042110.pdf.

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13

Chambers, Janet Denise. "Three contemporary Korean artists." Thesis, University of Canterbury. Humanities, 2012. http://hdl.handle.net/10092/7822.

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Abstract (sommario):

This thesis examines the work of three Korean contemporary art practitioners: Lee Ufan (b. 1936), Lee Bul (b.1964) and the collective flyingCity (formed 2001). Lee Ufan is a senior Korean sculptor, painter and writer, who, during a long and productive career, has been based in Tokyo and Paris, and is now recognised in Korea, as well as internationally. Both Lee Bul and flyingCity have participated in projects at the Govett-Brewster Gallery for Contemporary Art in New Plymouth, New Zealand. These three art practices demonstrate a trend during the last fifty years from the individual artist work

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14

Beyer, Beverly Ann. "Virginia Woolf's Starving Artists." W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539626064.

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15

Saporita, Costanza <1992&gt. "Artists back then Instagram." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15263.

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The thesis investigates how contemporary distinguished artists relate to Instagram; the research has been conducted on very popular contemporary artists such as: Dimien Hirst, Cattelan and Wei Wei. The selected artist’s profile on Instagram has been chosen on the base of follower’s number, interest by the press, degree of innovation by the artist and poetry. Instagram has been chose because it is widespread, with 1 billion users in 2018, and if compared to other social media, it focuses on visual content, making it extremely valuable for artists dealing with visual art. The focus of the

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16

Beyer, Deborah Z. "Time puzzle /." Online version of thesis, 1990. http://hdl.handle.net/1850/11332.

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17

Meban, Margaret. "I'm doing what artists do!, a case study of an artist-in-residence program." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0004/MQ42716.pdf.

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18

Urbaniak, Erick Francis. "Criminals and Artists: Detecting the Artist in German Crime Literature of the Twentieth Century." Cincinnati, Ohio : University of Cincinnati, 2009. http://www.ohiolink.edu/etd/view.cgi?acc_num=ucin1236187503.

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Abstract (sommario):

Thesis (Ph.D.)--University of Cincinnati, 2009.<br>Advisors: Todd Herzog (Committee Chair), Katharina Gerstenberger (Committee Member), Richard Schade (Committee Member). Title from electronic thesis title page (viewed May 2, 2009). Keywords: Crime Literature; Artists and Criminals; Hochstapler; Serial killers; Thomas Mann; Doron Rabinovici; Identity Formation; Criminality; History of the Artist. Includes abstract. Includes bibliographical references.

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19

Dang, Dacchi. "The Artist as Explorer: How Artists from the Vietnamese Diaspora Explore Notions of Home." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/366661.

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My personal experiences as a refugee inform how I see the multiple geographical and social landscapes of Australia and Vietnam, and how I mediate a new sense of home from between these diverse experiences. In turn, this provides new knowledge and understanding of the physical and cultural terrain of both countries. Within my studio work I have used this approach to create or reinvent layered landscapes through my personal experiences and memories in order to explore how a contingent, illusive/elusive ‘home’, that has also performed the role of a mythical symbol of refuge in the Vietnamese dias

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20

LaTores, Alicia Marie. "Luca della Robbia as maiolica producer : artists and artisans in fifteenth-century Florence /." Norton, Mass. : Wheaton College, 2009. http://hdl.handle.net/10090/8394.

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21

Deakin, Simon Barry. "The sense of Gagarin: between the 'artists in their own words' and the artist's text." Thesis, University of Leeds, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589037.

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This doctoral thesis provides the first major study of the Antwerp-based journal of artists' writings Gagarin. The research addresses artists' writings that are unique to this journal; providing a lead for others to undertake further studies of Gagarin and the artists that are represented in it. The editor of Gagarin, Wilfried Huet, solicits contributions from selected artists in different parts of the world and publishes what they send to him. Publications of artists' writing, and of artists' books, have a substantial history. This has resulted in problems to do with interpretation concerning

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22

Brakefield, Kathleen Heather. "Promoting community an artists' residence /." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1114105112.

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23

Cole, Anne. "Partnerships : dance artists in education." Thesis, University of Surrey, 1993. http://epubs.surrey.ac.uk/804777/.

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24

Stephens, Christopher Buckingham. "'St. Ives' artists and landscape." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336327.

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25

Schmitt, Mary Donatelli. "Ohio Quilt Artists as Teachers." University of Akron / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=akron1124400161.

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26

Stevelt, Kelly A. "Professionalization of Studio Glass Artists." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253978421.

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27

BRAKEFIELD, KATHLEEN HEATHER. "PROMOTING COMMUNITY: AN ARTISTS' RESIDENCE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1114105112.

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28

Mészáros, Flóra. "Hungarian Artists in Abstraction-Creation." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040088.

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Abstract (sommario):

Cette thèse se focalise sur le groupe artistique international Abstraction-Création, créé pour servir de forum à l’art non figuratif à Paris entre 1931-1936. Au fil des années, il a eu une centaine de membres, y compris certains artistes hongrois, notamment Étienne Béothy, Alfred Reth, Lajos Tihanyi et Ferenc Martyn, tandis que László Moholy-Nagy était membre sans vivre à Paris. Ce n’est que dans les années 1970 que les premières recherches approfondies ont été menées sur Abstraction-Création. Depuis, l’activité d’Abstraction-Création n’a été que rarement étudiée, sa structure, ses objectifs o

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29

RoÌˆder, Birgit. "Artists, lovers and madmen : the representation of art and the artist in E.T.A. Hoffmann's KuÌˆnstlernovellen". Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312332.

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30

Laube, Jacob M. "Understanding artist development: How do producers support the development of artists through the production process?" Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/107899/2/Jacob_Laube_Thesis.pdf.

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This thesis examines the concept of 'artist development' in music, identifying how musicians develop through the production process, and the role that the producer can play in such development. The study outlines the history of artist development in the music industry and the role of the record producer as an auteur figure, connecting this broad context with creative practice through the production of two EP recordings. Reflecting on artist development from the perspective of producer, the author identifies key elements of the production process that can contribute to the development of artist

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31

Zanti, Niki. "Artists' identities : a study of the living and working conditions of visual artists in Cyprus." Thesis, Birkbeck (University of London), 2015. http://bbktheses.da.ulcc.ac.uk/159/.

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This study investigates visual artists’ experiences of becoming and being artists in the Republic of Cyprus, providing a missing link between the notion of artistic identity and professional practice. It identifies and analyses the contextual factors that influence their living and working conditions, and develops an understanding of their careers. A grounded theory analysis of visual artists’ experiences and interpretations showed that artistic identity is an integrative element of an individual’s overall sense of identity. This identity is reinforced by the reproduction of the artist myth, w

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32

Jacobs, Rachel. "The artists' footprint : investigating the distinct contributions of artists engaging the public with climate data." Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/14450/.

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Abstract (sommario):

This thesis investigates the distinct contributions of artists who engage the public with climate data, exploring the role of the artists and the value of their contributions by focusing on two studies of artist-led projects. The first investigates how the author’s own artist led collective, Active Ingredient, engaged the public with climate data through a touring interactive artwork. The second study explores the design of an online platform for capturing, authoring and ‘performing’ climate data. This platform was developed and tested by Active Ingredient in collaboration with researchers fro

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33

Janicke, Susan Beth. "Visual Arts and Chronic Pain: Thematic Analysis to the Artistic Statements of Visual Artists." ScholarWorks, 2015. http://scholarworks.waldenu.edu/dissertations/1689.

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The relief of pain is an essential element of nursing practice. Nursing has begun to successfully use art to assess and reduce pain among hospitalized children, surgical patients, and oncology patients. Structured art projects have been used to provide distraction from pain and patient drawings have allowed nurses to assess pain. This project employed grounded theory and thematic analysis to uncover significant concepts in the artists' statements. The Roy adaptation model and Saunders' total pain theory provided the project theoretical framework. The artistic statements and the art of chronic

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34

Moura, Inês [UNESP]. "Entre Portugal e São Paulo: um percurso artístico em construção." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/86966.

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Abstract (sommario):

Made available in DSpace on 2014-06-11T19:22:29Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-10-15Bitstream added on 2014-06-13T18:49:19Z : No. of bitstreams: 1 moura_i_me_ia.pdf: 12266897 bytes, checksum: 8f0cf7f50cfaf34176b18623a9bffed8 (MD5)<br>Cette recherche a comme point de départ le besoin de comprendre certains éléments d’actualité en rapport avec les concepts de frontière, lieu, identité, langue, émigration et immigration qui jouent un rôle fondamental sur le plan social, politique, économique, culturel et qui, dans les dernières années, ont aussi été appropriés par le mil

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35

Hill, Colin. "Leonard Cohen's lives in art, the story of the artist in his novels, poems, and songs." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ29547.pdf.

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36

Cameron, Ross Douglas. "Our ideal of an artist, Tom Thomson, the ideal of manhood and the creation of a national icon, 1917-1947." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq31184.pdf.

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37

Moura, Inês (Inês Maria de Moura Lourenço) 1984. "Entre Portugal e São Paulo : um percurso artístico em construção /." São Paulo, 2013. http://hdl.handle.net/11449/86966.

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Abstract (sommario):

Orientador: Rosangela da Silva Leote<br>Banca: José Paiani Spaniol<br>Banca: Maria de Fátima Lambert<br>Resumo: A presente pesquisa parte da necessidade de compreender determinados factores da actualidade relacionados com os conceitos de fronteira, lugar, identidade, língua, emigração e imigração que desempenham um papel fulcral na esfera social, política, económica, cultural e que, nos últimos anos, têm vindo a ser debatidos e explorados no meio artístico, como a literatura, o cinema e as artes visuais. O objectivo é compreender a importância e a inclusão destes conceitos nos debates e nas pr

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38

Morgado, Claudia. "Getting to know the artist : understanding why artists are important contributors to the climate change conversation." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43185.

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Abstract (sommario):

Finding avenues of communication to get different members of society to commit to engage in personal actions to determine the outcome of climate change is of great concern and priority to all communicators. The academic literature suggests that research has demonstrated that in order to access a people’s desire to change is most successfully reached if they are given different alternatives and decision-making power in addition to addressing their emotions using images and the imagination. Art, as history has demonstrated when it engages in a dialogue with its viewer, has tremendous power to en

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39

Reisman, David. "The social imagination : the education of didactic contemporary artists : public expression : didactic contemporary artists as educators /." Access Digital Full Text version, 1991. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11039917.

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Thesis (Ed.D)--Teachers College, Columbia University, 1991.<br>Typescript; issued also on microfilm. Sponsor: Ellen Condliffe Lagemann. Dissertation Committee: Rene Arcilla. Includes bibliographical references (p. 201-204).

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40

Silver, Susannah. "The role of artists in the public realm : an investigation into artists' generative processes in context." Thesis, Robert Gordon University, 1999. http://hdl.handle.net/10059/447.

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A shift in practice towards a process-orientated and collaborative art practice within the strands of art practice in the public realm raises the question, ’what is the practical contribution artists make to society?’ which can only be answered by first understanding how artists work. Introducing the concepts of ‘context’, ‘artist-led’ and ‘residency’ with reference to the Artists Placement Group, the problematics of assessing the social contribution of context-specific art practices are presented as resting upon two difficulties, the conceptual gulf between the artworld and the public realm a

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41

Puc, Tihana. "The (in)visible artists: contemporary artists from Croatia in the post-1989 “globalized” contemporary art field." Thesis, IMT Alti Studi Lucca, 2014. http://e-theses.imtlucca.it/150/1/Puc_phdthesis.pdf.

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This research attempts to shed light on the processes of integration and recognition of contemporary artists from Croatia in the post-‐‑1989 “globalized” contemporary art field. Encompassing a twenty-‐‑year period (1991-‐‑2012), the study aims to understand and explain, how the internal developments in Croatia, after the dissolution of Yugoslavia, and the external modifications of the contemporary art field, after the fall of the Berlin Wall, impacted the international embeddedness of contemporary artists from Croatia. In contrast to most of the previous empirical studies on the glo

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42

Kehoe, Peggy. "Self discovery and personal creation /." Online version of thesis, 1991. http://hdl.handle.net/1850/11073.

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43

Grinols, Susan. "Mind states /." Online version of thesis, 1990. http://hdl.handle.net/1850/11308.

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44

Akin, Esra. "Mustafa Âli's Epic deeds of artists." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1181502871.

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45

Bolzt, Kerstin. "Women as artists in contemporary Zimbabwe /." Eckersdorf, Germany : Breitinger, 2007. http://www.loc.gov/catdir/toc/fy0804/2008400471.html.

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46

Prior, Robert A. "The imperative education of theater artists." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527577.

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<p> David Mamet's book of essays <i>True and False: Heresy and Common Sense for the Actor</i> boldly claims that formal training, particularly of the academic variety, is of no use to aspiring theater artists. This thesis argues for the importance and validity of such training. It is a defense of both formal training and ofStanislavski--the father of almost all contemporary training systems and a figure particularly irksome to Mamet. The thesis is supported by examples gleaned from my own formal education in theater and from insights gained directing student actors on my final project for my M

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47

Zussman, Na'ama. "Artists' Books---Both Map and Territory." Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=1590433.

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<p> The field of artists' books is a realm in which a phenomenon is mapped and territorialized. This is based on the human necessity to map the world and have a better grasp of it. Additionally, it is constructed on the understanding of the history of the book’s physicality as an important emblem in civilization. An artist’s book is an isolated realm, both a map and a territory. It is closed in itself, and has its own rules and dynamics, yet carries varied affinities with the outside world.</p>

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48

Collins, Kate Ann. "Cultivating Citizen Artists: Interdisciplinary Dialogic Artmaking." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1408661362.

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49

Farman, Nola. "The humours of the artists' book." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/25097.

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Thesis (Ph.D.)--University of Western Sydney, 2007.<br>A thesis submitted to the University of Western Sydney, College of Arts, Writing and Society Research Group in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.

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50

Adsit, Melanie Hope. "Caught between worlds: urban aboriginal artists." Thesis, Boston University, 1997. https://hdl.handle.net/2144/27694.

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