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Articoli di riviste sul tema "Arts and culture trust"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 18 febbraio 2022

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1

Ifesieh, Emeka C. "Rethinking Language, Arts and Culture in an Evolving Democracy." Academic Journal of Interdisciplinary Studies 10, no. 2 (2021): 196. http://dx.doi.org/10.36941/ajis-2021-0050.

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Democracy has been acclaimed as the best form of government practicable. Its core essence is that the authority of the government is a trust, which is lost once the government becomes a danger to the governed. Power-elites in evolving democracies, especially Nigeria, a pivotal state, consisting of north and south political divides, generate conceptualisations, (i.e., language: arts and culture) for sustenance of inequality. Using the heterogeneous purposive sampling, 7 texts produced by power-elites of Nigeria are selected and subjected to critical discourse analysis (CDA). The core assumption

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Hosington, Brenda M. "Trust and Proof: Translators in Renaissance Print Culture." Renaissance and Reformation 42, no. 3 (2019): 254–57. http://dx.doi.org/10.7202/1066395ar.

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Hargraves, Hunter. "To Trust in Strange Habits and Last Calls." Television & New Media 18, no. 2 (2016): 114–30. http://dx.doi.org/10.1177/1527476416653482.

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This article examines the impact of mobile smartphone culture on TV narrative through an examination of the network series The Good Wife ( TGW; CBS, 2009–2016). Ubiquitous smartphone use proffers a managerial relationship between subject and device, such that smartphone culture becomes necessary for navigating between different spheres of life. Furthermore, as smartphones occupy a greater role in public life, they have also begun to shape the creation of story in media narratives. I argue that smartphones have become a tool of narrative management for network drama not unlike the ways in which

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Cahir, Jayde. "Balancing Trust and Anxiety in a Culture of Fear." SAGE Open 3, no. 2 (2013): 215824401348473. http://dx.doi.org/10.1177/2158244013484733.

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5

Petersson, Caroline. "In Things we Trust: Hybridity and the Borders of Categorization in Archaeology." Current Swedish Archaeology 19, no. 1 (2021): 197–81. http://dx.doi.org/10.37718/csa.2011.11.

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The aim of the article is to question essentialist con- structions of archaeological cultures with the help of Homi K. Bhabha’s concept of hybridity. Using house urns found in central and northern Europe as a case study, Bhabha’s hybridity concept is presented and discussed as an alternative to traditional archaeolog- ical concepts of cultural interpretation. Hybridity, which is also a key concept in postcolonial theory, offers an alternative key to the interpretation of cul- ture and suggests that no culture should be seen as static and homogeneous. The common understanding of house urns is t

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King, Peter C., and Zhang Wei. "The role of face in a Chinese context of trust and trust building." International Journal of Cross Cultural Management 18, no. 2 (2018): 149–73. http://dx.doi.org/10.1177/1470595818767207.

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The role of cultural factors in influencing the maintenance and/or enhancement of trust between two individuals acting as a dyad has received little research attention in trust and trust building. We discuss how a selected culture-specific factor (face) plays an influencing, if not imperative, role in trust and trust building in a Chinese context. We suggest that the preservation and/or enhancement of face acts as an indispensable factor to maintain and/or build trust in a Chinese context. We discuss the implications of our concept and offer suggestions for further research.

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HARRIS, AMANDA. "Representing Australia to the Commonwealth in 1965: Aborigiana and Indigenous Performance." Twentieth-Century Music 17, no. 1 (2019): 3–22. http://dx.doi.org/10.1017/s1478572219000331.

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AbstractIn 1965, the Australian government and Australian Elizabethan Theatre Trust (AETT) debated which performing arts ensembles should represent Australia at the London Commonwealth Arts Festival. The AETT proposed the newly formed Aboriginal Theatre, comprising songmakers, musicians, and dancers from the Tiwi Islands, northeast Arnhem Land and the Daly River. The government declined, and instead sent the Sydney Symphony Orchestra performing works by John Antill and Peter Sculthorpe. In examining the historical context for these negotiations, I demonstrate the direct relationship between th

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Fragouli, Evangelia. "The interaction of employee trust & ethical decision making." Business and Management Review 11, no. 02 (2020): 161–68. http://dx.doi.org/10.24052/bmr/v11nu02/art-19.

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Trust is seen to include both emotional and cognitive dimensions and to function as a deep assumption underwriting social order. In the past three decades, the importance of trust in the workplace & its influence on organizational performance has been recognized by research scholars, and practitioners. This research paper aims to examine the impact of employee trust on leaders' ethical decision-making. This study applies literature review method to address the above subject showing that the impact of employee trust on leaders’ ethical decision-making relates to organizational aspects, as w

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9

Joralemon, Victoria. ": Island in Trust: Culture Change and Dependence in a Micronesian Economy . James G. Peoples." American Anthropologist 89, no. 1 (1987): 175–76. http://dx.doi.org/10.1525/aa.1987.89.1.02a00370.

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10

Czarnecki, Gina, and John Hunt. "Heirloom: Living Portraits of and for the Artist’s Daughters Created out of Their Own Cultured Cells." Leonardo 50, no. 1 (2017): 84–85. http://dx.doi.org/10.1162/leon_a_01357.

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This article presents the artwork Heirloom created by artist Gina Czarnecki and scientist John Hunt. Heirloom grows living portraits of Gina Czarnecki’s daughters from their own cells cultured from buccal swabs. The resulting artwork is an ongoing exploration in “culture,” “nurture” and “media” from the scientific, parental and artistic perspectives. The experiment is ongoing as new methods for sustaining life outside the lab have been developed for this work, potentially facilitating future DIY biotechnology for others and helping with maxillofacial reconstruction in the future. Heirloom has

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Yukseker, D. "Trust and Gender in a Transnational Market: The Public Culture of Laleli, Istanbul." Public Culture 16, no. 1 (2004): 47–66. http://dx.doi.org/10.1215/08992363-16-1-47.

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Costello, Cynthia B. ""WEA're Worth It!" Work Culture and Conflict at the Wisconsin Education Association Insurance Trust." Feminist Studies 11, no. 3 (1985): 496. http://dx.doi.org/10.2307/3180115.

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Dupont, Quentin, and Jonathan M. Karpoff. "The Trust Triangle: Laws, Reputation, and Culture in Empirical Finance Research." Journal of Business Ethics 163, no. 2 (2019): 217–38. http://dx.doi.org/10.1007/s10551-019-04229-1.

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Sedgwick, Eve Kosofsky. "Tide and Trust." Critical Inquiry 15, no. 4 (1989): 745–57. http://dx.doi.org/10.1086/448513.

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Van Leer, David. "Trust and Trade." Critical Inquiry 15, no. 4 (1989): 758–63. http://dx.doi.org/10.1086/448514.

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Wiggins, Trevor. "The world of music in education." British Journal of Music Education 13, no. 1 (1996): 21–29. http://dx.doi.org/10.1017/s0265051700002928.

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This article is concerned with music pedagogy, especially in relation to world music. The process of learning music varies with musical culture and is an integral part of musical style. Learning musicians bring training and concepts from their own musical background, as well as their strengths and weaknesses. The author examines aspects of the pedagogic process for indigenous and foreign musicians, considering the nature of the experience and understanding from their different viewpoints. The article results from a period of field research in Ghana during 1994–5 which was supported by grants f

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Ab Gani, Muhamad Abdul Aziz, and Ishak Ramli. "Editorial Foreword." Idealogy Journal 6, no. 2 (2021): viii. http://dx.doi.org/10.24191/idealogy.v6i2.306.

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We are very pleased that IDEALOGY JOURNAL, Journal of Arts and Social Science is presenting its 6th volume and 2nd issue. We are also very excited that the journal has been attracting papers from a variety of advanced and emerging countries such as Indonesia, Pakistan, Saudi Arabia, Bangladesh, etc. The variety of submissions from such countries will help the aimed global initiatives of the journal. We are also delighted that the researchers from the Arts and Social Science fields demonstrate an interest to share their research with the readers of this journal. This issue of Journal of Arts an

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Carr, Chris, and Suzanne Bateman. "Does culture count? Comparative performances of top family and non-family firms." International Journal of Cross Cultural Management 10, no. 2 (2010): 241–62. http://dx.doi.org/10.1177/1470595810370907.

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Sixty-five of the world’s largest family firms were compared against with those of a matched sample of 65 non-family firms. Contrary to previous studies, family firms here displayed higher profitability and a broadly positive (if slightly inconsistent) relationship between increasing family ownership levels and performance. Sales growth was also consistently higher over 20 years when averaged worldwide. Since other studies have mainly been restricted to single countries or regions, we further analysed differences across continents and country cultures. Within both North America and Europe fami

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Grannemann, Hannah, and Amy Whitaker. "Artists’ Royalties and Performers’ Equity: A Ground-Up Approach to Social Impact Investment in Creative Fields." Cultural Management: Science and Education 3, no. 2 (2019): 33–52. http://dx.doi.org/10.30819/cmse.3-2.02.

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In this paper we argue that new models of artists’ royalties and performers’ equity can form the basis of social impact funds in the arts. Following the principle that those who contribute value should own part of it, we model social impact funds using a “value creation” lens, starting with royalties, profit shares, and other rights granted to visual artists, performers, and playwrights (referred to collectively as “artists”). We draw on data from DACS, the United Kingdom manager of the Artist Resale Right (ARR) and copyright licensing, as well as Arts Council England. We build on case studies

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Deakin, Simon, and Stephen Pratten. "Quasi Markets, Transaction Costs, and Trust." Television & New Media 1, no. 3 (2000): 321–54. http://dx.doi.org/10.1177/152747640000100305.

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Bratich, Jack Zeljko. "Trust No One (On the Internet)." Television & New Media 5, no. 2 (2004): 109–39. http://dx.doi.org/10.1177/1527476403255810.

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Cornu, Laurence. "Trust, Strangeness and Hospitality." Diogenes 55, no. 4 (2008): 15–26. http://dx.doi.org/10.1177/0392192108096825.

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Marcus, George E. "The Production of European High Culture in Los Angeles: The J. Paul Getty Trust as Artificial Curiosity." Cultural Anthropology 5, no. 3 (1990): 314–30. http://dx.doi.org/10.1525/can.1990.5.3.02a00040.

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Egmond, Florike. "Aldrovandi, truthfully drawing naturalia, and local context." Acta ad archaeologiam et artium historiam pertinentia 32, no. 18 N.S. (2021): 81–96. http://dx.doi.org/10.5617/acta.9020.

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This essay focuses on the 16th -century Bolognese naturalist and collector Ulisse Aldrovandi (1522-1605) and his enormous image collection of naturalia. Do these images present a specifically Bolognese form of visual natural science, and was his visual format of truthfulness new at the time? Did Local visual culture leave clear marks on Aldrovandi's image collection? On cover:ANNIBALE CARRACCI (BOLOGNA 1560 - ROME 1609), An Allegory of Truth and Time c. 1584-1585.Oil on canvas | 130,0 x 169,6 cm. (support, canvas/panel/str external) | RCIN 404770Royal Collection Trust / © Her Majesty Queen Eli

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Looseley, David. "The World Theatre Festival, Nancy, 1963–88: a Critique and a Retrospective." New Theatre Quarterly 6, no. 22 (1990): 141–53. http://dx.doi.org/10.1017/s0266464x00004218.

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Unlike Avignon, still active after more than forty years, the once notorious Nancy Festival has slipped unobtrusively into history. David Looseley sets out here to trace this itinerary. After reviewing the festival's origins and its importance for the experimental theatre of the 1960s, he examines what became of it in the bleaker decades which followed, and assesses the meaning of its decline. David Looseley, who teaches in the Department of Modern Languages at the University of Bradford, is currently engaged in research funded by the Leverhulme Trust into the politics of culture in contempora

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Song, Ji Hoon, Hong Min Kim, and Judith A. Kolb. "The effect of learning organization culture on the relationship between interpersonal trust and organizational commitment." Human Resource Development Quarterly 20, no. 2 (2009): 147–67. http://dx.doi.org/10.1002/hrdq.20013.

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Hassan, Ihab. "Realism, Truth, and Trust in Postmodern Perspective." Third Text 17, no. 1 (2003): 1–13. http://dx.doi.org/10.1080/09528820309652.

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Jaklitsch, Helena. "Forgotten Neighbour." Ars & Humanitas 13, no. 1 (2019): 78–96. http://dx.doi.org/10.4312/ars.13.1.78-96.

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For 600 years the Gottschee region was an integral enclave inhabited by the Gottscheers. This history ended tragically during WWII when they left their homes, their homeland and the neighbours with whom they had coexisted peacefully for several centuries. In 1941 Slovenia lost 12,000 of its inhabitants who are now, along with their language, culture, customs and traditions, excluded from our collective memory. Their story is nevertheless important for a better understanding of ourselves. The Gottscheers left their homeland because of the oppression they experienced during the wars but also bec

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Watt, David. "The Maker and the Tool: Charles Parker, Documentary Performance, and the Search for a Popular Culture." New Theatre Quarterly 19, no. 1 (2003): 41–66. http://dx.doi.org/10.1017/s0266464x02000052.

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Charles Parker's BBC Radio Ballads of the late 1950s and early 1960s, acknowledged by Derek Paget in NTQ 12 (November 1987) as a formative influence on the emergence of what he called ‘Verbatim Theatre’, have been given a new lease of life following their recent release by Topic Records; but his theatrical experiments in multi-media documentary, which he envisaged as a model for ‘engendering direct creativity in the common people’, remain largely unknown. The most ambitious of these – The Maker and the Tool, staged as part of the Centre 42 festivals of 1961–62 – is exemplary of the impulse to

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Baek, Yoonjee, Changmu Jung, and Heesun Joo. "Residents’ Perception of a Collaborative Approach with Artists in Culture-Led Urban Regeneration: A Case Study of the Changdong Art Village in Changwon City in Korea." Sustainability 13, no. 15 (2021): 8320. http://dx.doi.org/10.3390/su13158320.

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This study asserts that the higher the degree of artists’ and residents’ participation in a culture-led renewal project, the higher the level of residents’ satisfaction. Engaging artist groups and introducing cultural programs can facilitate building a collaborative network between artists and residents. This paper adopts an experimental study method and defines the experimental and control groups as follows: the experimental group (Changwon city) has relatively high artist participation, and the control group (Sacheon, Gimhae, Miryang cities) have relatively low artist involvement. Multiple r

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Shutarov, Vasko. "CULTURAL DIPLOMACY AND PEACE." KNOWLEDGE INTERNATIONAL JOURNAL 31, no. 6 (2019): 1951–57. http://dx.doi.org/10.35120/kij31061951s.

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For more than a century, the cultural diplomacy has been an integral part of the contemporary diplomatic practices, indispensable module for recognition, approximation and cooperation of near and distant cultures. The unobtrusively attractive power of culture and cultural diplomacy is called “soft power” in the foreign political relations. The soft power allows to create lasting relationships of trust, affection, friendship and partnership in a wider political and social context. Culture, cultural policies and cultural diplomacy of the 21st century acquire the status of a strategic political d

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Alecu, Andreea I. "Which doctors do we trust? A vignette experiment of how gender and ethnicity influence trust." Ethnicities 20, no. 5 (2019): 939–58. http://dx.doi.org/10.1177/1468796819877737.

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Is people’s trust in doctors affected by their ethnicity or gender? It is often assumed that highly skilled migrants are protected from the worst effects of discrimination. Yet, they also report high degrees of discrimination. This study examines whether ethnic and gendered stereotypes influence trust in general practitioners in Norway. The question is investigated using a survey experiment. Respondents receive a brief resume of a general practitioner where the ethnicity and gender of the physician are randomly varied. Thereafter, the study focuses on investigating the interaction between the

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Aurangzeb, Kamleshwer Lohana, Nazia Bibi, Ishtiaq ur Rehman, and Shahida Habib Alizai. "IMPACT OF WORKFORCE DIVERSITY ON ORGANIZATIONAL CULTURE: A CASE OF UNIVERSITIES OF PAKISTAN." Humanities & Social Sciences Reviews 9, no. 3 (2021): 433–41. http://dx.doi.org/10.18510/hssr.2021.9344.

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Purpose of the Study: The present research was undertaken to determine the impact of workforce diversity taxonomy like diversity climate, value, organizational justice, and identity on various dimensions of organizational culture. Methodology: A sample of 117 university teachers selected from the university and higher educational institutions in Pakistan. Convenient sampling techniques were used to collect the data through a Google survey, using workforce diversity. taxonomy inventory and organizational culture questionnaire. Data analyzed by using a t-test to compare the mean scor

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Mayer, Sophie, and Selina Robertson. "“We Can Make Something Out of Anything”: Sally Potter's Thriller and London's History of Queer Feminist Film Spaces." Film Quarterly 70, no. 4 (2017): 39–46. http://dx.doi.org/10.1525/fq.2017.70.4.39.

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The National Trust, a British charity founded in 1895 that manages heritage buildings and open spaces for the UK, is now running daytime tours of London's queer club culture from 1918 to 1967 (when the Sexual Offences Act decriminalized private homosexual acts between men over the age of 21), ending at a version of the Caravan, a queer-friendly members' club from 1934 recreated from police records and court reports. Further, the queer activists Sexual Avengers marked 2017's LGBT History month by placing unofficial “Queer Heritage” blue plaques on London landmarks, including one that commemorat

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Jaklitsch, Helena. "Forgotten Neighbour." Ars & Humanitas 13, no. 1 (2019): 78–96. http://dx.doi.org/10.4312/ah.13.1.78-96.

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Abstract (sommario):

For 600 years the Gottschee region was an integral enclave inhabited by the Gottscheers. This history ended tragically during WWII when they left their homes, their homeland and the neighbours with whom they had coexisted peacefully for several centuries. In 1941 Slovenia lost 12,000 of its inhabitants who are now, along with their language, culture, customs and traditions, excluded from our collective memory. Their story is nevertheless important for a better understanding of ourselves. The Gottscheers left their homeland because of the oppression they experienced during the wars but also bec

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Abraham, Juneman, Dian Utami Sutiksno, Nuning Kurniasih, and Ari Warokka. "Acceptance and Penetration of Bitcoin: The Role of Psychological Distance and National Culture." SAGE Open 9, no. 3 (2019): 215824401986581. http://dx.doi.org/10.1177/2158244019865813.

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Previous studies showed that a number of factors play roles in influencing Bitcoin penetration and acceptance, both at country and individual level, such as trust, perceived risk, security threat, perceived benefit, perceived ease of use, as well as macro-technological and socioeconomic factors. This present study aimed at finding theoretical models at the macro- and microlevels that are able to explain the penetration and acceptance. Study 1 examined hypotheses on the predictive relationship between national cultural orientation and Bitcoin penetration involving 60 countries. Study 2, using a

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Fine, Gary Alan. "Rumor, Trust and Civil Society: Collective Memory and Cultures of Judgment." Diogenes 54, no. 1 (2007): 5–18. http://dx.doi.org/10.1177/0392192107073432.

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Nannestad, Peter, Gert Tinggaard Svendsen, Peter Thisted Dinesen, and Kim Mannemar Sønderskov. "Do Institutions or Culture Determine the Level of Social Trust? The Natural Experiment of Migration from Non-western to Western Countries." Journal of Ethnic and Migration Studies 40, no. 4 (2013): 544–65. http://dx.doi.org/10.1080/1369183x.2013.830499.

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Lemmons, Russel, and Anne Sa'adah. "Germany's Second Chance: Trust, Justice and Democratization." German Studies Review 24, no. 3 (2001): 657. http://dx.doi.org/10.2307/1433465.

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Jorgensen, Britta. "Playing with perspective: Narrative voice and trust in Australian independent podcasts." Radio Journal:International Studies in Broadcast & Audio Media 19, no. 1 (2021): 137–53. http://dx.doi.org/10.1386/rjao_00038_1.

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Narrative voice is a frequent site of experimentation in narrative journalism, and in podcasting this voice tends to be more prominent as the listener hears the narrator’s embodied voice. It can build a strong bond with the listener, which is important for independent producers as trust is not automatically afforded to them by association with a trusted media organization. This is particularly true for emerging producers, who also lack a professional reputation. This study examines the techniques used in five Australian independent podcasts to understand how they experiment with narrative voic

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Ilyas, Aamar, Muhammad Ali, Ahmed Hussain Khan, Shahid Saleem, and Hafiz Muhammad Imran Akram. "ANTICIPATED STRATEGY TO REDUCE INFORMAL ENTREPRENEURIAL CULTURE: INSIGHTS FROM PAKISTAN." Humanities & Social Sciences Reviews 9, no. 3 (2021): 713–23. http://dx.doi.org/10.18510/hssr.2021.9370.

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Purpose of the study: The policy tactics concerning minimizing informal entrepreneurship have been dominant in developed nations but with fewer developing nations. Which policy approach(s) is (are) best entrepreneurs to eradicate or minimize the informal entrepreneurial practices in the eyes of informal? Methodology: The target population had comprised of micro and small firms from two sectors: retail and manufacturing. The unit of analysis is the individual. Respondents are informal entrepreneurs who are working in the Gujranwala district. Finally, a sample size of 30 has been used in t

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Black, Andrew. "“Cannot You Trust God for a Sermon?”." Eighteenth-Century Life 43, no. 1 (2019): 76–98. http://dx.doi.org/10.1215/00982601-7280301.

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Dickson, Jane. "Warfarin as a materially and digitally informed drug." Journal of Material Culture 23, no. 3 (2018): 312–27. http://dx.doi.org/10.1177/1359183518769108.

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This article explores the material and digital culture of warfarin, one of the most commonly prescribed medications in the world. The author uses the drug’s 60-year history to describe its materiality and use, showing how and why it has become an informed material. Three ethnographic cases then show where warfarin has produced and is now reproduced by three types of information: NHS Trust guidelines, genetic codes and the INR (International Normalized Ratio). When a drug becomes so entangled with informational and digital technologies, it becomes reliant on them for its proper and safe use; it

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Suarez-Balcazar, Yolanda, Gary W. Harper, and Rhonda Lewis. "An Interactive and Contextual Model of Community-University Collaborations for Research and Action." Health Education & Behavior 32, no. 1 (2005): 84–101. http://dx.doi.org/10.1177/1090198104269512.

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Community-university partnerships for research and action are at the heart of many fields in the social sciences including public health, urban planning, education, and community psychology. These partnerships involve individuals from different backgrounds and disciplines working together to address social issues of importance to the community. This article proposes an interactive and contextual model for developing and sustaining community-university partnerships. The phases in the model include gaining entry into the community, developing and sustaining a mutual collaboration (developing tru

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Ottuh, Peter O. O. "Evwie (Kola Nut) and its socio-religious values among Idjerhe people of Nigeria PEOPLE OF NIGERIA." Australasian Review of African Studies 42, no. 1 (2021): 51–63. http://dx.doi.org/10.22160/22035184/aras-2021-42-1/51-63.

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The popular edible fruit called kola nut that is found all over the Earth is native to the people of West Africa. In Idjerhe (Jesse) culture, the kola nut is part of the people’s traditional religious activities and spirituality. The presentation, breaking, and eating of the kola nut signifies hospitality, friendship, love, mutual trust, manliness, peace, acceptance, happiness, fellowship, and communion with the gods and spirits. These socio-religious values of the kola nut among the Idjerhe people are not well documented,however, and this paper aims to fill the lacuna. It employs participator

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Mellahi, Kamel, and Geoffrey T. Wood. "From Kinship to Trust." International Journal of Cross Cultural Management 3, no. 3 (2003): 369–81. http://dx.doi.org/10.1177/1470595803003003007.

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Lomnitz, Claudio. "The Ethos and Telos of Michoacán’s Knights Templar." Representations 147, no. 1 (2019): 96–123. http://dx.doi.org/10.1525/rep.2019.147.1.96.

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This essay is an ethnographic exploration of the ethos and mores of Mexico’s contemporary drug culture. It uses temporal directionality (telos) to interpret the idiosyncratic symbols and rituals developed for the warrior order known as the Caballeros Templarios or Knights Templar cartel (Michoacán). The essay shows that Mexican drug organizations, in their dedication to the business of privatizing public goods, are thus at the same time parallel state structures and trust-based organizations of brothers working to build a collective future. The essay emphasizes the cultural elaboration of comp

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Thiederman, Sondra B., and Wilbur H. Watson. "Black Folk Medicine: The Therapeutic Significance of Faith and Trust." Western Folklore 45, no. 4 (1986): 299. http://dx.doi.org/10.2307/1499827.

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Gorlizki, Yoram. "Too Much Trust: Regional Party Leaders and Local Political Networks under Brezhnev." Slavic Review 69, no. 3 (2010): 676–700. http://dx.doi.org/10.1017/s0037677900012195.

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Why did the campaign for “trust in cadres” (doverie k kadram) come to be so emblematic of the Brezhnev era? In this article, Yoram Gorlizki argues that following the failure of Nikita Khrushchev's institutional experiments, Leonid Brezhnev turned to “trust”—ties grounded in ongoing personal relationships—as a means of lowering the Soviet system's high transaction costs. Focusing on in-depth studies of three regions, Kabardino-Balkaria, Kirov, and Krasnodar, Gorlizki suggests that the leadership system in each shifted towards a pattern marked by modest but stable institutional constraints on re

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Sudarsana, I. Made. "Tari Sandar sebagai Benteng Pertahanan Adat di Desa Adat Kedonganan Kuta." Sanjiwani: Jurnal Filsafat 9, no. 2 (2020): 196. http://dx.doi.org/10.25078/sjf.v9i2.1625.

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<p><em>Performing art in Bali is a cultural repertoire that is very tied to the diversity of forms and goals. The island of Bali, dubbed the Island of the Gods, Khayangan Island (Island of Paradise) has a variety of dances that vary in shape and have a close relationship with the implementation of Hindu religious ceremonies which are the largest in number in Bali. The attraction of Bali is its unique culture, community life and natural beauty. Its cultural life is the unification of religion, culture, harmonious customs, taste and intention as a prominent element of human cultivati

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