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Tesi sul tema "Bell music"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 1 agosto 2024

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1

Kaminski, Jason. "Kolokol : spectres of the Russian bell." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2006. http://hdl.handle.net/2100/421.

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Kolokol: Spectres of the Russian Bell, submitted by Jason Kaminski in fulfilment of the requirements of PhD (Humanities and Social Sciences) candidature at the University of Technology, Sydney, is an interpretative history of Russian bells (kolokola) and bell music (zvon). As a cultural object and sign, the Russian bell is associated with ideas of transcendence, and ideological and creative ‘vision.’ This interpretation of the signification of the kolokol as a sign arises directly from the perception that the bell is essentially a physical (anthropomorphic) body that is capable of ‘projecting’

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2

Lee, Riley. "Yearning for the bell a study of transmission in the shakuhachi honkyoku tradition /." Connect to full text, 1992. http://hdl.handle.net/2123/1742.

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Thesis (Ph. D.)--University of Sydney, 1994.<br>Title from title screen (viewed Oct. 8, 2009). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Music, Faculty of Arts. Degree awarded 1994; thesis submitted 1992. Vol. 2 chiefly consists of musical examples. Includes tables. The thesis consists of 2 vol. Includes bibliographical references. Also available in print form.

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3

Botha, Alison. "A survey of the development of pitch perception theories, their application to bell sounds and an investigation of perceived differences between ringing and chiming bells." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002296.

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A brief overview of the workings of the human auditory system is followed by a review of literature concerning both the theories and experimental investigations of human pitch perception. The application of these theories to the inharmonic complex tones produced by bells is discussed, and further experiments using bell sounds are reviewed. A methodology for psychoacoustic experiments with specific reference to those investigating pitch perception of inharmonic complex tones is presented. This methodology is then implemented in an experimental investigation of pitch perception of ringing and ch

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4

Stein, Edward Garret. "An examination of major works for wind band, and chamber ensemble : "Pantomime" by Pierre Mercure, "From chaos to the birth of a dancing star" by Allan Gordon Bell, and "Tafelmusik" by Godfrey Ridout." Manhattan, Kan. : Kansas State University, 2007. http://hdl.handle.net/2097/290.

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5

Olivieri, Catanzaro Tatiana. "La musique spectrale face aux apports technoscientifiques." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040118.

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La naissance de la musique spectrale et du modèle compositionnel qui la sous-tend a été conditionnée par un contexte technoscientifique spécifique, au carrefour de disciplines aussi diverses que la physique, la psychoacoustique, l’électronique, l’informatique ou la philosophie. Le présent travail de thèse en retrace certaines des étapes. Tout en remontant jusqu’à l’avènement de la science moderne au XVIIe siècle, elle aboutit à une caractérisation de ce courant esthétique comme un exemple de révolution non-cartésienne dans le sens que Bachelard donna au terme dans son Nouvel Esprit Scientifiqu

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6

Pérez, Arquillo Julia. "Experiencing Bel Canto : Getting deep into the style." Thesis, Stockholms konstnärliga högskola, Institutionen för opera, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-922.

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One of the styles that has influenced opera the most through history has been Bel canto. This work is a recompilation of personal research about its history, characteristics and one of its major exponents, G. Rossini. At the same time, it includes a personal approach on the topic of how to create and perform a character and some exercises aimed to improve the singing in the mentioned style.

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7

Williams, Evan Michael. "Prelude in Tempore Belli." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363527260.

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8

Lower, Jonathan. "Lead Belly: Race and Social Activism in Blues Music." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1405422192.

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9

Koch, Klaus-Peter. "Vladimír Čížik und Jana Lengová (Hg.), Exegi monumentum. Ján Levoslav Bella (1843-1936). Život a dielo v obrazových dokumentoch [Ján Levoslav Bella. Leben und Werk in Bilddokumenten], Banská Bystrica 1992, slowakisch und deutsch; Jana Lengová (Hg.), Ján Levoslav Bella v kontexte európskej hudobnej kultúry [Ján Levoslav Bella im Kontext der europäischen Musikkultur], Konferenzbericht Banská Bystrica 1993 (= Bibliotheca musicae Neosoliensis I), Banská Bystrica 1993, slowakisch und deutsch.; Jana Lengová (Hg.), Duchovná hudba v 19. storočí [Geistliche Musik im 19. Jahrhundert], Konferenzbericht Banská Bystrica 1994 (= Bibliotheca musicae Neosoliensis II), Banská Bystrica 1995, slowakisch und deutsch; Tradície európskej hudby 15. - 18. storočia [Traditionen der europäischen Musik des 15. - 18. Jahrhunderts], Konferenzbericht Bratislava 1995 (= Slovenská hudba [Slowakische Musik] XXII, Heft 3/4), Bratislava 1996 [Rezension]." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-222681.

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10

Bourne, Tracy Marie. "Perceptual, acoustic and physiological characteristics of music theatre singing." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15684.

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Most of the scientific research on the singing voice has focused on classical and operatic singing. Music theatre and contemporary voice are growing in popularity within Western musical culture, but little is known about safe and effective training methods, aesthetics and vocal health for students of these vocal styles. This research aims to combine pedagogical experience and objective data gathered from experimental studies in order to develop a more complete understanding of the perceptual, physiological and acoustic features of music theatre vocal styles. In study one, a series of semi-str

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11

Sparling, Heather. "Puirt-a-beul an ethnographic study of mouth music in Cape Breton /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ56204.pdf.

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12

Koch, Klaus-Peter. "Vladimír Čížik und Jana Lengová (Hg.), Exegi monumentum. Ján Levoslav Bella (1843-1936). Život a dielo v obrazových dokumentoch [Ján Levoslav Bella. Leben und Werk in Bilddokumenten], Banská Bystrica 1992, slowakisch und deutsch; Jana Lengová (Hg.), Ján Levoslav Bella v kontexte európskej hudobnej kultúry [Ján Levoslav Bella im Kontext der europäischen Musikkultur], Konferenzbericht Banská Bystrica 1993 (= Bibliotheca musicae Neosoliensis I), Banská Bystrica 1993, slowakisch und deutsch.; Jana Lengová (Hg.), Duchovná hudba v 19. storočí [Geistliche Musik im 19. Jahrhundert], Konferenzbericht Banská Bystrica 1994 (= Bibliotheca musicae Neosoliensis II), Banská Bystrica 1995, slowakisch und deutsch; Tradície európskej hudby 15. - 18. storočia [Traditionen der europäischen Musik des 15. - 18. Jahrhunderts], Konferenzbericht Bratislava 1995 (= Slovenská hudba [Slowakische Musik] XXII, Heft 3/4), Bratislava 1996 [Rezension]: Vladimír Čížik und Jana Lengová (Hg.), Exegi monumentum. Ján Levoslav Bella (1843-1936). Život a dielo v obrazových dokumentoch [Ján Levoslav Bella. Leben und Werk in Bilddokumenten], BanskáBystrica 1992, slowakisch und deutsch; Jana Lengová (Hg.), Ján Levoslav Bella v kontexte európskej hudobnej kultúry [Ján Levoslav Bella im Kontext der europäischen Musikkultur], Konferenzbericht Banská Bystrica 1993 (= Bibliotheca musicae Neosoliensis I), Banská Bystrica 1993, slowakisch und deutsch.; Jana Lengová (Hg.), Duchovná hudba v 19. storočí [Geistliche Musik im 19. Jahrhundert], Konferenzbericht Banská Bystrica 1994 (= Bibliotheca musicae Neosoliensis II), Banská Bystrica 1995, slowakisch und deutsch; Tradície európskej hudby 15. - 18. storočia [Traditionen der europäischenMusik des 15. - 18. Jahrhunderts], Konferenzbericht Bratislava 1995 (= Slovenská hudba [Slowakische Musik] XXII, Heft 3/4), Bratislava 1996 [Rezension]." Musikgeschichte in Mittel- und Osteuropa ; 4 (1999), S. 201-203, 1999. https://ul.qucosa.de/id/qucosa%3A15537.

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13

Dias, Vera Maria Passos Wanderley. "Jovens da Renovação Carismática Católica em Belo Horizonte: Mãe da Igreja e Nossa Senhora Rainha." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/14961.

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Made available in DSpace on 2016-04-28T20:37:30Z (GMT). No. of bitstreams: 1 Vera Maria Passos Wanderley Dias.pdf: 7670890 bytes, checksum: d22b8a6fde1bf12078fc1abc8b6d7fb0 (MD5) Previous issue date: 2010-11-19<br>The Catholic Charismatic Renewal (RCC) has drawn the attention of social researchers for the great participation of young people not only in prayer groups, which form the basis of RCC, but also in its organization, and the works of the parishes in evangelization. It is increasingly noted the strong presence of youth actively performing, producing and consuming everything that conce

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14

Jou, Jonathan Jeng-Jong. "Bel canto : its effect on piano repertoire of the nineteenth century /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11375.

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15

Gray, Anthony. "Re-Discovering the Art of Bel Canto." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/349.

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The purpose of this thesis was to research and emulate through composition the style and techniques of the bel canto composers (Rossini, Bellini and Donizetti). The thesis includes two art songs composed in the style as well as an analytical paper that explores their techniques on such aspects as vocal line, text setting, form, texture and performance practice.

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16

Harper, Portia. "Comparative Study of the Bel Canto Teaching Styles and their Effects on Vocal Agility." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278170/.

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This thesis examines the historical significance of the vocal methods employed from the middle of the seventeenth century to the beginning of the nineteenth century in what became known as the bel canto era. It provides further exploration into the pedagogical procedures of the bel canto technique through a study of the premier instructors and singers from this period. The resurgence of interest in this tradition is addressed along with its impact on current vocal pedagogy. The vital role that vocal agility played as one of its most distinguishing traits is the primary factor under investigati

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17

Olson, Ted. "Recording Review of Lead Belly: The Smithsonian Folkways Collection." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1168.

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18

Wolfgang, Nancy Andersen. "Adolescent Female Musical Theater Belt Pedagogy: Preparation, Approaches, and Experiences of Ohio Music Educators." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1434468398.

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19

Dyo, Vladimir. "The Application of Bel Canto Principles to Violin Performance." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/193273.

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Music Performance<br>D.M.A.<br>Bel canto is "the best in singing of all time." Authors on vocal literature (Miller, Celletti, Duey, Reid, Dmitriev, Stark, Whitlock among others) agree that bel canto singing requires complete mastery of vocal technique. The "best in singing" means that the singer should possess immaculate cantilena, smooth legato, a beautiful singing tone that exhibits a full palette of colors, and evenness of tone throughout the entire vocal range. Furthermore, the singer should be able to "carry the tone" expressively from one note to another, maintain long lasting breath, fl

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20

Brown, Shaun (Shaun Joseph). "Ensemble Singing in the Bel Canto Salon Repertory: A Pedagogical Reconsideration." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609069/.

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Vocal duets have had a long history in the Western classical music tradition. Their use as a teaching resource can be traced back to the Renaissance, where duets were used for the development of singing, performance, and musicianship. In the late 19th and all of the 20th centuries, this pathway of vocal pedagogy has markedly declined. This study proposes a reintroduction of this methodology of teaching, asserting that it provides the collegiate vocal student with maximum opportunity for growth and development in terms of technique, musicianship, ensemble skills, and performance development. Fo

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21

Gustafsson, Amanda. ""I don't wanna hear about your band!" : tre feminister om musik, feminism och motstånd." Thesis, Södertörns högskola, Institutionen för historia och samtidsstudier, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-26002.

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This thesis sets out to examine how feminist struggle can be negotiated, defined and motivated. By using Oral history as a theoretical and methodological framework, three persons narrative are being constructed, explored and discussed throughout the thesis. All the interviewees define themselves as women and feminists and have all practised music in different separatist rock and pop-groups from 1970 to present. Themes as music as political action, and separatism for persons who define themselves as women are discussed. The tree informants agree about some feministic goals such as equality and

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22

Kozlova, Yulia V. "Sources of inspiration in selected piano works by Sergei Slonimsky." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1117574266.

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Thesis (Ph. D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xi, 103 p.; also includes graphics. Includes bibliographical references (p. 100-103). Available online via OhioLINK's ETD Center

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23

Croskery, Virginia. "The Bel canto war : a critical and annotated translation of Vincenzo Manfredini's Regole armoniche, Part III (1797) with relevant essay." Diss., University of Iowa, 2005. https://ir.uiowa.edu/etd/5066.

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24

Gargiulo, Catherine. "Rhythmic Emancipation, Confrontation and Triumph: An Analysis of String Quartets Nos. 1 and 4 by Bela Bartok." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1035.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Music

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25

Lucas, Sarah Marie. "Fritz Reiner and the legacy of Béla Bartók’s orchestral music in the United States." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6608.

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During Fritz Reiner’s forty-year conducting career in the United States, he championed Béla Bartók’s orchestral music, programming Bartók’s orchestral works on over sixty concerts with the Cincinnati Symphony Orchestra, Pittsburgh Symphony Orchestra, Chicago Symphony Orchestra, and with other major American orchestras. These included performances in which the composer himself appeared as a soloist. Moreover, Reiner continued to conduct Bartók’s music following the composer’s death, and his efforts to promote Bartók’s works contributed to their significance to the American orchestral repertoire

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26

Meegens, Rachel. "Mettre en scène la musique médiévale : l'exemple de Rose tres bele de Diabolus in Musica." Thesis, Evry-Val d'Essonne, 2013. http://www.theses.fr/2013EVRY0007.

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Actuellement interprétée par des musiciens spécialisés, la musique du Moyen Âge subit un processus de décontextualisation et de recontextualisation qui la mène du cloître ou du château vers la salle de spectacle. Cette thèse tente d’approcher cette problématique par le biais de l’analyse. En prenant l’exemple de Rose tres bele, création pluridisciplinaire de l’ensemble Diabolus in Musica, il s’agit de comprendre comment les spécificités musicales et poétiques d’un pan du répertoire médiéval, en l’occurrence la lyrique féminine en langue d’oïl, induisent une organisation spécifique des différen

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27

Tackett, Joshua Lucas. "A master’s vocal recital analyzing the historical and stylistic aspects of works by George Frideric Handel, Wolfgang Amadeus Mozart, Franz Schubert, Vincenzo Bellini, Giuseppe Verdi, Gaetano Donizetti, Reynaldo Hahn, and Michael Head." Kansas State University, 2014. http://hdl.handle.net/2097/18335.

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Master of Music<br>Department of Music, Theatre, and Dance<br>Reginald L. Pittman<br>The songs presented in this report are works I performed in my Master’s Recital on March 30, 2014. This report will take an in-depth analysis at the selected composers’ life and styles of writing and the works they created. The scores studied in this report include: “Thus saith the Lord: But who may abide” from George Frideric Handel’s Messiah, “Soave sia il vento” from Wolfgang Amadeus Mozart’s Cosí fan Tutte, “Liebesbotschaft,” “Ihr Bild,” and “Das Fischermädchen” from Franz Schubert’s Schwanengesang, Vincen

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Fuchs, Michael C. "A Conductor’s Guide to the Incorporation of Bel Canto Methodology in the Choral Rehearsal." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396530409.

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PETRILLI, ENRICO. "“Se è tutto troppo bello, non ti preoccupare” Un’etnografia dei piaceri nei club di musica elettronica." Doctoral thesis, Università degli Studi di Milano-Bicocca, 2018. http://hdl.handle.net/10281/207351.

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Strohschein, Heather Anne. "Between Modern Dance and Intercultural Performance: The Multiple Truths of the Bird Belly Princess." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1182295842.

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Abreu, Alexandre José de 1977. "José Pedro de Sant'Anna Gomes : o impacto da belle époque sobre uma trajetória individual /." São Paulo, 2017. http://hdl.handle.net/11449/150510.

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Orientador: Paulo Augusto Castagna<br>Banca: Marcos Fernandes Pupo Nogueira<br>Banca: José Leonardo do Nascimento<br>Banca: Viviana Mônica Vermes<br>Banca: Marcos da Cunha Lopes Virmond<br>Resumo: Inicialmente, a tese procura demonstrar a presença da belle époque na cidade de Campinas em finais do século XIX. Embora sem todos os seus fundamentos, o fenômeno se apresenta por meio de sua reurbanização, eventos culturais e instituições diversas. Neste sentido, o estudo da trajetória de José Pedro de Sant'Anna Gomes se insere, confirmando o impacto da belle époque sobre uma periodização distinta.

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32

Justeson, Jeremy Bradford. "Performance aspects in compositions for saxophone and tape David Heuser's Deep blue spiral, Paul Rudy's Geographic bells, and James Mobberley's Spontaneous combustion /." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3023553.

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Root, Pierce Denise Lyn. "Applying the Study of Bel Canto Vocal Technique to Artistic Horn Playing: Perfect Legato, Beautiful Sound, Agility, and Musical Expression." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/272836.

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Horn players can improve their abilities to play artistically in a lyrical legato style, with a light mechanism, and employ a beautiful sound throughout the range of the horn through the study of bel canto vocal technique. No better singing model exists for horn players than that of the great bel canto singers of the early nineteenth century who were known for their refined technique, perfect legato, even tone, sparkling agility, and beautiful musical expression. Mastery of the expressive bel canto melodic style is a means for horn players to achieve artistry in performance. Pedagogical princi

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Galloway, Camilla Kay. "A study of the chanson intabulations of Vincenzo Capirola with an extraction of music for the vocal model of Canto bello." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1318532867.

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Morais, Thais de Freitas. "Redistribui??o e reconhecimento: o caso das pol?ticas sociais nos munic?pios de Natal e Belo horizonte." Universidade Federal do Rio Grande do Norte, 2010. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13582.

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Made available in DSpace on 2014-12-17T14:19:54Z (GMT). No. of bitstreams: 1 ThaisFM.pdf: 1366390 bytes, checksum: a9d43ef3b5034b34537f62ec622ca296 (MD5) Previous issue date: 2010-02-25<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>This research refers to a comparative study of social policies from the cities of Natal (RN) and Belo Horizonte (MG). Understanding that the demands for social justice in contemporary societies require both economic redistribution, and cultural recognition, we set out to investigate, according to Nancy Fraser s formulations (1996, 2005a, 2005b,

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Allen, Matthew. "The belt’s got soul! an investigation into the vocal characteristics of r&b/soul singing and the production of the ‘belt voice’ within this style." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2766.

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The dissertation investigates and defines the vocal characteristics of rhythm and blues (R&B)/soul singing within contemporary commercial music (CCM). Over the course of more than 80 years, the R&B/soul style of singing has evolved to become a prominent and influential component of the music landscape. This research addressed the question of whether the ‘belt’ voice is an integral part of R&B/soul singing and investigated the skills required for its sustainability. Furthermore, the project explored, through rigorous acoustic analyses and computed tomography (CT) scanning, the physiological eve

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37

Wiger, Pilotti Katarina. "Vägen till Bel Canto : Om min omskolning till Chiaroscuro." Thesis, Örebro University, School of Music, Theatre and Art, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-9326.

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<p>I am a practising classical soprano. After more than 20 years of professional singing, I re-trained my voice according to principles of the old Italian school of singing. In this essay, I examine the origins and priciples of bel canto, with special focus on appoggio and chiaroscuro, two key ingredients in the bel cantao tradition. I explore the relationship between science and the craft of singing, and what modern voice science has to say about the efficiency and health aspects of this technique, I also describe the profound effect it has had on me as an artist.</p>

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Larsen, Juliane Cristina. "Republicana, moderna e cosmopolita: a música de concerto no Rio de Janeiro entre 1889 e 1914." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-17092018-171706/.

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A presente tese analisa a emergência da modernidade musical brasileira entre os anos 1889 e 1914. Analisa os discursos que a historiografia panorâmica tradicional brasileira construiu sobre a música de concerto daquele período, e analisa os discursos produzidos na própria época. Verifica que as iniciativas de atualização técnica e estilística da música de concerto respondiam a uma política oficial de modernização das artes, que tinha a Europa como modelo de civilização. Verifica também que a cultura das elites republicanas utilizava a prática da música de concerto como um mecanismo de di

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Camargos, Mirela Castro Santos. "Enfim s??: um olhar sobre o universo de pessoas idosas que moram sozinhas no munic??pio de Belo Horizonte (MG), 2007." reponame:Repositório Institucional da FJP, 2008. http://www.repositorio.fjp.mg.gov.br/handle/123456789/157.

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Submitted by Gustavo Gomes (gustavolascasas@gmail.com) on 2013-09-03T12:25:14Z No. of bitstreams: 2 Enfim s?? um olhar sobre o universo de pessoas idosas que moram sozinhas.pdf: 1001032 bytes, checksum: 97d6f5849744164167fb818c0f5733e5 (MD5) license_rdf: 23599 bytes, checksum: 9e2b7f6edbd693264102b96ece20428a (MD5)<br>Approved for entry into archive by Roger Guedes (roger.guedes@fjp.mg.gov.br) on 2013-09-03T15:35:08Z (GMT) No. of bitstreams: 2 Enfim s?? um olhar sobre o universo de pessoas idosas que moram sozinhas.pdf: 1001032 bytes, checksum: 97d6f5849744164167fb818c0f5733e5 (MD5) license_rd

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Riegel, Marcus L. "An analytical and historical examination of six works for middle level wind band: Bells of freedom (grade 1) by David Gillingham, Rising star (grade 1) by Samuel R. Hazo, Achilles’ wrath (grade 2) by Sean O’Laughlin, Kenya contrasts (grade 2.5) by William Himes, On the wings of swallows (grade 3) by Michael Sweeney, and Old churches (grade 3) by Michael Colgrass." Kansas State University, 2008. http://hdl.handle.net/2097/1130.

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Master of Music<br>Department of Music<br>Frank C. Tracz<br>The following document is research and analysis from the comprehensive examination question based on the Graduate Conducting Recital of Marcus L. Riegel. The recital, performed by the Chapman Middle School Sixth, Seventh, and Eighth Grade Bands, was given in the District Gymnasium at the Spring Arts Concert on April 22, 2008 at 7:00 pm. The repertoire included but was not exclusive to Bells of Freedom by David Gillingham, Rising Star by Samuel R. Hazo, Achilles’ Wrath by Sean O’Loughlin, Kenya Contrasts by William Himes, On the Wings

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Powell, Alyssa Rose. "Making the Clarinet Sing: Enhancing Clarinet Tone, Breathing, and Phrase Nuance through Voice Pedagogy." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1589808462811083.

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Falqueiro, Allan Medeiros. "Síntese do leste e oeste: uma análise dos eixos simétricos no terceiro quarteto de cordas de Béla Bartók." Universidade do Estado de Santa Catarina, 2012. http://tede.udesc.br/handle/handle/1520.

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Made available in DSpace on 2016-12-08T17:06:41Z (GMT). No. of bitstreams: 1 Allan.pdf: 6015471 bytes, checksum: c9502b248f8def57196d096754d4ef5e (MD5) Previous issue date: 2012-02-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This dissertation is an analytical study of Béla Bartók s String Quartet nº 3, looking for axes of symmetry that works as pitch organizers. This research is bounded with the Eastern Europe s traditional music done by Bártok, an essential influence to the creation of the composer s musical language. So on, this work begins with a research about th

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Lovaglio, Vânia Carvalho. "Música Contemporânea em Minas Gerais: os Encontros de Compositores Latino-americanos de Belo Horizonte (1986-2002)." Universidade Federal de Uberlândia, 2010. https://repositorio.ufu.br/handle/123456789/16284.

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The aim of this work is to understand the historic process which achieved the construction of the Latin American contemporary music movement in Belo Horizonte, more specifically, the Latin American Composer s Gatherings of Belo Horizonte, held in the years 1986-1988-1992-2002 sponsored by the Fundação de Educação Artística. It was also possible to get knowledge of their artistic cultural programs (works, composers, performers) in which one can found included the production of Brazilian music and music of Minas Gerais, as well as the theoretical questions presented in form of Thematic Panels. A

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Kingan, Michael Gregory. "The Influence of Bela Bartok on Symmetry and Instrumentation in George Crumb's Music for a Summer Evening with Three Recitals of Selected Works of Abe, Berio, Dahl, Kessner, Miki, Miyoshi, and Others." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278688/.

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The purpose of this document is to investigate the influence of Bela Bartok's music, specifically the Sonata for Two Pianos and Percussion, on George Crumb's Music for a Summer Evening. It concentrates on two specific areas: 1) the role of symmetry and 2) instrumentation. These two items were stressed during an interview with Crumb by the author, which is appended to the paper.

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Bagnole, Rihab Kassatly. "Imaging the Almeh: Transformation and Multiculturalization of the Eastern Dancer in Painting, Theatre, and Film, 1850-1950." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1132433330.

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Vasconcelos, Eliza Maria Almeida. "A reestrutura??o produtiva e as novas formas de organiza??o do trabalho: a experi?ncia do transporte alternativo no munic?pio de Bel?m/PA." Universidade Federal do Rio Grande do Norte, 2009. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13704.

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Made available in DSpace on 2014-12-17T14:20:13Z (GMT). No. of bitstreams: 1 ElizaMAV.pdf: 1730672 bytes, checksum: 35e40a54bb83db5cd0a3a5dcdde9994a (MD5) Previous issue date: 2009-06-15<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>The study made in this thesis analyzes the new form of work organization at the urban collective transportation sector, so called Altemative Transportation which is a new form of public transportation that appears in the Brazilian urban context by the mid ninety' s, this work is made by independent or sub-contracted workers, usually organized

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Chamoux, Henri. "La diffusion de l'enregistrement sonore en France à la Belle Epoque (1893-1914) : artistes, industriels et auditeurs du cylindre et du disque." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010622.

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Le miracle technique de la voix et de la musique enregistrées pour être écoutées dans le cadre domestique, se répandit plus tôt qu’on ne l’a admis jusqu’ici. Produits par dizaines de millions en France avant 1914, les enregistrements phonographiques sur cylindres et disques révèlent aujourd'hui qu’une puissante industrie s’épanouit dès l’aube du XXe siècle en France pour conduire, bien avant la radio, à une forme de banalisation de la musique. Ces phonogrammes sont désormais numérisés, accessibles et audibles en grand nombre. Avec d'autres sources naguère difficiles à exploiter, ils révèlent l

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Miller, Sarah. "Reflections of the Don: Zerlina's Empowerment Narrative and the Inclusion of "Per queste tue manine" in Don Giovanni." Digital Commons @ Butler University, 2018. https://digitalcommons.butler.edu/grtheses/506.

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After the premiere of Don Giovanni in Prague, Wolfgang Amadeus Mozart and Lorenzo Da Ponte brought their opera to Vienna on May 7, 1788. One point of interest in the Viennese version of the score is the added duet “Per queste tue manine.” In this duet, the enraged Zerlina overpowers the bewildered servant Leporello with a handkerchief, a razor, and passion. She constrains the floundering fool and punishes him for his misconduct. In most modern performances, companies look no further than the Prague version of the score. Additionally, singers often portray Zerlina as either a mischievous temptr

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49

Naëck, Krishvy. "Interroger l’idéologie du studio Disney par la (re)composition musicale : une approche alternative de l’analyse filmique : La Petite Sirène (1989), La Belle et la Bête (1991) et Aladdin (1992)." Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080055.

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Notre travail concernant Disney s’inscrit dans le champ de la musique de film, et même si le studio a fait l’objet de nombreuses recherches tant sur des questions esthétiques que culturelles, il reste intéressant à étudier, car il peut ainsi devenir l’objet de recherche, non sur l’originalité d’un corpus, mais sur un déplacement de la méthode, nous permettant d’interroger l’idéologie à l’œuvre. Notre thèse concentre son attention sur La Petite Sirène (1989), La Belle et la Bête (1991) et Aladdin (1992) où il nous semble que, en recourant à la recomposition de la musique de certaines séquences

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50

Kiely, Yagan M. "An exploration of octatonicism: From Liszt to Takemitsu." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2534.

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The octatonic pitch set can be found in the works of many composers since the early nineteenth century, often with different characteristics of the pitch set being exploited by the composers. Much of the literature on octatonicism relates to specific instances in compositions or a specific composer’s approach to it rather than exploring octatonicism from a more holistic perspective. This dissertation serves as a holistic resource for the characteristics of the octatonic pitch set; whether as a scale, especially with regards to common practice harmony; or an unordered set. It does this by consi

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