Bibliografie tematiche / Buddhism and arts

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Letteratura scientifica selezionata sul tema "Buddhism and arts"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 20 febbraio 2023

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Articoli di riviste sul tema "Buddhism and arts"

Trenson, Steven. "Buddhism and Martial Arts in Premodern Japan: New Observations from a Religious Historical Perspective." Religions 13, no. 5 (May 13, 2022): 440. http://dx.doi.org/10.3390/rel13050440.

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This article investigates two issues regarding the Buddhism of premodern Japanese martial arts. The first issue concerns the historical channels through which Buddhist elements were adopted into martial lineages, and the second pertains to the general character of the Buddhism that can be found in the various martial art initiation documents (densho). As for the first issue, while previous scholarship underscored Shugendō (mountain asceticism) as an important factor in the earliest phases of the integration process of Buddhist elements in martial schools, this study focuses on textual evidence

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He, Yuemin. "“Personal Items”." Religion and the Arts 26, no. 1-2 (March 24, 2022): 184–203. http://dx.doi.org/10.1163/15685292-02601008.

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Abstract Whereas Buddhism’s profile is rising in the US, there are surprising ways that Buddhism recirculates in more secular guises in traditionally Buddhist cultures of East Asia. This essay explores an intriguing case. Chi Li’s razor-sharp, passionate poems are quirkily “personal,” but relate very well to a wide spectrum of Chinese readers who made the popular novelist’s surprise poetry debut a bestseller in China. By studying Chi’s extensive use of Buddhist references to tap into issues dear to her, this essay shows that the Chinese readers are receptive to Buddhist ideas more as philosoph

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Yan, Zhilong, and Aixin Zhang. "“Ritual and Magic” in Buddhist Visual Culture from the Bird Totem." Religions 13, no. 8 (August 8, 2022): 719. http://dx.doi.org/10.3390/rel13080719.

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Despite numerous research findings related to medieval Chinese Buddhism, the witchcraft role of bird totems in Buddhist history has not received sufficient attention. In order to fill this gap, this paper analyzes how Buddhist monks in medieval China developed a close relationship with bird-totem worship. This relationship has been documented in Buddhist scriptures, rituals, oral traditions, biographies, and mural art. Although bird-totem worship was practiced in many regions of medieval China, this paper specifically examines the visual culture of bird totems in Tibetan and Chinese Buddhism.

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WINFIELD, JORDAN CARLYLE. "Buddhism and Insurrection in Burma, 1886–1890." Journal of the Royal Asiatic Society 20, no. 3 (June 4, 2010): 345–67. http://dx.doi.org/10.1017/s1356186310000076.

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AbstractThis article examines the significance of Buddhism in the insurgency that followed the annexation of the kingdom of Burma in 1886, demonstrating that Buddhism was a critically important part of the Burmese polity and identity. Moreover, it indicates that opposition to the British after the full colonisation of Burma was not only instantaneous, but also fuelled primarily by Buddhist sentiment. This challenges the prevailing notion that anti-colonialism in Burma – Buddhist-inspired or otherwise – was a twentieth century phenomenon. Beginning with the pre-colonial era, the article explore

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Sinclair, Tara. "Tibetan Reform and the Kalmyk Revival of Buddhism." Inner Asia 10, no. 2 (2008): 241–59. http://dx.doi.org/10.1163/000000008793066713.

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AbstractThe anti-religious campaigns of the Soviet Union in the 1930s eradicated Kalmyk Buddhism from the public sphere. Following perestroika the Kalmyks retain a sense of being an essentially Buddhist people. Accordingly, the new Kalmyk government is reviving the religion with the building of temples and the attempted training of Kalmyk monks, yet monasticism is proving too alien for young post-soviets. According to traditional Kalmyk Gelug Buddhism authoritative Buddhist teachers must be monks, so monastic Tibetans from India have been invited to the republic to help revive Buddhism. The su

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Ladwig, Patrice. "Imitations of Buddhist Statecraft." Social Analysis 62, no. 2 (June 1, 2018): 98–125. http://dx.doi.org/10.3167/sa.2018.620205.

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From 1893 onward, French colonialism sponsored and restructured Lao and Khmer Buddhism in order to create an ‘Indochinese Buddhism’. Over a span of several decades, the French promoted monastic education, reconstructed the major temples in Vientiane, and renovated the That Luang, the most important Buddhist relic shrine of Laos. This article explores the motivations and strategies for this endeavor, specifically focusing on French efforts to ‘re-materialize’ Lao Buddhism’s religious architecture. I argue that the renovation of these monuments as symbols and centers of power under the auspices

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Ashiwa, Yoshiko, and David L. Wank. "THE GLOBALIZATION OF CHINESE BUDDHISM: CLERGY AND DEVOTEE NETWORKS IN THE TWENTIETH CENTURY." International Journal of Asian Studies 2, no. 2 (June 30, 2005): 217–37. http://dx.doi.org/10.1017/s1479591405000100.

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The article examines the globalization of China's Buddhism. Such new modern values as science and progress, along with competition from Christianity stimulated a modern reform of Buddhism in China in the early twentieth century that was then carried abroad through emigration and other transnational movement. This paper examines the ongoing interactions among Buddhists across difference nation-state spaces that have constituted the spread of this Buddhism. We show how transnational networks of clergy and devotees are constituted through affiliations of kinship, loyalty and region. These, in tur

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N., Abaev. "CHAN BUDDHISM AND VAJRAYANA IN MARTIAL ARTS." Human Research of Inner Asia 1 (2017): 67–85. http://dx.doi.org/10.18101/2305-753x-2017-1-67-85.

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Woosung, Huh. "Confronting Empires: Manhae’s Understanding of Buddhism." Diogenes 62, no. 2 (May 2015): 81–91. http://dx.doi.org/10.1177/0392192117703042.

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This paper outlines some key ideas of the twentieth-century Buddhist monk Han Yong-un, or Manhae. It focuses in particular on Manhae’s social engagement under the Japanese occupation. It underlines the role played by Manhae’s doctrine in reviving a national sentiment and culture in Korea. It elaborates on his doctrine of the Loved one, or nim, sketches the mutual influences of Buddhism and Confucianism in his thought, and builds on his critique of imperialism, militarism, and Korean “self-ruination.”

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Maskarinec, Gregory G., Todd T. Lewis, Subarna Man Tuladhar, and Labh Ratna Tuladhar. "Popular Buddhist Texts from Nepal: Narratives and Rituals of Newar Buddhism." Asian Folklore Studies 61, no. 2 (2002): 345. http://dx.doi.org/10.2307/1178989.

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Tesi sul tema "Buddhism and arts"

Sörsäter, Sarah. "Läromedelsanalys av hinduism och buddhism: Orientalism, genus och jämställdhet." Thesis, Malmö universitet, Fakulteten för lärande och samhälle (LS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-30543.

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Läromedel i religionskunskap på gymnasiet kan vara problematiska att använda. Religionerna hinduism och buddhism framställs ofta som österländska religioner som avviker från den västerländska religiösa normen. Likaså brister många läromedel i genus- och jämställdhetsperspektiv. Detta examensarbete har som syfte att analysera hur hinduism och buddhism framställs i tre läromedel i religionskunskap på gymnasiet i både text- och bildmaterial. Undersökningen utgår från postkolonial teoribildning och ett genus- och jämställdhetsperspektiv. Jag analyserar om det finns orientalistiska tendenser i fram

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Sun, Chien-Yu. "The silence of the void exploring the visual language of the void from the East to the West /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050111.115826/index.html.

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Hysi, Ledio. "The Hellenic Axel: The Greek Hellenization of Central Asia and its Impact of the Development of Buddhism." Honors in the Major Thesis, University of Central Florida, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1600.

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The study of the Hellenistic period has produced a historical construction of the various relationships that formed between the Greco-Macedonian settlers and the natives they came into contact with. Hellenic kings established kingdoms as far as modern day Pakistan, Afghanistan and India, bringing them into contact with the Persian and Indian natives. The study herein is focused on the relationship that formed between the Greco-Macedonian descendants and the Buddhist group that emerged out of India. Numismatic evidence shows that Greco-Bactrian and Indo-Greek kings held political control over r

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O'Keeffe, Anne. "The art of presence : contemplation, communing and creativity /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/7072.

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The Art of Presence: Contemplation, Communing and Creativity reflects on the making of a dance theatre work called Song of Longing presented at Victorian College of the Arts in 2008. Song of Longing was made in collaboration with the cast, who participated in a process centred on improvisation. The resulting performance was a synergy of dance and unaccompanied singing.<br>The thesis is an investigation of the choreographer's ongoing exploration of movement, singing and improvisation, informed by Buddhist philosophy. Both the writing and the performance mirror an embodied practice - making tang

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Svensson, Emma. "Buddhismen vs Spiritualismen, En studie om människan och världen." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-27826.

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Randall, Diane. "An art therapy programme incorporating Buddhist concepts to address issues of aggression in adult male prisoners." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1998. https://ro.ecu.edu.au/theses/1447.

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This thesis has researched and designed a programme that offers an alternative way of working with aggression in a male prison population, using an art therapy approach that incorporates Buddhist concepts as an intervention. Buddhist practices have traditionally been used in Eastern cultures to calm the mind and to develop compassion as an antidote to aggression. Therefore these practices have seen used as a basis for the design of exercises in the programme. The purpose of the programme is to offer an intervention that will complement, support, or be an alternative to existing treatments, whi

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Lochmann, Erin Megan. "THE ART OF NOTHINGNESS: DADA, TAOISM, AND ZEN." UKnowledge, 2011. http://uknowledge.uky.edu/art_etds/1.

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When examining the art, actions, and writings of Zurich Dadaists it becomes apparent that there is an affinity with Eastern thought, namely Taoism and Zen Buddhism. It cannot be said that Eastern thought directly influenced the artistic production of these Dadaists. However, the philosophy of Dada artists in Zurich mirrors that of Taoism and Zen so strongly that this connection cannot be ignored, although the Western art historical cannon has done just that. Exploring this connection offers a new perspective of Zurich Dada and encourages a reconsideration of the commonly applied label of nihil

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Vignato, Giuseppe. "Chinese transformation of Buddhism the case of Kuan-yin /." Theological Research Exchange Network (TREN), 1993. http://www.tren.com.

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Xu, Yan Jun. "La beauté microscopique dans les arts plastiques contemporains." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H310/document.

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Cette thèse présente l'exploration humaine du monde microscopique de règle de la beauté formelle, afin de révéler la loi inhérente de l’univers dans lequel tous les êtres sont connectés et communiqués. La thèse encourage les hommes à découvrir le charme unique de l’univers via les médias d’art, et à découvrir la signification essentielle de l'humanité qui apportera plus de l’esprit d’innovation. Tirer et appliquer de nombreuses formes de beauté des cellules biologiques sous le microscope dans la création de l’art contemporain est un travail totalement innovant et magique, comme les petites cel

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Susanna, Mattei. "Om Nationalism och Neutralitet : En diskursanalys av representationen av de Abrahamitiska religionerna respektive shintoism och buddhism i en japansk lärobok i etik och moral för gymnasieåren." Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-175682.

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Più fonti

Libri sul tema "Buddhism and arts"

Buddhism and the arts of Japan. New York: Columbia University Press, 1999.

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Buddhism and the arts of Japan. 2nd ed. Chambersburg, PA: Anima Books, 1993.

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Graham, Patricia Jane. Faith and power in Japanese Buddhist art, 1600-2005. Honolulu: University of Hawai'i Press, 2007.

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Graham, Patricia Jane. Faith and power in Japanese Buddhist art, 1600-2005. Honolulu, HI: University of Hawai'i Press, 2008.

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Bunce, Fredrick W. An encyclopaedia of Buddhist deities, demigods, godlings, saints, and demons with special focus on iconographic attributes. New Delhi: D.K. Printworld, 1994.

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Hui huang ding sheng: Sui Tang Wu dai shi qi fo jiao = Huihuangdingsheng : SuiTangWudaishiqifojiao. Zhengzhou Shi: Da xiang chu ban she, 2013.

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Bhattacharyya, Narendra Nath. Buddhism in the history of Indian thoughts. New Delhi: Manohar Publishers & Distributors, 1993.

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Palihawadana, M. Abhinandana: Papers on indology Buddhism and fine arts. Sri Lanka: Felicitation Volume Editorial Committee, 1991.

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1904-, Kunz Dora, ed. Spiritual aspects of the healing arts. Wheaton, Ill., U.S.A: Theosophical Pub. House, 1985.

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Menggu zu fo jiao wen hua diao cha yan jiu. Shenyang Shi: Liaoning min zu chu ban she, 2010.

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Capitoli di libri sul tema "Buddhism and arts"

Maher, Derek F. "Compassion in Buddhism and Islam: The Liberal Arts and Living a Meaningful Life." In The Pedagogy of Compassion at the Heart of Higher Education, 85–99. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57783-8_6.

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Dolan, Marion. "Art, Architecture, and Astronomy of Buddhism." In Decoding Astronomy in Art and Architecture, 107–27. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76511-8_9.

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Lillehoj, Elizabeth. "Stolen Buddhas and Sovereignty Claims." In Art and Sovereignty in Global Politics, 141–67. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-349-95016-4_6.

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Lefferts, Leedom. "Textiles and Social Action in Theravada Buddhist Thailand." In A Companion to Asian Art and Architecture, 48–69. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444396355.ch3.

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Cocco, Christelle, Zhargalma Dandarova-Robert, and Pierre-Yves Brandt. "Automated Colour Identification and Quantification in Children’s Drawings of God." In When Children Draw Gods, 191–212. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-94429-2_8.

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AbstractColour is still a relatively neglected aspect in the study both of religious art and of children’s artistic expression of the divine. Our research addresses this important gap and adds to psychological research on religious representations and conceptualization of the divine. From drawings collected in four different cultural and religious environments: Japanese (Buddhism and Shinto), Russian-Buryat (Buddhism, Shamanism), Russian-Slavic (Christian Orthodoxy) and French-speaking Swiss (Catholic and reformed Christianity) we show that children often imagine and depict god using the same colours: primarily yellow and blue. Apparently, god is often imagined by children as light or in light (yellow) and dwelling in the sky (blue). These results parallel historical and religious studies showing that the light enjoys prominent and most powerful symbolism and association with the divine. Complementary analysis of possible effect of child’s age, gender, and schooling (religious or regular) did not affect the main result. This research also introduced a novel approach to data analysis by using computer vision in psychological studies of children’s drawings. The automated colour identification method was developed to extract colours from scans of drawings. Despite some difficulties, this new methodology opens an interesting avenue for future research in children’s drawings and visual art.

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McKinnon, E. Edwards. "Buddhism and the Pre-Islamic Archaeology of Kutei in the Mahakam Valley of East Kalimantan." In Studies in Southeast Asian Art, edited by Nora A. Taylor, 217–40. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501732584-014.

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Jilek-Aall, Louise, and Wolfgang G. Jilek. "Buddhist Temple Treatment of Narcotic Addiction and Neurotic-Psychosomatic Disorders in Thailand." In Psychiatry The State of the Art, 673–77. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-1853-9_107.

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Kaminishi, Ikumi. "Dead Beautiful: Visualizing the Decaying Corpse in Nine Stages as Skillful Means of Buddhism." In A Companion to Asian Art and Architecture, 513–36. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444396355.ch21.

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Dandarova-Robert, Zhargalma, Christelle Cocco, Grégory Dessart, and Pierre-Yves Brandt. "Where Gods Dwell? Part II: Embodied Cognition Approach and Children’s Drawings of Gods." In When Children Draw Gods, 171–87. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-94429-2_7.

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AbstractEmpirical demonstrations of the embodied and grounded cognition approach, involving diverse areas and phenomena, have increased exponentially in recent years. However, little research has been done in the religious domain. To the best of our knowledge, no study based on this theoretical framework has explored spatial dimension in pictorial representation of the divine in children’s drawings or in religious art in general. The present study represents the very first attempt to investigate if and how spatiality is involved in the way children depict the divine in their drawings. Drawings collected from four groups of participants (n = 1156, ages 6–15) characterized by different cultural and religious environments: Japanese (Buddhism and Shinto), Russian-Buryat (Buddhism, Shamanism), Russian Slavic (Christian Orthodoxy), and French-speaking Swiss (Catholic and reformed Christianity) were annotated using the Gauntlet annotation tool and then analysed. The main result indicates that children from all four groups generally depict god (the centre of the annotated representation) in the upper part of their drawings. Further testing indicates that the type of composition (for instance, god depicted alone or as standing on the ground where the sky is also depicted) did not serve as a major influence on the child’s placement of god.

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"Bon and Buddhism." In Fabric of Life - Textile Arts in Bhutan, 91–104. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110428612-003.

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Atti di convegni sul tema "Buddhism and arts"

Kheovichai, Baramee, Makoto Watanabe, and Masako Wada. "A Comparative Analysis of Metaphors Constructing Danger and Force Dynamics in Buddhism Discourse." In – The European Conference on Arts & Humanities 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2188-1111.2020.11.

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Wang, Jinghui. "Lacquer Art and Buddhism: Cultural Trophallaxis and Their Aesthetic Commonality." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.22.

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Lakusa, Nicholas Ferdeta, and A. M. Susilo Pradoko. "Representation of Buddhism Teachings in the Show Sound of Borobudur: The Reconstruction of Karmawibhangga Relief in the Age of Hyperreality." In 4th International Conference on Arts and Arts Education (ICAAE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210602.058.

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Yukongdi, Pakpadee. "Khao San Dam: The Archaeological Evidence of Burnt Rice Festival in Southern Thailand | ข้าวสารดำา: หลักฐานทางโบราณคดีเกี่ยวกับประเพณีการเผาข้าวในภาคใต้ของ ประเทศไทย". У The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-08.

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Recently in 2021the 11th office of the Fine Arts Department, Songkhla has reported their annual excavations in Trang Province that archaeologists have found some set of rice while excavation in process namely,1) Khao Kurum Archaeological Site, Huai Yod District and 2) Napala Archaeological Site, Muang District. The artifacts which were found associated with the rice grains on the habitation layer consisted of potsherds, animal bones, grindstone, beads, etc. The grains of rice are short and brown in colour which is examined as carbonized since the beginning at its first left. The primary examin

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Arnold, Matthias. "BUDDHIST STONE SCRIPTURES FROM SHANDONG, CHINA." In Electronic Visualisation and the Arts (EVA 2008). BCS Learning & Development, 2008. http://dx.doi.org/10.14236/ewic/eva2008.1.

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Seglins, Valdis. "A BUDDHIST STATUE MADE FROM METEORITE." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s07.021.

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Yang, Xuelan. "Landscape Art in Chinese Buddhist Temples." In 2017 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/saeme-17.2017.61.

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"Photography in Indonesian Archaeology of the 19th to the Early 20th Century | Fotografi dalam Arkeologi Indonesia pada Abad ke-19 sampai Awal Abad ke-20 Masehi." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-28.

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In Dutch East India, photographic documentation for antiquities was as up-to-date as in Europe that was developed in the last half of the 19th century. Photography became a tool for archaeological surveys which resulted in thousands of enormous resources. In this paper, the historical background regarding how these old photographs were collected and how the material circulated within archaeological activities will be elaborated. The timeline studied is limited to pre-independence Indonesia with the subject mostly focused on Hindu-Buddhist remains. The method used is literature review of both r

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Tang, Haiyun. "Zen Buddhism Origin of Wu Weiye." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.127.

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Turco, Maria Grazia. "THE BUDDHIST SITE OF TOKAR-DARA 1 (SWAT, PAKISTAN). BUILDING TECHNIQUES IN THE ANCIENT GANDHARA." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.122.

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