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Libri sul tema "Canada, fiction"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 30 luglio 2024

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1

traducteur, Kamoun Josée, a cura di. Canada. Montréal, Québec: Boréal, 2013.

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2

-, Kamoun Josée 19, a cura di. Canada. Paris: Ed. de l'Olivier, 2013.

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3

1970-, Coady Lynn, a cura di. Victory meat: New fiction from Atlantic Canada. Toronto: Anchor Canada, 2003.

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4

name, No. Victory meat: New fiction from Atlantic Canada. Toronto, ON: Anchor Canada, 2003.

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5

Higgs, Alice. Animal Fiction in Late Twentieth-Century Canada. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42612-4.

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6

1943-, Miller Judith, a cura di. Reading/writing Canada: Short fiction and nonfiction. New York: W.W. Norton & Co., 2005.

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7

Traduction, Kamoun Josée, a cura di. Canada: Roman. Paris: Points, 2014.

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8

Van Luven, Marlene A. D. Lynne, 1947-, a cura di. Going some place: Creative non-fiction across Canada. Regina, SK: Coteau Books, 2000.

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9

Reed, Ishmael. Flight to Canada. New York: Atheneum, 1989.

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10

Carpenter, David. Welcome to Canada. Erin, Ont: Porcupine's Quill, 2009.

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11

Schwartz, Noa. Crazy for Canada. Downsview, Ont: Tumbleweed Press, 1997.

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12

Geoff, Hancock, a cura di. Moving off the map: From "story to fiction" : an anthology of contemporary Canadian short fiction. Windsor, Ont: Black Moss Press, 1986.

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13

Gardiner, Scott. King John of Canada. Toronto: McClelland & Stewart, 2007.

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14

Shepard, M. P. Ocean pasturage in the Pacific Salmon Treaty: Fact or fiction? Vancouver, B.C: International and Intergovernmental Affairs Division, Operations Branch, Dept. of Fisheries and Oceans, 1998.

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15

Pascas, Brian. Mud, blood, and rum: A year in the trenches with the 42nd Battalion. Renfrew, Ont: General Store Pub. House, 2009.

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16

Postmodern fiction in Canada. Amsterdam: Rodopi, 1992.

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17

Monthly Faith Fiction Canada. Primedia eLaunch LLC, 2024.

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18

LOK, Johnny Ch. Canada Social Consumption Fiction. Independently Published, 2018.

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19

Parisien, Dominik. Clockwork Canada: Steampunk Fiction. Exile Editions, Limited, 2016.

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20

Clockwork Canada: Steampunk Fiction. Exile Editions, 2016.

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21

Parker, George L. Canada. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0005.

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Abstract (sommario):

This chapter discusses the history of fiction publishing in Canada since 1950. It begins with the arrival of New York publisher Alfred Knopf in Canada in August 1955, a month after the Canadian Writers' Conference was held at Queen's University in Kingston, Ontario. During the conference, the sorry plight of the English-language book scene was tackled: bookstores, for example, were dominated by British and American authors, and Canadian literature was practically ignored in schools and universities. The chapter examines how many of these complaints were resolved by the 2000s. It considers changes in Canadian fiction from traditional realism towards modernism and postmodernism, and the importance of the New Canadian Library quality paperback series (1958). It also describes other significant developments that reshaped the Canadian book market, including the emergence of independent small presses, Harlequin Enterprises, the proliferation of international conglomerates, the marketing of e-books, and the rise of Amazon.

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22

Sloniowski, Jeannette, e Marilyn Rose. Popular Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0028.

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Abstract (sommario):

This chapter examines the history of popular fiction in Canada. In Canada, popular culture reflects not only Canadian experience but also cultural anxieties as they have permeated and shaped the national imaginary since the days of settlement. The most significant component of that national imaginary in relation to popular narrative is probably what might be called an evolving Gothic sensibility. Gothicism refers to the portrayal of strange or frightening experiences in mysterious and daunting places and spaces. The chapter considers a number of earlier Canadian novels that stand out in the Canadian popular imagination, including L. M. Montgomery's Anne of Green Gables (1908), Margaret Laurence's The Diviners (1974). It also discusses genre fiction in the modern and contemporary periods, such as Harlequin Enterprises (founded Winnipeg 1949) and women's romances, crime fiction, fantasy, and speculative fiction, notably William Gibson's cyberpunk novel Neuromancer (1984).

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23

CANADA. Bloomsbury, 2012.

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24

Ford, Richard. Canada. HarperCollins Publishers, 2012.

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25

New, W. H. The Short Story in Canada. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0025.

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Abstract (sommario):

This chapter discusses the history of short fiction in Canada. The first decade of the twenty-first century witnessed several social changes that affected the publication of short stories in Canada. Electronic media began to impinge on print media, and bookstores, especially the small independents, were forced to shut down due to competition from big box stores, online companies, and electronic downloading practices. The chapter examines important developments that contributed to the growth of the Canadian short story, including the establishment in 1970-71 of the Montreal Storytellers Fiction Performance Group and the publication in 1985 of the first collection of contemporary Canadian speculative fiction, Tesseracts, edited by Judith Merril. It also considers works by late twentieth-century writers, who focused on post-nationalism, third-wave feminism, post-realism, and post-temporality.

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26

Friedman, Thomas Barry. Reconfiguring history: matahistorical fiction in Canada. 1994.

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27

Hartman, Michelle. Canada. A cura di Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.37.

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This chapter examines the development of the Arab Canadian novel, first by discussing the history of Arab immigration and the Canadian cultural and political landscape. It then considers the beginnings of Arabic fiction in Canada, focusing on Arab Canadian literary figures such as Sa‘d al-Khādim, along with early novels written in French and English. It also looks at playwrights who have written novels and discusses works with contemporary cultural politics as the main theme. The chapter reveals that Arab Canadians and Quebecois are actively involved in many literary, cultural, and activist scenes, as reflected in works that expose racism and the myths of official multiculturalism.

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28

Canada. New York: HarperLuxe, 2012.

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29

Canada. London: Bloomsbury, 2012.

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30

Wevers, Lydia. Historical Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0014.

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Abstract (sommario):

Since the latter part of the twentieth century, there has been a noticeable turn towards fiction that draws on historical materials, people, and events to reframe the politics of both the past and the present. This turn was signalled by Linda Hutcheon in 1988 as part of postmodernism. In recent years, and particularly in the postcolonial settler literatures of Australia, Canada, New Zealand the intersections of history and fiction have become significantly political. The chapter considers novels in Australia, Canada, New Zealand, and the Pacific that deploy a more traditional form of historicity, including those written by Patrick White; historical novels by Indigenous writers; the regionalism of Canadian literature by contrast with New Zealand or Australian historical fiction; and historical fiction that parodies or reframes famous novels of the past.

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31

Canada. New York: Ecco Press, 2012.

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32

Bo, Ben. Edge (Young Adult Fiction). Tandem Library, 2002.

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33

Haen, Theo d', e Hans Bertens. Postmodern Fiction In Canada.(Postmodern Studies 6). Rodopi Bv Editions, 1992.

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34

Ravvin, Norman. Hidden Canada: An Intimate Travelogue (Non Fiction). Red Deer Press, 2002.

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35

Animal Fiction in Late Twentieth-Century Canada. Springer International Publishing AG, 2023.

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36

Look Book: Fall 2016 Non-Fiction Sampler. Simon & Schuster, 2016.

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37

Bo, Ben. The Edge (Young Adult Fiction). First Avenue Editions, 2002.

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38

Other Tongues Inanna Poetry Fiction. Inanna Publications & Education, 2010.

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39

Thorpe, Patricia A. Canada Goslings. Your Online Publicist, 2023.

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40

Thorpe, Patricia A. Canada Goslings. Your Online Publicist, 2023.

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41

Woodcock. The Social History of Canada (Penguin Non Fiction). Viking Pr, 1988.

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42

Reading Canada: Teaching Canadian Fiction in Secondary Schools. 2013.

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43

Concrete Forest : The New Fiction of Urban Canada. McClelland & Stewart, 1998.

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44

Hyland-Russell, Tara. Indigenous Novels in Canada. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0026.

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Abstract (sommario):

Canadian Indigenous novels emerged as a specific genre within the last thirty years, rooted in a deep, thousands-year-old ‘performance art and poetic tradition’ of oratory, oral story, poetry, and drama. In addition to these oral and performance traditions are the ‘unique and varying methods of written communication’ that flourished long before contact with Europeans. The chapter considers Canadian novels by Indigenous writers. It shows that Indigenous fiction is deeply intertwined with history, politics, and a belief in the power of story to name, resist, and heal; that novel-length Aboriginal fiction in Canada built on a growing body of other forms of Indigenous literature; and that many Indigenous novels foreground their relationship with place and identity as key features of the resistance against systemic and institutional racism. It also examines coming-of-age novels of the 1980s and 1990s that are grounded in realism.

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45

Festa, Clinton. Ancient Canada. CamCat Publishing, 2013.

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46

Festa, Clinton. Ancient Canada. CamCat Publishing, 2001.

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47

Festa, Clinton. Ancient Canada. CamCat Publishing, 2015.

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48

Festa, Clinton. Ancient Canada. CamCat Publishing, 2021.

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49

Festa, Clinton. Ancient Canada. CamCat Publishing, 2021.

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50

Festa, Clinton. Ancient Canada. CamCat Publishing, 2021.

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