Bibliografie tematiche / Choreography

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Letteratura scientifica selezionata sul tema "Choreography"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Choreography"

1

Tereshenko, N. "CULTURAL MODEL OF SCHOOLCHILDREN’S AESTHETIC EDUCATION BY MEANS OF BALL CHOREOGRAPHY." Aesthetics and Ethics of Pedagogical Action, no. 23 (August 4, 2021): 145–61. http://dx.doi.org/10.33989/2226-4051.2021.23.238274.

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The article suggests that due to the structural characteristics of the cultural model of schoolchildren’s aesthetic education by means of ball choreography, the main components were identified as cultural positions of ball choreography, means of ball choreography, and criteria of aesthetic education of schoolchildren in ball choreography. There are given the structural components of the cultural model of aesthetic education of schoolchildren by means of ball choreography, that are functioning within two regulatory bases – the functioning of informal choreographic education and the importance o
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Monni, Kirsi. "Rethinking Conceptual Parameters of Choreography (in Social Spaces)—Actualization of Intensities in Discursive Fields." Arts 13, no. 2 (2024): 59. http://dx.doi.org/10.3390/arts13020059.

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This article aims to take part in the ongoing discussion on the social and political potentialities as well as the conceptual premises of choreography and to contribute to the discussion about world relations in the choreographed movement. The much-used definition of Western choreography is “organized movement in space and time”. Although this definition always applies, it does not specify the world relations and worldmaking capacities of the choreographed movement. The main focus of this article is an ontological rethinking of the basic concepts of choreography: movement, space, time and orga
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Liu, Xinyu. "Thought, Technique, Emotion: The Three Crucial Aspects of Choreography." Highlights in Art and Design 8, no. 1 (2024): 41–43. http://dx.doi.org/10.54097/qr8zgv96.

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The choreographer is the main body of dance art creation, playing a pivotal role in the creative process. Choreography is a unique artistic capability that is involved throughout the gestation, sprouting, birth, growth, and refinement of dance works. Thought, technique, and emotion, as the three crucial aspects of choreography, intertwine and connect, collectively influencing dance creation. This paper mainly explores the three aspects of penetration of dance thinking in choreography, the selection of choreographic techniques, and the ultimate goal of conveying emotions in dance, to provide a
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Petkovski, Filip. "How to Choreograph a Socialist Society?" Arts 13, no. 1 (2024): 15. http://dx.doi.org/10.3390/arts13010015.

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During the existence of Yugoslavia (1945–1991), the leading political ideology of “brotherhood and unity” had to be manifested in all forms of cultural life. Promoting the physically capable body as part of a larger cultural movement, Yugoslavia witnessed the transformation of physical daily regimens into mass bodily spectacles performed at stadiums, called sletovi, demonstrating the power of mass-choreographed discipline. Similarly, Yugoslav choreographers were encouraged to develop a distinct performance aesthetic based on stylization as a rhetoric for modernization, using folk dance as a me
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Leon, Anna. "Between and within choreographies: An early choreographic object by William Forsythe." Dance Articulated 6, no. 1 (2020): 64–88. http://dx.doi.org/10.5324/da.v6i1.3639.

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In 1990, William Forsythe created The Books of Groningen – Book N(7), an installation commissioned by the Dutch city of Groningen and architect Daniel Libeskind. This early choreographic object is composed of a water canal, a series of willow trees pulled by wires in order to grow in arched shape and a bush hedge. At a time of marked interest in expanded choreography as it develops in conjunction with choreography’s links to visual art, as well as in choreographic history, this article considers Book N(7) in relation with diverse historical conceptions of choreography – as dance-making, as an
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Mineeva, Tatyana Sergeevna, and Svyatoslav Mikhailovich Olenev. "MODERN TASKS OF THE DEVELOPMENT OF THE PRIVATE DIDACTICS OF CLASSICAL CHOREOGRAPHY: ON THE EXAMPLE OF THE METHOD OF SHOWING." Municipal education: innovations and experiment 3, no. 95 (2024): 54–59. https://doi.org/10.36871/2306-8329_2024_95_3_54.

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The problems of modern specificity and current directions of development of the private didactics of classical choreography are considered on the example of the method of showing; the possibilities of communicative, psychological, meaningful and theoretical improvement of this didactic system are determined. Goal. Identification of promising areas for the development of private didactics of classical choreography. Methodology and methods. Systemic, activity-based and functional approaches were used. Scientific novelty. The article reveals the specifics of the private didactics of classical cho
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Sosina, Valentyna. "Features of Choreographic Training in Sports." Dance Studies 3, no. 1 (2020): 72–79. https://doi.org/10.31866/2616-7646.3.1.2020.203958.

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The purpose of the research is to determine the features of choreographic training in sports and to identify differences in the work of the trainer-choreographer and teacher of choreographic disciplines. Methodology. The research methodology is based on a theoretical analysis of scientific, methodological and specialized literature, systematization of practical material and own experience in this field, the study of a wide range of empirical research in the theory, methodology and practice of choreography and technical and aesthetic sports. Scientific novelty. The scientific nov
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Hutnyk, Iryna. "Ballet Master's Work of Oleksii Homon in the Context of Folk Stage Choreography of Ukraine." Dance Studies 4, no. 2 (2021): 117–25. https://doi.org/10.31866/2616-7646.4.2.2021.249287.

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The purpose of the article is to identify the personal contribution of choreographer Oleksii Homon to the development of folk and stage choreographic art of Ukraine. Research methodology. To achieve the goal, general scientific methods of theoretical and empirical levels are used: analysis and generalization of scientific and theoretical bases of research, chronological method. Conclusions on the peculiarities of O. Homon’s choreography were made on the basis of the analysis of the revealed complex of sources: choreographic works of the artist, interviews with him, memoirs
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Blagova, T. "Dynamics of the Concepts Formation of the Profession of Choreographer in Ukraine (on the Material of Creativity of P. Virsky)." Zhytomyr Ivan Franko state university journal. Рedagogical sciences, no. 4(86) (December 21, 2016): 24–29. http://dx.doi.org/10.35433/pedagogy.4(86).2016.24-29.

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The article substantiates the importance of artistic and pedagogical heritage of outstanding Ukrainian choreographer P. Virsky in the development of the choreographic education in Ukraine. Content analysis of the creative legacy of choreographer has compiled the dominant direction of his professional activities which provided the formation and development of folk-stage choreography. Based on personal studio, biographical and bibliographical methods the article clarified the essence of the reform choreography of P. Virsky, its importance in the formation of the concept of Ukrainian choreographe
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Bazela, Dmytro. "The Development of Coordination Abilities of Dancers Athletes During the Performance of the "Formation" Programme by the Means of Computer Choreography." Bulletin of Kyiv National University of Culture and Arts. Series in Arts, no. 46 (May 22, 2022): 161–68. https://doi.org/10.31866/2410-1176.46.2022.258632.

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The purpose of the article is to consider the features of computer choreography and reveal its heuristic possibilities on the example of the dance and sports programme “formation”, to substantiate the influence of the latest scientific and technological achievements on the development of coordinated abilities of dancers of synchronised team performance. Methods. There are methods of analysis and generalisation to identify the features and trends in computer choreography in the 20th century, structural and functional analysis in the process of characterising the current state of pro
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Tesi sul tema "Choreography"

1

Fishwick, Emma. "Choreography as landscape: Landscape discourse framing choreographic practice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2019. https://ro.ecu.edu.au/theses/2466.

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At the centre of this research is the notion of landscape and how thinking and talking about landscape impacts choreography. The result of the research is a new work, Dance, Quiet Riot, and an exegesis discussing the process of making it as well an exploration of various art forms, field experiences and the area of cultural geography. I use the development and presentation of Dance, Quiet Riot as a case study or creative artefact, if you will, for how landscape discourse can support and intersect with choreographic practice. This exegetical discussion understands landscape as a relational conv
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Gorbet, Marsha. "Contemporary choreography at work : a new method of recording the choreographic process." Thesis, Middlesex University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.568527.

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Walter, Kathinka Julia. "Social dimensions of choreography : exploring choreography as a multidirectional process." Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/17461/.

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Abstract (sommario):
The research contributes to the possibilities of challenging and expanding what a choreographer might be when he/she plays an interactive role in the performance event, investigating the artistic and social potentials of structured improvisation in relation to instant composition. It shifts the control between choreographer and dancers, addressing the traditional hierarchy within aspects of conditions of authority (Martin, 1985) and trust and power (Foucault, 1995). The choreographer is confronted with losing and gaining control, which can provoke vulnerability not usually visible in the perfo
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Barker, Adam. "Flexible service choreography." Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/8980.

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Service-oriented architectures are a popular architectural paradigm for building software applications from a number of loosely coupled, distributed services. Through a set of procedural rules, workflow technologies define how groups of services coordinate with one another to achieve a shared task. A problem with workflow specifications is that often the patterns of interaction between the distributed services are too complicated to predict and analyse at design-time. In certain cases, the exact patterns of message exchange and the concrete services to call cannot be predicted in advance, due
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Pfitzner, Kerstin. "Choreography configuration for BPMN." [S.l. : s.n.], 2007. http://nbn-resolving.de/urn:nbn:de:bsz:93-opus-33758.

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Bays, Blakely Skylar. "A NEWFOUND PASSION-CHOREOGRAPHY." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/honors/290.

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A Newfound Passion- Choreography analyzes the artistic process and life journey of creating choreography for musical theatre. My training as a dance minor at East Tennessee State University from 2011-2015 culminated in my final senior capstone experience as a choreographer for the ETSU Division of Theatre and Dance’s production of Oklahoma!. Composing a new musical theatre dance and analyzing the original choreography of Oklahoma! (and the art of choreography more generally) provided significant material for analysis, and the following research reflects what I learned and experienced. Overall
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Hourigan, Paul William. "Choreographic strategies to achieve visual communication within an original film narrative through academic ballet choreography." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/135200/4/Paul%20William%20Hourigan%20Thesis.pdf.

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This research explored the use of ballet in cinema narrative – specifically its efficacy as a source of visual communication once removed from the stereotypical characterizations, plotlines and cinematic tropes that have become associated with cinematic ballet. To test this efficacy, the project involved the production and choreography of an original featurette film, Nearly Not Me, followed by an audience survey for the collection of qualitative data. The findings identify eight choreographic strategies for the successful use of academic ballet choreography as a means of visual communication i
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Whitelaw, Melanie. "Choreographic strategies for secondary school dance teachers." Thesis, Queensland University of Technology, 2002.

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Abstract (sommario):
The NSW Dance Syllabus requires students to perform dance, learn how to compose dance and study dance works. These areas are taught under the three compulsory components of Performance, Composition and Appreciation. Dance teachers within NSW must choreograph for their students as a part of the requirements of the syllabus. This study focuses on that aspect of teaching Dance in NSW by investigating the choreographic processes of three professional choreographers working within the educational contexts of New South Wales and Queensland. Through the case study strategy, the researcher will fin
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Che, Da. "Toward Humanoid Choreography and Dance." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1337187519.

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Giese, Wolfgang. "The choreography of yeast mating." Doctoral thesis, Humboldt-Universität zu Berlin, Lebenswissenschaftliche Fakultät, 2016. http://dx.doi.org/10.18452/17657.

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Die Forschung an der Hefe Saccharomyces cerevisiae – auch als Bäckerhefe bekannt – hat sich für die biologische Grundlagenforschung als unentbehrlich erwiesen und führte zu wichtigen Erkenntnissen in der Erforschung von Krankheiten wie Krebs. Am Beispiel der Paarung von Hefezellen werden in dieser Arbeit wesentliche Aspekte der eukaryotischen Zellbiologie untersucht. In der Haplophase des Lebenszyklus der Hefe, treten haploide Zellen als Paarungstyp MATa oder MATα auf. Diese Paarungstypen kommunizieren über Pheromone, die in ein extrazelluläres Medium abgesondert werden und von Zelloberfläche
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Libri sul tema "Choreography"

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Vendrame, Romeo. Choreography. Superheated Edition, 2017.

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Butterworth, Jo, and Liesbeth Wildschut, eds. Contemporary Choreography. Routledge, 2017. http://dx.doi.org/10.4324/9781315563596.

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Rouhiainen, Leena, Kirsi Heimonen, Rebecca Hilton, and Chrysa Parkinson. Writing Choreography. Routledge, 2024. http://dx.doi.org/10.4324/9781003397427.

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DeFrantz, Thomas F., and Philipa Rothfield, eds. Choreography and Corporeality. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-54653-1.

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Goodwin, Marjorie. Embodied Family Choreography. Routledge, 2018. http://dx.doi.org/10.4324/9781315207773.

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P, Cohan Robert, and Beck Jill, eds. Choreography and dance. Harwood, 1991.

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Brown, Tracy. Staging and choreography. Rosen Pub., 2013.

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Arundhati, P. Choreography in Mānasôllāsa (Nr̥tyavinôda). Preeti Publications, 1995.

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McCormack, Jess. Choreography and Verbatim Theatre. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92019-1.

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Gonzales, Joseph. Choreography: A Malaysian perspective. Akademi Seni Kebangsaan, 2004.

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Capitoli di libri sul tema "Choreography"

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van der Aalst, W. M. P. "Choreography." In Encyclopedia of Database Systems. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4899-7993-3_1198-2.

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van der Aalst, W. M. P. "Choreography." In Encyclopedia of Database Systems. Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-39940-9_1198.

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Kaminsky, David. "Choreography." In Social Partner Dance. Routledge, 2020. http://dx.doi.org/10.4324/9780429344756-4.

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Thalmann, Nadia Magnenat, and Daniel Thalmann. "Choreography." In Synthetic Actors. Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-75453-1_9.

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van der Aalst, W. M. P. "Choreography." In Encyclopedia of Database Systems. Springer New York, 2018. http://dx.doi.org/10.1007/978-1-4614-8265-9_1198.

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Bunn, Kristen E. "Classroom Choreography." In Learning Democracy in School and Society. SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-287-0_3.

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Barbanera, Franco, Ivan Lanese, and Emilio Tuosto. "Choreography Automata." In Lecture Notes in Computer Science. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50029-0_6.

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Su, Jianwen, and Yutian Sun. "Choreography Revisited." In Lecture Notes in Computer Science. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-08260-8_2.

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Perrino, Sabina M., and Joshua O. Reno. "Workout Choreography." In Pandemic Health and Fitness. Routledge, 2024. http://dx.doi.org/10.4324/9781003317036-2.

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Rinderle-Ma, Stefanie, Jürgen Mangler, and Daniel Ritter. "Process Choreography." In Fundamentals of Information Systems Interoperability. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-48322-6_8.

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Atti di convegni sul tema "Choreography"

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Guan, Haiyang, Xiaoyi Wei, Weifan Long, Dingkang Yang, Peng Zhai, and Lihua Zhang. "MDRPC: Music-Driven Robot Primitives Choreography." In 2024 IEEE 36th International Conference on Tools with Artificial Intelligence (ICTAI). IEEE, 2024. https://doi.org/10.1109/ictai62512.2024.00111.

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Brown, Keren, and David Wei. "A Mobile Application for Creating Dance Choreography according to Musicality of Inputted Audio using Machine Learning." In 11th International Conference on Signal Image Processing and Multimedia. Academy and Industry Research Collaboration Center (AIRCC), 2023. http://dx.doi.org/10.5121/csit.2023.130901.

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Even the best writers in history were not blessed enough to have a constant surge of inspiration, a never-endingflowof ink on paper, or fingers flying across keyboards. These blocks in creativity are commonly known as writer's block, and many people experience this, since communication is important in every subject. Less commonly knownisdancer's block, which is when a choreographer experiences a stop in inspiration while choreographing [1]. Theseblocks can continue for days or even weeks, before an idea strikes the dancer, setting back the ef iciency of choreographing. When due dates come into
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Barretto, Wagner Rezende Muniz, Ana Cristina B. Kochem Vendramin, and Mauro Fonseca. "RW-Through: A Data Replication Protocol Suitable for GeoDistributed and Read-Intensive Workloads." In XVII Workshop em Clouds e Aplicações. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/wcga.2019.7592.

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The microservice architecture encourages the composition of services through choreography. Choreography favors loose coupling and decentralization. The challenge then arises of finding suitable approaches for carrying it out according to the architectural style proposed by the microservices. This paper describes and compares two strategies for choreographing microservices. The first strategy is event based and makes use of a mediator to convey the messages. The second is called choreographic programming and its great advantage is to provide an overview of choreography. A case study with four m
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Snyman, Bailey. "L.I.F.E.: Articulating an Embedded Choreographic Process." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35882.

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This paper explores the evolving landscape of choreographic research in South Africa, focusing on the interdisciplinary nature of contemporary choreography and its reliance on embodied knowledge. The paper examines the theory of tacit knowledge proposed by Michael Polanyi and its intersections with embodiment theories. It further investigates the four interpretations of tacit knowledge presented by Harald Grimen. The study documents the intuitive and implicit choreographic processes behind the creation of “L.I.F.E.: A History of Distance,” a dance-based physical theatre performance. The presen
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Weiß, Andreas, Vasilios Andrikopoulos, Michael Hahn, and Dimka Karastoyanova. "Fostering Reuse in Choreography Modeling Through Choreography Fragments." In 17th International Conference on Enterprise Information Systems. SCITEPRESS - Science and and Technology Publications, 2015. http://dx.doi.org/10.5220/0005342000280036.

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Гарипова, Инга Олеговна. "CHOREOGRAPHY AS A MEANS OF ARTISTIC AND AESTHETIC EDUCATION OF YOUNGER ADOLESCENTS IN THE CONTEXT OF EXTRACURRICULAR EDUCATION." In Современные научные подходы в фундаментальных и прикладных исследованиях: сборник статей IX всероссийской (национальной) научной конференции (Санкт-Петербург, Ноябрь 2024). Crossref, 2025. https://doi.org/10.37539/241118.2024.63.99.002.

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В статье рассмотрены теоретические аспекты художественно-эстетического воспитания младших подростков в условиях дополнительного образования посредством хореографии, определены условия формирования компонентов эстетической воспитанности в процессе хореографической подготовки. The article examines the theoretical aspects of artistic and aesthetic education of younger adolescents in the context of extracurricular education through choreography, and identifies the conditions for the formation of components of aesthetic upbringing during choreographic training.
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Крулица, Анна. "Conversation with the past in contemporary choreography." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.18.

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My article examines the problem of the archival turn in scientific works and discourse that affects artistic practice, including the choreographic one. In recent years, we can find several attempts to reconstruct the performances of famous choreographers who worked in the 1920s and 1930s. Modern choreographers have recalled forgotten performances of the former era, but recalling these choreographic works, they want to give them a modern meaning. This attempt is similar to rewriting history. In this context of rewriting history, I want to emphasize the importance of bodily memory and bring the
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Pine, Katie. "Fragmentation and choreography." In the ACM 2012 conference. ACM Press, 2012. http://dx.doi.org/10.1145/2145204.2145336.

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Basu, Samik, Tevfik Bultan, and Meriem Ouederni. "Deciding choreography realizability." In the 39th annual ACM SIGPLAN-SIGACT symposium. ACM Press, 2012. http://dx.doi.org/10.1145/2103656.2103680.

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Ryan, Linda. "Action Camera Choreography." In MOCO '20: 7th International Conference on Movement and Computing. ACM, 2020. http://dx.doi.org/10.1145/3401956.3404256.

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Rapporti di organizzazioni sul tema "Choreography"

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Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.686088.

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Unfolding processes of timbre and memory in improvisational piano performance This exposition is an introduction to my research and practice as a pianist, in which I unfold processes of timbre and memory in improvised music from a performer’s perspective. Timbre is often understood as a purely sonic perceptual phenomenon. However, this is not in accordance with a site-specific improvisational practice with changing spatial circumstances impacting the listening experience, nor does it take into account the agency of the instrument and objects used or the performer’s movements and gestures. In m
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Bradley, Elizabeth, and Joshua Stuart. Using Chaos to Generate Choreographic Variations. Defense Technical Information Center, 1997. http://dx.doi.org/10.21236/ada451993.

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Fritz, David J., Christopher B. Harrison, C. W. Perr, and Steven A. Hurd. Choreographer Pre-Testing Code Analysis and Operational Testing. Office of Scientific and Technical Information (OSTI), 2014. http://dx.doi.org/10.2172/1171431.

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Kolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, 2024. http://dx.doi.org/10.32370/ia_2024_03_11.

Testo completo
Abstract (sommario):
The article conceptualizes the development of ballet art in Soviet Ukraine from the late 1910s to the early 1930s. The active use of ballets of classical heritage (Corsair, Futile Warning, Swan Lake, etc.) in the repertoire of opera theaters of Kyiv, Kharkiv, Odesa and the penetration of modern features into the ballet stage (Flying Ballet) were demonstrated. It is noted that elements of modern dance were cultivated in the activities of private choreographic and theater studios. The collapse of modernism with the introduction of the method of socialist realism in art with a focus on ideology,
Gli stili APA, Harvard, Vancouver, ISO e altri
5

Kolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, 2024. http://dx.doi.org/10.32370/ia_2024_01_11.

Testo completo
Abstract (sommario):
The article conceptualizes the development of ballet art in Soviet Ukraine from the late 1910s to the early 1930s. The active use of ballets of classical heritage (Corsair, Futile Warning, Swan Lake, etc.) in the repertoire of opera theaters of Kyiv, Kharkiv, Odesa and the penetration of modern features into the ballet stage (Flying Ballet) were demonstrated. It is noted that elements of modern dance were cultivated in the activities of private choreographic and theater studios. The collapse of modernism with the introduction of the method of socialist realism in art with a focus on ideology,
Gli stili APA, Harvard, Vancouver, ISO e altri
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