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Articoli di riviste sul tema "Collections coloniales"

Autore: Grafiati

Pubblicato: 8 febbraio 2025

Ultima modifica: 31 luglio 2025

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1

Brizon, Claire. "Collections coloniales?" TSANTSA – Journal of the Swiss Anthropological Association 24 (May 1, 2019): 24–38. http://dx.doi.org/10.36950/tsantsa.2019.24.6888.

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Based on three case studies of artifacts from 18th century collections preserved in Swiss cultural institutions, I attempt to rethink the use of the word "colonial" before the 19th century, and to apply it to describe collections from the modern period. I attempt to shed light on how these collections could be exhibited to provide critical perspective on these artefacts and the stories they are allowed to tell, in view of the upcoming exhibition entitled Exotic Switzerland? A Global History of the Enlightenment to open in 2020 at the Palais de Rumine in Lausanne.

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Kukawka, Katia, Stephen Little, Valika Smeulders, Hamady Bocoum, and Sarah Hugounenq. "Restituer et après ? Les musées face aux collections coloniales." Hommes & migrations, no. 1340 (January 1, 2023): 81–87. http://dx.doi.org/10.4000/hommesmigrations.14949.

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Deliss, Clémentine. "Manifeste pour le droit d’accès aux collections coloniales séquestrées en Europe de l’ouest." Multitudes 73, no. 4 (2018): 18. http://dx.doi.org/10.3917/mult.073.0018.

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Correa, Sílvio Marcus de Souza. "Entretien avec Nadia Vargaftig." África, no. 45 (November 12, 2024): e230077. https://doi.org/10.11606/issn.2526-303x.i45pe230077.

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Dans cette interview, l'historienne Nadia Vargaftig examine les enjeux des recherches sur les collections africaines dans les musées européens. Elle souligne l'importance d'une nouvelle approche de l'histoire de l'art, particulièrement dans le contexte postcolonial et la restitution des objets africains. Vargaftig discute des expositions universelles et coloniales, du rôle des artistes dans ces événements, et de la manière dont la photographie a été utilisée dans la construction de discours impérialistes. Elle aborde également ses recherches actuelles sur les collections africaines dans les mu

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Otoiu, Damiana. "Quand les « spécimens » d’anthropologie physique redeviennent ancêtres." Ethnologie française Vol. 54, no. 2 (2024): 33–46. http://dx.doi.org/10.3917/ethn.242.0033.

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Les collections de restes ancestraux des populations autochtones de l’Afrique australe gardées dans les musées et les instituts de recherche ou laboratoires universitaires semblent être l’exemple par excellence de collection anthropologique « problématique », pour laquelle « undoing Empire » [Rassool, 2015b] préconise une restitution aux descendants contemporains. Mais cette restitution n’occasionne pas uniquement un « simple » ré-enterrement des restes, mais aussi un dialogue avec les descendants autour du statut des matériaux ethnographiques bruts des anthropologues ayant étudié les populati

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Keck, Frédéric, and Lucia Piccioni. "Recherches artistiques sur les restes humains. Crânes et moulages dans les collections coloniales muséales." Gradhiva 39 (2025): 10–27. https://doi.org/10.4000/148li.

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Hertzog, Alice. "Brizon, Claire: Collections coloniales. À l’origine des fonds anciens non-européens dans les musées suisses." Anthropos 119, no. 1 (2024): 239–40. http://dx.doi.org/10.5771/0257-9774-2024-1-239.

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Deroo, Éric, and Antoine Champeaux. "Panorama des troupes coloniales françaises dans les deux guerres mondiales." Revue Historique des Armées 271, no. 2 (2013): 72–88. http://dx.doi.org/10.3917/rha.271.0072.

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Alors que sont attendus en 2014 les célébrations du centième anniversaire de la Grande Guerre ainsi que du soixante-dixième anniversaire de la Libération de la France, cet article réunit des éléments de documentation, une bibliographie et une filmographie sommaires sur le thème des tirailleurs, travailleurs indigènes et soldats des outre-mer au travers des deux guerres mondiales. Il explore les différents procédés qui ont permis de valoriser le patrimoine de tradition des troupes indigènes : tenues et insignes spécifiques, monuments du souvenir, organisation de cérémonies militaires, valorisat

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Mamah, Zakari. "Coup d’oeil sur la Bibliothèque nationale du Togo." Documentation et bibliothèques 39, no. 2 (2015): 75–77. http://dx.doi.org/10.7202/1028739ar.

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La Bibliothèque nationale du Togo a été créée en 1969, neuf ans après l’accession du pays à la souveraineté. Riche de collections des périodes coloniales allemandes et françaises, la Bibliothèque s’est donné pour objectif majeur la publication de la bibliographie nationale mais elle affronte des difficultés dans la mise en application du dépôt légal. Un projet de construction est en préparation et la Bibliothèque jouit d’un meilleur financement. Elle dispose des services qui lui permettent d’exercer les fonctions courantes des bibliothèques nationales et participe aux activités des association

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Ortiz García, Carmen. "Collections of human remains and ethnic moulds. More than scientific tools." Aulas Museos y Colecciones de Ciencias Naturales 7-2020 (2020): 105–21. http://dx.doi.org/10.29077/aula/7/08_ortiz.

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Human remains were considered fundamental elements in the conformation of the collections of anthropological museums from their beginnings in the 19th century. Controversies around legitimacy and ethical considerations about the exhibition of bodies and human remains in museums, mainly those that were obtained through violence or plunder in colonial contexts, have resulted in the return by many centers of these remains to their cultures of origin or at least their removal from public exhibition. Imprints from the face or other body parts, obtained from living in individuals belonging to differ

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Bertin, Marion. "Compte rendu de Collections coloniales. À l’origine des fonds anciens non-européens dans les musées suisses, de Claire Brizon." Journal de la société des océanistes, no. 157 (December 31, 2023): 310–12. http://dx.doi.org/10.4000/jso.15494.

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Bertin, Marion. "Compte rendu de Collections coloniales. À l’origine des fonds anciens non-européens dans les musées suisses, de Claire Brizon." Journal de la Société des Océanistes 157, no. 2 (2024): 310–12. https://doi.org/10.3917/jso.157.0310.

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Brömer, Rainer, Edith Franke, Ernst Halbmayer, et al. "Colonial discourse in the history of Marburg university collections." Decolonizing academic disciplines and collections 52-1 (2024): 37–52. http://dx.doi.org/10.4000/11zlp.

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Four collections that originated in the context of formal or informal colonialism served as hosts for the workshop on “Decolonizing academic disciplines and collections” at the University of Marburg: the pharmacognostic, anatomical, and ethnographic collection and the Museum of Religions. Historically, the related academic disciplines had grown based on the study of items often appropriated against the will of source communities. Decolonizing has to go beyond the material aspect of negotiating the future treatment of collections, by examining the role of colonial injustice and transcending Eur

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Hardianti, Sitti. "Mimikri dan Ambivalensi dalam Cerpen “Ruma Sekola yang Saya Impiken” Karya Kwee Tek Hoay." Nusa: Jurnal Ilmu Bahasa dan Sastra 17, no. 2 (2022): 208–20. http://dx.doi.org/10.14710/nusa.17.2.83-95.

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This research discusses traces of colonialism resulting from the meeting of Dutch and Chinese cultures in the short story Ruma Sekolah yang Saye Impiken by Kwee Tek Hoay. The research focust to describe the colonial’s effects of the diaspora, mimicry and ambivalence carried out by the Chinese community. Methods of data collection used literature study with reading-note techniques, data analysis using descriptive methods. Homi K. Bhaba's postcolonial theory was used to analyze the diaspora, mimicry, and ambivalence that occurred in Chinese society. The results and discussion found that cultural

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Fubah, Mathias Alubafi. "The Thomas Hardie Dalrymple Grassfields Photographs Collection 1937-1942 (Royal Commonwealth Society Collections, University of Cambridge Library)." African Research & Documentation 123 (2013): 25–35. http://dx.doi.org/10.1017/s0305862x0002080x.

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Collections of photographs by colonial officers, missionaries and medical personnel taken during the colonial era, can be found in many public and private archives and museums, in Africa, Europe and America. Although the existence of most of these collections have been made known to the public through exhibitions, catalogues and publications (Geary 1991, 2000; Webb 1987, 1988), some have received scant or no attention. This, however, is in spite of the role of colonial photographs as “testimony about early explorations and distant peoples and places” (Geary 1988). Colonial photography, Geary n

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Fubah, Mathias Alubafi. "The Thomas Hardie Dalrymple Grassfields Photographs Collection 1937-1942 (Royal Commonwealth Society Collections, University of Cambridge Library)." African Research & Documentation 123 (2013): 25–35. http://dx.doi.org/10.1017/s0305862x0002080x.

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Abstract (sommario):

Collections of photographs by colonial officers, missionaries and medical personnel taken during the colonial era, can be found in many public and private archives and museums, in Africa, Europe and America. Although the existence of most of these collections have been made known to the public through exhibitions, catalogues and publications (Geary 1991, 2000; Webb 1987, 1988), some have received scant or no attention. This, however, is in spite of the role of colonial photographs as “testimony about early explorations and distant peoples and places” (Geary 1988). Colonial photography, Geary n

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haladze, Olebogeng, and Susan O. eitumetse. "Library Collection as a Source of Communal Heritage Reconstruction: Cataloging, Digitizing, and Interpreting the San/Bushmen Collection at the University of Botswana–Okavango Research Institute Library." Collections: A Journal for Museum and Archives Professionals 16, no. 3 (2020): 320–43. http://dx.doi.org/10.1177/1550190620940969.

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Established in 1982, the University of Botswana (UB) library acquired various collections of missionaries, travelers, explorers, anthropologists, and colonial commissioners in its “Botswana Collection” section. One of these, the Heinz Collection, serves as the case study for this article and is evidence of the range of collections acquired from the library’s founding until 2010, when it ceased to be the sole national university in the country. The Heinz Collection documents the San/Bushmen/Basarwa’s (indigenous community in Botswana) way of life as documented by a former European civil servant

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Petch, A. "Colonial Collections Revisited." Journal of the History of Collections 20, no. 2 (2008): 313–14. http://dx.doi.org/10.1093/jhc/fhn023.

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Dragojlovic, Ana, Henk Schulte Nordholt, and Marieke Bloembergen. "Colonial Re-Collections." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 170, no. 4 (2014): 435–41. http://dx.doi.org/10.1163/22134379-17004014.

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Andall, Jacqueline, Charles Burdett, and Derek Duncan. "Introduction." Modern Italy 8, no. 1 (2003): 5–7. http://dx.doi.org/10.1080/1353294032000074043.

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The articles in this special issue were first presented at the 2001 ASMI conference on ‘Italian Colonialism and Post-Colonial Legacies’. This collection of papers is the first in a series of publications planned on different aspects of Italian colonialism. A second collection, offering new historical interpretations of Italian colonialism, will be published in the Journal of Modern Italian Studies later this year. A third group of essays on the legacy and memory of Italian colonialism will be published by Peter Lang in early 2004.

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Hermkens, Anna-Karina, and Eric Venbrux. "Memorabilia of Colonial Violence and Death." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 179, no. 3-4 (2023): 317–52. http://dx.doi.org/10.1163/22134379-bja10054.

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Abstract Nineteenth-century, private collections of ethnographic artefacts have a bad reputation in anthropology. Appearing to comprise ‘a haphazard assemblage of junk’ (Gathercole 1978:276), anthropologists and others interested in ethnographic objects and collecting have ignored private collections for some time. While Jean Louis Henri Beijens’s collection resembles at first glance a haphazard assemblage not worthy of attention, a closer inspection reveals its historical and contemporary significance. In this article, we offer a glimpse into Beijens’s private military collection, which conta

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McCredie, Athol. "Collecting photographs: The development of Te Papa's historical photography collection." Tuhinga 20 (June 1, 2009): 41–66. https://doi.org/10.3897/tuhinga.20.e34179.

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This article examines the development of Te Papa’s historical photography collection, from its origins in the Colonial Museum to the present. In so doing, it outlines the collection’s contents and shows that the present-day shape of the collection bears the imprint of changing museology and evolving ideas about the role of photography in a museum. It covers the relatively passive collecting by founding director James Hector in the nineteenth century; the concerted effort to build a collection of ethnographic photographs under his successor, Augustus Hamilton; photographic activity by Museum st

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FABA, PAULINA. "Paradoxes of the Museification of the Past in Nineteenth-Century Chile: The Case of the Coloniaje Exhibition of 1873." Journal of Latin American Studies 50, no. 4 (2018): 951–75. http://dx.doi.org/10.1017/s0022216x18000305.

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AbstractThe Coloniaje Exhibition, held in September 1873 in Santiago, Chile, represents a milestone in the history of Chilean museums. As the first retrospective display of the history of the Chilean nation, it was an important precedent for the collections that led to the construction of the National Historical Museum in 1911. By examining the ideas associated with the history of the colonial era and the museography related to the exhibition, this article analyses the ambiguous ways in which the Coloniaje Exhibition mobilised the colonial past in the context of the ascendancy of liberalism an

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Kalibani, Mèhèza. "The less considered part: Contextualizing immaterial heritage from German colonial contexts in the restitution debate." International Journal of Cultural Property 28, no. 1 (2021): 43–53. http://dx.doi.org/10.1017/s0940739120000296.

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AbstractSince the publication of the “restitution report” by Felwine Sarr and Bénédicte Savoy in November 2018, the debate around the restitution of African artifacts inherited from German colonialism in German museums has become increasingly intense. While the restitution debate in Germany is generally focused on “material cultural heritage” and human remains, this reflection attempts to contextualize the “immaterial heritage” (museum collections inventory data, photographs, movies, sound recordings, and digital archive documents) from German colonialism and plead for its consideration in thi

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Choi, Won Oh. "Cultural Status of Dong-A Ilbo Serials during the Japanese Colonial Era: “Jeonseol-ui Joseon (legend of Joseon)”and “Jeonseol (legend)”." Society Of Korean Oral Literature 71 (December 31, 2023): 213–67. http://dx.doi.org/10.22274/koralit.2023.71.007.

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This study explores the cultural status of “Jeonseol-ui Joseon (legend of Joseon)” (1927.8.20-12.28) and “Jeonseol (legend)” (1932.6.2. -10.15) serialized in Dong-A Ilbo during the Japanese colonial period. Thus far, researchers have not mentioned the Japanese colonial period in the process of discussing the “history of Korean legends.” However, many recent studies have been conducted on legend collections from this period, making it possible to supplement the history of Korean legends with prior studies. The most noteworthy aspect of these studies is the claim that Lee Hong-ki's Joseon Legend

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Finney, Vanessa. "Paper Elephants: Reflections on Changing Archival Practice at the Australian Museum." Archives & Manuscripts 52, no. 1 (2024): 89–96. https://doi.org/10.37683/asa.v52.11017.

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The archives of Australia’s first museum, the Australian Museum (AM) in Sydney, are an artefact of colonialism, still intertwined with the complexities of science, public museums, and imperialism. It’s the elephant in the archival room. However, change has come to Australia’s colonial-era museums, affecting their missions, historical framing, and collections and archives. This article provides a brief history of knowledge at the AM in order to showcase some current initiatives aimed at opening its archival holdings to new perspectives, encounters, shared knowledge, and a protocols-based approa

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Spitra, Sebastian M. "Austria Approaches Its Colonial Past: Prospects of a New Restitution Law for Cultural Objects." Santander Art and Culture Law Review 8, no. 2 (2022): 261–76. http://dx.doi.org/10.4467/2450050xsnr.22.021.17034.

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In January 2022 theAustrian government established an expert committee to study the colonial heritage in its federal museums. Although Austria is a country not considered to have an extensive colonial past, Austrian museums hold large collections of ethnographic objects and human remains that they acquired during the heydays of colonialism. This country report introduces the current restitution debate in Austria through a legal lens. It discusses the legal situation of cultural objects from colonial contexts and the instruments available to museums and the federal government to organize restit

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van Beurden, Jos. "Decolonisation and Colonial Collections." BMGN - Low Countries Historical Review 133, no. 2 (2018): 66–78. http://dx.doi.org/10.18352/bmgn-lchr.10551.

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Olukayode, FISHER Augustus, OLUDEMI Akintayo Shoboyejo, and ADEBOGUN, Babatunde Olayinka. "DECOLONISATION IN AFRICAN POLITICAL THOUGHT." International Journal of Multidisciplinary Sciences and Arts 1, no. 1 (2022): 41–47. http://dx.doi.org/10.47709/ijmdsa.v1i1.1647.

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In essence, African political thought evolved as a result of colonialism and the anti-colonial reactions of first-order African elites. The debate among the episodic and the epochal school of thought over the place of colonialism in African political thought suggests that it took colonialism to inform the people of the continent that they were Africans. Also that Africa had a glorious pre-colonial past. It offered the diverse peoples of the continent a rallying point for unity. This unity was the basis of the anti-colonial reactions especially in the decade before political independence in Afr

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Ebaye, Sunday Esoso Nsed. "National Autonomy and the Phenomena of Neo-Colonialist Activities." International Journal of International Relations, Media and Mass Communication Studies 10, no. 1 (2024): 38–49. http://dx.doi.org/10.37745/ijirmmcs.15/vol10n13849.

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The economic penetration of the developing states has become a competitive replacement for colonialism. Thus, National autonomy– the capacity of a nation–state to make and apply decisions shaping its political and economic future, has significantly been subjugated by neocolonialism- the determinations of the former colonial and new powers to maintain control over independent developing states. The peripheral states have become satellites of the center nations as their economies have been structured to serve international capitalism. The aim of this work is to place the relationship between the

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Parolini, Giuditta, Mering Sabine von, and Mareike Petersen. "Classifying Colonial Objects in Museum Collections with Machine Learning and Historical Knowledge." Biodiversity Information Science and Standards 7 (August 9, 2023): e110872. https://doi.org/10.3897/biss.7.110872.

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Many natural history collections and museums in Europe were established in the late 18th and early 19th century. Their development is inseparably linked to colonial expansion and significant parts of their collections are of colonial origin. The Museum für Naturkunde Berlin (MfN) preserves a large natural history collection comprising zoological, paleontological, mineralogical, geological, and botanical objects as well as an institutional archive and a library. Especially in the period from 1884 to 1919, when the German Reich had colonies in Africa, the Pacific and China, the Zoological Museum

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von, Mering Sabine, Paul Braun, Robert Cubey, et al. "Modelling research expeditions in Wikidata: best practice for standardisation and contextualisation." Biodiversity Information Science and Standards 7 (August 21, 2023): e111427. https://doi.org/10.3897/biss.7.111427.

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Expeditions and other collecting events are a major source of objects in natural history museums (e.g., Mesibov 2021). Historically, these trips were often transdisciplinary: biological and Earth science specimens were collected at the same time as ethnological or anthropological objects. As a result, specimens and other material gathered during the same expedition, as well as the related data and metadata, are often distributed across multiple institutions. Many expeditions were driven by colonial agendas, aiming to discover new resources to exploit, and their findings were seldom shared with

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Roque, Ricardo. "Stories, Skulls, and Colonial Collections." Configurations 19, no. 1 (2011): 1–23. http://dx.doi.org/10.1353/con.2011.0002.

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Das, S., and M. Lowe. "Nature Read in Black and White: decolonial approaches to interpreting natural history." Journal of Natural Science Collections 6, no. 4 (2018): 4–14. https://doi.org/10.5281/zenodo.13534054.

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(Uploaded by Plazi for the Bat Literature Project) Narratives about the history of collecting are commonly absent from the interpretation of natural history collections. In this paper, we argue this absence – particularly in relation to colonial histories – perpetuates structural racism within modern society by whitewashing a history where science, racism, and colonial power were inherently entwined. This misrepresentation of the past is problematic because it alienates non-white audiences. Using examples from a single natural history collection – the Natural History Museum, London (NHM) – we

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Das, S., and M. Lowe. "Nature Read in Black and White: decolonial approaches to interpreting natural history." Journal of Natural Science Collections 6, no. 4 (2018): 4–14. https://doi.org/10.5281/zenodo.13534054.

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Abstract (sommario):

(Uploaded by Plazi for the Bat Literature Project) Narratives about the history of collecting are commonly absent from the interpretation of natural history collections. In this paper, we argue this absence – particularly in relation to colonial histories – perpetuates structural racism within modern society by whitewashing a history where science, racism, and colonial power were inherently entwined. This misrepresentation of the past is problematic because it alienates non-white audiences. Using examples from a single natural history collection – the Natural History Museum, London (NHM) – we

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Brian J. Yates. "“Does Adwa have a Colonial Legacy? Assessing the viability of the Colonial Thesis for Understanding Late Nineteenth and Early Twentieth Century Ethiopia”." Ethiopian Journal of the Social Sciences and Humanities 17, no. 1 (2022): 51–69. http://dx.doi.org/10.4314/ejossah.v17i1.4.

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For many, the Ethiopian victory at Adwa was an African victory over European colonialism, but some scholars have reimagined the triumph as an example of African colonialism in recent years. This view culminates in the colonial thesis. This colonial thesis casts Menilek II of Shäwa (r.1888-1913) as a colonizer of Southern groups in present-day Ethiopia and posits his state as a foreign colonial power. This view is one of the theoretical underpinnings of the present Ethiopian ethnic federalism and many ethnolinguistic nationalist movements. One of the ways that it impacts identities, as the Ethi

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McMullan, Melissa, and Joanna Cobley. "Lessons in Ephemera: Teaching and Learning through Cultural Heritage Collections." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 18, no. 2 (2017): 93. http://dx.doi.org/10.5860/rbm.18.2.93.

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This article synthesizes an intern’s experience assessing the University of Canterbury’s (UC) theatre and concert music program ephemera collection for its teaching and research potential, and evaluating its storage and preservation needs. Held at the Macmillan Brown Library and Archive (MB), the collection comprises around 6,000 items and takes up seven linear meters of physical storage space. The ephemera functioned as a portal into the evolution of Christchurch’s theatrical and concert music history, giving weight to the collection as a rich local historical resource worthy of keeping. The

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Widyawati, Mega, and Eggy Fajar Andalas. "Pribumi di Mata Kolonial dalam Kumpulan Cerpen Teh dan Pengkhianat Karya Iksaka Banu." MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan 19, no. 2 (2021): 112. http://dx.doi.org/10.26499/mm.v19i2.3434.

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This research aims to discuss social and cultural aspects that are closely related to Indonesian history regarding events of colonialism in the collection of short stories entitled Teh dan Pengkhianat by applying new historicism. This is a descriptive qualitative research. The theory used to analyze the relevance of literary works as social documents is from new historicism, Stephen Greenblatt (1980). Besides, the theory used to investigate colonialist perspectives on indigenous peoples is form orientalism, Edward Said (1935). The results of this research are as follows. First, historical repr

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Anderson, Kimberly, Emily E. Boss, and Rosalind Bucy. "Centering Indigenous Perspectives in Library Collections: A Lesson in Cultural Humility." Library Trends 72, no. 1 (2023): 90–121. http://dx.doi.org/10.1353/lib.2023.a938214.

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Abstract: After Indigenous students at the University of Nevada, Reno brought concerns about the monograph collections to the attention of library staff, the authors set out to determine how they might center Indigenous perspectives in the collections. They conducted a mixed-methods study through a collections analysis and a focus group with Indigenous students and alumni. The authors modified the study design, originally conceived as a participatory action research project, as they became more aware of their own positionality and the extent to which deeply embedded colonialism and whiteness i

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Zolkos, Magdalena. "Mnemonic ‘Boundary Objects’ and Postcolonial Restitution." European Journal of Scandinavian Studies 53, no. 1 (2023): 80–98. http://dx.doi.org/10.1515/ejss-2023-2003.

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Abstract Drawing on new materialist and object-centered historical criticism, this article analyses colonial and post-colonial discourses of the Greenlandic figurines of the mythical being of ill-wishing and revenge, tupilak (plural form: tupilait). It focuses on three tupilak figures, made in 1905/1906 by a shaman Mitsivarniannga on a request of a Danish ethnographer William Thalbitzer, which today are part of the Danish National Museum collections. In the early 20th century, Greenlandic tupilait (and Inuit cultural production in general) were an object of fascination among European collector

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Voirol, Beatrice. "Decolonization in the Field?" TSANTSA – Journal of the Swiss Anthropological Association 24 (May 1, 2019): 48–57. http://dx.doi.org/10.36950/tsantsa.2019.24.6903.

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With regard to decolonization, ethnographic museums are special targets for criticism. For a long time they pursued "salvage ethnography", taking advantage of colonial structures to assemble their collections. The little island of Milingimbi in East Arnhem Land/ Australia first attracted the attention of the Museum der Kulturen Basel (MKB) in the early 1930s. Three different individuals were involved in compiling the collection as it is constituted today, one of the largest collections from Milingimbi outside of Australia. Taking this collection as an example, my contribution takes a closer lo

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Wurzer, Markus. "The social lives of mass-produced images of the 1935–41 Italo-Ethiopian War." Modern Italy 27, no. 4 (2022): 351–73. http://dx.doi.org/10.1017/mit.2022.33.

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AbstractFor the last 20 years, research on European colonialism has addressed private photo collections. Prior to that, interest was focused specifically on propaganda photography. In the hope that privately kept material could offer new, more ‘authentic’ insights into colonial everyday life, researchers have so far mostly ignored the mass-produced images which are often part of such private collections, too. But especially when the question arises of how mass-produced images functioned as consensus-building tools, of what impact they had on the ground, they seem to be a promising source. Ther

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Philp, Jude. "The more beautiful and gorgeous birds of British New Guinea." Memoirs of the Queensland Museum - Culture 13 (2022): 75–108. http://dx.doi.org/10.17082/j.2205-3239.13.1.2022.2022-03.

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This chapter describes the ways that collections were made in British New Guinea during Sir William MacGregor’s tenure (1888–1898) through a focus on the people employed in field collecting for bird specimens. It makes explicit the involvement of local peoples and other specialist collectors living in the region at the time. The creation of the collections was thus through two knowledge systems: that of western science and those of British New Guinean peoples. The influence of locals and other people is evident in the shape of the collection and the kinds of birds acquired. I argue that the cu

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Weber, Andreas, and Esther Turnhout. "A Langur from Sumatra." Nuncius 39, no. 3 (2024): 775–88. http://dx.doi.org/10.1163/18253911-0390310114.

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Abstract Researchers interested in the colonial provenance of European natural history collections find themselves currently in an ambiguous position. On one hand, there is a fast-growing amount of digital services that provide them with statistics, names and lists of objects that have been accumulated in former colonial areas and are now stored in natural history museums in the Global North. On the other hand, these digital collection services fail to provide researchers with archival information on historical collection contexts, local names and meanings of animals and plants, and the labour

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Hannaford, Ewan D., and Marc Alexander. "Linguistic diversity in institutional collections: Beyond preservation to valorisation." International Journal of Language Studies 18, no. 2 (2024): 91–112. https://doi.org/10.5281/zenodo.10475280.

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Language’s capacity to shape and perpetuate ideologies, cultural values, and social conditions is well-established across linguistic theory. From this perspective, combatting linguistic prejudice and promoting language equity are key to contemporary cultural concerns around challenging prescriptivist worldviews and disrupting hegemonic historical perspectives. Institutional collections represent promising staging grounds for such efforts, with wide reach and accessibility, but are typically focused and curated in mainstream language varieties. This paper explores how institutional collec

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Bisong, Paul Taku, Jason Dunlop, and Catarina Madruga. "Mammalian type material from Cameroon in the Museum für Naturkunde Berlin." Zoosystematics and Evolution 99, no. (2) (2023): 503–17. https://doi.org/10.3897/zse.99.110878.

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Historical data, combined with current data on species distribution, are a valuable resource for tracking changes in biodiversity and can potentially be applied to developing models in conservation biology and designing and assessing conservation strategies. Historical data supporting current knowledge on the natural history of the African continent are primarily held in Western museums. The Zoologisches Museum Berlin (ZMB), which is today part of the Museum für Naturkunde Berlin (MfN), is the primary source of reference for zoological collections from former German colonial territories includ

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Kuever, Jan. "Framing participatory methods in provenance research: From the restitution of objects to a collaborative production of knowledge." Decolonizing academic disciplines and collections 52-1 (2024): 74–88. http://dx.doi.org/10.4000/11zlt.

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Provenance research on European museum collections of colonial origin is a process of knowledge production from the reconstruction of collection items’ trajectories and the memories and meanings attached to them, often envisioning an eventual restitution to their supposed communities of origin. This paper examines how this process of examining and possibly returning physical relics of colonial extraction risks reproducing colonial knowledge and its accessibility. In order to counter this risk, it proposes a conceptual shift towards participatory approaches of engaging the scholarly as well as

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Thomas, Sara. "Vincent Toro’s Hurricane Formalism." MELUS: Multi-Ethnic Literature of the United States 48, no. 4 (2023): 27–52. http://dx.doi.org/10.1093/melus/mlad077.

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Abstract Vincent Toro’s poetry and essays critique the ways that US actions in the wake of natural disasters damage Puerto Rican ecologies and culture. The entwinement of colonialism and natural disaster is the subject of Toro’s two collections, Stereo. Island. Mosaic. (2016) and Tertulia (2020). These collections instruct readers to toggle between close reading of language and formal analysis of genre and shape. In Stereo, Toro produces a geo-formal poetics that takes a Taíno hurricane zemi as its central organizing form, an aesthetic choice that foregrounds non-Western literary forms in com

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Siahaan, Pertiwih, and Budi Agustono. "The Development of Tarutung Into a City." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 4, no. 2 (2021): 2676–85. http://dx.doi.org/10.33258/birci.v4i2.1975.

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This article discusses the history of the formation of the city of Tarutung. This article answers the problem of how the city of Tarutung developed after the arrival of Western colonialism in the form of religion, military, administration and economy which encouraged the development of Tarutung City. This study uses the historical method through four stages: heuristics (collection of historical sources); verification (source criticism); interpretation (historical analysis and interpretation); and historiography (writing history). Sources as historical data obtained from a number of documents a

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King, Julia A. "Comparative Colonialism and Collections-Based Archaeological Research." Museum Worlds 4, no. 1 (2016): 4–17. http://dx.doi.org/10.3167/armw.2016.040102.

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ABSTRACTLegacy collections are an increasingly valued source of information for researchers interested in the study and interpretation of colonialism in the Chesapeake Bay region of North America. Through the reexamination of 34 archaeological collections ranging in date from 1500 through 1720, researchers, including the author, have been able to document interactions among Europeans, Africans, and indigenous people in this part of the early modern Atlantic. We could do this only because we turned to existing collections; no single site could reveal this complex story. This article summarizes

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