Bibliografie tematiche / Concertos

Indice

  1. Articoli di riviste
  2. Tesi
  3. Libri
  4. Capitoli di libri
  5. Atti di convegni
  6. Rapporti di organizzazioni

Letteratura scientifica selezionata sul tema "Concertos"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 29 luglio 2024

Cita una fonte nei formati APA, MLA, Chicago, Harvard e in molti altri stili

Scegli il tipo di fonte:

Consulta la lista di attuali articoli, libri, tesi, atti di convegni e altre fonti scientifiche attinenti al tema "Concertos".

Accanto a ogni fonte nell'elenco di riferimenti c'è un pulsante "Aggiungi alla bibliografia". Premilo e genereremo automaticamente la citazione bibliografica dell'opera scelta nello stile citazionale di cui hai bisogno: APA, MLA, Harvard, Chicago, Vancouver ecc.

Puoi anche scaricare il testo completo della pubblicazione scientifica nel formato .pdf e leggere online l'abstract (il sommario) dell'opera se è presente nei metadati.

Articoli di riviste sul tema "Concertos"

1

Rochester, Marc. "Concertos." Musical Times 126, no. 1707 (May 1985): 291. http://dx.doi.org/10.2307/961323.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
2

O'Loughlin, Niall. "Multiple Concertos." Musical Times 127, no. 1723 (October 1986): 567. http://dx.doi.org/10.2307/964403.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
3

Stowell, Robin. "Bach Concertos." Musical Times 126, no. 1711 (September 1985): 539. http://dx.doi.org/10.2307/964467.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
4

Lamb, Andrew. "Offenbach Concertos." Musical Times 128, no. 1734 (August 1987): 421. http://dx.doi.org/10.2307/965001.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
5

O'Loughlin, Niall. "Flute Concertos." Musical Times 126, no. 1713 (November 1985): 677. http://dx.doi.org/10.2307/965056.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
6

O'Loughlin, Niall. "Clarinet Concertos." Musical Times 131, no. 1767 (May 1990): 273. http://dx.doi.org/10.2307/966166.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
7

Smith, Richard Langham, Heinichen, Musica Antiqua Koln, Goebel, and George J. Buelow. "Dresden Concertos." Musical Times 134, no. 1805 (July 1993): 410. http://dx.doi.org/10.2307/1003112.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
8

Smith, Richard Langham, Bach, New London Consort, and Pickett. "Brandenburg Concertos." Musical Times 136, no. 1823 (January 1995): 42. http://dx.doi.org/10.2307/1003289.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
9

Humphreys, David. "Bach concertos." Early Music XXIII, no. 1 (February 1995): 171–72. http://dx.doi.org/10.1093/earlyj/xxiii.1.171.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
10

Elcombe, Keith. "Baroque concertos." Early Music XXV, no. 2 (May 1997): 329–30. http://dx.doi.org/10.1093/earlyj/xxv.2.329.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
Più fonti

Tesi sul tema "Concertos"

1

Baczewski, Philip. "Vox Organalis." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc331310/.

Testo completo
Abstract (sommario):
Vox Organalis is a concerto for organ and orchestra. It employs an ensemble comprising the compliment of wind, percussion, and string instruments normally available within a contemporary symphony orchestra with augmented brass and woodwind sections. It is intended to be performed with a large organ such as might be found in a symphony hall or large church. The work is in two movements, and its intended performance time is twenty-five minutes. Use of the concerto format within Vox organalis results in a new approach to organizing the interaction between the solo part and the orchestral accompa
Gli stili APA, Harvard, Vancouver, ISO e altri
2

Choroba, Volker. "Das Konzert für Orgel und Orchester im 19. und 20. Jahrhundert /." Kassel ; Basel ; London : Bärenreiter, 2001. http://catalogue.bnf.fr/ark:/12148/cb377129043.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
3

Billing, Sally. "Bacewicz : the violin concertos." Thesis, City University London, 2006. http://openaccess.city.ac.uk/8473/.

Testo completo
Abstract (sommario):
This study focuses upon the music of the now-neglected Polish composer Gralyna Bacewicz( 1909-1969). Her success as both a composer and concert violinist is well documented; along list of accolades and prestigious appointments serve as evidence of this. Her posthumous reputation, however, has declined at an alarming rate both inside and outside Poland. The study is introduced by a biography of the composer compiled from both English and Polish sources, providing details of her roles as composer and performer and offering a brief discussion of her music in general. The main body of text is devo
Gli stili APA, Harvard, Vancouver, ISO e altri
4

Forster, Robert. "Die Kopfsätze der Klavierkonzerte Mozarts und Beethovens : Gesamtaufbau, Solokadenz und Schlussbildung /." München : W. Fink, 1992. http://catalogue.bnf.fr/ark:/12148/cb355950647.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
5

Lopez, Richard C. "The piano concertos of Carl Maria von Weber : precursors of the romantic piano concerto." Connect to resource, 1989. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1228836117.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
6

Daussat, David M. "Birth of the modern concerto an explication of musical design and intention in Journey, concerto for contrabass tuba and orchestra /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6116.

Testo completo
Abstract (sommario):
Thesis (D.M.A.)--University of North Texas, 2008.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 17, 2002, June 14, 2004, Oct. 18, 2004, and Nov. 26, 2007. Includes bibliographical references (p. 30-32).
Gli stili APA, Harvard, Vancouver, ISO e altri
7

Stewart, Brandon (Brandon Gregory). "Horn Concerto in E-flat Major (C41) by Antonio Rosetti: A Critical Edition." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609216/.

Testo completo
Abstract (sommario):
This project delivers to the scholar and performer a critical edition of a little-known horn concerto by Antonio Rosetti. Standing in contrast to performance or practical editions, critical editions demand that the editor exerts a non-trivial measure of authority over the state of the text. Performers often find this fact to be uncomfortable given the normal tendency to revere the perceived intent of the composers based upon the text that they set down. When engaging with sources, it is rarely clear what that intent is, or which of the available sources most closely represents that intent. Tho
Gli stili APA, Harvard, Vancouver, ISO e altri
8

Rishton, Timothy J. "Thomas Chilcot and his concertos." Thesis, Bangor University, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282264.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
9

Howard, Christopher Eugene. "Piano concerto." Thesis, University of British Columbia, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0032/NQ27166.pdf.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
10

Parys, Marcin. "Tchaikovsky's Piano Concerto No. 1 In B-Flat Minor, Op. 23: A Newly Arranged Edition of the Orchestral Reduction." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609138/.

Testo completo
Abstract (sommario):
As it stands, only one arrangement of Tchaikovsky's Piano Concerto No. 1, Op. 23 orchestral reduction exists, which is by Tchaikovsky himself. A number of critical editions of the piece exist, but none of them cover the subject of the material within the orchestral reduction. Tchaikovsky wrote the reduction from a compositional rather than a pianistic perspective, thus some passages present awkward technical challenges. The purpose of this dissertation is ultimately to contribute to the repertoire of accompanists by producing a new edition of Tchaikovsky's Piano Concerto No. 1. I created my ar
Gli stili APA, Harvard, Vancouver, ISO e altri
Più fonti

Libri sul tema "Concertos"

1

Michael, Steinberg. The concerto: A listener's guide. New York: Oxford University Press, 1998.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
2

Robert, Layton, ed. A Companion to the concerto. London: Christopher Helm, 1988.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
3

Robert, Layton, ed. A guide to the concerto. Oxford [Oxfordshire]: Oxford University Press, 1996.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
4

You Nakai, Kay Festa, Jay Barnacle, Earle Lipski, Ai Chinen. Concertos. Brooklyn, NY: Ugly Duckling Presse, 2011.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
5

Bartók, Béla. Piano concertos. Milan, Italy: Urania, 2006.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
6

Shostakovich, Dmitriĭ Dmitrievich. Piano concertos. Arles [France]: Harmonia Mundi, 2011.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
7

Siegfried, Mauser, ed. Theorie der Gattungen. Laaber: Laaber-Verlag, 2005.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
8

Roeder, Michael Thomas. A history of the concerto. Portland, OR: Amadeus Press, 1994.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
9

Roeder, Michael Thomas. A history of the concerto. Portland, Or: Amadeus Press, 1994.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
10

Roeder, Michael Thomas. Das Konzert. Laaber: Laaber-Verlag, 2000.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
Più fonti

Capitoli di libri sul tema "Concertos"

1

King, Richard. "Recording Concertos." In Recording Orchestra and Other Classical Music Ensembles, 95–101. 2nd ed. New York: Focal Press, 2024. http://dx.doi.org/10.4324/9781003319429-14.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
2

"Concertos." In The Life and Music of John Field 1782-1837, 145–81. University of California Press, 2023. http://dx.doi.org/10.2307/jj.7968066.21.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
3

Watson, Derek. "Concertos." In Liszt, 258–63. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198164999.003.0012.

Testo completo
Abstract (sommario):
Abstract Two piano concertos of c.1825 mentioned in Adam Liszt’s correspondence have not survived, so their content and connection with any later works is unknown. It is unsurprising that the prodigy-composer had such concertos in his repertoire. What may surprise is that Liszt did not publish any concerto-type works until the 1850s, some years after ending his virtuoso career. But, as with much of the piano output already discussed, the works known as the Concerto No. 1 in E flat and the Concerto No. 2 in A were evolved over many years (sketches exist for them at Weimar from the early 1830s) before eventual publication in their final form: No. 1 in 1857 and No. 2 in 1863.
Gli stili APA, Harvard, Vancouver, ISO e altri
4

"Violin Concertos." In The Szymanowski Companion, 271–78. Routledge, 2016. http://dx.doi.org/10.4324/9781315552378-52.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
5

Kerman, Joseph. "The concertos." In The Cambridge Companion to Schumann, 173–94. Cambridge University Press, 2007. http://dx.doi.org/10.1017/ccol9780521783415.010.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
6

Sammartini, Giovanni Battista. "Four Concertos." In Recent Researches in the Music of the Classical Era, 67. A-R Editions, 2002. http://dx.doi.org/10.31022/c067.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
7

Riepel, Joseph. "Violin Concertos." In Recent Researches in the Music of the Classical Era, 90. A-R Editions, 2013. http://dx.doi.org/10.31022/c090.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
8

"11. Concertos." In The Career of an Eighteenth-Century Kapellmeister, 237–68. Boydell and Brewer, 2014. http://dx.doi.org/10.1515/9781580468268-017.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
9

"Chamber ‘Concertos’." In Brian Ferneyhough, 101–28. Intellect Books, 2013. http://dx.doi.org/10.2307/j.ctv36xvgkg.11.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
10

Careri, Enrico. "The Concertos." In Francesco Genminiani (1687–1762), 59–83. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198163008.003.0005.

Testo completo
Abstract (sommario):
Abstract ‘GEMINIANI with all his harmonica! abilities, was so circumscribed in his invention, that he was obliged to have recourse to all the arts of musical cookery, not to call it quackery, for materials to publish.’ The charge that Burney levels against the composer refers to his alleged lack of imagination, which caused him to recycle the same compositions several times over. Indeed, if we exclude all his numerous elaborations and transcriptions, the musical output of Geminiani seems rather exiguous: two sets of violin sonatas (Opp. I and N), one of cello sonatas (Op. V), three of Concerti grossi (Opp. II, ill, and VII), The Inchanted Forrest, and the compositions published in his treatises. Nevertheless, the same reproof could be addressed to Corelli and several other contemporary composers of note. Burney’s irritation probably stemmed from the disproportion between the success of Geminiani in England, where he had no rivals in the instrumental domain and was considered the equal of Handel, and the reason for this same success, which was almost entirely connected with his Op. ill concertos. His other compositions, with few exceptions, were rarely performed and little appreciated; in contrast, his Op. ill enjoyed an extraordinarily wide circulation, which even rivalled that of the celebrated works of Corelli. ‘Handel, Geminiani &amp; Corelli’, Burney notes elsewhere, ‘were the sole Divinities of my Youth, but I was drawn off from their exclusive worship before I was 20, by keeping company with travelled &amp; heterodox gentlemen, who were partial to the Music of more modem composers whom they had heard in Italy.’ The openmindedness of the young Burney was an exception in contemporary English musical circles, which in the years around the middle of the eighteenth century remained faithful to Corelli and Geminiani and showed little interest in what was going on beyond the English Channel.
Gli stili APA, Harvard, Vancouver, ISO e altri

Atti di convegni sul tema "Concertos"

1

Pu, Lihua. "Jenő Hubay and His Four Violin Concertos." In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.253.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
2

"Historical Importance of Two Cello Concertos by Joseph Haydn on the Development of Concerto Composing Tradition for Solo Cello." In May 2022 International Conferences. Dignified Researchers Publication, 2022. http://dx.doi.org/10.17758/dirpub11.dir0522424.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
3

Ngai, E. C. "Novel synthetic phased-array antenna systems for wide-view concertos platforms." In 2016 IEEE International Conference on Wireless for Space and Extreme Environments (WiSEE). IEEE, 2016. http://dx.doi.org/10.1109/wisee.2016.7877319.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
4

Zhang, Jindi. "Study on Artistic Characteristics of Erhu Concertos before Reform and Opening-up." In International Conference on Education, Management and Computing Technology (ICEMCT-15). Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icemct-15.2015.140.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
5

Araújo, Carlos G., Gustavo Martins, Genildo Gomes, João Gustavo Kienen, Rosiane de Freitas, Thais Castro, and Bruno Gadelha. "Coffee Break Virtual: uma experiência musical interativa e colaborativa." In Simpósio Brasileiro de Sistemas Colaborativos. Sociedade Brasileira de Computação, 2022. http://dx.doi.org/10.5753/sbsc.2022.19482.

Testo completo
Abstract (sommario):
Concertos e recitais de música geralmente são apresentações formais de peças musicais, executadas por um ou mais músicos, tendo uma audiência quase totalmente passiva que se restringe a aplaudir ao final de cada peça executada. Esse formato de apresentação é o mais comum, apesar de algumas peças serem escritas com finais alternativos para ajuste à audiência, ainda assim sem prever uma interação mais efetiva. Propomos, neste trabalho, uma apropriação desta possibilidade de interferência do público, em performances colaborativas, através da utilização de tecnologia para interação em tempo real,
Gli stili APA, Harvard, Vancouver, ISO e altri
6

Swatling, Todd. "Concerto." In the 2013 ACM annual conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2504776.2504784.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
7

Li, Yiran, Kevin Gao, Xin Jin, and Wei Xu. "Concerto." In APSys '20: 11th ACM SIGOPS Asia-Pacific Workshop on Systems. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3409963.3410499.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
8

Arasu, Arvind, Ken Eguro, Raghav Kaushik, Donald Kossmann, Pingfan Meng, Vineet Pandey, and Ravi Ramamurthy. "Concerto." In SIGMOD/PODS'17: International Conference on Management of Data. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3035918.3064030.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
9

Synofzik, Thomas. "„Würde Sie’s zu sehr ermüden zu begleiten?“ – Clara Schumann als Lied- und Kammermusikpartnerin." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.82.

Testo completo
Abstract (sommario):
80 percent of Clara Schumann‘s playbills in her complete collection of concert programmes (Robert-Schumann-Haus Zwickau) include vocal participation of solo singers, choirs or actors. The question is to which extent Clara Schumann used to accompany these vocal contributions herself on the piano. Only rarely are other accompanists named on the concert playbills, but evidence from concert reviews suggests that these vocal contributions normally served as rests for the solo pianist. Sometimes separate accompanists are named in the concert reviews. In orchestral concerts it was usually the conduct
Gli stili APA, Harvard, Vancouver, ISO e altri
10

Tlili, Mounir, Ludovic Dubost, Sergiu Dumitriu, Stéphane Laurière, Fabio Mancinelli, W. Kokou Dedzoe, Esther Pacitti, et al. "XWiki concerto." In the 4th International Symposium. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1822258.1822297.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri

Rapporti di organizzazioni sul tema "Concertos"

1

Bellovin, S. Security Concerns for IPng. RFC Editor, August 1994. http://dx.doi.org/10.17487/rfc1675.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
2

Kelley, David A. Peacekeeping: The Operational Concerns. Fort Belvoir, VA: Defense Technical Information Center, February 1994. http://dx.doi.org/10.21236/ada279615.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
3

McKown, Bradford. LANL LA Canyon Concerns. Office of Scientific and Technical Information (OSTI), November 2020. http://dx.doi.org/10.2172/1699431.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
4

Krishnan, S., D. Thaler, and J. Hoagland. Security Concerns with IP Tunneling. RFC Editor, April 2011. http://dx.doi.org/10.17487/rfc6169.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
5

Seybold, Patricia. Current Concerns of Customer Visionaries. Boston, MA: Patricia Seybold Group, July 2005. http://dx.doi.org/10.1571/psgp7-8-05cc.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
6

Jordon, Stephen W. Environmental Concerns of Operational Warplanning. Fort Belvoir, VA: Defense Technical Information Center, May 1997. http://dx.doi.org/10.21236/ada328133.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
7

McLendon, James W. Information Warfare: Impact and Concerns. Fort Belvoir, VA: Defense Technical Information Center, April 1994. http://dx.doi.org/10.21236/ada328933.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
8

Cossa, Ralph A. Iran: Soviet Interests, US Concerns. Fort Belvoir, VA: Defense Technical Information Center, July 1990. http://dx.doi.org/10.21236/ada271341.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
9

Seybold, Patricia. Current Concerns of Customer Visionaries. Boston, MA: Patricia Seybold Group, December 2005. http://dx.doi.org/10.1571/bp12-15-05cc.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
10

Exley, Christine, and Judd Kessler. Equity Concerns are Narrowly Framed. Cambridge, MA: National Bureau of Economic Research, December 2018. http://dx.doi.org/10.3386/w25326.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
Ti possono interessare anche gli elenchi estesi di opere sul tema "Concertos":
Articoli di riviste Tesi Libri
Offriamo sconti su tutti i piani premium per gli autori le cui opere sono incluse in raccolte letterarie tematiche. Contattaci per ottenere un codice promozionale unico!

Vai alla bibliografia