Bibliografie tematiche / Conrad, Joseph, 1857-1924 – Nostromo

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Letteratura scientifica selezionata sul tema "Conrad, Joseph, 1857-1924 – Nostromo"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 29 gennaio 2023

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Articoli di riviste sul tema "Conrad, Joseph, 1857-1924 – Nostromo"

1

Dorfman, Daniela. "El peso de la identidad nacional: lengua, nación y tradición de los escritores translingües." Lingüística y Literatura 42, no. 80 (2021): 69–81. http://dx.doi.org/10.17533/udea.lyl.n80a05.

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En un tiempo en que la globalización pone en cuestión las categorías nacionales de la tradición literaria, la decisión de ciertos escritores de cambiar de lengua para escribir cobra especial importancia. Este trabajo estudia los casos de Ngũgĩ wa Thiong’o (1938), keniano que abandona el inglés para escribir en gîkûyû; Juan Rodolfo Wilcock (1919-1978), argentino que renuncia al español y escribe en italiano; y Joseph Conrad (1857-1924), polaco que escribe en inglés sobre África; interroga las transacciones del pasaje a una lengua otra y analiza la constitución de sus obras en «zonas de contacto
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Valls Oyarzun, Eduardo. "THE ROTTEN, THE SICK AND THE WELL: GENEALOGÍA CONRADIANA DE LO MORBOSO EN THE GREAT GATSBY." Epos : Revista de filología, no. 34 (November 28, 2019): 311. http://dx.doi.org/10.5944/epos.34.2018.21754.

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El presente artículo plantea un elemento poco tratado en la relación de influencia de Joseph Conrad (1857-1924) sobre The Great Gatsby (1925), de Francis Scott Fitzgerald, a saber: la estructura, el desarrollo y el alcance ideológico de la metáfora de lo morboso como manifestación de la disfuncionalidad implícita en los sistemas sociales que no observan el principio de responsabilidad. El artículo presenta un marco teórico en el que se definen las líneas maestras del concepto de responsabilidad conradiano, que es análogo, como se sostiene en el artículo, al concepto de responsabilidad promovid
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GORBUNOVA, Natalya V., and Olga M. USHAKOVA. "“REPASTS” OF THE REVOLUTION: PERSONAL ASCETICISM AND COLLECTIVE SACRIFICIAL FEASTS (F. M. DOSTOEVSKY’S DEMONS, J. CONRAD’S THE SECRET AGENT: A SIMPLE TALE)." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 2 (2021): 144–59. http://dx.doi.org/10.21684/2411-197x-2021-7-2-144-159.

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This paper presents a comparative analysis of food patterns as the elements of political discourse in the novels by Fyodor Dostoevsky (1821-1881) and Joseph Conrad (1857-1924). The stereotypes of food behavior and the gastronomic symbols, associated with the revolutionary activities, appeared simultaneously with literary nihilists. In Dostoevsky’s Demons (1871-1872), the issue of accomplishing social harmony (which was discussed in polemics with T. Carlyle and J. S. Mill) is connected to metaphorical images of repast. The “culinary” episodes are quite limited; this “poverty” of gastronomic mot
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Pacciolla, Aureliano. "EMPATHY IN TODAYS CLINICAL PSYCHOLOGY AND IN EDITH STEIN." Studia Philosophica et Theologica 18, no. 2 (2019): 138–60. http://dx.doi.org/10.35312/spet.v18i2.29.

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 By Stein Edith:
 
 Zum problem der Einfühlung, Niemeyer, Halle 1917, Reprint der OriginalausgabeKaffke, München 1980, trad. it. Il problema dell’empatia, trad. di E. Costantini e E. Schulze Costantini, Studium, Roma 1985.
 Beiträge zur philosophischen Begründ der Psychologie und Geisteswissen schaften: a) Psychische Kausalität; b)Individuum und Gemeinschaft, «Jahrbuch für Philosophie und phänomenologische Forschung», vol. 5, Halle 1922, pp. 1-283, riedito da Max Niemeyer, Tübingen 1970, trad. it. Psicologia e scienze dello spirito. Contributi per una fondazione filosofica
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Tesi sul tema "Conrad, Joseph, 1857-1924 – Nostromo"

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Drösdal-Levillain, Annick Paccaud-Huguet Josiane. "Joseph Conrad et Malcolm Lowry "La musique sombre du chaos", "Heart of darkness" (1902), "Nostromo" (1904) et "Under the volcano" (1947) /." [S.l.] : [s.n.], 2001. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2001/drosdal_a.

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De, Lange Adriaan Michiel. "Conrad's impressionism the treatment of space and atmosphere in selected works." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002272.

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This thesis focuses on Conrad's representation of space and atmosphere in the "impressionistic" works published between 1897 and 1904, notably The Nigger of the "Narcissus" (1897), "Heart of Darkness" (1899), Lord Jim (1900), and Nostromo (1904). The many conflicting statements regarding the nature of Conrad's impressionism lead one to ask two fundamental questions: What constitutes this strange and elusive phenomenon, and how does it bear upon interpretation? This thesis works towards defining the elusive quality of Conrad's writing by investigating and assessing the contribution of impressio
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Drösdal-Levillain, Annick. "Joseph Conrad et Malcolm Lowry : "La musique sombre du chaos", "Heart of darkness" (1902), "Nostromo" (1904) et "Under the volcano" (1947)." Lyon 2, 2001. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2001/drosdal_a.

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Comment le malaise dans la civilisation du jeune XXème siècle se "mi-dit-il" dans Heart of Darkness, Nostrama et Under the Volcano ? Qu'est-ce qui unit Conrad et Lowry si ce n'est leur rôle de révélateurs des brèches de l'histoire et du coeur de l'homme moderne ? La littérature et l'art ne nous en disent-ils pas plus sur la vérité enfouie sous les emplâtres des écritures réalistes, que les livres d'histoire ? Avec Conrad, les écrans fictionnels posés sur le Réel se mettent à bouger, pour finalement voter en éclats sous la plume de Lowry. Les va-et-vient entre littérature, art et psychanalyse f
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Gaylard, Robin Peter. "Perspectives on isolation: the relation of narrative technique to theme in selected works by Joseph Conrad." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001833.

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" ... the central concern of this thesis, which is to investigate the ways in which Conrad uses a particular technique (that of the first-person narrator ) to focus our attention, to secure our involvement, and to direct our sympathies. At the same time I wish to examine the extent to which the central themes or concerns of each work derive from the interaction between the narrator and the man whose experience he confronts, from "the challenging interplay of two frames of reference, two schemes of values, two sets of attitudes" that the use of a dramatized narrator makes possible." (Introd., p
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McDonald, Peter. ""The great foes of reality" : attitudes to language in selected novels by Joseph Conrad." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001836.

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This dissertation examines Conrad's ambivalent attitude to the value of words in human affairs. Though his critical attitude is the main focus of the argument, his positive attitude will also be considered in some detail. In the first chapter, on The Nigger of the 'Narcissus', the critical attitude is primary. In this story language is seen in relation to silence and action, and in both cases the non- linguistic element is celebrated, while words are censured. Yet the values implied by the tale leave the writer of fiction, and the narrator who emerges at the end of the story, in an uncertain p
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Jones, Susan. "Representation and identity : women and the work of Joseph Conrad (1857-1924)." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318964.

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Smith, Jeremy Mark. "Conviction in the everyday : Joseph Conrad and skepticism." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59889.

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Abstract (sommario):
Heart of Darkness, Chance, and Lord Jim can be described as philosophical works if considered in light of "ordinary language" philosophy. Conrad wrestled with skepticism much as Wittgenstein later would, but his struggle with the "bewitchment" of skeptical thinking took a narratival form. His champion was Marlow, raconteur of the three novels, who recurrently loses and recovers his words and his capacity to tell (to judge, to narrate). In these works the Marlovian investigation of human convention, linguistic and otherwise, is shown to be a necessary but perilous task. The possibility that we
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Lepaludier, Laurent. "Ordres et désordres dans l'oeuvre de Joseph Conrad." Limoges, 1985. http://www.theses.fr/1985LIMO2001.

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Robin, Christophe. "L'être et la lettre : la tragédie de l'écriture dans la fiction de Joseph Conrad." Lyon 2, 2001. http://theses.univ-lyon2.fr/documents/lyon2/2001/robin_c.

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Au travers de certains concepts tragiques fondateurs définis par la "Poétique" d'Aristote, nous nous proposons d'analyser dans les oeuvres majeures de Joseph Conrad le rapport dialectique entre l'être et la lettre, fondé sur la remise en cause d'une vision esthétique classique. Notre première partie sera consacrée à une analyse du substrat esthétique classique à partir de la thématique du voyage qui symbolise le déplacement de la réalité vers la fiction, au profit du transfert que permet le mouvement métaphorique, en quête d'un surplus de sens devant déboucher sur l'aperception de l'essence. M
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Doherty, Helen. "The motif of initiation in selected works by Joseph Conrad." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002263.

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This thesis explores the archetypal theme of initiation in selected texts by Joseph Conrad. The Introduction first surveys critical attention to initiatory motifs in Conrad with the objective of demonstrating the need for an approach to the topic informed by a more formal and theorized understanding of initiation. It then offers a prima facie case for the centrality of the idea of initiation in Conrad's oeuvre, based on references culled from a range of the author's writings. Chapter One seeks to contextualise initiation by providing a history of anthropological research into and theorisations
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Libri sul tema "Conrad, Joseph, 1857-1924 – Nostromo"

1

Watt, Ian P. Joseph Conrad, Nostromo. Cambridge University Press, 1988.

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2

ed, Simmons Allan 1955, and Stape J. H. ed, eds. Nostromo: Centennial essays. Rodopi, 2004.

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3

Polyphony in fiction: A stylistic analysis of Middlemarch, Nostromo, and Herzog. Peter Lang, 2008.

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4

Joseph, Conrad. Three Great Works: Lord Jim ; Heart of darkness ; Nostromo. Oxford University Press, 1994.

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Conrad's rebels: The psychology of revolution in the novels from Nostromo to Victory. UMI Research Press, 1985.

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6

Harold, Bloom, ed. Joseph Conrad. Chelsea House Publishers, 1986.

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Joseph Conrad. Oxford University Press, 1999.

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8

Elaine, Jordan, ed. Joseph Conrad. St. Martin's Press, 1996.

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Ray, Martin. Joseph Conrad. E. Arnold, 1993.

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Elaine, Jordan, ed. Joseph Conrad. Macmillan Press, 1996.

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Capitoli di libri sul tema "Conrad, Joseph, 1857-1924 – Nostromo"

1

McEwan, Neil. "Joseph Conrad 1857–1924." In The Twentieth Century (1900–present). Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_4.

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