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Letteratura scientifica selezionata sul tema "Counterculture"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Counterculture"

1

Garbutt, Rob. "Creating Space for Protest and Possibility." Contention 7, no. 1 (2019): 66–80. http://dx.doi.org/10.3167/cont.2019.070106.

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This article brings together the ideas of protest and counterculture in a productive engagement. If protest is understood as publicly bearing witness in opposition to something, then countercultures often do this as rejections of dominant cultures that are folded into everyday life in order to create spaces for possible futures. The countercultural experiments undertaken in the region around Nimbin, Australia, are an example of such space creation. Using interviews, presentations, and archival materials collected at a 2013 community conference marking the 40th anniversary of the 1973 Nimbin Aq

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2

BAI, IVAN S., and IVAN D. TUZOVSKY. "TRANSFORMATION OF COUNTER-CULTURE INTO COUNTER-CULTURAL STYLE: TOWARDS THE QUESTION OF RECOVERY OF PROTEST POTENTIAL." Челябинский гуманитарий 71, no. 2 (2025): 7–12. https://doi.org/10.47475/1999-5407-2025-71-2-7-12.

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The article is devoted to the analysis of the processes of transformation of counterculture in the context of modern society, where processes of commodification, recuperation, and globalization dominate. The co-authors examine how initially protest movements and symbols are integrated into mass culture, losing their revolutionary potential.The work explores key theoretical approaches to understanding counterculture, including the works of D. Hebdige, N. Klein, and Guy Debord, which demonstrate how subcultural styles and symbols become objects of commercialization. The authors show how counterc

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3

Rathna, Donar. "Art and Counterculture: Shaping Identity Through Expression and Engagement." Art and Society 2, no. 4 (2023): 40–48. http://dx.doi.org/10.56397/as.2023.08.06.

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This paper explores the dynamic relationship between artistic expression and counterculture, shedding light on how artworks shape, reflect, and convey identities within alternative and nonconformist cultures. Countercultural movements challenge prevailing norms, seeking to establish alternative value systems, and artistic expression becomes a powerful medium through which these identities are both constructed and communicated. Through a historical overview, case studies, and analysis of media representation, the paper examines the intricate interplay between counterculture and art. It also del

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4

Шафраньош, O. І. "Approaches to the study of the phenomenon of counterculture: the attempt of typology." Grani 22, no. 3 (2019): 52–61. http://dx.doi.org/10.15421/171932.

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In the article the author analyzes the directions of studying the phenomenon of counterculture in Western science. An attempt is also made to typologize these scientific approaches. The term is first encountered in the work of Talcott Parsons «Social System» in 1951. The term is used in the context of a discussion on the ideology of subculture movements and deviant groups. His term sounds like «counter-culture». In a somewhat modified writing, with an expanded description of the term, it is used by American sociologist J. Milton Jinger in 1960. His term «contraculture» in English first encount

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5

Bock, Oliver. "Decadent Artwork in the Sixties Counterculture Magazines International Times and Oz." Zeitschrift für Anglistik und Amerikanistik 73, no. 1 (2025): 59–76. https://doi.org/10.1515/zaa-2025-2007.

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Abstract Leading magazines of 1960s counterculture in Britain made use of decadent aesthetics, yet the significance of this fin-de-siècle form of an artistic and ideological alternative for the counterculture of the Sixties has often been passed over in accounts of the aftermaths of Decadence. The paper examines the allusion to and the usage and assimilation of principles of decadent visual design as well as the visible incorporation of Beardsley-like style elements in selected pieces of artwork published in the magazines International Times (IT) and Oz. Discussing possible functions of these

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6

Petrash, Nikolay D., and Elena V. Petrash. "Assessment of the Influence of Counterculture Symbols and Images on the Formation of Individual Identity." Общество: философия, история, культура, no. 7 (July 24, 2024): 91–97. http://dx.doi.org/10.24158/fik.2024.7.11.

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This article examines the process of forming individual identity in the context of interaction with countercultural symbols and images. The focus is on the idea that individual identity can develop in various social conditions, including both positive and negative scenarios of influence. Particular attention is paid to the role of initiation processes, including in the criminal counterculture, and their stages: pre-liminal, liminal, and post-liminal. The article analyzes how initiation rites and associated practices contribute to the emergence of new personal quali-ties and the formation of a

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7

Kuligowski, Waldemar. "Anthropology as a Counterculture. Against the Mainstream (from the 1960s until Today)." Anthropos 116, no. 2 (2021): 429–38. http://dx.doi.org/10.5771/0257-9774-2021-2-429.

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This article is an attempt to ascertain the relationship between anthropology and counterculture. However, I am interested not so much in artistic affiliations (though, certainly, extremely interesting), but rather in strategies of activity and a specific shared “spirit” of resistance. My assumption is that anthropology has been a critical discipline from its beginnings, transgressing the cultural, social, political, and even moral mainstream. A dialogical, collaborative, advocational, and activist attitude are all hallmarks of an anthropological counterculture. In this context I focus on thre

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Fichter, Madigan. "Rock ‘n’ roll nation: counterculture and dissent in Romania, 1965-1975." Nationalities Papers 39, no. 4 (2011): 567–85. http://dx.doi.org/10.1080/00905992.2011.585146.

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A vibrant countercultural and dissident movement developed in Romania between 1965 and 1975. Young Romanians combined elements of the global youth movement with local cultural and political practices. Thus, Romanian counterculture and dissent shared the era's hippie aesthetic and anti-authoritarianism, but was highly isolationist, vehemently antisocialist and heavily couched in the language of the nation and nationalism. Furthermore, during this early Ceauşescu period, the socialist regime attracted some level of nonconformist support through a program of reform, opposition to Soviet interfere

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9

FLAY, CATHERINE. "After the Counterculture: American Capitalism, Power, and Opposition in Thomas Pynchon's Mason & Dixon." Journal of American Studies 51, no. 3 (2016): 779–804. http://dx.doi.org/10.1017/s0021875816001961.

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Although Thomas Pynchon has continued to publish long after the postwar American countercultural era, his politics are critically characterized in relation to that movement's values. The dominant critical positions associate power with rationalism and functionality, and political opposition with creativity and pleasure, positioning Pynchon's novels at a politicized intersection between postmodernism and the counterculture. This article problematizes this dominant critical position, taking Mason & Dixon (1997) as exemplary of Pynchon's reconsideration of the nature of power and potential op

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Murphy, Timothy S. "I Play for You Who Refuse to Understand Me." Journal of Popular Music Studies 30, no. 4 (2018): 143–60. http://dx.doi.org/10.1525/jpms.2018.300410.

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In Italy, the counterculture of the Sixties lasted until 1979, when it perished in the clash between two paranoias: the Italian state’s fear of terrorism and the radical social movements from which it arose, and the terrorists’ fear of the state’s authoritarianism. Popular musicians were trapped between these paranoias, and their music searches to escape from both while chronicling the closing of the space between them, the only space in which countercultural social and artistic experimentation could take place. This essay focuses on the Italian “international POPular group” Area, which acted,

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Più fonti

Tesi sul tema "Counterculture"

1

Daykin, Brian Rande. "Counterculture." Fogler Library, University of Maine, 2001. http://www.library.umaine.edu/theses/pdf/DaykinBR2001.pdf.

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2

Remse, Christian. "Vodou and the U.S. Counterculture." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1368710585.

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3

Muggleton, David. "Crossover counterculture : postmodernism and spectacular style." Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364366.

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Stephens, Larry D. "The West Georgia counterculture, 1967-1974." Thesis, University of West Georgia, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10241167.

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<p> This thesis presents a chronological narrative of the small, but marginally influential West Georgia College counterculture movement—which included no more than a hundred or so students and at least a few dozen faculty members—during a period of great social unrest. Framed by the ongoing moral debate about America’s controversial involvement in the Vietnam War, as well as radical social changes occurring in the larger culture, this study contributes to the historiography of the U.S. counterculture in at least two distinct ways. First, it is one of the few in-depth studies

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Regis, Halessa Fabiane. "Feminist counterculture and race in Hettie Jones' writing." reponame:Repositório Institucional da UFSC, 2017. https://repositorio.ufsc.br/xmlui/handle/123456789/177350.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2017.<br>Made available in DSpace on 2017-07-11T04:23:56Z (GMT). No. of bitstreams: 1 346779.pdf: 1199416 bytes, checksum: 6be42023f39c03aeb65c6da1f3cc30dd (MD5) Previous issue date: 2017<br>Este estudo investiga a contracultura feminista e questões de raça na escrita de Hettie Jones, mais especificamente, em suas três coleções de poemas, Drive, All Told e Doing 70, e em seu livro de memórias intitulado How

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6

Walker, Luke. "William Blake in the 1960s : counterculture and radical reception." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/53244/.

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The study begins with an account of Blake, as voiced by Allen Ginsberg, taking part in a key Sixties anti-war protest, and goes on to examine some theoretical aspects of Blake's relationship with the Sixties. In Chapter One, I explore the relationship between ‘popular Blake', ‘academic Blake', and ‘countercultural Blake'. The chapter seeks to provide a revisionist account of the relationship between Blake's Sixties popularity and his earlier reception, suggesting that all three elements of Blake's Sixties reception – popular, academic and countercultural – have long been intertwined, and conti

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Freer, Joanna Elizabeth. "A "little parenthesis of light" : Pynchon and the counterculture." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/43092/.

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This thesis examines the countercultural politics expressed within the work of the American novelist Thomas Pynchon, contributing to critical work already published on the subject of Pynchon's politics, in which there has been a recent upsurge of interest. Expressions of sympathy with anarchist and anti-Capitalist principles discerned in Pynchon's work are explored in their connection with the author's experience of particular practices and philosophies of the 1960s counterculture. Furthermore, the ongoing significance of sixties politics in Pynchon's more recent production is demonstrated as

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8

Rhuart, Britton Stiles. "Hippie Films, Hippiesploitation, and the Emerging Counterculture, 1955-1970." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu159068865182906.

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Gogan, Claire Marissa. "To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/73681.

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Klezmer, a type of Eastern European Jewish secular music brought to the United States in the late 19th and early 20th century, originally functioned as accompaniment to Jewish wedding ritual celebrations. In the late 1970s, a group of primarily Jewish musicians sought inspiration for a renewal of this early 20th century American klezmer by mining 78 rpm records for influence, and also by seeking out living klezmer musicians as mentors. Why did a group of Jewish musicians in the 1970s through 1990s want to connect with artists and recordings from the early 20th century in order to "revive" thi

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Sack, Susan K. "Teilhard in America: The 1960s, the Counterculture, and Vatican II." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1418374095.

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Libri sul tema "Counterculture"

1

1955-, Kallen Stuart A., ed. Sixties counterculture. Greenhaven Press, 2001.

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2

A, Swingrover E., ed. The counterculture reader. Pearson/Longman, 2004.

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3

Richard, Goldstein. Reporting the counterculture. Unwin Hyman, 1989.

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Jovanovski, Natalie. Diet Culture and Counterculture. Palgrave Macmillan UK, 2024. http://dx.doi.org/10.1057/978-1-349-96114-6.

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Stevenson, Guy. Anti-Humanism in the Counterculture. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47760-8.

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6

S, McConnell William, ed. Counterculture movement of the 1960s. Greenhaven Press, 2004.

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7

Brownell, Richard. American counterculture of the 1960s. Lucent Books, 2011.

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Jacobs, Jack Lester. Bundist counterculture in interwar Poland. Syracuse University Press, 2009.

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9

Rick, Beard, Berlowitz Leslie, and Museum of the City of New York., eds. Greenwich Village: Culture and counterculture. Published for the Museum of the City of New York by Rutgers University Press, 1993.

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10

Anders, Jentri. Beyond counterculture: The community of Mateel. Washington State University Press, 1990.

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Capitoli di libri sul tema "Counterculture"

1

McBride, Dave. "Counterculture." In A Companion to Los Angeles. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444390964.ch18.

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2

Aoki, Masahiko. "Counterculture." In Transboundary Game of Life. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-2757-5_18.

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Stern, Radu, and Vladimir Tismaneanu. "Counterculture." In Communism and Culture. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-82650-5_5.

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Bible, Vanessa. "Australian Counterculture." In Terania Creek and the Forging of Modern Environmental Activism. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70470-8_2.

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Pitts, Jesse. "The Counterculture." In Twenty-Five Years of Dissent. Routledge, 2021. http://dx.doi.org/10.4324/9781003193739-11.

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Sandling, Molly, and Kimberley L. Chandler. "The Counterculture." In Exploring America in the 1960s Grades 6-8. Routledge, 2021. http://dx.doi.org/10.4324/9781003235071-9.

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John, Bushnell. "Counterculture Graffiti." In Moscow Graffiti. Routledge, 2024. http://dx.doi.org/10.4324/9781003538523-4.

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King, Elliott H. "Surrealism and Counterculture." In A Companion to Dada and Surrealism. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118476215.ch25.

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Padva, Gilad. "The Counterculture Industry." In Handbuch Kritische Theorie. Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-12695-7_71.

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Padva, Gilad. "The Counterculture Industry." In Handbuch Kritische Theorie. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-12707-7_71-1.

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Atti di convegni sul tema "Counterculture"

1

Hammer, Jessica, Alexandra To, and Erica Principe Cruz. "Lab Counterculture." In CHI '20: CHI Conference on Human Factors in Computing Systems. ACM, 2020. http://dx.doi.org/10.1145/3334480.3381824.

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Kulish, Yuliia. "The 1960s as a Landmark of Ukrainian Literary Emancipation (American and French Comparative Aspects)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8956.

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Abstract (sommario):

The term “global sixtieth” has persisted in historiography since the 2000s denoting the revolutionary movements united by common discontent with the political, socioeconomic, and cultural status quo. Although their national literary manifestations differed, they appear to be interconnected regarding the attempts to establish other political and aesthetical orders, hence counterculture. This comparative article explores the liberation effect of the counterculture of the 1960s manifested in Ukrainian literature contrasted to American and French. It is stated the former pursued double emancipatio

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3

Ham, Jeremy, and Marc Aurel Schnabel. "Comparisons in Representational Media Use in Design Studios between Hong Kong and Australia." In CAADRIA 2014: Rethinking Comprehensive Design: Speculative Counterculture. CAADRIA, 2014. http://dx.doi.org/10.52842/conf.caadria.2014.781.

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Gokmen, Sabri. ""Formative Impulse": A Theoretical Outline for the Study of Goethean Morphology Using Computation." In CAADRIA 2014: Rethinking Comprehensive Design: Speculative Counterculture. CAADRIA, 2014. http://dx.doi.org/10.52842/conf.caadria.2014.863.

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Kim, Ju-Yeon. "A Comparision Study of Media Façades Based on Emotional Keywords." In CAADRIA 2014: Rethinking Comprehensive Design: Speculative Counterculture. CAADRIA, 2014. http://dx.doi.org/10.52842/conf.caadria.2014.979.

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Shih, Wingly. "A CAD System for Interactive Space Design." In CAADRIA 2014: Rethinking Comprehensive Design: Speculative Counterculture. CAADRIA, 2014. http://dx.doi.org/10.52842/conf.caadria.2014.967.

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Vaai, Jay, Jules Moloney, and Tane Jacob Moleta. "Integrating Project Management and Mobile Augmented Reality." In CAADRIA 2014: Rethinking Comprehensive Design: Speculative Counterculture. CAADRIA, 2014. http://dx.doi.org/10.52842/conf.caadria.2014.951.

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Ikeno, Kazunosuke, Takashi Koshiba, Yu Shimojo, Hiroki Michida, Hiroyuki Fukumoto, and Tomohiro Fukuda. "Relocation Design of Power Line and Utility Pole for Landscape Improvement." In CAADRIA 2014: Rethinking Comprehensive Design: Speculative Counterculture. CAADRIA, 2014. http://dx.doi.org/10.52842/conf.caadria.2014.921.

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Hyun, Kyung Hoon, Ji-Hyun Lee, Minki Kim, and Sulah Cho. "Style Analysis Methodology: Identifying the Car Brand Design Trends through Hierarchical Clustering." In CAADRIA 2014: Rethinking Comprehensive Design: Speculative Counterculture. CAADRIA, 2014. http://dx.doi.org/10.52842/conf.caadria.2014.327.

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Nakano, Akito, and Akira Wakita. "ASOM." In CAADRIA 2014: Rethinking Comprehensive Design: Speculative Counterculture. CAADRIA, 2014. http://dx.doi.org/10.52842/conf.caadria.2014.117.

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